Music

Dave And Central Cee Sprint to U.K. Chart Title, Set Streaming Record

Dave and Central Cee’s “Sprinter” (via Live Yours/Neighbourhood) does just like its namesake, as it bolts to the U.K. No. 1 in record-setting fashion.

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The hip-hop collaboration scores the biggest streaming week ever for a rap song in the U.K., the Official Charts Company reports, for Dave’s third leader and Central Cee’s first.

The outright leader at the midweek point, “Sprinter” races to 108,200 chart sales, according to the charts compiler, for the biggest opening of 2023. That sum includes 13.4 million streams, for the biggest-ever week for a rap single, beating Stormzy’s “Vossi Bop” which accumulated 12.7 million streams in one cycle back in May 2019.

That’s the biggest opening week for streams since Adele’s “Easy On Me” posted 24 million plays in its first seven days in October 2021.

Previously, Dave hit the summit with 2018’s “Funky Friday” with Fredo and in 2022 with “Starlight,” while Central Cee’s previous best was a No. 2 peak for 2022’s “Doja.”

“Sprinter” also nabs a piece of chart history in Australia, by coming the first U.K. rap single to debut at No. 1 on the ARIA Chart.

It’s one of three top 20 U.K. debuts from Dave and Central Cee’s surprise EP drop, Split Decision, as “Trojan Horse” gallops to No. 14 and “UK Rap” is new at No. 17.

Meanwhile, Sweden’s 2023 Eurovision champ Loreen taps a well of energy on the Official U.K. Singles Chart, published Friday, June 9, as “Tattoo” (Polydor) bounces 10-7 in its fourth week on the tally, while Rudimental improves 11-8 with “Dancing Is Healing” (Room Two) featuring Charlotte Plank and Vibe Chemistry, for the British drum & bass act’s first top 10 single in five years.

Kylie Minogue is within a whisker of the top 10 with her comeback track “Padam Padam” (BMG). The Aussie pop princess’ electro-pop cut lifts 23-12 for her highest-charting single in the U.K. since “Higher with Taio Cruz” went to No. 8 in 2011.

The queen of pop, Madonna, bags a 72nd top 40 appearance with “Popular” (Republic Records/XO), her collaboration with the Weeknd and Playboi Carti. Lifted from HBO’s The Idol, the new cut bows at No. 21 for Madonna’s highest-charting U.K. single since “Celebration” reached No. 3 in 2009. It’s the Weeknd’s 34th top 40 appearance, and Playboi’s second.

Finally, Dundee, Scotland DJ Hannah Laing and vocalist RoRo has the biggest gainer in the U.K. with “Good Love” (WUGD), up 63-22.

Snubs & Surprises at the 2023 Tony Awards

For the most part, the 2023 Tony Awards, which aired live on CBS and Paramount+ on Sunday June 11, went as expected.  Kimberly Akimbo, a new musical from composer Jeanine Tesori and lyricist/librettist David Lindsay-Abaire, was the top winner with five awards, including best musical.

Leopoldstadt was the play with the most wins — four, including best play.

Several big names from the recorded music world received came up short on Sunday, though these losses weren’t unexpected. Josh Groban lost best actor (musical) for Sweeney Todd: The Demon Barber of Fleet StreetSara Bareilles lost best actress (musical) nod for Into the WoodsBrandy Clark and Shane McAnally lost best original score (music and/or lyrics) written for the theatre for Shucked.

Several more record veterans were nominated as producers of best musical contenders that came up short. Max MartinDr. LukeShellback and veteran music executive Barry Weiss were among the nominated producers of & JulietMariah Carey was among the nominated producers of Some Like It Hot. Jason Owen, Gary Gersh and Sony Music Entertainment were among the nominated producers of Shucked.

For the first time, the winners for lead and featured actor in a musical are both gender non-conforming. J. Harrison Ghee, the lead actor winner for Some Like It Hot, identifies as nonbinary or pansexual. Alex Newell, the featured actor winner for Shucked, identifies as gender non-conforming.

The winners for best revival of a musical and best revival of a play had both lost when the original productions were nominated for best play and best musical. Parade was nominated as best musical in 1999, but lost to Fosse. Suzan-Lori Parks’ Topdog/Underdog was nominated as best play in 2002, but lost to Edward Albee’s The Goat, or Who Is Sylvia?

Ariana DeBose hosted the Tonys for the second year in a row. The show aired from the historic United Palace in the Washington Heights neighborhood of New York City. Ricky Kirshner and Glenn Weiss produced the show, with Weiss also serving as director.

Here are some of the more notable snubs and surprises of the 2023 Tonys.

‘Kimberly Akimbo’ Is Top Winner at 2023 Tony Awards: Full Winners List

Kimberly Akimbo, a new musical from composer Jeanine Tesori and lyricist and librettist David Lindsay-Abaire, was the top winner at the 2023 Tony Awards, which aired live on CBS on Sunday (June 11) from the historic United Palace in the Washington Heights neighborhood of New York City.

Kimberly Akimbo won five awards – best musical, best actress (Victoria Clark), best featured actress (Bonnie Milligan), best original score and best musical book. Tesori and Lindsay-Abaire shared the award for best original score.

Tesori previously won in that category for Fun Home (2015), alongside Lisa Kron. Tesori is just the second woman to win multiple awards in this category. Betty Comden won three alongside her partner Adolph Green – Hallelujah, Baby! (1968), On the Twentieth Century (1978) and The Will Rogers Follies (1991). Lindsay-Abaire won a second Tony for his book to the musical for Kimberly Akimbo. These are his first Tony awards. He had previously been nominated in both categories for his work on Shrek – The Musical, a previous collab with Tesori.

Stage adaptations of two classic films, Some Like It Hot and Life of Pi, each won multiple awards. Some Like It Hot won best actor (J. Harrison Ghee), best orchestrations, best choreography and best costume design. Life of Pi won best scenic design, best lighting design, and best sound design.

Leopoldstadt also won four awards, including best play. Revivals of Parade and Sweeney ToddThe Demon Barber of Fleet Street each won two awards. Parade beat Sweeney Todd for best revival of a musical. The original production was nominated for best musical in 1999, but lost to Fosse. Interscope and Immersive Records are among the Tony-winning producers of the Parade revival.

For the first time, the winners for lead and featured actor in a musical are both gender non-conforming. Ghee, who uses he/she/they pronouns, identifies as nonbinary or pansexual. Alex Newell, the featured actor winner for Shucked, identifies as gender non-conforming.

Two musicals, New York, New York and Shucked, each won one award. Five nominated musicals and musical revivals were shut out: & Juliet, Almost Famous, Camelot, Into the Woods and KPOP.

Suzan-Lori Parks’ Topdog/Underdog won best revival of a play. The work was nominated as best play in 2002, but lost to Edward Albee’s The Goat, or Who Is Sylvia?

Ariana DeBose hosted the Tonys for the second year in a row. The show also streamed live and on demand on Paramount+.  Ricky Kirshner and Glenn Weiss produced the show, with Weiss also serving as director.

The 2022/23 eligibility season began May 5, 2022 and ended April 27, 2023. Tony Awards in 26 competitive categories were voted on by 769 designated Tony voters within the theatre community.

Julianne Hough co-hosted a pre-show, “Act One,” for the second year in a row, this time with Skylar Astin.

MUSICALS

Best Musical

& Juliet; Producers: Max Martin & Tim Headington, Theresa Steele Page, Jenny Petersson, Martin Dodd, Eva Price, Lukasz Gottwald, 42nd.club, Independent Presenters Network, Jack Lane, Library Company, Shellback, Shivhans Pictures, Sing Out, Louise!, Kim Szarzynski, Taylor/Riegler, Tenenbaum/Keyes, Barry Weiss, John Gore Organization

WINNER: Kimberly Akimbo; Producers: David Stone, Atlantic Theater Company, James L. Nederlander, LaChanze, John Gore, Patrick Catullo, Aaron Glick

New York, New York; Producers: Sonia Friedman Productions, Tom Kirdahy, Wendy Federman & Heni Koenigsberg, Crossroads Live, Playing Field, Stephanie P. McClelland, Ambassador Theatre Group, Waiting in the Wings Productions, Colin Callender, Gilbert and DeeDee Garcia/Sue Vaccaro, Peter May, Rileyfan, Silverhopkins+/Hunter Johnson, Jay Alix & Una Jackman, Eric Passmore, Thomas Swayne, Elliott Cornelious/SunnySpot Productions, Santino DeAngelo/Cynthia Tong, Craig Balsam, Richard Batchelder, Concord Theatricals, Creative Partners Productions, Marguerite Hoffman, Jessica R. Jenen, John Gore Organization, MGM on Stage, James L. Nederlander, Linda B. Rubin, Seriff Productions, Shivhans Pictures, 42nd.club/Beards on Broadway, AGL Productions/Brad Blume, Hunter Arnold/Red Mountain Theatre, Cue to Cue Productions/Roy Putrino, Jamie deRoy/Janet and Marvin Rosen, Edgewood/Silva Theatrical Group, Dale Franzen/Henry R. Muñoz, III, Deborah Green/Chris Mattsson, Branden Grimmett/DMQR Productions, Christen James/Gregory Carroll, NETworks Presentations/Lamar Richardson, Ron Simons/Adam Zell, Chartoff-Winkler

Shucked; Producers: Mike Bosner, Jason Owen, AEG Presents/Jay Marciano/Gary Gersh, Jeffrey A. Sine, Richard Smith, Silvia Schmid, Bob Boyett, Jeremiah J. Harris, James L. Nederlander, EST/Emily Tisch, Sony Music Entertaiment, DudaAllen, David W. Busch, Karen Fairchild, HoriPro Inc., Gordon-Helfner, John Gore Organization, Madison Wells Live, S&Co., Terry Schnuck, Jimi Westbrook, ZKM Media

Some Like It Hot; Producers: The Shubert Organization, Neil Meron, MGM on Stage, Roy Furman, Robert Greenblatt, James L. Nederlander, Kenny Leon, Hunter Arnold, John Gore Organization, The Dalgleish Library Company Group, Sheboygan Conservatory Partners, Ambassador Theatre Group Productions, Bob Boyett, Cue to Cue Productions, Janet and Marvin Rosen, The Araca Group, Concord Theatricals, Marc Howard, Independent Presenters Network, Juanita Jordan, Jujamcyn Theaters, Henry R. Muñoz, III, Ostar, Mariah Carey, D.S. Moynihan

Best Revival of a Musical

Into the Woods; Producers: Jujamcyn Theaters, Jordan Roth, New York City Center, Daryl Roth, Hunter Arnold, Concord Theatricals, Nicole Eisenberg, Jessica R. Jenen, Michael Cassel Group, Kevin Ryan, ShowTown Productions, Armstrong, Gold & Ross, Nicole Kastrinos

Lerner & Loewe’s Camelot; Producers: Lincoln Center Theater, André Bishop, Adam Siegel, Naomi Grabel

WINNER: Parade; Producers: Seaview, Ambassador Theatre Group Productions, Alex Levy, Kevin Ryan, Eric & Marsi Gardiner, Interscope & Immersive Records, Erica Lynn Schwartz, Creative Partners Productions, Marcia Goldberg, John Gore Organization, Cynthia Stroum, Tom Tuft, Benjamin Simpson, Nathan Vernon, Brian& Nick Ginsberg, Ruth & Stephen Hendel, Roth-Manella Productions, Chutzpah Productions, 42nd.club, Ahava 72 Productions, The Andryc Brothers, The Array, At Rise Creative, Caiola Jenen Productions, Coles Achilles, deRoy Brunish Productions, Fakston Productions, Federman Batchelder, Level Forward, Pencil Factory Productions, Renard Lynch, Robin Merrie, Rubin Stuckelman, Runyonland Sussman, Kristin Caskey, Mike Isaacson, Bee Carrozzini, New York City Center

Sweeney Todd: The Demon Barber of Fleet Street; Producers: Jeffrey Seller, Bob Boyett, Diana DiMenna & Plate Spinner Productions/Aaron Glick, Eastern Standard Time, Roy Furman, Thomas Kail, Jim Kierstead/Benjamin Leon IV, TourDForce Theatrical, Maggie Brohn, Andy Jones

Best Performance by an Actor in a Leading Role in a Musical

Christian Borle, Some Like It Hot

WINNER: J. Harrison Ghee, Some Like It Hot

Josh Groban, Sweeney Todd: The Demon Barber of Fleet Street

Brian d’Arcy James, Into the Woods

Ben Platt, Parade

Colton Ryan, New York, New York

Best Performance by an Actress in a Leading Role in a Musical

Annaleigh Ashford, Sweeney Todd: The Demon Barber of Fleet Street

Sara Bareilles, Into the Woods

WINNER: Victoria Clark, Kimberly Akimbo

Lorna Courtney, & Juliet

Micaela Diamond, Parade

Best Performance by an Actor in a Featured Role in a Musical

Kevin Cahoon, Shucked

Justin Cooley, Kimberly Akimbo

Kevin Del Aguila, Some Like It Hot

Jordan Donica, Lerner & Loewe’s Camelot

WINNER: Alex Newell, Shucked

Best Performance by an Actress in a Featured Role in a Musical

Julia Lester, Into the Woods

Ruthie Ann Miles, Sweeney Todd: The Demon Barber of Fleet Street

WINNER: Bonnie Milligan, Kimberly Akimbo

NaTasha Yvette Williams, Some Like It Hot

Betsy Wolfe, & Juliet

Best Original Score (Music and/or Lyrics) Written for the Theatre

Almost Famous, Music: Tom Kitt;Lyrics: Cameron Crowe & Tom Kitt

WINNER: Kimberly Akimbo, Music: Jeanine Tesori;Lyrics: David Lindsay-Abaire

KPOP, Music & Lyrics: Helen Park & Max Vernon

Shucked, Music and Lyrics: Brandy Clark & Shane McAnally

Some Like It Hot, Music: Marc Shaiman;Lyrics: Scott Wittman & Marc Shaiman

Best Book of a Musical

& Juliet, David West Read

WINNER: Kimberly Akimbo, David Lindsay-Abaire

New York, New York, David Thompson & Sharon Washington

Shucked, Robert Horn

Some Like It Hot, Matthew López & Amber Ruffin

Best Direction of a Musical

WINNER: Michael Arden, Parade

Lear deBessonet, Into the Woods

Casey Nicholaw, Some Like It Hot

Jack O’Brien, Shucked

Jessica Stone, Kimberly Akimbo

Best Choreography

Steven Hoggett, Sweeney Todd: The Demon Barber of Fleet Street

WINNER: Casey Nicholaw, Some Like It Hot

Susan Stroman, New York, New York

Jennifer Weber, & Juliet

Jennifer Weber, KPOP

Best Orchestrations

Bill Sherman and Dominic Fallacaro, & Juliet

John Clancy, Kimberly Akimbo

Jason Howland, Shucked

WINNER: Charlie Rosen & Bryan Carter, Some Like It Hot

Daryl Waters & Sam Davis, New York, New York

Best Scenic Design of a Musical

WINNER: Beowulf Boritt, New York, New York

Mimi Lien, Sweeney Todd: The Demon Barber of Fleet Street

Michael Yeargan & 59 Productions, Lerner & Loewe’s Camelot

Scott Pask, Shucked

Scott Pask, Some Like It Hot

Best Costume Design of a Musical

WINNER: Gregg Barnes, Some Like It Hot

Susan Hilferty, Parade

Jennifer Moeller, Lerner & Loewe’s Camelot

Clint Ramos & Sophia Choi, KPOP

Paloma Young, & Juliet

Donna Zakowska, New York, New York

Best Lighting Design of a Musical

Ken Billington, New York, New York

Lap Chi Chu, Lerner & Loewe’s Camelot

Heather Gilbert, Parade

Howard Hudson, & Juliet

Natasha Katz, Some Like It Hot

WINNER: Natasha Katz, Sweeney Todd: The Demon Barber of Fleet Street

Best Sound Design of a Musical

Kai Harada, New York, New York

John Shivers, Shucked

Scott Lehrer & Alex Neumann, Into the Woods

Gareth Owen, & Juliet

WINNER: Nevin Steinberg, Sweeney Todd: The Demon Barber of Fleet Street

PLAYS

Best Play

Ain’t No Mo’; Author: Jordan E. Cooper; Producers: Lee Daniels, BET: Black Entertainment Television, Len Blavatnik, Ron Burkle, Aryeh B. Bourkoff, 59th & Prairie Entertainment, RuPaul Charles, I’ll Have Another Productions, Jeremy O. Harris, Lena Waithe, Tucker Tooley Entertainment, CJ Uzomah, Ann Cox, Gina Purlia, Bob Yari, Marvin Peart, Colleen Camp, Marvet Britto, Jeremy Green, Sue Wagner, John Johnson, Jillian Robbins, The Public Theater, Oskar Eustis, Patrick Willingham, Mandy Hackett

Between Riverside and Crazy; Author: Stephen Adly Guirgis; Producers: Second Stage Theater, Carole Rothman, Khady Kamara, Atlantic Theater Company

Cost of Living; Author: Martyna Majok; Producers: Manhattan Theatre Club, Lynne Meadow, Barry Grove, Williamstown Theatre Festival

Fat Ham; Author: James Ijames; Producers: No Guarantees, Public Theater Productions, Rashad V. Chambers, National Black Theatre, Tim Levy, Bards on Broadway, Bob Boyett, Ghostbuster Productions, James Ijames, Cynthia Stroum, Audible, Adam Cohen, Blake Devillier, Firemused Productions/JamRock Productions, The Forstalls, Iconic Vizion/Corey Brunish, John Gore Organization, Midnight Theatricals, David Miner, Robin Gorman Newman/PickleStar Theatricals, Marc Platt, Play on Shakespeare, The Wilma Theater, Colman Domingo, Cynthia Erivo, Andy Jones, Dylan Pager, Roundabout Theatre Company, Oskar Eustis, Patrick Willingham, Mandy Hackett, Sade Lythcott, Jonathan McCrory

WINNER: Leopoldstadt; Author: Tom Stoppard; Producers: Sonia Friedman Productions, Roy Furman, Lorne Michaels, Stephanie P. McClelland, Gavin Kalin, Delman Sloan, Eilene Davidson, Brad Edgerton, Patrick Gracey, Hunter Arnold, Burnt Umber Productions, Cue to Cue Productions, The Factor Gavin Partnership, Harris Rubin Productions, Robert Nederlander, Jr., No Guarantees, Sandy Robertson, Iris Smith, Jamie deRoy/Catherine Adler, Dodge Hall Productions/Waverly Productions, Richardo Hornos/Robert Tichio, Heni Koenigsberg/Wendy Federman, Thomas S. Perakos/Stephanie Kramer, Brian Spector/Judith Seinfeld, Richard Winkler/Alan Shorr

Best Revival of a Play

August Wilson’s The Piano Lesson; Producers: Brian Anthony Moreland, Sonia Friedman, Tom Kirdahy, Kandi Burruss & Todd Tucker, Hunter Arnold, Playing Field, The Factor Gavin Partnership, FBK Productions/42nd.club, Jay Alix & Una Jackman, Creative Partners Productions, Harris Rubin Productions, Marguerite Steed Hoffman, Alia Jones-Harvey, Mark Gordon Pictures, Stephanie McClelland, Moore Delman, James L. Nederlander, Seriff Productions, The Shubert Organization, Salman Al-Rashid/Jamie deRoy, Brad Blume/Cliff Hopkins, Jean Doumanian/Fakston Productions, Edgewood/DMQR Productions, Jay & Cindy Gutterman/Caiola Productions, Van Kaplan/Lu-Shawn Thompson, Erik A. King/Finewomen Productions, Marc David Levine/William Frisbie, Syrinda Paige/Kevin Ryan & Diane Scott Carter, Silva Theatrical Group/Tilted, Thomas Swayne/Cynthia J. Tong, Constanza Romero-Wilson

A Doll’s House New Version by: Amy Herzog; Producers: Ambassador Theatre Group Productions, Gavin Kalin Productions, Wessex Grove, Julie Boardman, Kate Cannova, Bob Boyett, Hunter Arnold, Creative Partners Productions, Eilene Davidson Productions, GGRS, Kater Gordon, Louise L. Gund, Los Angeles Media Fund, Stephanie P. McClelland, Tilted, Jessica Chastain, Caitlin Clements/Francesca Moody Productions, Caiola Productions/Amanda Lee, Ted & Richard Liebowitz/Joeyen-Waldorf Squeri, Richard & Cecilia Attias/Thomas S. Barnes, OHenry Theatre Nerd Productions/Runyonland MMP, The Jamie Lloyd Company

The Sign in Sidney Brustein’s Window; Producers: Seaview, Sue Wagner, John Johnson, Phil Kenny, Audible, Sony Music Masterworks, Jillian Robbins, Jeremy O. Harris, Larry Hirschhorn and Ricardo Hornos, Shields Smedes Stern Ltd., Kevin Ryan, The Shubert Organization, Willette and Manny Klausner, Marco Santarelli, Be Forward Productions, Concord Theatricals, Creative Partners Productions, Invisible Wall Productions, Salman and Moudhy Al-Rashid, TodayTix Group, Ido Gal, HarrisDonnelly, Sally Cade Holmes, Stella LaRue, LAMF Protozoa, Kati Meister and John Sorkin, Meredith Lynsey Schade, Catherine Schreiber, Dennis Trunfio, MCM Studios, 42nd.club, BAMM Productions, CarterMackTaylorWilliam, HB2M Productions, HK-Undivided Productions, MAJIKK Theatricals, Tanker Kollev Productions, Douglas Denoff, OHenry Productions, Plate Spinner Productions, Runyonland Productions, Mad Gene Media, Scrap Paper Pictures, Joi Gresham, BAM, Gina Duncan, David Binder, Elizabeth Moreau

WINNER: Suzan-Lori Parks’ Topdog/Underdog; Producers: David Stone, LaChanze, Rashad V. Chambers, Marc Platt, Debra Martin Chase, The Shubert Organization

Best Performance by an Actor in a Leading Role in a Play

Yahya Abdul-Mateen II, Suzan-Lori Parks’ Topdog/Underdog

Corey Hawkins, Suzan-Lori Parks’ Topdog/Underdog

WINNER: Sean Hayes, Good Night, Oscar

Stephen McKinley Henderson, Between Riverside and Crazy

Wendell Pierce, Arthur Miller’s Death of a Salesman

Best Performance by an Actress in a Leading Role in a Play

Jessica Chastain, A Doll’s House

WINNER: Jodie Comer, Prima Facie

Jessica Hecht, Summer, 1976

Audra McDonald, Ohio State Murders

Best Performance by an Actor in a Featured Role in a Play

Jordan E. Cooper, Ain’t No Mo’

Samuel L. Jackson, August Wilson’s The Piano Lesson

Arian Moayed, A Doll’s House

WINNER: Brandon Uranowitz, Leopoldstadt

David Zayas, Cost of Living

Best Performance by an Actress in a Featured Role in a Play

Nikki Crawford, Fat Ham

Crystal Lucas-Perry, Ain’t No Mo’

WINNER: Miriam Silverman, The Sign in Sidney Brustein’s Window

Katy Sullivan, Cost of Living

Kara Young, Cost of Living

Best Direction of a Play

Saheem Ali, Fat Ham

Jo Bonney, Cost of Living

Jamie Lloyd, A Doll’s House

WINNER: Patrick Marber, Leopoldstadt

Stevie Walker-Webb, Ain’t No Mo’

Max Webster, Life of Pi

Best Scenic Design of a Play

Miriam Buether, Prima Facie

WINNER: Tim Hatley & Andrzej Goulding, Life of Pi

Rachel Hauck, Good Night, Oscar

Richard Hudson, Leopoldstadt

Dane Laffrey & Lucy Mackinnon, A Christmas Carol

Best Costume Design of a Play

Tim Hatley, Nick Barnes & Finn Caldwell, Life of Pi

Dominique Fawn Hill, Fat Ham

WINNER: Brigitte Reiffenstuel, Leopoldstadt

Emilio Sosa, Ain’t No Mo’

Emilio Sosa, Good Night, Oscar

Best Lighting Design of a Play

Neil Austin, Leopoldstadt

Natasha Chivers, Prima Facie

Jon Clark, A Doll’s House

Bradley King, Fat Ham

WINNER: Tim Lutkin, Life of Pi

Jen Schriever, Arthur Miller’s Death of a Salesman

Ben Stanton, A Christmas Carol

Best Sound Design of a Play

Jonathan Deans & Taylor Williams, Ain’t No Mo’

WINNER: Carolyn Downing, Life of Pi

Joshua D. Reid, A Christmas Carol

Ben & Max Ringham, A Doll’s House

Ben & Max Ringham, Prima Facie

Foo Fighters End Noel Gallagher’s U.K. Chart Streak

The Foos fought all the way to the finishing line, as But Here We Are (via Columbia) wins a tight U.K. chart race.

Foo Fighters’ 11th and latest studio album becomes their sixth leader in the U.K., racking up 44,500 chart units during the latest cycle.

But Here We Are follows One By One (2002), Echoes, Silence, Patience & Grace (2007), Wasting Light (2011), Concrete And Gold (2017) and their most recent effort, 2021’s Medicine At Midnight, by marching to the top of the Official U.K. Albums Chart.

Dave Grohl and Co. are currently on the road supporting the new LP, recorded in the wake of the sudden death last year of drummer Taylor Hawkins. Brits will likely have to wait until 2024 for their tune to catch the Foos in action.

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But Here We Are manages to overturn a deficit at the halfway point, to deny Noel Gallagher’s High Flying Birds another crown with Council Skies (Sour Mash).

The legendary British rocker starts at No. 2 with Council Birds, ending a record-owning streak of 10 studio albums dating back nearly three decades. Gallagher’s unbroken run included all seven albums with Oasis and the previous three with High Flying Birds.

Council Skies, which enjoyed a late push from a digital exclusives campaign powered by Serenade, and finishes the chart week as the best-seller on wax, is Noel Gallagher’s High Flying Birds fifth top 5 title on the Official Chart.

Further down the list, published Friday, June 9, Sophie Ellis-Bextor bags her fifth U.K. top 10, as HANA (Cooking Vinyl) bows at No. 8, while another veteran British pop artist, Louise, just misses out on a top tier berth with Greatest Hits (BMG), new at No. 11.

Finally, Bob Dylan lands a 67th career top 40 entry with Shadow Kingdom (Sony Music CG). The new album, a collection of studio recordings of the songs that appeared in the master songwriter’s 2021 streaming special, starts at No. 14 on the U.K. survey.

Janet Jackson Brings Fans ‘Together Again’ at Hollywood Bowl Concert

The Hollywood Bowl opened its 2023 season with a hell of party Saturday evening (June 10), thanks to Janet Jackson and her Together Again Tour with special guest Ludacris. It’s Jackson’s first major outing since her 2019 Metamorphosis Las Vegas residency and, later that year, her 30th anniversary celebration of 1989’s Janet Jackson’s Rhythm Nation 1814.

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Borrowing its name from the hit single featured on Jackson’s 1997 sixth album The Velvet Rope, Together Again fittingly embodied the reunion vibe coursing throughout the multi-generational and multi-racial audience inside the Bowl. Both Jackson and Ludacris kept the sold-out, constantly cheering, sing-along crowd on its feet from beginning to end of their Los Angeles stopover.

Before coming to the Bowl, Jackson and Ludacris performed the night before (June 9) in Irvine, Calif. Additional California stops on the Together Again Tour — which kicked off April 14 — include Chula Vista (San Diego, June 11), San Bernardino (June 14) and Mountain View (June 16) before heading to Portland, Oregon (June 20) and Seattle (June 21), and then wrapping Oct. 27 in Lincoln (Sacramento, Calif.).

Here are five memorable highlights from the Los Angeles show:

Grand Entrance: Jackson prefaced her one hour and 45-minute set with a video compilation of pivotal moments in her life and 50-year career, from growing up as the youngest sister of the famed Jackson 5 brothers to becoming a solo star in her own right. Then several beats after the video ended, followed by flashing colored lights, Jackson walked onto a circular platform in the center of the stage to extended thunderous applause and shout-outs, resplendent in a floor-length, purple-hooded cape tied with a bow at the neck, purple lipstick and a waist-long, top-knotted ponytail. Dropping the cape, she launched into “Love Me” and then “Damita Jo” wearing a gold sparkly jumpsuit and matching boots. As most fans know, the latter song is her middle name and the title of her 2004 album. It’s also one of several songs — including “Enjoy,” “Like You Don’t Love Me” and “Do It 2 Me” — that she’s been performing live for the first time. But no matter how much of the concert has already been covered in reviews thus far, nothing matches being there to experience first-hand the excitement that comes with the start of a Jackson concert. 

Dancing Machine and Other Moves: Further heightening the experience this time is the show’s minimalist set — three video screens, circular platform and upper platform — with Jackson complemented by four energetic male dancers who kept pace with her the whole time. So attendees were given a bird’s eye view of Jackson’s percolating stage presence and still captivating choreography.  Among the songs drawing ecstatic reaction during her 40-song set were “If,” “That’s the Way Love Goes,” “What Have You Done for Me Lately”/“Nasty,” “The Pleasure Principle,” “Control” (which had Ludacris dancing in the crowd), “All for You” and “Miss You Much.” A suite of slow songs (“Let’s Wait Awhile,” “Anytime, Anyplace,” “I Get Lonely”) lent an intimate vibe to the evening, as did Jackson performing “Again” with YOLA (Youth Orchestra Los Angeles) led by conductor Thomas Wilkins.

“It feels so good to be home,” Jackson said before joining YOLA. “Tonight is very special to me because we’re all here to support the LA Phil.” Note: All proceeds from the Bowl’s opening night benefitted the Los Angeles Philharmonic and its learning and community programs.

Ending the show’s second act with “I Get Lonely,” Jackson serenaded one of the dancers and danced suggestively with him — before surprising the crowd by planting him with a full-on kiss and then sashaying offstage wearing a sly smile.

A Colorful Sendoff: Before encoring with “Together Again,” Jackson and crew gave the audience what it had been waiting for … a riveting reprise of one of her most popular and socially conscious hits, “Rhythm Nation.” Decked all in black — with Jackson donning a black T-shirt with RN spelled out across the front — the crew launched into a dance routine that was just as crisp and on-point as it was when Jackson introduced the track and its ground-breaking video back in 1989. A surprise fireworks display illuminating the sky above the Bowl put an exclamation point on the performance.

Shaken and Stirred: Flanked by several video screens frequently emblazoned with his fiery DTP (Disturbing tha Peace) label logo, Ludacris did just that. He didn’t simply warm up the crowd — he fired them up to boiling. With his unique, rapid-fire flow still intact, Luda commandingly strode the stage as he ripped his way through a 40-minute memory-evoking set. As one concertgoer was overheard noting, “You forget just how many records Ludacris has.” With his large Afro bouncing along, the rapper/actor/entrepreneur reeled off 18 songs as he took fans back to day one of his career. Among them: “Southern Fried Intro,” “Welcome to Atlanta,” “Area Codes,” “Lovers & Friends,” “My Chick Bad,” “Money Maker,” first hit single “What’s Your Fantasy,” “Stand Up” (wearing self-described “big ass white shoes”), his verses from Usher’s “Yeah!” and set closer “Get Back.” Honored with a star on the Hollywood Walk of Fame in May this year, Ludacris definitively proved what he declared early into his set: “I was born to be on this damn stage tonight!”

Jamming with Mr. Jam: Spotted in the audience getting his groove on as well was Jimmy Jam. He and partner Terry Lewis are the Grammy-winning songwriters-producers who collaborated with Jackson in crafting a majority of her hits. Watching him, alongside his family, was a cool and unexpected treat. 

Fans Choose Sam Smith and Madonna’s ‘Vulgar’ as This Week’s Favorite New Music

In the middle of Pride Month, Sam Smith and Madonna‘s “Vulgar” tops this week’s new music poll.

Music fans voted in a poll published Friday (June 9) on Billboard, choosing the pop pair’s new song as their favorite new music release of the past week.

“Vulgar” brought in more than 45% of the vote, beating out new music from BTS, Niall Horan, Rosalía and more.

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The club-ready track, released via Capitol Records on Friday, is a pulsating dance anthem that has Smith proudly proclaiming that “you know you’re beautiful when they call you ‘vulgar.’” Madonna warns, “If you f— with Sam tonight, you’re f—ing with me/ So watch what you say or I’ll split your banana.”

“Vulgar” arrived following a short period of teasing on social media from Smith, who offered some clever new branding for the team-up with Madonna: “S&M.”

Trailing just behind “Vulgar” on the poll is BTS’ “Take Two,” with 41% of the vote, and Horan’s new album The Show, with 9% of the vote.

See the final results of this week’s poll below.

Flavor Flav Is Looking to Hire Taylor Swift Fans to Make Custom Friendship Bracelets

Flavor Flav is in his Swiftie era and asking talented Taylor Swift fans to help him make a large number of custom friendship bracelets before the next Eras Tour concert he attends.

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After catching Swift’s Friday night show at Detroit’s Ford Field and mingling with fans who gifted him handmade friendship bracelets, he seems to be taking Swift’s “You’re on Your Own, Kid” lyric “So make the friendship bracelets/ Take the moment and taste it” to heart. Friendship bracelet trading has become a fun trend for the crowds at Swift’s current tour.

“Swifties,” he wrote on Twitter Sunday afternoon (June 11), “I wanna hire one of y’all to make me some custom Flavor Flav bracelets to trade for the next Eras Tour stop ya boy hits up.”

“Who can help??” he asked.

“Ya boy wants hundreds of bracelets,,, maybe thousands,,, so maybe we hire several of y’all,,, looking for: •ITS•A•CLOCK• + •FLAVOR•FLAV In Navy with Silver Gonna start DMing some of y’all,” he added in a reply.

Hopefuls soon commented with their “resumes” — photos of the friendship bracelets they’ve already made for The Eras Tour — and Flav already seems impressed by the pool of applicants.

“WOWWWWWW!!! These just keep getting better!!!” he said after watching a video clip of a Flavor Flav friendship bracelet one fan created.

The Public Enemy co-founder had the time of his life at his first Eras stop in Detroit, where he found himself “makin new friends.” He posted numerous updates throughout the show on Friday, including a picture of a wrist full of colorful bracelets he’d collected that night.

See his job listing below. Plus, check out the Swift concert reel he posted, featuring his Eras Tour bracelet trading.

Taylor Swift Looks Back on Her 2006 National Anthem Performance in Detroit: ‘I Was Sooo Insanely Nervous’

Taylor Swift is looking back on one of her early live performances.

On Sunday (June 11), the 33-year-old pop superstar took to social media after her two sold-out Eras Tour concerts at Detroit’s Ford Field to reminisce about her first time appearing at the approximately 65,000-capacity stadium when she was just 16.

“Ahhhhh Detroit that was so much fun!! First time I performed at Ford Field was singing the anthem there in 2006 and I remember thinking it felt impossible for a place to be that big, I was sooo insanely nervous,” Swift wrote on Instagram alongside a gallery of snapshots from the Detroit Eras show.

The singer-songwriter took a similar stroll down memory lane during her concert at Ford Field on Friday (June 9). Before performing “Lover” during the show’s opening segment, she reminded Swifties about singing the “Star Spangled Banner” prior to a Detroit Lions game in conjunction with the release of her 2006 self-titled debut album.

“It was, like, the biggest place I’ve ever seen in my life,” Swift recalled, “and now we’re back with the Eras Tour.”

Swift finished her reflective Instagram post, writing, “Thanks to those crowds this weekend for your endless energy and extremely loud scream-singing, you made us feel right at home. See you very soon Pittsburgh.”

Earlier in the week, Ford Field tweeted a photo of Swift’s national anthem performance at the stadium with Lions head coach Dan Campbell (who was a player at the time) standing directly behind her. “Big Ford Field fans,” the venue captioned the post.

Swift will resume her Eras Tour with a two-night stand at Pittsburgh’s Acrisure Stadium on June 16-17.

See the pop star’s post in which she reminisces about performing the national anthem in Detroit on Instagram here.

Stray Kids’ ‘5-STAR’ Debuts at No. 1 on Billboard 200 Albums Chart

Stray Kids lead a busy week in the top 10 on the Billboard 200 albums chart (dated June 17), as the pop group debuts at No. 1 with 5-STAR. It’s the Korean act’s third chart entry, and third to debut at No. 1, following MAXIDENT and ODDINARY, both in 2022.

The new album launches with 249,500 equivalent album units earned in the United States in the week ending June 8, according to Luminate. That marks the fourth-largest week, by units earned, for any album in 2023. Further, of its starting unit sum, album sales comprise 235,000 — the largest sales week for an album this year, and the biggest for any title since Taylor Swift’s Midnights sold 1.14 million in its first week (Nov. 5, 2022-dated chart).

Also in the top 10 of the new Billboard 200 albums chart, five other titles arrive in the region: Jelly Roll’s Whitsitt Chapel starts at No. 3; ENHYPEN’s Dark Blood bows at No. 4 after its CD release on June 2 (it was issued via streamers and digital download on May 22); Metro Boomin’s Spider-Man: Across the Spider-Verse soundtrack flies in at No. 7; Foo Fighters’ But Here We Are starts at No. 8; and Moneybagg Yo’s Hard to Love enters at No. 10.

With six debuts in the top 10, the region hosts the most new arrivals in over two and a half years, since the Oct. 10, 2020-dated chart, when six albums also began in the top 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 17, 2023-dated chart will be posted in full on Billboard‘s website on Tuesday (June 13). For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of 5-STAR’s 249,500 equivalent album units earned, album sales comprise 235,000, SEA units comprise 14,000 (equaling 19.55 million on-demand official streams of the set’s tracks) and TEA units comprise 500.

As Stray Kids have seen their first three entries on the Billboard 200 all debut at No. 1, the last act also to have its first three chart entries all debut atop the list was Harry Styles, with his first three solo albums: Harry Styles (2017), Fine Line (2019) and Harry’s House (2022).

Like many K-pop releases, the CD edition of 5-STAR was issued in collectible CD packages (18 total, including exclusives for Barnes & Noble, Target, Walmart and a signed edition in the group’s webstore), each containing a standard set of bonus items and randomized elements (photo cards, mini posters, sticker sets, photo books). There were also four alternative digital versions of the album, sold only in the act’s webstore, each containing the base song tracklist, but with alternative covers and bonus voice memos from individual members of the eight-member group, each selling for $6.99.

Effectively all of 5-STAR’s first-week album sales were CDs (98%; 231,000), with about 2% from digital album sales (about 4,000). The set was not available in any other retail format (such as vinyl or cassette).

5-STAR is mostly in the Korean language, but includes some English lyrics. It is the 19th mostly non-English language album to hit No. 1, and the third of 2023, following Karol G’s Mañana Será Bonito (one week, March 11 chart) and TOMORROW X TOGETHER’s The Name Chapter: Temptation (one week, Feb. 11).

Stray Kids have yet to chart a song on the U.S.-based Billboard Hot 100 songs chart (through the most recently published list, dated June 10). The act has notched four entries on the Billboard Global 200, and seven titles on the Billboard Global 200 Excl. U.S. chart, which rank the most popular songs globally, and globally excluding the U.S., respectively.

Morgan Wallen’s former leader One Thing at a Time is a non-mover at No. 2 on the Billboard 200 with 117,000 equivalent album units earned (down 7%).

Jelly Roll rocks in at No. 3 on the Billboard 200 with Whitsitt Chapel, starting with 90,000 equivalent album units earned — his biggest week yet and first top 40-charting release. (He previously logged three albums, none going higher than No. 97.) Of the new set’s first-week units, album sales comprise 63,000, SEA units comprise 25,000 (equaling 33.09 million on-demand official streams of the set’s songs) and TEA units comprise 2,000.

Whitsitt’s album sales were aided by three vinyl LPs (including a color variant exclusive for Walmart), a standard CD, a signed CD sold through Jelly Roll’s webstore, a deeply-discounted digital album (only $4.20 for a limited time during the tracking week in his webstore), nine deluxe CD boxed sets that included branded merch and a copy of the CD and a “hymnal” Zine/CD package.

ENHYPEN notches its second top 10 on the Billboard 200, and the Korean pop group’s highest charting effort yet, as Dark Blood bows at No. 4 with 88,000 equivalent album units earned (also the act’s best week yet by units). Of its first-week units, album sales comprise 85,000, SEA units comprise 3,000 (equaling 3.79 million on-demand official streams of the set’s songs) and TEA units comprise a negligible sum.

Like many K-pop releases, the CD edition of Dark Blood was issued in collectible CD packages (17 total, including a number of retailer-exclusives), each containing a standard set of bonus items and randomized elements. Dark Blood’s debut on the Billboard 200 comes only after its CD was released, as its digital album and streaming album both dropped on May 22.

Swift’s chart-topping Midnights falls 1-5 on the Billboard 200 with 83,000 equivalent album units earned (down 70%) and Lil Durk’s Almost Healed dips 3-6 in its second week (67,000; down 46%).

Metro Boomin’s star-studded soundtrack to Spider-Man: Across the Spider-Verse swings in, debuting at No. 7 with 66,000 equivalent album units earned. Of that sum, streaming equivalent album units comprise 62,000 (equaling 83.57 million on-demand official streams of the set’s songs), album sales comprise 3,000 and TEA units comprise 1,000. It’s the sixth top 10-charting set for Metro Boomin. The album features guests such as Future, Lil Wayne and Nas.

Foo Fighters’ But Here We Are — the band’s first album since the death of drummer Taylor Hawkins in early 2022 — starts at No. 8 with 62,000 equivalent album units earned. It’s the 10th top 10 album for the group. The album was led by the single “Rescued,” which topped both the Alternative Airplay chart (the act’s 11th leader there) and the Mainstream Rock Airplay chart (its 12th No. 1).

SZA’s chart-topping SOS drops 4-9 with 51,000 equivalent album units (down 8%).

Moneybagg Yo’s Hard to Love is the sixth and final debut in the top 10, as it bows at No. 10 with 51,000 equivalent album units earned. Of that sum, SEA units comprise 48,500 (equaling 66.56 million on-demand official streams of the set’s songs), album sales comprise 2,500 and TEA units comprise a negligible sum. It’s the sixth top 10-charting set for the rapper.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Aespa Makes History With First-Ever Governors Ball Performance: Best Moments

2023 is shaping up to be a busy year for the girls of aespa.

Following the May release of the K-pop group’s third mini album, My World, the quartet — consisting of Karina, Giselle, Ningning and Winter — announced its first ever global tour, which will see them making stops across the United States, Latin America and Europe later this year. To warm up for the trek, the girl group hit the main stage at the Governors Ball Music Festival at New York City’s Flushing Meadows Corona Park on Saturday (June 10) and delivered their biggest hits, despite being short one member.

Prior to aespa’s Gov Ball performance — a history-making feat as they are the first K-pop act to ever grace the festival — the group’s management company SM entertainment shared a statement with MYs (the group’s fan name) regarding Giselle’s lack of attendance at the festival.

“We are sorry to inform aespa’s US fans that Giselle will not be able to join the group for their upcoming Governors Ball performance due to health issues,” the statement read.

Soldiering on, Karina, Ningning and Winter commanded the stage with their inimitable presence, opening up their set with several nods to the group’s extensive and intriguing lore. Naevis, the AI system that helps the girls’ digital avatars appear in the real world, leads the intro before the trio kicks things off with an energetic performance of “Girls” complete with fiery pyrotechnics to pump up the crowd.

Read on to learn about the best moments from aespa’s Governors Ball debut performance below.