Music

Friday Music Guide: New Music From Travis Scott, Post Malone, Offset & Cardi B and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.

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This week (July 28), Travis Scott takes listeners to Utopia, Post Malone introduces his fans to Austin, and Offset and Cardi B brush off the haters (with a movie star’s help). Check out all of this week’s picks below:

Travis Scott, Utopia



No pyramids, no problem: Even with its much-hyped premiere event in Egypt delayed until a date TBD, Travis Scott still dropped his long-awaited Utopia — five years after his 2018 blockbuster Astroworld — this Friday at midnight. Like Astroworld, the album is a winding journey through Scott’s sonic universe, with such A-list guests as The Weeknd, 21 Savage, Future and of course his old “Sick Mode” collaborator Drake — though you’ll have to actually listen to know that they’re on there, as the streaming tracklist is once again feature spoiler-free. The most exciting cameo this time around: fellow H-Town native Beyoncé, detouring from the Renaissance Tour to Utopia, with her first-ever appearance on a Travis Scott album.

Post Malone, Austin



Guitar Posty was promised, and Guitar Posty was (mostly) delivered. Which is not to say that Austin finally features Post Malone living out his Kurt Cobain fantasies in full — you probably wouldn’t even quite call it a rock album, more just a pop album with a power ballad or two, a disco jam (!!) and a good amount of six string over all of it. Some are fun, some are despairing, some somewhere in between, but all clearly more by the man behind “Circles,” than the one behind “Rockstar” or “Congratulations.” It’s an enjoyable listen — and an interesting career move for Post, who experienced a bit of a commercial downturn with last year’s wrenchingly personal Twelve Carat Toothache, and who has yet to really recapture the chart dominance of his late 2010s this decade.

Offset feat. Cardi B, “Jealousy”



Cardi B’s absurd run of scene-stealing features continues with an overdue solo collaborator — her own husband, Offset. “Jealousy” doesn’t have much of a chorus or hook to speak of — it would just get in the way of the couple’s bars, as Offset insists “I’m Michael, I’m not no Jermaine” and Cardi attests, “B–ches don’t wanna go Birkin for Birkin/ B–ches ain’t got enough hits for a Verzuz/ B–ches be actin’ so different in person.” The song is helped by a sample of Three 6 Mafia’s “Jealous Ass B–ch” and a music video that sees the duo paying tribute to the 2001 John Singleton classic Baby Boy, with original star Taraji P. Henson even making a cameo.

Mitski, “Bug Like an Angel”



After 2022’s top five-debuting Billboard 200 hit album Laurel Hell, critics’ darling turned viral indie sensation Mitski is already scheduled for the follow-up LP, The Land Is Inhospitable and So Are We, out in September. This week, we get the first taste: “Bug Like an Angel,” a Cowboy Junkies-like acoustic ballad with occasional jarring choral punctuations, and the kind of poetic lyrical exhaustion fans have come to expect from her the past half decade: “When I’m bent over wishin’ it was over/ Makin’ all variety of vows I’ll never keep/ I Try to remember the wrath of the devil/ Was also given him by God.” A year and a half since the last album? Already way too long a wait.

Gucci Mane, “Woppenheimer”



Never let it be said that Gucci Mane doesn’t give the people what they want. A meme nostalgic for Guwop’s peak mixtape run went viral last weekend, theorizing that if we were still 2009, we’d have gotten a Woppenheimer project pegged to the Christopher Nolan-directed box office smash. Today, La Flare says “fair enough” and does indeed release a “Woppenheimer” — with the fan’s proposed cover art and anything — though only a single rather than a full mixtape. The narcotic trap banger indeed could have appeared on an Obama-era Gucci release, as he raps on the hook, “Broke people like bringin’ up the past, I’m talkin’ recently/ I know what I did for you, but what you did for me?” The ball is indeed back in their court.

Carly Rae Jepsen, The Loveliest Time



In 2022, she was having The Loneliest Time — but those days are over, and the Canadian pop favorite is back this week and apparently having a much nicer go of it. From the jazzy friskiness of “Anything to Be With You” to the neon synth drama of “Kamikaze” to the Midnight Star-interpolating electro-pop of “Shy Boy,” Carly Rae Jepsen does indeed seem to be feeling loose and carefree, hopscotching from one sound to another and generally keeping the vibe consistent throughout. Fans can only wonder what set might be completing the trilogy in 2024: The Luckiest Time? The Looniest Time? The Languorousest Time?

Jimmie Allen Announces Comedy Tour Amid Sexual Assault Allegations

Jimmie Allen is known for infusing jokes and humor into his concerts, but he’s now making an interesting career pivot. The country singer announced via Instagram on Thursday (July 27) that he will launch a three-date comedy tour, the I Said What I Said Tour, in October. No dates or venues have been shared at this time.

All shows on the I Said What I Said Tour are invite-only, and Allen encouraged his followers to sign up via email to learn how to win tickets to the show.

The comedy tour news comes amid sexual assault allegations that have been brought against Allen. In May, a Jane Doe filed a civil suit in Tennessee federal court against the country singer, claiming that he raped and sexually harassed her while she was a member of his management team. The case was filed by attorney Elizabeth Fegan, who has previously represented victims of Hollywood executive Harvey Weinstein, as well as Dr. George Tyndall, a campus gynecologist at the University of Southern California, who was accused of sexually abusing patients. Allen responded with a statement saying that he and the Jane Doe accuser had a sexual relationship, but denied the rape and sexual assault allegations, saying that they “have no truth to them whatsoever.”

The fallout from the allegations were swift, as Allen was dropped by his label home, BBR Music Group, as well as his management company, The Familie, as well as his public relations firm, Full Coverage Communications. He was also suspended by his booking agency, UTA.

In June, a second unnamed accuser filed a suit against Allen, claiming the singer-songwriter assaulted her in a Las Vegas hotel room and filmed the encounter without permission. Earlier this month, Allen countersued both accusers, claiming that the first accuser defamed him, while the second accuser illegally took his cell phone.

See Allen’s announcement for his comedy shows below:

5 Takeaways From Travis Scott’s ‘Circus Maximus’ Album Film

After a five-year album hiatus and a deadly festival tragedy in 2021, Travis Scott is back in the public eye with his long-awaited new album Utopia out today (July 28).

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Scott originally planned a grand entrance for the album via a concert at the Pyramids of Giza in Egypt, but the event was officially canceled earlier this week (July 26) due to “complex production issues,” according to a statement from Live Nation Middle East. However, Scott took to Twitter to reassure fans that the show will happen at a later time. “Egypt in the pyramids will happen but due to demand and detail logistics they just need a bit a time to set lay on lands. I will keep up posted on a date which will be soon love you alllll,” he wrote.

Between briefcases, billboards, and pyramids (or lack thereof), the 32-year-old showed off his knack for going above and beyond for his album promotion with the Utopia rollout. Earlier this summer, artists like Bad Bunny and The Weeknd (who are both featured on the album’s first single “K-POP”), SZA (who is featured alongside Future on “TELEKINESIS”) and Mike Dean (who mastered the album) had been spotted with brown Utopia-marked briefcases. Cryptic billboards promoting the album were also seen around Los Angeles last month. This past week, Scott also revealed five grainy album covers featuring men wearing white colored contacts — who, fans suspected, might represent song features due to their loose resemblance of Kendrick Lamar, Tyler, the Creator, Juice WRLD, Baby Keem and Lil Baby. (None of these artists are on the album.)

Beginning last night (July 27), Scott premiered an album film titled Circus Maximus in select AMC theaters. Directed by the musician along with five additional directors, Scott “takes his audience on a mind-bending visual odyssey across the globe, woven together by the speaker rattling sounds of his highly anticipated upcoming album Utopia,” reads AMC’s website. “The film is a surreal and psychedelic journey, uniting a collective of visionary filmmakers from around the world in a kaleidoscopic exploration of human experience and the power of soundscapes.”

Billboard attended the film screening last night. Here’s what we gathered.


https://youtube.com/watch?v=KvLg2LAg5kQ&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Free merch

Fans were gifted free Circus Maximus t-shirts upon checking in at the theater. The shirts are black with the Cactus Jack and film’s logo on the front and back, respectively. Scott also revealed that some of them were hidden in theaters, sending fans on a scavenger hunt.

Scott’s inner thoughts

Circus Maximus begins with Scott being choked by an octopus, before transforming into a new version of himself. He then climbs a mountain to meet with producer Rick Rubin, who engages him in a conversation about his feelings as of late. Rubin tells Scott that he’s come a long way and acknowledges that the rapper has experienced tragedy, seemingly alluding to the deadly crowd crush that killed 10 people at his Astroworld Festival in 2021. At times, Scott seems flustered. He quickly deflects the topic, saying he didn’t visit Rubin to discuss that, though he shows remorse about the situation later on when asked, “How’s home?” “Home ain’t been the same in a while,” Scott replies. “I hear echoes half the day.”

Scott’s conversations with Rubin occur in the first half of the film, and are sandwiched between cinematic music videos of him in different countries. In one clip, he’s a part of what looks like an acrobatic trick, where people are standing on each other’s shoulders to help a child climb out of a hole. The camera shows a close-up of Scott straining under the pressure, a possible metaphor for the weight he’s felt over the past few years processing his grief and figuring out how to move forward with his career. However, other scenes are more jovial: One scene sees him DJing a party to Utopia‘s “MODERN JAM” while in another, he’s seen riding camels and dirt bikes with people in Nigeria to the set’s “HYAENA.”

The world-building and meaning of UTOPIA

Travis Scott has become exceptional at creating worlds around his music. Whereas 2018’s Astroworld was more straightforward in concept, UTOPIA is a bit more loose in meaning and open to interpretation. For Circus Maximus — which he directed, wrote and starred in — the artist traveled to Iceland, Nigeria, Denmark, France and Italy to make sense of his personal utopia. When asked about the album, the Houston artist explains that his concept of a utopian world “is not all that pretty and confrontational,” but rather, he’s trying to transfer his energy without breaking or disrupting it along the journey. He also mentions that he’s trying to find a new way to rage.

Scott seems the most in his element during the last half of the film, when he performs a handful of UTOPIA songs at an amphitheater in Pompeii, Italy. At this point, Circus Maximus pivots from a collection of music videos and Rubin conversations to a concert film. Dressed in white and backed by a wall of speakers, dusk turns to dawn as Scott rehearses some of his new catalog in the empty historical venue.

Special guest appearances

During his performance, special guests — some of whom are also featured on the album — joined Scott to perform. Teezo Touchdown (“MODERN JAM”), Sheck Wes (“FE!N”), Yung Lean (“PARASAIL”), James Blake (“TIL FURTHER NOTICE”) and model Jazzelle all joined Scott and were thanked for their participation in the closing credits. Other artists featured on the 19-track album include Beyoncé, Drake, Young Thug, Future, SZA and Sampha. In conversation with director Robert Rodriguez (Sin City, Spy Kids) for i-D in early 2021, the Scott said that with UTOPIA he is “expand[ing] the sound. I’ve been making beats again, rapping on my own beats, just putting everything together and trying to grow it really,” he said. “That’s been one of the most fun things about working on this album. I’m evolving, collaborating with new people, delivering a whole new sound, a whole new range.”

Cactus Jack and gamma?

Circus Maximus is in association with Larry Jackson’s new media company gamma, according to the film’s closing credits. In whatever capacity that is, it doesn’t seem far-fetched, since Scott attended the company’s launch party back in March. gamma is a company that specializes in distribution, creative guidance, marketing and more. Its clientele so far includes Snoop Dogg, Usher and Sexyy Red.

Kylie Minogue Headed to Las Vegas For Venetian Residency at Intimate Voltaire: ‘VEGAS BABY!’

Kylie Minogue is headed to Las Vegas. The “Padam Padam” singer announced on Thursday (July 27) that she has scheduled her first-ever residency at the Venetian Resort Las Vegas’ Voltaire this fall. “VEGAS BABY! [star emoji],” she tweeted in a video set to her latest global dance smash. “So excited to headline the all-new @VoltaireLV at starting this fall. See you there! #MoreThanJustAResidency.”

The gigs for the first headliner run at the 1,000-seat cabaret-style space at the Venetian are slated to kick off on Nov. 4, with tickets going on sale on August 9. The space was described in a press release announcing the shows as “blurring the line between an intimate club, concert, and non-stop entertainment venue.”

“Today is the day where it all becomes, beautifully real,” Minogue said at the Los Angeles event announcing her residency according to EW. The singer said she and the resort have been “living with” their plans for the residency for nearly three years. “So to finally be able to say, yes, I am doing a show in Vegas and to be at Voltaire at the Venetian Resort, it’s just, it’s such a good match. And, yeah, I couldn’t be more excited.”

Minogue is prepping her 16th studio album, Tension (Sept. 22), which has been set up by the global hit “Padam Padam.” The Australian singer hinted at her plans to join Adele, Katy Perry, Kelly Clarkson and other current Vegas residency artists earlier this month during an episode of Watch What Happens Live With Andy Cohen in which the host asked if she had any plans to do a “tour or Vegas residency.” Squinting her eyes mischievously, Minogue teased, “very possibly.”

“The spirit of Voltaire is one of pure, authentic fun. It’s one I resonate with as a pop artist. My new album Tension is all about the space where the intimate and universal come together and Voltaire represents just that,” Minogue said in a statement announcing the residency on Friday morning (July 28). “The creative team has designed an environment where people can get up and dance at their tables and revel in the night – that’s what my music is for.”

Producer Michael Gruber described his vision for Voltaire as an “interactive night out with some of the world’s biggest superstars” in an intimate setting where “anything can happen and no two evenings are the same.”

With a theme of “Belle de Nuit” (Beauty of the Night), Voltaire aims to capture a spirit “evocative of veils and mystery, of come-to-play and dress-to-express,” with table service that will include everything from champagne and caviar to cookies. “The creative team has designed an environment where people can get up and dance at their tables and revel in the night,” said Minogue. “That’s what Voltaire is and I can’t wait to perform in this intimate and exciting setting.”

Venetian president/CEO Patrick Nichols said that, “Voltaire will lead a revival in high-caliber nightlife giving guests an unexpected night out, but also the opportunity to see some of their favorite artists in an intimate way.” Gruber added, “Everything about Kylie reflects the essence of Voltaire. Her music is fun. Her spirit is absolutely infectious. And she’s at the top of her game, which makes this a truly special moment for fans to connect in such an intimate environment.”

Minogue will wear custom high-fashion costumes for the residency created by a designer who has worked with her before, as well as with Beyoncé and Mariah Carey, for what is described as a “heavy couture influence [that] lends the entire evening an unforgettably glamorous lens.” Emmy- and Tony-winning production designer Derek McLane (Moulin Rouge, MJ on Broadway) conjured the “immersive key-hole themed room design, centered around modern-day art deco fantasy.”

“I really wanted it to feel like an escape from the environment of the casino floor. Something that felt like a completely different world. An intimate, exciting, and inviting world,” said McLane. Information on tickets, tables and packages for the opening show and residency run is available here.

Watch the residency announcement below.

Madonna Dances in Post-Hospitalization Video Update and Thanks Fans For Support: ‘You Must Be My Lucky Stars Too!’

Madonna had a lot to celebrate this week as the pop icon continued recuperating from her recent hospitalization for a bacterial infection. In an Instagram video posted on Thursday (July 27), the singer promoted the 40th anniversary celebration of her 1983 debut album and the song that helped boost her to global stardom, “Lucky Star.”

“To be able to move my body and dance just a little bit makes me feel like the Luckiest Star in the world!” Madonna wrote in the video in which she wears an all-black outfit as she swivels her hips up to the camera, pulls down her gold shades and winks while a digital star sparkles in her left eye. “Thank you to all of my fans and friends! You must be my lucky stars too! And Happy 40th Birthday to my very. First Album- ⭐️⭐️⭐️⭐️.” The clip ends with Madonna blowing a kiss to the lens and mouthing the words to the song’s chorus.

The clip of the singer looking mobile and healthy — it’s unclear when the video was shot — got an enthusiastic thumbs up from one of her besties, fashion icon Donatella Versace, who commented, “Loookinnnnggg great!! ???,” plus some love and support from pals actresses Debi Mazar, Rosanna Arquette and Julia Garner, as well as Roots drummer Questlove, 3Lau and many more.

In another video posted to Twitter (né “X”), she wrote, “Happy 40th Birthday to my very. First Album – [four star emoji] Thank you to all of my fans and friends! You must be my Lucky Stars!” That one was accompanied by the legendary clip of her talking to Dick Clark during her North American TV debut on American Bandstand in Jan. 1984 in which he asked, “What do you hope will happen for the rest of your professional life? What are your dreams, what’s left?” Wearing her signature off-the-shoulder black tank top and armloads of bracelets, Madonna bit her lip and said coquettishly, “hmmm… to rule the world.”

The happy updates were a welcome sight for fans who’ve been fretting about the 64-year-old singer’s health since she was hospitalized last month for what her manager Guy Oseary described as a “serious bacterial infection” that landed the singer in the ICU for a few days.

The “Lucky” vids were the latest update from Madonna on her recovery, following a July 18 return to Instagram in which she was pictured embracing and smelling a large bouquet of pink roses. “‘A single rose can be my garden. A single friend my world.’ Thank You,” she captioned the image, quoting writer Leo Buscaglia along with a black heart and red rose emoji. The health scare prompted the postponement of Madonna’s career-spanning Celebration world tour, which will skip over planned North American dates this summer and instead launch with a European leg in the fall.

Check out the videos below.

‘Barbie The Album’ Strolls to No. 1 In Australia

As Barbie blows up box-offices around the globe, the official soundtrack struts its way to No. 1 in Australia.

Barbie The Album (via Atlantic/Warner) opens at No. 1 on the ARIA Chart, published July 28, while several tracks from it climb the singles survey. The big gainers include Billie Eilish’s “What Was I Made For?” up 8-2; “Barbie World” by Nicki Minaj, Ice Spice and Aqua soaring 23-3; and “Dance The Night” by Dua Lipa shimmying 27-6.

Barbie, which features “Journey to the Real Word” by Tame Impala, and “Forever & Again” by The Kid Laroi, both artists from the land Down Under, is the first soundtrack to lead the national tally since Disney’s Encanto completed an 11-week climb to the top in March 2022, ARIA reports.

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Starring Aussie actor Margot Robbie in the titular role, Barbie raked in a “dazzling global debut of $356.3 million,” according to The Hollywood Reporter, a sum that includes a biggest opening ever for a Warner Bros. title in Australia ($14.6 million).

Jack is back on the albums chart. John Farnham, the legendary, ARIA Hall of Fame-inducted singer, has four albums in the top 100, powered by the July 24 TV debut of the documentary John Farnham: Finding The Voice.

Leading the charge is his Greatest Hits (Sony), vaulting 169-9 for a new peak position. Farnham, who has battled health issues in recent months, boasts the highest-selling album ever in Australia by a domestic artist, 1986’s Whispering Jack. The album spent 25 weeks at No. 1 following its release, en route to shifting more than one million copies. Whispering Jack reenters the ARIA Chart at No. 41.

Also debuting on the latest tally is Blood Red (Sony) from Australian folk-rock duo Busby Marou, new at No. 14; and River Runs Dry (Universal) by Cold Chisel’s Ian Moss, new at No. 18.

Over on the ARIA Singles Chart, “Sprinter” (Virgin/Universal) by Dave and Central Cee outraces the pack for a seventh non-consecutive week at No. 1.

The top debut this week belongs to Travis Scott, Bad Bunny and The Weeknd, whose collaborative single “K-Pop” (Epic/Sony) is new at No. 27. “K-Pop” is lifted from Scott’s new album Utopia, which dropped Friday.

There’s some K-pop in the top 20, specifically, cuts from NewJeans’ second EP Get Up (ING/Universal). All six tracks from the EP impact the top 100, including “Super Shy,” up 26-14 for a new peak position, while “ETA” bows at No. 34, “Cool With You” starts at No. 40, “ASAP” is at No. 64 and the title track appears at No. 82. The girl group has an Aussie connection: Danielle Marsh is born-and-raised in Newcastle, Australia, and Hanni Pham is a Melbourne native, who featured on The Voice Kids Australia back in 2014.

Quavo Talks Grief, Unfinished Songs With TakeOff and Forthcoming Album ‘Rocket Power’

When Quavo discusses TakeOff and making those delicate steps forward in life without his nephew and Migos bandmate, the grief is palpable.

“I think about him all the time,” he explains in a new interview — a “conversation for the fans,” in which he bears his soul in black and white. “Sometimes I cry myself to sleep.”

TakeOff (real name: Kirshnik Khari Ball) was shot and killed during a private party he attended at 810 Billiards & Bowling in downtown Houston with his uncle and bandmate, Quavo, on Nov. 1, 2022, an action that still weighs heavy on the rapper.

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Grief, when you’re not prepared, and who is, can put you in a “messed up place, in a bad place,” he explains. Everything, from the day-to-day, which now includes therapeutic stints of chilling out, meditating, swimming in the ocean, and gym, to the creative process, is turned upside down.

As a record takes shape, Quavo has a particular style of working. He’d cut the hook and the verse, show it to his bandmates. “Now he’s gone and I don’t have nobody to play the music for,” he recounts. Instead, “I just try to connect with the earth and just try to hear them like that.” Quavo doesn’t “really like nobody else’s opinion.”

Quavo’s forthcoming solo album Rocket Power is slated for release Aug. 4, and it’s fueled by his late nephew and former partner-in-rhyme.

With Rocket Power, his first LP since 2018’s Quavo Huncho, which peaked at No. 2 on the Billboard 200 chart, he lets it all out in one blaze of energy.

He’s been “bottling all these emotions,” he notes, “all the pain, all the hard times, all the times I cried and all the times I just made music” to cope with loss. “And to pull up and try to play songs and he’s not there, and I’m just trying to get this fuel from above and this feeling from the sky and just call it Rocket Power.”

Quavo also opened up on his favorite song on the album, “11.11,” a date that captures the moment he hit record and got to work (“It felt like it was a sign”), and talked the residual energy of his fallen bandmember.

There’s not just energy floating out there in the ether, there’s a stash of unfinished music. A lot of it, apparently.

“In this phone alone, it’s 150 songs. Every phone probably has 350 songs.” Quavo admits he’s got five phones. TakeOff had three phones. “He’s got songs I never heard, ‘I’m like, bro why you never played me this’.”

One of the standouts, he explains, is called “Put That S— On.” “The Silent Assassin, he saved it for a reason. I got you though. We’re gonna finish strong,” he enthuses, adding, “that’s just in the phone. We’ve probably got like a thousand….we’ve got a lot of songs.“

With the announcement of the new LP back in May, Quavo remarked, “This album is for the Rocket, our true fans, and also this is my therapy. This album is a true reflection of how I feel right now.”

Watch the interview below. Part 2 is said to be coming soon.



Carly Rae Jepsen Returns With ‘The Loveliest Time’: Stream It Now

Carly Rae Jepsen‘s new album, The Loveliest Time, is officially here! The LP — the seventh by the “Call Me Maybe” hitmaker — was released to streaming services on Friday (July 27).

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The album contains a total of 13 tracks that were first teased in a New York Times-style crossword puzzle. The track include “Anything to Be with You,” “Kamikaze,” “After Last Night,” “Aeroplanes,” “Boy,” “Kollage,” “Shadow,” “Psychedelic Switch,” “So Right,” “Come Over,” “Put It to Rest,” “Stadium Love,” “Weekend Love” and the project’s lead single, “Shy Boy.”

In the announcement for the record, Jepsen shared that the album came as a result of experiencing a period of positivity following isolation.

“I got to know loneliness and discover the beauty in it. The loneliest time taught me that growth comes from being planted in darkness. But now the world has opened itself back up again and in turn so have we. It’s time for celebration and for all the lessons we have learned to burst into joyful action. The Loveliest Time…” she wrote. “I can’t really call it a b sides as if these were cast off ideas – it’s the completed set to a body of work that taught me so much about love and loneliness and myself.”

The album serves as Jepsen’s follow up to The Loneliest Time, which was released last year on Oct. 5. The set peaked at No. 19 on the Billboard 200 and became her fourth top 40 album on the chart.

Listen to The Loveliest Time below.

Post Malone’s New Album ‘Austin’ Has Arrived: Stream It Now

The wait is finally over. On Friday (July 27), Post Malone returned with his fifth studio album, Austin. The set is available to listen to on streaming services now.

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The album contains a total of 17 tracks — “Don’t Understand,” “Novacandy,” “Too Cool to Die,” “Sign Me Up,” “Socialite,” “Something Real” “Speedometer,” “Hold My Breath,” “Enough Is Enough,” “Texas Tea,” “Buyer Beware,” “Landmine,” “Green Thumb” and “Laugh It Off” arrived with the release of the record on Friday, while tracks “Chemical,” “Mourning” and “Overdrive” were dropped as singles preceding the album’s arrival. The latter three singles charted at Nos. 13, 36 and 47 on the Billboard Hot 100, respectively.

Upon announcing the name of the project back in May, Malone revealed that recording the project was incredibly rewarding, and highlights the true nature of his artistry.

“This whole deal has been one of the most challenging, rewarding, and exciting records I’ve worked on. I feel it captures who I am as a man and as an artist in this moment,” he wrote in a May 16 Instagram post. “Thank y’all so much for your patience, and thank you for being there with me in my hardest times. I love y’all so much, and am ready to f—ing party with y’all. Cheers, and keep spreading love.”

Austin follows 2022’s Twelve Carat Toothache. Toothache peaked at No. 2 on the all genre Billboard 200 chart, and became Malone’s fourth studio album to chart within the top five.

Listen to Austin below.

Travis Scott Drops ‘Utopia’ Album: Stream It Now

Travis Scott finally dropped his fourth studio album Utopia on Friday, July 28 via Cactus Jack and Epic Records.

The highly anticipated album arrives five years after his last studio album Astroworld, which debuted at No. 1 on the Billboard 200 and included the Billboard Hot 100 No. 1 single “Sicko Mode,” featuring Drake, which not only became Scott’s first No. 1 hit but also an RIAA diamond-certified single two years after its release. Astroworld was also nominated for best rap album at the 2019 Grammy Awards.

Utopia was preceded by lead single “K-POP” with The Weeknd and Bad Bunny. Scott was originally scheduled to perform the new album at the Pyramids of Giza in Egypt Friday, but the special livestreamed concert was canceled due to “complex production issues,” according to a statement from Live Nation Middle East.

The Houston rapper’s LP is being released in tandem with his new film titled Circus Maximus. Produced by A24 and written and directed by Scott, the movie will “take his audience on a mind-bending visual odyssey across the globe, woven together by the speaker rattling sounds of his highly anticipated upcoming album Utopia,” according to AMC. The film will be available at select AMC theaters on July 27, July 30 and Aug. 1-2.

He also released the five Utopia album covers one by one on his Instagram leading up to Friday’s release date, which were photographed by Pieter Hugo and Kristina Nagel.

Listen to Utopia below.