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A plane owned by Mötley Crüe vocalist Vince Neil is reportedly at the center of a fatal plane crash in Scottsdale, AZ.
The incident reportedly occurred at 2:45pm on Monday (Feb. 10) when a Bombardier Learjet 35A arriving from Austin, TX veered off the runway after landing at Scottsdale Municipal Airport and crashed into a Gulfstream G-200 business jet parked nearby on private property. One person was reported deceased following the crash, with four others suffering injuries.
A press briefing from Scottsdale Fire Capt. Dave Folio attributed the incident to faulty landing gear.
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Jet Pros Director of Operations Gus Toulatos, who operates the Gulfstream, issued a statement noting that no injuries occurred aboard their plane but confirmed the extensive exterior damage.
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“We are cooperating fully with airport authorities and relevant agencies as they conduct a thorough review of the situation,” Toulatos said. “We appreciate the swift response of airport personnel and will provide updates as more information becomes available.”
Scottsdale Mayor Lisa Borowsky also issued a response to the tragedy, confirming the details of the event and noting that the airport remained closed at the time of her statement.
“We are closely monitoring the situation, and we are in touch with airport, police and federal agencies and will update the community as we have further information,” Borowsky said.
“On behalf of the city of Scottsdale, we offer our deepest condolences to those involved in the accident and for those who have been taken to our trauma center for treatment. We will keep all affected by this tragedy in our prayers.”
According to Nashville’s NewsChannel 5 (WTVF), the Bombardier Learjet 35A is registered to the Franklin, Tennessee-based Chromed in Hollywood, with Mötley Crüe’s Vince Neil listed as a principal agent.
A report from TMZ stated that Mötley Crüe manager Allen Kovac has confirmed that Neil was not on the plane at the time of the incident, and that the band are working towards a way to aid those affected by the crash.
Mötley Crüe themselves took to Facebook late on Monday night to share a post containing a statement from Neil’s representative, Worrick Robinson IV.
“At 2:39 p.m. local time, a Learjet aircraft Model 35A owned by Vince Neil was attempting to land at the Scottsdale Airport,” the statement read. “For reasons unknown at this time, the plane veered from the runway causing it to collide with another parked plane. On board Mr. Neil’s plane were two pilots and two passengers. Mr. Neil was not on the plane.
More specific details regarding the collision are not available as this is a rapidly evolving situation and there is an ongoing investigation. Mr. Neil’s thoughts and prayers go out to everyone involved, and he is grateful for the critical aid of all first responders assisting today.”
Sweet Relief Musicians Fund celebrated the legacy of legendary folk singer Joan Baez on Saturday, Feb. 8 at the Masonic Auditorium in San Francisco. Performers included Emmylou Harris, Rosanne Cash, Margo Price, Bonnie Raitt, Tom Morello, Joe Henry, Lucinda Williams, Taj Mahal and Baez herself. There were also appearances by Jackson Browne and the Glide […]
Kendrick Lamar took over Caesars Superdome in New Orleans, La., on Sunday night (Feb. 9) for the Apple Music Super Bowl LIX Halftime Show,
After SZA’s ethereal appearance during Lamar’s set, it could make sense for K.Dot to pass the baton to his upcoming tour mate and frequent collaborator. She’d have plenty of songs to choose from, as her 2017 album Ctrl peaked at No. 3 on the Billboard 200 and spawned standout tracks like “Love Galore,” “The Weeknd,” and “Broken Clocks,” while her Billboard 200 chart-topper SOS featured hits like “Kill Bill,” “Snooze,” “Good Days,” “I Hate U” and more.
Within R&B/hip-hop, a few more stars who come to mind for future Super Bowl headliners include Lil Wayne, who wanted to perform in his hometown of New Orleans, and Nicki Minaj, who dropped the long-awaited Pink Friday 2 in 2023 and expressed plans for the third installment of the Pink Friday series in September. Jay-Z is also likely to take the halftime slot, as he and his company Roc Nation have signed on since 2019 to help the NFL pick out talent to perform during the prestigious game. “I thought it would be selfish to pick myself too early,” he previously said of performing during a red carpet appearance for the premiere of The Book of Clarence. “Maybe one year.”
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Over in the pop world, Taylor Swift could take over for her Kansas City Chiefs boyfriend Travis Kelce and have her time in the Super Bowl spotlight, or Justin Bieber could take the stage, as he’s been teasing a return to music in recent months. BTS is also scheduled for a much-anticipated reunion after the group members complete their South Korean military service in mid-2025, so why not celebrate with a major Halftime Show takeover?
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Country has had a major year, and Post Malone could be a fun headliner following the release of his country-tinged F-1 Trillion project. Or perhaps his “I Had Some Help” collaborator Morgan Wallen should take center stage. There’s also a chance that the Super Bowl Halftime Show goes back to spotlighting rock acts, with Metallica and Linkin Park’s new lineup as great contenders.
Who do you think should do the honors and headline the 2026 Super Bowl Halftime Show? Let us know by voting here or below.
Do you know what the initials “AWGE” stand for? Don’t feel too bad because only a few people know the answer to that, and apparently it’s a big secret. AWGE is the name of A$AP Rocky‘s creative agency and record label, and the meaning of what the letters stand for has never been made clear. […]
It’s been a near-year-long road to the Big Game for Kendrick Lamar, whose 2024 crescendoed from March onward, to the point where the rapper — who had long seemed conflicted about the idea of crossover success — ended the year as our editorial staff’s pick for the year’s Greatest Pop Star. He’s picked up right […]
Kid Rock abruptly cut a recent performance short after expressing frustration at the audience’s energy. The “All Summer Long” singer took the stage at JBJ’s Nashville as a special guest during Bon Jovi keyboardist David Bryan’s birthday celebration on Saturday (Feb. 8). In a clip of the incident circulating the Internet, Kid Rock begins to […]
Another week, another win for Kendrick Lamar. This weekend was all about the Compton MC’s explosive Super Bowl LIX halftime show performance on Sunday night (Feb. 9)
Lamar did not bring out Lil Wayne as a surprise guest, but he did tap Samuel L. Jackson to serve as a narrator as he ripped through classics like “Humble” and “DNA,” as well as GNX cuts like “Man at the Garden,” “Squabble Up,” “Peekaboo” and the SZA-assisted “Luther.” After cheekily teasing the beat several times throughout the show, Lamar did, in fact, treat the Super Dome to a remarkable rendition of his Drake-obliterating “Not Like Us,” which won five Grammys, including record and song of the year, last weekend (Feb. 2). Other notable appearances included Mustard, the Grammy-winning producer behind “Not Like Us” and “TV Off,” which closed the show.
The morning after the big game (Feb. 10), Eagles fans weren’t the only fandom with something worse celebrating. While Kendrick Lamar and SZA revealed the U.K. and European dates for the forthcoming joint Grand National stadium tour, Beyoncé also revealed several additional dates to her previously announced Cowboy Carter World Tour, which will host mini-residencies in stadiums across America, the U.K. and Europe.
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The Weeknd also scored a major win with the official Billboard 200 debut of Hurry Up Tomorrow. The set became his fifth to reach the top of the chart and also earned the biggest opening week total of his career (490,500 units).
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Tyga and Shenseea’s steamy new collaboration to Giveon’s solo comeback. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.
Freshest Find: Rory feat. Leon Thomas, “Who Are You Anyway?”
Across Rory’s sparse soundscape accented by mournful piano and echoing drum and bass percussion, Leon Thomas waxes poetic about his partner morphing into someone he can no longer recognize. “You’re too pretentious, self-conscious pride in driving Mercedes/ Always done up, but I doubt you looked in the mirror lately/ I know the mirror would say/ ‘Who are you anyway?’” he sings at the end of the first verse, employing a dirge-like quality to his vocal performance that intensifies the drama of the song’s lyrics. The mirror’s question is rhetorical, but the dread of hearing an answer that you don’t want to internalize drives the tension of Rory’s new single. — KYLE DENIS
Tyga & Shenseea, “Magnetic”
Tyga isn’t new to making hits, and adding Caribbean dancehall artist Shenseea almost guarantees the success of this track. “Magnetic” explores the intense push-and-pull of a relationship fueled by attraction, jealousy and emotional uncertainty. Tyga’s verses reveal his insecurities and frustration, questioning his partner’s feelings while admitting he can’t break free from their connection. Meanwhile, Shenseea asserts her confidence and loyalty, emphasizing their undeniable chemistry while questioning if passion is clouding their judgment. The song captures the cycle of being drawn together despite trust issues, with “Magnetic” perfectly describing how they keep coming back to each other, no matter how hard they try to resist. — CHRISTOPHER CLAXTON
Jordan Hawkins, “Emotions”
“Where did I put ’em?/ Where’d I misplace ’em?/ Where did I leave ’em?/ Where did you take ’em?” With a barrage of questions, rollicking rock&B single Jordan Hawkins kicks off his latest single in the throes of borderline histrionic emotional turmoil — as converted by a vocal performance that primarily trades in growls, rasp and impassioned falsetto. It’s been over a year since Hawkins’ last album, 2023’s 4Play, so hopefully “Emotions” leads to something more than just the continuation of his recent string of terrific standalone singles. — K.D.
GIVĒON, “Twenties”
GIVĒON is back with his first solo track since 2023, reflecting on the regrets of falling in love too soon. “Twenties” captures the heartbreak of investing years into a relationship that didn’t last, especially during the formative years of young adulthood. The song tells the story of a six-year relationship that ultimately falls apart, with the narrator realizing they sacrificed personal growth for love. Lyrics like “Thought I was learning myself/ I was just learning you” highlight the painful lesson of losing oneself in a relationship. “Twenties” is a bittersweet reflection on love, self-discovery, and the realization that some relationships, no matter how deep, aren’t meant to last. — C.C
TA Thomas, “Preach”
TA Thomas has been committed to making real R&B — rapid-fire riffs, bare chest and all — for some time now, and he’s doubling down with “Preach,” the new single from his forthcoming Southern Soul EP (via Def Jam). Co-penned by Lucky Daye and produced by Camper, the new track finds Thomas melding religious metaphors to croon of his woman’s allure and the temptation she brings. “How’d you get that body to preach?/ Let it speak to me, baby/ Like it does in my dreams/ Oh, I need a witness/ The choir’s with me,” he sings.
Nueve Lio & Karri, “Candles”
Nueve Lio and Karri team up for a smooth track celebrating the beautiful, confident women in their lives—women they’re not officially dating but are more than happy to spoil. Instead of just getting them a cake for their birthday, they’re ready to spend time, make memories, and enjoy the moment. The song captures a laid-back, feel-good vibe that many can relate to, offering a glimpse into the next generation of R&B and what it brings to the table. — C.C.
The Anti-Defamation League has spoken out against Ye, the artist formerly known as Kanye West, following the rapper’s bout of antisemitic posts on X over the weekend that recently escalated into the sale of swastika T-shirts on his website. In a statement posted to X Monday (Feb. 10), the ADL — which works to combat […]
Lady Gaga debuts at No. 1 on the Feb. 15-dated Hot Dance/Pop Songs tally with “Abracadabra,” becoming the second chart-topper in the survey’s five-week history. Tate McRae’s “It’s Ok I’m Ok” drops to No. 6 after reigning for the list’s first four frames.
All Billboard charts dated Feb. 15 will update tomorrow, Feb. 11. Hot Dance/Pop Songs ranks the most popular current dance/pop titles, separate from Billboard’s Hot Dance/Electronic Songs chart, which focuses on producers and DJs.
“Abracadabra” and its official music video were debuted during last weekend’s Grammy telecast (Sun, Feb. 2), before appearing in full on digital platforms later that night. Billboard‘s tracking week stretches from Friday to Thursday, meaning that the song’s chart debut was handicapped by its Sunday release. Still, its No. 1 entry was powered by 13.7 million official U.S. streams, 1.3 million radio audience impressions, and 10,000 downloads sold through Feb. 6, according to Luminate.
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Despite its shortened week, “Abracadabra” boasts the highest sales and streaming totals in the chart’s brief history.
Gaga also debuts on the Billboard Hot 100, with “Abracadabra” arriving at No. 29 in its first abbreviated week. Following the chart’s current reigning champ, the Bruno Mars-assissted “Die with A Smile”, and “Disease” (No. 27), her upcoming Mayhem now boasts three top 40 hits on the all-genre ranking before its impending March 7 release, marking her first album to do so since 2013’s Artpop. Overall, it’s her 39th entry on the chart dating back to “Just Dance,” featuring Colby O’Donis, which spent three weeks at No. 1 in 2009.
Gaga’s history in the genre reaches farther back than her No. 1 debut. She crowned the Dance/Mix Show Airplay list four times, reigning for one week with “Bad Romance” and “Born This Way,” for four weeks with “Rain on Me” featuring Ariana Grande, and for a 15-week stretch with “Poker Face.” Plus, her debut album The Fame has logged 193 weeks at No. 1 on Top Dance Albums, climbing back to No. 2 in its 569th week on the chart, 17 years removed from its 2008 release.
Sabrina Carpenter is the latest act to join the list of performers at the upcoming BRIT Awards (March 1), and will collect the global success award on the night. The “Espresso” singer will head to The O2 Arena in London to perform during the ceremony. She joins JADE, Myles Smith, Shaboozey, Teddy Swims and The […]