Music

8 Must-Hear New Country Songs: Jelly Roll, Tyler Childers, Carter Faith & More

In this week’s new crop of musical contenders, Jelly Roll teams with Apple Music to give an older demo track new life. Meanwhile, Tyler Childers and Silas House team to release a stirring music video (and new song from Childers) that highlights unyielding love.

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Jelly Roll, “Dragging These Roots”

Over his past rap and country projects, Jelly Roll has only grown more adept at crafting and vocally unfurling songs with dynamic melodies and dramatic rock fluency, as on his latest, “Need a Favor.”

Here, he takes a song written by Jesse Frasure, Josh Thompson and Ben Hayslip, about never being fully capable nor inclined to shuffle off one’s native outset, and fuels it with his growling, agile vocals. Jelly Roll teamed with Apple Music to record this previously unreleased track as part of Apple Music’s Lost & Found project.

Tyler Childers, “In Your Love”



This stirring song, written by Childers with Gino Seale, is accompanied by a gripping, tender and essential music video (with the video treatment written by journalist/novelist Silas House). The clip highlights the love story of two men, Jasper and Matthew, who escape work in the coal mines in 1950s Appalachia — and the violence and discrimination of their co-workers — to build their life together on a farm deep in the country.

The beautifully-shot video depicts the love, passion, joy and sorrows the couple experiences– from having dinner with friends to enjoying a concert– but also the discrimination and fear that threads through their time together. “In Your Love” offers a rich look at the complete arc of the couple’s relationship, and a romance that lingers long after Matthew passes away from black lung, due to his work in the coal mines.

The song is the first glimpse into Childers’ upcoming album Rustin’ in the Rain.

The Oak Ridge Boys and Alabama, “Jesus and John Wayne”



For the first time, these two Country Music Hall of Fame-inducted groups (the Oaks in 2015; Alabama in 2005) team up for a vocal collaboration that pays tribute to gospel songwriting duo, Bill and Gloria Gaither. The song, previously recorded by the Gaither Vocal Band, was written by Bill and Gloria as well as Benjamin Gaither and Kim Williams, and pays tribute to the influence of both a hard-driving, uncompromising father and a soft-hearted mother. Sonically, this fiddle-drenched track is reminiscent of Alabama’s 1980s country sounds, though the lyrics fail to rise above country/gospel tropes. However, the song reaches its zenith when the music momentarily quiets, leaving the two iconic vocal groups to blend their signature harmonies.

Parker Ryan, “First on My List”



This Texas native issued his debut project, Talbert Street, Pt. 1, in 2020, followed by Pt. 2, and a eponymous project. His recently released three-song project includes “First on My List,” an amalgam of airy folk, country and bluesy-rock tones. Here, over a swirl of hypnotic acoustic guitar, he sings of spending his days piling up miles, money and vacation time in pursuit of dreams. “Maybe part of me wishes you would fix up all my feelings/ Help me with my healing,” he contemplates, before doubling down on where his commitment lies. A chorus of voices joins as the song ascends to its close, as he reconfirms that the relationship remains his priority.

Carter Faith, ‘Cowboy Forever”



Singer-songwriter Faith previously issued her debut EP Let Love Be Love. On her latest, Spanish guitar flourishes, a cinematic Western vibe and Faith’s unique, sultry twang meld to convey this tale of a young woman who falls for a headstrong, restless cowboy. “I was dreaming of his cattle ranch/ His grandmother’s diamond on my left hand,” she muses, later calling herself a “lovesick fool.” Masterful use of Faith’s airy falsetto lends to the song’s freewheeling-yet-wounded mystique. Faith wrote this song with Lauren Hungate and Tofer Brown.

Mitchell Tenpenny, “Bigger Mistakes”



“At the End of a Bar” hitmaker Tenpenny adds to post-breakup misery in this pop-punk-tinged track, telling his ex-lover, “I’ve made bigger mistakes than you.” On the surface, it’s a searing insult, but embedded in the lyrics is his realization that a breakup isn’t the end of the world. He reserves those weightier, more haunting self-recriminations for failing to have a drink with his good friend (and fellow country singer), the late Joe Diffie, before Diffie’s passing in 2020, or failing to put a ring on the finger of a different ex, whom he calls “the one who got away,” years ago. Tenpenny’s gravelly voice is all remorse and swagger here, to great effect.

Cooper Alan, “Never Not Remember You”



Alan has become a TikTok sensation thanks to songs including “New Normal” and “Colt 45 (Country Remix).” His latest, a ballad about remembering the sweeter moments after a loved one’s passing, is somewhat of a throwback — no hip-hop leanings, no angst-fueled rock shadings — just a straightforward song that swells with piano and strings, and one that highlights Alan as an elegant-voiced crooner with a hint of twang. Alan also further proves his growth as a songwriter as a co-writer on the track, alongside hitmaking writers Victoria Shaw (“The River”) and Seth Mosley (“Fix My Eyes,” “Joy”).

Drake Milligan and the Reklaws, “Honky Tonkin’ About”



Texas native Milligan teams with duo The Reklaws for this hard-charging, rousing track. The song centers on a guy questioning a potential lover’s country bona fides (“Was there dust on your driveway … did your daddy drive a tractor?”), before deciding that no matter her origin story, he’s ready to see where the evening takes them. Milligan’s hearty voice is as commanding as ever, even on this more lighthearted outing. The song comes courtesy of writers Blake Redferrin, Thomas Salter, Callum Maudsley and The Reklaws’ Stuart Walker.

Harry Styles’ Love On Tour Raises More Than $6.5 Million for Charity

Harry Styles spread the love to more than just fans who attended his Love On Tour shows. Following the conclusion of the pop star’s impressive two-year run on the road, his team announced that the international trek raised more than $6.5 million for dozens of charities across the globe, benefiting reproductive health, environmentalism, gun safety and many more causes.

The donated proceeds were raised over the course of 173 shows in Europe, North America, Australia, Asia and Latin America starting in September 2021, several of which were grouped as mini-residencies in iconic venues such as New York City’s Madison Square Garden and Los Angeles’ The Forum — both of which have permanent banners hanging from the rafters commemorating 15 consecutive Love On Tour concerts. As of a couple weeks ago, the tour had earned more than $590 million total, becoming the fourth highest-grossing tour of all time, according to the Billboard Boxscore.

Among the charities benefited by Love On Tour: Planned Parenthood, Choose Love, Physicians for Reproductive Health, Rebuild Foundation, REVERB, Black Voters Matter Fund – Capacity Building Institute, The Afiya Center, International Rescue Committee, Intermission Youth, Save the Children, CARE, Every Town for Gun Safety, and several more.

Styles officially closed out the run of shows with a jam-packed finale performance in Reggio Emilia, Italy, on July 22, during which he thanked fans in an emotional speech. “You guys being here tonight, I know you wanted to make it special for me. You make it special for me every single night,” he said during his last moments on a Love On Tour stage. “The atmosphere that you have created, the family that you have created, this safe space that you have created … I want to thank you for everything.”

After his final performance, the three-time Grammy winner shared a sweet video capturing some of the best fan moments from his shows, promising on his Instagram Story that he’ll “see you again when the time is right.”

“Treat People With Kindness,” he added. “I love you more than you’ll ever know.”

How BRIC Plans on Protecting Hip-Hop’s Legacy for Years to Come (Guest Column)

Hip-Hop is turning 50 this year, and so am I.

I grew up fully immersed in the world of Hip-Hop and, like many other people, I don’t know anything else. Fifty years on, our culture rightly reminisces about and celebrates the iconic songs, performers, and cultural moments from over the years – but for me, and so many others, Hip-Hop is about more than just the music.

For me, it is the lens through which I view the world. I am a student of KRS-One. “Rap is something you do. Hip-Hop is something you live,” KRS famously said. That expansive view of the word, the sound, the dance, the visual art, the fashion, the business politics, philosophy, technology is what defines me.

Hip-Hop to me is, of course, the foundational “Four Elements” that we all recognize: MCing, B-Boy/B-B-Girling aka Breakdancing, Graffiti and DJing. But beyond these core tenants of the genre, it’s about so much more. Hip-Hop is about the energy and will of the people that cannot be stopped or controlled by any external system – and how we define and create the Culture on our own terms.

It is also how A.I. (Allen Iverson) played basketball. How he arrived at the games, with his hair braided by his mother. How the league changed the dress code to control his expression only to birth an even more powerful expression of fashion and expression we see today.

Hip-Hop was how Barack Obama moved on stage with Michelle and the family. The syncopation of his voice and the pregnant pauses caused the world to hang on his every word with the way he delivered a speech – it felt like rhyming. If he wanted to, Barack would have been an ill MC. Just as I imagine if Hov wanted to run for office he could be Mayor. It is this energy – that multifaceted, multidisciplinary power of Hip-Hop that BRIC looks to celebrate this year and for years to come.

2023 marks the 50th anniversary of Hip-Hop, a huge moment for the Culture. But what happens after the big weekend of celebrations planned for the summer? At BRIC, we’ve been having thoughtful conversations about our own contributions to this moment, particularly with my background as the founder of the Brooklyn Hip-Hop festival and BRIC’s rich history as a place for artistic exploration, incubation, and presentation. As a leading Brooklyn arts and media institution whose work spans contemporary visual and performing arts, media, and civic action, BRIC is uniquely positioned to plug into this moment across the spectrum of arts and culture. For over 40 years, our institution has shaped Brooklyn’s cultural and media landscape by presenting and incubating artists, creators, students, and media makers. As a creative catalyst for our community, we ignite learning in people of all ages and centralize diverse voices that take risks and drive culture forward.

I’m excited to share that, this fall, BRIC is launching a new curatorial lens called BRIC Hip-Hop. Across the organization, we’ve united around an ethos and a mission of creating an evergreen home for the education, expression, and evolution of Hip-Hop. Our programmatic focus will join others in the space by giving Hip-Hop a home for incubation, debate, and development not just during anniversary years, but for many years to come.

In many ways, Hip-Hop culture is built into the DNA of BRIC. For decades, it’s been central to how we operate, how we coordinate, how we curate. On the surface, we may not be here B-Boying or bombing trains, but we operate under the same tenets and philosophies that have fueled Hip-Hop culture for half a century. The fundamental idea is that we use arts, culture and education to communicate and build with our community. It is how we show up for the people—of all races and spaces, of all ages and means—every year, not just this year. Hip-Hop is how we grow, why we adapt, and what we hope to embody in the future. We institutionalize the spirit, diversity and beating heart of Hip-Hop into BRIC’s programming and through BRIC’s team.

We do this because it matters. Hip-Hop is innate to us, but it is also a choice. It is a choice to be multidisciplinary, to embrace art and creation in its many forms. It is a choice to be anti-racist, to embrace people from all walks of life who have found comfort and possibility in the enduring strength of community. It is a choice to be feminist, not to be ageist or transphobic or limit access because of a disability, but to view and operate with a goal of equality and equity of power, purpose and possibility.

By institutionalizing Hip-Hop, by ingraining it into everything we do, we’re seeking to build on its legacy and protect it for generations to come. We are celebrating the past by making entry points for creation in the present to better our collective futures. Maybe you’re a teenager. Maybe you’re a toddler. Maybe you’re grandparents. Maybe you’re from Flatbush or Park Slope or Bed-Stuy. It doesn’t matter. All are welcome.

New York is the birthplace of the Culture and we want to make sure people don’t forget about Brooklyn’s contributions to the story of Hip-Hop, both past and present. Many people walked up and down Fulton Street, from Masta Ace and Big Daddy Kane to Yasiin Bey to HOV himself for clothes, fame, and inspiration. And like those that came before us, we want to come together, cut through the madness of the world and do something real.

We’re beyond excited to share this new vision for BRIC’s contributions to the Hip-Hop space with our communities this fall and in the years to come. BRIC Hip-Hop will be a waystation for scholars, tourists, and artists this year and well into the future. Come join us at the Lena Horne Bandshell or at BRIC House, come down to the stoop, and find your place, whether it be something familiar or new. We can’t wait to have you be a part of the BRIC Hip-Hop conversation.

Wes Jackson has over 25 years of experience as a leader and innovator in entertainment and academia, previously working at Emerson College, The City University of New York, and consulting for Jazz At Lincoln Center. He is a Trustee of the Brooklyn Public Library and Board Chair of the Brooklyn Crescents, and has been leading BRIC — a multi-disciplinary arts and media institution anchored in Downtown Brooklyn — as its President since July 2022. On August 11 & 12, BRIC will commemorate Hip-Hop’s 50th Anniversary with free music performances, screenings, and more in Brooklyn at Prospect Park. Visit here for details.

Lady Gaga Bringing ‘Jazz & Piano’ Show Back to Las Vegas For Summer/Fall 2023 Residency Run

Lady Gaga is rebooting her Jazz & Piano residency show at the Dolby Live at Park MGM. The singer announced on Monday morning (July 31) that the show will be back for 12 dates between August 31 and Oct. 5.

Gaga launched Jazz & Piano in Jan. 2019, playing shows interchangeably with her more elaborate pop-oriented Enigma show. The stripped-down show — whose set list veered between such Great American songbook selections such as “Luck Be a Lady,” “Mambo Italiano,” “La Vie En Rose” and “Fly Me to the Moon” with jazzy versions of “Bad Romance,” “Paparazzi” and “Born This Way” — continued into May 2022.

Little Monsters can sign up now for a pre-sale here for the upcoming gigs that kicks off on Tuesday (August 1). The general on-sale will begin on Friday (August 4) at 1 p.m. ET.

The step back into the jazz spotlight will come less than a month after the passing of Gaga’s friend and musical mentor, Tony Bennett. Over the weekend, Gaga paid loving tribute to Bennett, who died on July 21 at age 96 of undisclosed causes.

“I will miss my friend forever. I will miss singing with him, recording with him, talking with him, being on stage together,” Gaga wrote alongside an Instagram photo of Bennett giving her a warm hug. “With Tony, I got to live my life in a time warp. Tony & I had this magical power. We transported ourselves to another era, modernized the music together, & gave it all new life as a singing duo. But it wasnt an act. Our relationship was very real.”

Gaga performed with Bennett at New York’s Radio City Music Hall in August 2021 during two “One Last Time: An Evening with Tony Bennett and Lady Gaga” shows that marked the legendary crooner’s last live performances. The singer first teamed up with her musical hero on “The Lady Is a Tramp” from Bennett’s Duets II album. Gaga and Bennett also recorded two full-length jazz standards albums together, 2014’s Cheek to Cheek and 2021’s Love for Sale.

Watch the Jazz & Piano teaser video below.

R&B/Hip-Hop Fresh Picks of the Week: Amindi, tobi lou, Frsh Waters & More

The Sunday of summer is right around the corner and as the season begins to wind down, we’ve got a mellow roundup of Fresh Picks this week to help usher you into August. There’s an even mix of rap and R&B this week with Amindi, tobi lou and Frsh Waters representing the former while Tyla, Hamzaa and Josiah Bassey slow things down a bit. Regardless, you’re bound to have at least one of these songs on repeat to help power you through the week.

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Don’t forget to check out our July picks in the Spotify playlist, linked below.

Freshest Find: Frsh Waters feat. Ohana Bam & Benjamin Earl Turner, “Grace look good”



Frsh Waters has been giving himself grace. Sampling Omar Apollo’s “Evergreen,” the Chicago rapper recruits Ohana Bam and Benjamin Earl Turner for a boom-bap rap song about “a combination of overdue compassion and damage control,” Frsh tells Billboard. “It’s checkin’ to let folks know we all need grace. Benjamin set the perfect scene [and] me and Ohana took up the challenge to fill in the details.”

Amindi, “diddy crop”



Amindi’s new single “diddy crop” is inspired by her fondness of the mogul’s habit of cropping people out of photos. “P. Diddy is notorious for skillfully editing people out of his photos, and I think it’s hilarious and valid,” she shares in a press release. The Inglewood rapper-singer describes her sound as “pastel rap” due to how she pairs songwriting with her soft sound. “Diddy crop” is a perfect example of this and will appear on her upcoming mixtape Take What You Need.

tobi lou, “Some Things”



“I am a problem, and I feel like this song reflects that,” says tobi lou. Combining an uptempo beat with witty bars, the Chicago artist releases “Some Things” a week after his Rolling Loud Miami performance, where he previewed the song. 

Tyla, “Water”



South African musician Tyla blended R&B and amapiano for her new track “Water.” “Make me sweat, make me hotter/ Make me lose my breath, make me water,” she sings. The new song is the perfect backdrop to a rooftop day party or tropical vacation.

Hamzaa, “Rush”



Hamzaa is on her healing journey. “I don’t wanna rush/I don’t wanna get into a fuss… Can’t scream anymore, can’t feel anymore,” she sings. Produced by 1SRAEL, the song appears on her new 5-song EP of the same name. “This project was born out of a discovery phase,” she writes on X (fka Twitter). “I needed to learn about who I was all over again. I needed to understand what it is I really care about… But the one thing I knew is that as urgent as getting my life together is, I cannot rush the healing process.” 

Josiah Bassey, “Here”



According to his Instagram bio, Josiah Bassey is a sincere romanticist — and his new song “Here” is proof. The single is stripped back with soothing guitar undertones that compliment his soulful singing voice. “Who cares if the stars don’t align?/ And even if the sun stops shining/ When it gets harder to try, we’ll be just fine/ ’Cause, I’ll be right here,” he sings.

Ed Sheeran Got Roasted While Serving Dogs At Chicago’s Legendary Weiner Circle: ‘Way Too Proper and Friendly’

There are way worse things you could be called than “too polite.” In fact, if you’ve been to Chicago’s legendary Weiner Circle hot dog stand anytime, but especially on a bleary late night/early morning for a double dog with all the fixins, you have likely been called way, way worse.

After all, the 40-year-old stand’s unofficial motto is “What the f–k do you want?”

So it made sense that when Ed Sheeran popped in on Saturday (July 29) to sling a few dogs before taking a ride downtown to play his sold-out gig at Soldier Field, the notoriously spicy staff had something to say about his weirdly well-mannered approach. “Our newest trainee @edsheeran has a lot to learn, he’s way too proper and friendly,” the stand tweeted on Saturday along with a pic of a beaming Sheeran behind the counter mobbed by Sheerios snapping pics.

Not surprisingly, the place was mobbed after posting a teaser earlier in the day when its sign read, “Do you want edchup with that?” Dropping in to Weiner Circle has become a right of passage for some stars visiting Chicago, but only if they’re willing to put up with the staff’s patented trash talk. And Sheeran definitely got it, posting a video of his kitchen crash with the caption, “This place is legendary is [sic] Chicago for serving hot dogs and insulting their customers. I loved it.”

Sheeran seemed to relish the chance, smiling sheepishly as a manager walked him through the kitchen, grabbed his arm and told patrons, “hey look motherf—ers, look!” while Sheerios screamed in delight in a video shared by the singer. “He’s nervous, because you won’t shut the f–k up!” the staffer later joked while giving Ed a ceremonial sprinkling with Weiner Circle holy water (aka pickle juice) and warning the mob to, “grab one dog, one picture and keep that s–t moving!”

Sheeran’s next show is on Saturday (August 5) at GEHA Field at Arrowhead Stadium in Kansas City, MO.

Check out some tweets about Sheeran’s dog party below.

Lady Gaga Honors Tony Bennett in Loving Tribute: ‘He Was My Friend. My Real True Friend’

Though they were separated by more than five decades, Lady Gaga and Tony Bennett shared a special magic. The “Million Reasons” singer paid loving tribute to her good friend and collaborator on Sunday night (July 30), 10 days after Bennett’s death at age 96.

“I will miss my friend forever. I will miss singing with him, recording with him, talking with him, being on stage together,” Gaga wrote alongside a photo of Bennett giving her a warm hug. “With Tony, I got to live my life in a time warp. Tony & I had this magical power. We transported ourselves to another era, modernized the music together, & gave it all new life as a singing duo. But it wasnt an act. Our relationship was very real.”

Gaga added that, yes, of course Bennett taught her about music, and showbiz life, but she said he also showed her how to “keep my spirits high and my head screwed on straight. ‘Straight ahead,’ he’d say. He was an optimist, he believed in quality work AND quality life. Plus, there was the gratitude…Tony was always grateful. He served in WWII, marched with Martin Luther King Jr., and sang jazz with the greatest singers and players in the world. I’ve been grieving the loss of Tony for a long time. We had a very long and powerful goodbye.”

Bennett died on July 21 in his hometown of New York City of undisclosed causes after being diagnosed with Alzheimer’s disease in 2016; his family first shared the diagnosis publicly in 2021.

Despite the more than half-century that separated them, Gaga, 37, said Bennett was her confidant, age difference be damned.

“He was my friend. My real true friend,” she wrote. “Our age difference didn’t matter– in fact, it gave us each something neither of us had with most people. We were from two different stages in life entirely — inspired. Losing Tony to Alzheimer’s has been painful but it was also really beautiful. An era of memory loss is such a sacred time in a persons life. There’s such a feeling of vulnerability and a desire to preserve dignity. All I wanted was for Tony to remember how much I loved him and how grateful I was to have him in my life.”

She added, “But, as that faded slowly I knew deep down he was sharing with me the most vulnerable moment in his life that he could — being willing to sing with me when his nature was changing so deeply. I’ll never forget this experience. I’ll never forget Tony Bennett. If I could say anything to the world about this I would say don’t discount your elders, don’t leave them behind when things change. Don’t flinch when you feel sad, just keep going straight ahead, sadness is part of it.”

Gaga was there beside her friend at New York’s Radio City Music Hall in August 2021 when the pals headlined a pair of “One Last Time: An Evening with Tony Bennett and Lady Gaga” shows a decade after her dreams of collaborating with her childhood musical hero came true on their first duet on “The Lady Is a Tramp” from Bennett’s Duets II album; Bennett’s son/manager Danny Bennett, announced that his dad wold retire from touring after the Radio City gigs . Gaga and Bennett also recorded two full-length jazz standards albums together, 2014’s Cheek to Cheek and 2021’s Love for Sale.

If she could impart any knowledge, Gaga concluded, it’s to take care of your elders, and if you do, she promised, you will surely learn something special from them.

“Maybe even magical,” she said. “And pay attention to silence — some of my musical partner and I’s most meaningful exchanges were with no melody at all.”

Check out Gaga’s tribute below.

‘Barbie: The Album’ Sets U.K. Chart Record

It’s official: Barbie is slaying at the box office, and she’s also smashing the music charts.

Barbie: The Album (via Atlantic) leads the U.K.’s compilations chart and three tracks from it climb into the national singles chart top 5 — Billie Eilish’s “What Was I Made For” (up 10-3 on a 71% week-on-week gain in chart sales, via Interscope), Dua Lipa’s “Dance The Night” (up 15-4 on a 86% lift in chart sales, via Warner Records) and Nicki MinajIce Spice and Aqua‘s “Barbie World” (up 20-5 with a 115% boost in chart sales, via Atlantic/Capitol/Republic).

Until now, no film soundtrack has simultaneously landed three top 5 singles in the U.K.

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The first film soundtrack to bag three simultaneous U.K. top 10s was 1978’s Saturday Night Fever (“Night Fever,” “If I Can’t Have You,” “More Than A Woman”), and the Grease soundtrack from the same year launched three top 10 hits (“Summer Nights,” “Grease,” “Hopelessly Devoted To You”).

Disney’s Encanto from 2022 became the first animated film soundtrack to claim three simultaneous top 10s (“We Don’t Talk About Bruno,” “Surface Pressure” and “The Family Madrigal”).

It’s a good week for Aqua, with not one but two top 40 appearances. Powered by the popular Margot Robbie-starring film, “Barbie World,” which interpolates Aqua’s one-time U.K. No. 1 “Barbie Girl,” gives the Norwegian pop outfit their first U.K. top 5 spot in 25 years, since 1998’s “Turn Back Time,” the Official Charts Company reports. It’s Aqua’s sixth U.K. top 10 appearance, Minaj’s 15th and Ice Spice’s first.

“Barbie Girl,” meanwhile, reenters the top 40 for the first time in 25 years, at No. 40, with a 91% week-on-week uplift in combined sales, according to the OCC. The kitsch classic from 1997 is a member of the U.K.’s million-seller club, coming in at No. 16 on the all-time list.

Barbie playtime doesn’t end there; a total of six entries from the soundtrack appear in the U.K. top 40, published Friday, July 28, including cuts by Charli XCX, “Ken” actor Ryan Gosling, and Lizzo.

Barbie: The Album is the current No. 1 in Australia, where it becomes the first soundtrack since Encanto to lead the ARIA Chart.

According to The Hollywood Reporter, the Greta Gerwig-directed Barbie movie has raked in $774.5 million at the global box office in just 12 days.

At the top of the singles chart mountain in the U.K. is Dave and Central Cee’s “Sprinter” (Live Yours/Neighbourhood), which wins the chart race for an eighth consecutive week, ahead of Olivia Rodrigo’s “Vampire” (Geffen), which holds at No. 2.

Blur Breezes to No. 1 In U.K. With ‘The Ballad of Darren’

Blur is back on top in the U.K. as The Ballad of Darren arrives at No. 1, for the Britpop legends’ seventh leader.

The Ballad of Darren (via Parlophone) opens with 44,000 chart units, the Official Charts Company reports, with physical formats proving popular. Almost 90% of those first-week units were sold as physical copies.

That Blur would crown the chart on Friday, July 28 was virtually assured when, at the midweek point, the album was reported to be outselling the rest of the top 10 combined.

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The foursome, which also includes guitarist Graham Coxon, bass player Alex James and drummer Dave Rowntree, also hit No. 1 with Parklife (1994), The Great Escape (1995), Blur (1997), 13 (1999), and Think Tank (2003) and The Magic Whip (2015), while their first two albums, 1991’s Leisure and 1993’s Modern Life is Rubbish, reached No. 7 and No. 15, respectively.

With seven albums chart crowns, Blur joins the likes of Elton John, George Michael, Paul McCartney and Barbra Streisand, and they’re just one title short of the eight leaders accumulated by Oasis, Blur’s ‘90s nemesis. Oasis’ string of leaders does, however, including a greatest hits collection, 2010’s Time Flies – 1994-2009.

For frontman Damon Albarn, a second No. 1 of the year after his other band, Gorillaz, reigned over the Official U.K. Albums Chart in March with Cracker Island, a feat that places him in rare company. The likes of ABBA, Taylor Swift, The Beatles, Diana Ross and Robbie Williams have also landed two chart-toppers in a calendar year.

Meanwhile, American rockers Greta Van Fleet snag a second top 10 album with Starcatcher (EMI), new at No. 8. That’s an equal career high, matching the No. 8 best for 2021’s The Battle at Garden’s Gate, and beating the No. 12 peak for their 2018 debut Anthem of a Peaceful Army.

Finally, As December Falls enjoys its first appearance on the U.K. chart with Join The Club (ADF), new at No. 11, while K-pop girl group NewJeans land at No. 15 with their second EP Get Up.

Foo Fighters & Alanis Morissette Pay Tribute to Sinead O’Connor With ‘Mandinka’ Cover

Foo Fighters frontman Dave Grohl welcomed Alanis Morissette to the band’s stage this weekend at the 2023 Fuji Rock Festival at Japan’s Naeba Ski Resort. Together, they honored the late Sinead O’Connor with a live cover of “Mandinka,” which was an early single of O’Connor’s from her debut album, The Lion and the Cobra.

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“Tonight we’re gonna do something that we’ve never done before with someone that we love very much,” Grohl told the crowd. “We want an old friend to come up and sing with us tonight for a very special reason.”

He introduced Morissette — who was also on the July 28-30 fest’s lineup — and gave her a hug when she joined the band on stage.

Morissette then dedicated their version of “Mandinka” to “a beautiful woman with high intelligence and deep empathy, way ahead of her time, who is no longer with us. This is for her.”

O’Connor died at age 56. “It is with great sadness that we announce the passing of our beloved Sinead. Her family and friends are devastated and have requested privacy at this very difficult time,” her family said in a statement to the BBC on July 26.

Morissette was one of countless music artists to post condolences and share memories of the singer upon hearing the news of her death.

“Sinead was a profound inspiration to many,” she wrote in an Instagram Story. “And to me. Her passion, poetry, and unapologetic expression raised the bar on artistry and female empowerment. Her questioning of societal norms deeply influenced culture’s appreciation of female complexity. Her ability to vulnerably dwell on the small part of the bell-shaped curve was thought provoking, stirring and inspiring. I’m feeling empathy for Ireland, for the world, and for all of us who are saddened by this news.”

Watch a fan-captured clip of Morissette’s performance of “Mandinka” with the Foo Fighters below.