Music

Zayn Malik Recalls His ‘Overexposed’ One Direction Years in ‘Call Her Daddy’ Teaser

Since his exit from One Direction eight years ago, Zayn Malik has become notorious for his reclusive approach to press and traditional avenues of music promotion. But as the star preps the release of his new single “Love Like This,” he is officially re-entering the interview arena.

For his first interview in six years, Malik was announced as the latest guest on Alex Cooper’s Call Her Daddy podcast on Tuesday (July 11). In a preview clip posted to the podcast’s social media pages, Zayn reveals why he chose this moment to return to the limelight in a more open way. “I feel like we were so overexposed in the band that that’s why I took the time that I have to not even necessarily do interviews,” he said.

It’s easy to see why Malik feels that way — from 2011 to 2015, One Direction pumped out five studio albums, four world tours, two concert films and a documentary, as well as collecting four No. 1 albums on the Billboard 200 and six top ten hits on the Billboard Hot 100. Zayn ultimately decided to leave the group before the release of their fifth studio album, saying in a 2015 statement, “I am leaving because I want to be a normal 22-year-old who is able to relax and have some private time out of the spotlight.”

In the teaser clip for his upcoming interview, Zayn tells Cooper that he grew weary of the stereotypes being used within the boy band. “They just said, ‘Oh yeah, you can be the mysterious one.’ That wasn’t necessarily my personality, I’m just chill,” he said. “I know that a lot of people have high-energy personalities, and it’s just not the way I am.”

In 2020, Zayn welcomed his first child, a daughter, with model Gigi Hadid; in the episode preview, the singer credits his daughter for giving him the confidence to sit down for the interview. “Since I’ve had my daughter, the main thing in my mind is trying to be a good example for her,” he said. “That’s why I’m even doing this interview. I used to get a lot of anxiety around having a conversation like this, and I want her to look at me and be like, ‘Yo, my dad’s doing this!’”

The preview clip also featured Zayn embracing his newfound affinity for “dad jokes,” and gushing about how his daughter has brought “the color back” into his life. Zayn’s Call Her Daddy interview will be available on Wednesday, July 12. His new single, “Love Like This,” is slated for a July 21 release.

Check out the full preview here:

Colleen Ballinger Tour Canceled Following Child Grooming Allegations

Colleen Ballinger’s upcoming tour dates have been canceled following accusations of grooming and inappropriate parasocial relationships with underage fans.

The tour, which had already been underway before the allegations surfaced, was scheduled to resume on Thursday (July 13) in Boise, Idaho. However, while the tour dates are still listed on Ballinger’s website, when the link is clicked, the website states that the shows are canceled, as initially reported by The Independent.

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Allegations surrounding Ballinger’s behavior with her fans first began in 2020, when YouTuber Adam McIntyre made a video claiming that the comedian had a personal friendship with him while he was just a teenager and she was in her 30s. He added that he would help with her social media and would be frequently put in uncomfortable situations, specifically noting that at one point, Ballinger sent him lingerie as a joke. At the time, Ballinger denied some of his allegations in a video.

The allegations resurfaced last month when another YouTuber, KodeeRants, who defended Ballinger against McIntyre in 2020, alleged that Ballinger privately shared screenshots of messages with McIntyre in a fan group chat. She also showed screenshots in her now-deleted video, in which Ballinger asked the group of fans their “favorite position,” among other inappropriate questions.

In response, Ballinger uploaded an unusual 10-minute video to YouTube, choosing to address the allegations through a ukulele song. “For what it’s worth, I never had any bad intentions but I do feel like s—,” the 36-year-old sang, proclaiming, “I’m not a groomer. I’m just a loser who didn’t understand I shouldn’t respond to fans.”

“Your goal is to ruin the life of the person you despise while you dramatize your lies and monetize their demise,” she sang, playing the ukulele and repeating a “toxic gossip train” chorus. “I’m sure you’re disappointed in my s–tty little song, I know you wanted me to say that I was 100 percent in the wrong.”

Babyface’s ‘Fact’ Finds No. 1 on Adult R&B Airplay: ‘It Will Always Come Back to the Music’

For the first time in 26 years, Babyface rules Billboard’s Adult R&B Airplay chart without any other credited artists, with “As a Matter of Fact” advancing from No. 3 to lead the list dated July 15. The legend last led on his own with “Every Time I Close My Eyes,” a two-week No. 1 in 1997, and collects his sixth overall chart-topper.

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“Fact” ascends to the summit after a 10% boost in plays that made it the most-played song on U.S. monitored adult R&B radio stations in the week ending July 6, according to Luminate. The new leader extends the icon’s hot streak on Adult R&B Airplay; his last four chart entries have all reached the top five. Plus, Babyface is off to a strong start with new label P Music, as his first two visits – as featured on Charlie Wilson’s “No Stoppin’ Us,” alongside fellow guests K-Ci Hailey and Johnny Gill – and now “As a Matter of Fact” have topped the list.

“I am grateful and blessed to have another [No. 1] song on the Billboard [Adult] R&B radio chart as a solo artist after 26 years,” Babyface tells Billboard. “I am thankful to still be here and do what I love – creating music. It will always come back to the music. Thanks to my fans and my team!”



In total, “As a Matter of Fact” gives the hitmaking performer, songwriter and producer his sixth Adult R&B Airplay No. 1. Here’s an updated look at all his champs as an artist:

“Never Keeping Secrets,” one week at No. 1, beginning Dec. 4, 1993
“When Can I See You,” two, Aug. 20, 1994
“Every Time I Close My Eyes,” two, March 29, 1997
“Hurt You,” with Toni Braxton, four, Dec. 14, 2013
“No Stoppin’ Us,” Charlie Wilson featuring Babyface, K-Ci Hailey & Johnny Gill, three, Aug. 6, 2022
“As a Matter of Fact,” one (to date), July 15, 2023

Elsewhere, “As a Matter of Fact” rises 23-22 for a new peak on the R&B/Hip-Hop Airplay chart, which measures songs by combined audience from adult R&B and mainstream R&B/hip-hop stations. There, the single gained 6% in audience to reach 5.4 million in the latest tracking week. In addition to his own track, Babyface has even more to celebrate: As a co-producer and co-writer, he shares in the success of SZA’s “Snooze,” which wins a third week at No. 1 on R&B/Hip-Hop Airplay.

EXO Snags Second Hot Trending Songs No. 1 With ‘Cream Soda’

Music from EXO’s new album EXIST – The 7th Album dots Billboard’s Hot Trending Songs chart, powered by Twitter, dated July 15, including four of the top five.

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Billboard’s Hot Trending charts, powered by Twitter, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running June 30-July 6.

The July 15-dated survey is paced by “Cream Soda,” the album’s leadoff track. The songs “Love Fool,” “No Makeup” and “Private Party” follow at Nos. 2-4, respectively. All four songs were newly announced as part of the wider tracklist reveal on July 2 ahead of the album’s eventual July 10 release.

The reign of “Cream Soda” follows EXO’s previous No. 1, “Let Me In.” Also from EXIST, the song was released in June and led the June 24-dated Hot Trending Songs tally.

The top non-EXO song on the July 15 ranking is FendiDa Rappa’s “Point Me 2,” with Cardi B, which debuts at No. 5. A remix of FendiDa Rappa’s “Point Me to the Slut’s” released last year, the new version was released July 7 after being teased on the rappers’ social media accounts beginning July 3.

It’s Cardi B’s second time at No. 1 on the chart, both times with features on remixes of previously released songs. In April 2023, she led as part of Latto’s “Put It On Da Floor Again.”

More music from EXO plus songs from MISAMO and Jung Kook round out the top 10.

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.

Camila Cabello Brings the Heat With New Bikini Photo

Camila Cabello has been enjoying a vacation in Greece, and the superstar took to Instagram on Monday (July 10) to show off her curves with a sizzling bikini photo.

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In the snap, the “Havana” superstar is standing waist deep in the Mediterranean Sea, rocking a red and black, flame-printed string bikini with her hands raised above her head. “Can’t wait to be back to chronic low level anxiety in Florida’s shark infested waters,” she joked in the caption, comparing the Grecian waters to the beaches in her hometown of Miami.

It’s been a great week for Cabello, as it was announced last week that the 26-year-old singer will receive the special Agent of Change award at this year’s Premios Juventud on July 20, celebrating commitment to the betterment of youth around the world. “I am honored and incredibly excited to receive this esteemed recognition. I can’t wait to see you all on July 20th for an unforgettable show,” she expressed in a press statement. Cabello will join past Agent of Change honorees including Jesse & Joy, Maluma, Daddy Yankee, J Balvin, Kany Garcia, Jenni Rivera Foundation, Ricky Martin, Becky G, Pitbull, Juanpa Zurita, and Wisin y Yandel. 

See her fiery bikini picture below.

Judas Priest to Replace Ozzy Osbourne at Power Trip Festival: Exclusive

English metal legends Judas Priest are playing Power Trip festival in Indio, California, after rocker Ozzy Osbourne announced Monday that he would not be performing at the metal-themed festival produced by Goldenvoice.

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Osbourne had been scheduled to perform alongside AC/DC, Guns N Roses, Tool, Metallica and Iron Maiden Oct. 6-8 but pulled out of the festival Monday, telling fans in an Instagram message “My original plan was to return to the stage in the summer of 2024, and when the offer to do this show came in, I optimistically moved forward. Unfortunately, my body is telling me that I’m just not ready yet and I am much too proud to have the first show that I do in nearly five years be half-assed.”

He continued, “The band that will be replacing me on Power Trip will be announced shortly. They are personal friends of mine and I can promise that you will not be disappointed.”

Power Trip is taking place at the Empire Polo Field, the same site used to host the annual Coachella music festival, as well as the annual Stagecoach country music festival. It follows the Goldenvoice-produced Desert Trip festival in 2016 that was headlined by the Rolling Stones, Paul McCartney, Roger Waters, Neil Young, Bob Dylan and The Who. Ticket prices start at $599, covering all three days. Single-day tickets are not currently for sale.

Judas Priest toured extensively in 2022 and was inducted into the Rock and Roll Hall of Fame that year, but does not currently have any shows on the books for 2023. The band is booked to play a European tour in spring 2024. Led by vocalist Rob Halford, Judas Priest has toured extensively with Osbourne and had been scheduled to tour with him in 2022 before that tour had to be postponed for health reasons.

Osbourne’s health struggles also led to a March announcement that he was canceling his upcoming 2023 U.K. and European tour dates due to a spinal injury.

“My singing voice is fine. However, after three operations, stem cell treatments, endless physical therapy sessions, and most recently groundbreaking Cybernics (HAL) Treatment, my body is still physically weak,” Osbourne wrote on Instagram at the time.

Victoria Monét Announces The Jaguar Tour: See the Dates

Victoria Monét will embark on her debut headlining tour, The Jaguar Tour, this fall.

The tour will kick off on Sept. 6 at Detroit’s Majestic Theatre, less than two weeks after she releases her new album Jaguar II on Aug. 25 via Lovett Music/RCA Records. Since she released her critically acclaimed album Jaguar in 2020 during the pandemic, The Jaguar Tour will mark the first time she’ll be performing both projects live on tour.

Monét previously released singles “Smoke,” featuring Lucky Daye, “Party Girls,” featuring Buju Banton and “On My Mama” ahead of Jaguar II. She broke down all three tracks for Billboard, saying, “I feel like I’ve been behind the bushes and in the background, and I think jaguars themselves live in that way. They find the right moment to attack — and get what they want.”

The 22-date jaunt also includes her first-ever solo show in London on Nov. 15 at KOKO.

Tickets go on sale this Friday, July 14 at 10 a.m. local time here. But they could sell out as quickly as her first headlining show in L.A. this past March at the El Rey Theatre — which was in partnership with Spotify’s “R&B First Nights” campaign and Goldenvoice — which sold out in under one minute.

See Monet’s announcement, as well as The Jaguar Tour dates below.

The Jaguar Tour Dates:

  • Sept. 6 — Detroit, Mich. @ Majestic Theatre
  • Sept. 8 —  Toronto, ON @ Danforth Music Hall
  • Sept. 11 — Boston, Mass. @ Royale
  • Sept. 13 — New York, N.Y. @ Webster Hall
  • Sept. 15 — Washington, D.C. @ The Howard Theatre
  • Sept. 16 — Philadelphia, Penn. @ Theatre of Living Arts (TLA)
  • Sept. 18 — Charlotte, N.C. @ The Underground
  • Sept. 19 — Atlanta, Ga. @ Buckhead Theatre
  • Sept. 21 — New Orleans, La. @ Joy Theater New Orleans
  • Sept. 22 — Houston, Texas @ House of Blues
  • Sept. 24 — Dallas, Texas @ House of Blues
  • Sept. 26 — Denver, Colo @ Cervantes Masterpiece Ballroom
  • Sept. 28 — Las Vegas, Nev. @ 24 Oxford
  • Sept. 29 — Phoenix, Ariz. @ The Van Buren
  • Oct. 1 — San Diego, Calif. @ The Observatory North Park
  • Oct. 3 — San Francisco, Calif. @ The Regency Ballroom
  • Oct. 6 — Portland, Ore. @ The Wonder Ballroom
  • Oct. 7 — Seattle, Wash. @ The Showbox
  • Oct. 9 — Sacramento, Calif. @ Ace of Spades
  • Oct. 11 — Los Angeles, Calif. @ The Fonda Theatre
  • Oct. 22 — Chicago, Ill @ House of Blues
  • Nov. 15 –- London, England @ KOKO

Charlie Morgan, Wade Jessen, John Willyard & More Inducted Into the 2023 Country Radio Hall of Fame

The 2023 Country Radio Hall of Fame Induction Dinner and Awards were held Monday (July 10) at the Virgin Hotel Nashville in Music City’s famed Music Row area, as music industry members gathered to celebrate the induction of six new inductees into coveted institution.

This year’s on-air inductees were Trish Biondo and Dollar Bill Lawson, while the off-air honorees were Pam Green, Charlie Morgan, John Willyard and Wade Jessen.

The Country Radio Hall of Fame was founded in 1974, and fetes those who have made significant contributions to country music and the country radio industry. Among the many sterling radio executives in attendance was one of the Country Radio Hall of Fame’s founding fathers, Chuck Chellman, who recently turned 90. Chellman was honored with the CRB’s inaugural president’s award in 1998.

WSM’s Bill Cody and Country Radio Broadcaster executive director RJ Curtis led the festivities.

Barbara Mandrell was honored with the 2023 CRB artist achievement award, which was presented to her by Garth Brooks and Trisha Yearwood. The Country Music Association’s CEO Sarah Trahern called Mandrell a “groundbreaker for our format,” noting that Mandrell became a member of the Grand Ole Opry at age 23, is a three-time CMA Awards host, and is the first artist to win the CMA’s entertainer of the year in two consecutive years, in 1980 and 1981.

Mandrell is an accomplished multi-instrumentalist, singer, entertainer, dancer, actor and author. She earned six No. 1 hits on Billboard‘s Country Songs chart, including “Sleeping Single in a Double Bed” and “One of a Kind Pair of Fools.” With her sisters Louise and Irlene, Mandrell hosted the popular television series Barbara Mandrell and the Mandrell Sisters from 1980-1982. Mandrell announced her retirement in 1997, and was inducted into the Country Music Hall of Fame in 2009.

Yearwood also performed in Mandrell’s honor, offering a rendition of Mandrell’s 1979 hit “If Loving You Is Wrong (I Don’t Want to Be Right),” which had previously been a 1972 pop and R&B hit for Luther Ingram.

The performance took a cue from Barbara Mandrell’s enduring performance of “I Was Country When Country Wasn’t Cool” at the 1981 CMA Awards, when George Jones left his seat in the audience to join Mandrell in song. During Yearwood’s performance, Brooks “spontaneously” stood up, walking through the audience and joining Yearwood onstage to finish the song.

Yearwood honored Mandrell, saying, “You are a rock star and a pioneer and a bada–, and every male and female singer that has come after you owes you a debt of gratitude.”

Mandrell took the stage, and thanked country radio for the career-shaping impact it has had on her life.

“My whole career, it’s because you made it for me,” Mandrell said. “I did a lot of other things, too, but radio, in my life, the music business comes from radio. You don’t ever forget how important you on-air radio personalities are. I know there are people like me that entertain, but there was twice in my life and career that I was invited to go on-air for an hour and play like I was a radio personality. That is the hardest thing on earth. I have such high respect for all of you, but you just went to the moon — you have to constantly think of like five or six things at one time and you have to pay attention to anything that is going on in the world… I hold you in such high esteem and for you to feel positive about what I did means the world to me. You made my career and I love you with all my heart.”

CRB/CRS board president Kurt Johnson honored Scott and Julie DeVos (of De Lux Productions) with the CRB Presidents Award. The pair have helmed the musical performances that attendees see at the annual Country Radio Seminar for over 25 years.

“It all boils down to teamwork, and nowhere is that more true than in the world of event production,” Julie said. Scott agreed, telling the audience that accolade honors everyone they have worked with over the years to bring performances to life.

“We want to create events you speak of, the ones you had to be there for,” Scott added.

The late Wade Billboard in December 1994 as a senior chart manager, overseeing Billboard’s country, Christian, gospel and bluegrass charts, and playing a key role in developing the Hot Country Songs chart, which melds airplay, sales and streaming data. Prior to his work at Billboard, Jessen held a on-air role at KSOP Salt Lake City, before taking on the role of music director at WSM-AM in Nashville, the home of the Grand Ole Opry. After joining Billboard, Jessen also continued to work as a radio personality for the SiriusXM’s classic country channel, Willie’s Roadhouse. Jessen passed away after suffering a heart attack in 2015.

Members of Jessen’s family attended the Country Radio Hall of Fame ceremony to accept the honor on his behalf.

“He had a voice that was just made for the radio,” Jessen’s niece Courtney said in recalling her uncle. “He had a sense of humor like none else. We loved to listen to him tell stories in his ‘radio voice,’” his niece, Courtney said, recalling how Jessen made time to emcee their junior prom. “On behalf of the Jessen family, we would like to thank the Country Radio Hall of Fame for bestowing such an honor on our uncle. His accomplishments and his career will now be legendary…To our uncle, we love you and we miss you.”

Jessen’s spouse, Corey Jones, said, “While it has been eight years since we lost Wade, we remember the many heartfelt condolences we received from people throughout country radio and the country music industry … Thank you again to the Country Radio Hall of Fame for ensuring that Wade will forever have a place in the history of country radio.”

Ed Salamon honored Green, who was known as one of country music’s first female music directors, and saw career acceleration during a 13-year run as music director at WHN in New York. Green also worked with Joel Raab’s consulting company and served as sr. director of artist relations at United Stations Radio Networks, continuing in that role when the company was absorbed by Westwood One.

Willyard makes history as the first Country Radio Hall of Fame inductee to be honored primarily for voice acting/imaging. He has become one of country music’s most recognizable voices, having handled the voiceover work for the Country Music Association Awards for two decades. In 1991, he caught the attention of country radio consultant Rusty Walker, who recommended Willyard to his clients for imaging voice work. Willyard’s client list grew to more than 100 country outlets in all market sizes.

Willyard thanked those who have been instrumental to his career, and succinctly summarized the mission of both country radio and voice imaging—reaching the audience. “Touching a heart is golden — something no AI can do,” he said.

Marci Brown honored Biondo, who first interned at MTM Records before joining WUSN Chicago. Biondo first began in research and promotion at the station while still in college, before taking on board operator duties and eventually adding on-air work and ascending to the music director position. As a music director, Biondo earned the Billboard MD of the year honor in 1988. Biondo spent 14 years in mornings at WUSN, before taking on the midday role in 2006.

Biondo noted how much Mandrell’s hit “I Was Country When Country Wasn’t Cool” resonated with her, and how country radio first appealed to her with its themes of family and kindness. She also stressed the importance of “soaking up every moment.”

Bob Richards and Dave Kennedy honored Morgan, who previously served as a board president for Country Radio Broadcasters and currently serves as board chairman of the Country Music Association. Morgan began his career as an on-air personality at WFMS in Indianapolis, where he rose to handle mornings and programming/operations. In 2000, he became VP/market manager for the Susquehanna cluster, which became a Cumulus property. He took on Sr. vp, market manager duties for the Emmis/Indianapolis cluster (including Hank FM) in 2009. In 2015, he added market manager duties for the Emmis New York station group. In 2019, Morgan was named as Apple Music’s Global Head of Radio and Music Programming.

Morgan shared stories from many of his career triumphs and missteps over the years, before noting, “This journey has been filled with so many stories and memories,” Morgan said.

Tom Hanrahan introduced honoree Lawson, known for his 18-year role at WZZK in Birmingham, Alabama, as well as his work in the a.m. daypart at WDXB since 2002. Lawson was previously awarded the Tom Rivers Humanitarian Award during Country Radio Seminar in 2019, for his ongoing work in support of charities including St. Jude Children’s Research Hospital.

Lawson praised country radio, country music artists and the music listeners during his Country Radio Hall of Fame acceptance speech, noting the “personal relationship between stations, artists and listeners. Your audience in country music lets you into their lives.” He also thanked the country radio industry, saying, “Thank you for a defining moment of my life.”

Chartbreaker: How Hailey Whitters Got Everything She Wanted With ‘Everything She Ain’t’

A few days after accepting the award for new female artist of the year at the Academy of Country Music (ACM) Awards in Nashville this May, Hailey Whitters was onstage in Madison, Wis., opening for Shania Twain. Afterward, as she watched the legend from the wings, Whitters, 33, flashed back to her 8-year-old self “singing Shania Twain in [my] underwear in the living room … and it hit me just how far I’ve come,” she says. “I set out to do this, and I definitely was hellbent on achieving it, but even the last few months have surprised me.”

Her spring accomplishments also included a headlining club tour and landing her first top 20 hit at country radio. The winsome, effervescent “Everything She Ain’t,” released in early 2022, has spent 62 weeks on Billboard’s Country Airplay chart, peaking at No. 17 in June more than a year after its debut. In May, the song gave Whitters her first appearance on the Hot 100 chart.

Whitters experienced plenty of discouraging moments — when she wondered if she should head back home to Shueyville, Iowa, and its population of 700 — following her post-high school move to Nashville in 2007. But as she sang on her 2019 track, “Ten Year Town,” about trying to make it in country music: “I didn’t come this far to only go this far.”

Raised on ‘90s country and artists like The Chicks and Trisha Yearwood, Whitters knew that she wanted to move to Nashville after she and her mom attended the Grand Ole Opry during a visit to Music City when she was 15. During her early years in Nashville, she made inroads as a songwriter, landing cuts with big names including Alan Jackson, Martina McBride and Little Big Town. But her career as an artist was floundering, even after releasing her debut album, Black Sheep, through her music publishing company, Carnival Music, in 2015.

Hailey Whitters

Gucci top, & Other Stories skirt, Jenny Bird jewelry.

Daniel Chaney

Yet the tide began to turn when she posted “Ten Year Town” on Instagram in July 2019. Almost immediately, artists including Maren Morris, Brothers Osborne and Carly Pearce supported the song. “They posted about it and it started generating all this buzz,” Whitters says.

Within two weeks, Morris had asked Whitters to open on her fall tour, a fortuitous move Whitters still can’t believe. “I had no label, no management,” Whitters says (her booking agency CAA relayed the good news). “It was pretty ballsy of her to ask, essentially, this no-name songwriter to open this massive tour. I quit my waitressing job right before the tour started.”

With excitement about Whitters renewed, she also found management: Make Wake’s Chris Kappy, whose clients include Luke Combs and Range Media Partners’ Matt Graham, who co-manages Midland, among others. The friends were both so enthusiastic about Whitters, they decided to partner.

“ ‘Ten Year Town’ brought me to tears. It made me really want to help her,” Graham says. “I met her at a bar in Nashville and called Kappy afterwards and said, ‘That’s a person that I would want to drink a beer with all over the world.’”

Whitters had opened three shows for Combs years before, and though Kappy admits he doesn’t recall the gigs, Whitters always remembered how well he had treated her. “She said, ‘You took care of me, and I was nobody,’” he reflects. “I heard the music, I fell in love with it, and then by just being a good human being ended up winning the business.”

Hailey Whitters

The Great top and skirt, Steve Madden boots, Jennifer Fisher earrings, Jenny Bird ring.

Daniel Chaney

In February 2020, Whitters self-released her The Dream EP on her own Pigasus Records. A few weeks later, she played a sold-out show at Nashville’s prestigious Exit/In with hit songwriter Nicolle Galyon and Big Loud CEO Seth England, among other label executives, in attendance. Galyon offered her a deal on her new Songs & Daughters label, a partnership with Big Loud Records, and Whitters believed she was finally making headway. Then the pandemic hit. “It felt like all the stars were aligning, and by that Friday, the world shuts down,” she recalls.

During the early months of the pandemic, she focused on songwriting, including Alicia Keys and Brandi Carlile’s 2020 song, “A Beautiful Noise,” for which she received a song of the year Grammy nomination. She also released a deluxe edition of Dream, called Living the Dream, that included collaborations with artists including Yearwood, Jordan Davis and Little Big Town.

Concurrently with focusing on her music, she revamped her look from jeans and t-shirts. Graham paired her with photographer-turned-creative director Harper Smith, and “it really shifted everything about how Hailey conveyed herself to her audience,” he says. “It captured the Midwest earnestness, cuteness, small-town aesthetic that Hailey really wanted to own,” as she leaned into pastel colors, florals, ruffles and hair bows.



By 2021, Whitters was eager to reemerge following months of Zoom co-writes. She had her first in-person writing session with Bryan Simpson and Ryan Tyndell at Tyndell’s studio on Music Row and left with a hit.

Simpson and Tyndell were working on a song with a “stark, moody, Spaghetti Western vibe,” Whitters recalls, but getting nowhere. She suggested they switch to something lighter. “I had that hook, ‘I’m everything she is and everything she ain’t,’ and we were off to the races.” Less than 90 minutes later, they finished “Everything She Ain’t,” and that night, Whitters sang it a capella to her producer boyfriend (now husband) Jake Gear, who replied, “We have to record that, like, instantly,” she recalls.

Her label had the same positive reaction. Though she had already finished recording songs for her 2022 album Raised, once Galyon and England heard the eventual breakout hit, Whitters says, “They just lit up and were like, ‘We have to release this.’ I was totally shocked. I thought we were done.”

When the album arrived — complete with the last-minute addition — digital service providers including Spotify, Amazon, Apple and Pandora embraced the song. TikTok also played a role in its success. “My philosophy has always been, ‘Don’t sign stuff that’s working on TikTok, sign great artists and help them crack the code on TikTok,’” Graham says. “Interesting pockets of TikTok connected with that record, like farm boys that really took to the song and ran with it.”

Hailey Whitters

Gucci top, & Other Stories skirt, Jenny Bird jewelry, Darner socks, Sam Edelman shoes.

Daniel Chaney

When the song reached a million streams a week, Kappy says Big Loud decided it was time to go to terrestrial radio with Whitters for the first time. The slow, steady climb has been propelled by “creating moments for the fans to fall in love with her,” he says, including opening for Jon Pardi last year and Twain this year, plus her ACM Award win, which was voted on by peers.

As Kappy sees it, “I think Nashville finally gave her that kiss that said, ‘Hailey, we know you’ve been here and we love you. You’ve earned this.’”

A version of this story will appear in the July 15, 2023, issue of Billboard.

Cardi B & Offset Pack on PDA at Daughter Kulture’s 5th Birthday Party

Don’t worry — for the most part, Kulture Kiari’s fifth birthday party was mostly just filled with Blue’s Clues, Trolls and other PG appropriate celebrations. But parents Cardi B and Offset diiiiid sneak in a couple seconds of PDA.

Sharing clips of Kulture’s big day, which included a trip to Nickelodeon Universe at American Dream in New Jersey, Cardi included a seconds-long video of Offset passionately kissing her cheek and neck on her Instagram Story Monday (July 10). In the background, Bruno Mars’ “Just The Way You Are” can be heard playing through the speakers as Cardi smirks at the camera.

As evidenced by Cardi’s Story, the couple has been going strong since resolving their brief public spat over allegations that the “WAP” rapper cheated on the Migos star. Late last month, Offset posted and deleted a Story accusing his wife of sleeping with another man; however, Cardi quickly shut the rumors down.

In other videos on Cardi’s Story, Offset — holding the pair’s second child, nearly two-year-old son Wave — looks on as his daughter hugs special guest Blue the puppy from Blue’s Clues. “Naaa you did your big one,” Cardi wrote, praising Offset for pulling off the extravagant party.

In a post on the “I Like It” artist’s main feed, Kulture can be seen posing in a pink tutu and meeting Poppy, the pink Troll voiced by Anna Kendrick in DreamWorks’ animated film Trolls. “My baby is five….,” Cardi wrote in her caption. “Happy birthday to my pretty princess .It’s beautiful seeing my girl grow yet makes me a lil sad that my baby is not my little baby no more..light lil turn up today till the weekend.”

See Cardi’s post below.