State Champ Radio Music
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BTS’ Jin made a triumphant return to U.S. late-night television this week, delivering a stirring performance of his new single “Don’t Say You Love Me” on The Tonight Show Starring Jimmy Fallon (aired May 21).
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The appearance marked Jin’s first U.S. promo stop since the release of his sophomore solo album Echo and comes just months after completing his mandatory military service in South Korea.
Taking the stage with signature poise, Jin performed the emotional ballad under soft, moody lighting, accompanied by a live band and backing vocalists. His warm yet melancholic tone filled the studio as he sang the reflective lyrics from “Don’t Say You Love Me,” a track that has quickly become a standout on Echo, which dropped last Friday (May 16).
Before the performance, Jin joined Fallon for a light-hearted interview segment that included a comedic role reversal, with Jin briefly acting as the show’s emcee.
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When asked about his next chapter as a solo artist, Jin shared details about his upcoming Hi-Seokjin fan tour. “You might be expecting my vocal skills, but I hope you’re most excited to see my face up close,” he joked with a smile.
The Hi-Seokjin event series kicks off this Friday in New York City, where Jin will meet with 1,000 fans for an exclusive concert and fan interaction. He’ll then return to South Korea to play two sold-out shows in Goyang on May 28 and 29, with additional Asian dates expected to follow.
Echo has already topped the iTunes charts in over 60 countries and received early critical praise for its blend of tender ballads and experimental production.
“Don’t Say You Love Me” serves as the centerpiece of the project, showcasing Jin’s evolution as a solo vocalist and storyteller.
Jin previously appeared on The Tonight Show in November 2024 to perform “Running Wild,” a track from his debut solo EP. His return signals a strong re-entry into the global spotlight as he prepares to embark on his first official fan tour, while BTS continue to pursue solo activities during their staggered enlistment period.
Mariah Carey and Pitbull are returning to Australia this October as headliners of Fridayz Live 2025, the revived touring festival celebrating R&B, hip-hop and pop.
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Announced Thursday (May 22), the stadium run will also feature sets from Wiz Khalifa, Lil Jon, Eve, Tinie Tempah and Jordin Sparks. It marks Fridayz Live’s first edition since 2023, and organizers MG Live and the Hit Network are calling this year’s return “bigger than ever.”
The four-city tour kicks off Oct. 17 at Brisbane Showgrounds, followed by Sydney’s ENGIE Stadium on Oct. 18, Langley Park in Perth on Oct. 24, and Marvel Stadium in Melbourne on Oct. 25. Events are all 18+ except for selected licensed all-ages areas in Sydney and Melbourne.
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Carey’s appearance marks her first Australian performance in over a decade, having last toured the country in 2013. The five-time Billboard Hot 100 chart-topper — whose enduring hits include “Fantasy,” “We Belong Together”, and “Touch My Body” — will bring her vocal powerhouse status to a new generation of fans.
Joining her is fellow Billboard icon Pitbull, returning to Australia for the first time since 2012. The Miami rapper — known as “Mr. Worldwide” — boasts over 100 million single sales globally and is behind hits like “Give Me Everything,” “Timber”, and “Hotel Room Service.”
Fridayz Live will also showcase hip-hop heavyweight Wiz Khalifa, who charted 11 Hot 100 entries in 2011 alon, crunk pioneer Lil Jon, known best for anthems like “Turn Down for What,” will also return while Eve — one of the defining female MCs of the 2000s — brings her chart-topping hits and GRAMMY-winning collaborations.
Also joining the bill are UK rapper Tinie Tempah (“Pass Out,” “Written in the Stars”) and pop vocalist Jordin Sparks, whose breakout single “No Air” with Chris Brown peaked at No. 3 on the Hot 100 in 2008.
There will be no sideshows or encore dates, with promoters emphasizing that fans will only have one chance to catch this full lineup in each city.
Presales begin May 26 for Telstra Plus members, followed by ANZ Circle pre-sales on May 29, a general Fridayz Live pre-sale on May 30, and general public onsale June 2.
The Modfather himself, Paul Weller, has announced the release of his latest covers record, Find El Dorado.
Set for release on July 25, the 15-track collection of songs sees Weller looking to an eclectic list of artists, including the Bee Gees, The Kinks, Richie Havens, Christy Moore, The Flying Burrito Brothers, and more.
“These are songs I’ve carried with me for years,” Weller said in a statement. “They’ve taken on new shapes over time. And now felt like the moment to share them.”
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Additionally, the album also features a number of talented guest musicians, including the likes of Oasis’ Noel Gallagher and Led Zeppelin’s Robert Plant. Other guests include Hannah Peel, Declan O’Rourke, Amelia Coburn and Seckou Keita.
Alongside the announcement of the record, Weller has also shared two tracks as a preview of what to expect. The first of these is “Lawdy Rolla,” the 1969 A-side to the only studio release from obscure French outfit The Guerrillas; and “Pinball,” the title track to English multi hyphenate Brian Protheroe’s 1974 debut.
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News of the forthcoming record arrives almost one year to the day since Weller’s last album, 66, which arrived on May 24, 2024 – one day before his 66th birthday. El Dorado is also his first record of covers since 2004’s Studio 150, which featured tracks written by the likes of Neil Young, Bob Dylan and Noel Gallagher.
Paul Weller – El Dorado Tracklist:
1. “Handouts in the Rain” (Richie Havens)2. “Small Town Talk” (Bobby Charles)3. “El Dorado” (Eamon Friel)4. “White Line Fever” (The Flying Burrito Brothers)5. “One Last Cold Kiss” (Christy Moore)6. “When You Are a King” (White Plains)7. “Pinball” (Brian Protheroe)8. “Where There’s Smoke, There’s Fire” (Willie Griffin)9. “I Started a Joke” (Bee Gees)10. “Never the Same” (Lal and Mike Waterson)11. “Lawdy Rolla” (The Guerrillas)12. “Nobody’s Fool” (The Kinks)13. “Journey” (Duncan Browne)14. “Daltry Street” (Jake Fletcher/PP Arnold)15. “Clive’s Song” (Hamish Imlach)
Almost one year to the day since the release of their most recent record, Clancy, Ohio duo Twenty One Pilots have announced the release of their forthcoming seventh album, Breach.
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Sharing news of their new record on social media on Wednesday (May 21), Twenty One Pilots have announced that the album will arrive on an unspecified date in September, with first single “The Contract” to be released on June 12.
The album’s announcement was also paired with the news that it appears to thematically continue the narrative arcs which the band have focused on across the past decade. “Hello Clancy. Hello Blurryface,” they wrote on social media. “Let’s finish this.”
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Referencing the titular characters of their 2024 and 2015 LPs Clancy and Blurryface, respectively, the record will ostensibly wrap up the narratives that have also continued across records such as 2018’s Trench and 2021’s Scaled and Icy.
Composed of Tyler Joseph and Josh Dun, Twenty One Pilots first formed in 2009 and released a pair of independent records before 2013’s Vessel served as their major label debut and commercial breakthrough, ultimately peaking at No. 21 on the Billboard 200. The group received their first No. 1 with 2015’s Blurryface, with their following records all reaching the top three.
More recently, Twenty One Pilots wrapped their Clancy World Tour with a series of U.K. dates earlier this month. These shows made headliners when, in the final moments of their gig at Manchester’s AO Arena on May 11, a concertgoer was seen grabbing one of Dun’s drums and casually walking away with it.
“I really don’t think you should take that,” one fan can be heard saying in a widely shared video of the alleged theft, as another adds, “Have I just witnessed a crime. Has she actually just stolen that drum? That’s crazy.”
Though the unnamed fan initially appeared to get away with the souvenir unhindered, dedicated fans went into full investigative mode to attempt to track them down. The hours-long search appeared to pay off when Twenty One Pilots’ behind-the-scenes tour videographer Sax posted on Instagram on May 12 that the one-of-a-kind drum had been returned.
Evan Dando, the frontman of alt-rock veterans The Lemonheads, has announced the release his long-awaited memoir, Rumors of My Demise.
The book was initially announced back in late 2020, with Dando reported as co-writing the volume with music writer Jim Ruland at the time. “My life is a muddy river. I thought I should add more dirt,” Dando said upon its initial announcement.
Named for the rumor and innuendo that surrounded Dando’s life at the height of his fame as a ’90s rock heartthrob, the book aims to share “the true story of his band’s tumultuous history and what it was like to be famous in the pre-internet days.”
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Set for release through publishers Gallery Books on Oct. 7, Rumors of My Demise presents as a candid account of Dando’s storied life, ranging from his formative years in the ’80s hardcore scene, his brush with mainstream success, up to his current status, which sees him sober and living in South America while not touring.
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“Reclaiming the purity and exuberance of his early days and encapsulating the spirit of the era, this candid autobiography presents a portrait of an artist who lives wholly for his music, and one that makes no apologies for doing so,” a description of the book reads.
News of Dando’s upcoming memoir follows on from the release of “Deep End,” the lead single from The Lemonheads’ first album of original music since 2006. The track will feature on Love Chant, which is scheduled for a fall release, though specifics have not been shared.
The Lemonheads first formed in Boston in 1986, with a series of independent albums arriving via Taang! before the group signed to Atlantic for 1990’s Lovey.
Writing with Smudge frontman Tom Morgan while in Australia, The Lemonheads found their commercial breakthrough with 1992’s It’s a Shame About Ray, which reached No. 68 on the Billboard 200. Its success was bolstered by a cover of Simon & Garfunkel’s “Mrs. Robinson,” and helped the group achieve their commercial peak with 1993’s Come on Feel the Lemonheads, which peaked at No. 56.
The Lemonheads initially dissolved in 1997, though Dando reactivated the group in 2005, with a self-titled record arriving the following year. Since then, two cover albums have been released, with Varshons and Varshons 2 being issued in 2009 and 2019, respectively.
Blake Shelton’s first studio album in four years, For Recreational Use Only, debuts in the top 10 on Billboard’s Top Album Sales (No. 6), Top Country Albums (No. 8) and Independent Albums (No. 8) charts (all dated May 24). It’s his first studio set since Body Language, which was released in May of 2021.
The new project is also his first with BBR Music Group/BMG Nashville (via Ten Point Productions/Wheelhouse Records), after a career with Warner Music Nashville. Shelton signed to BBR/BMG Nashville in September 2024.
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On Top Country Albums, the set lands Shelton his 18th top 10 – all of which have come since 2001. Notably, this century (2000-present), only six total acts have tallied at least 18 top 10s: Shelton and Tim McGraw have 18 each, while Kenny Chesney, Alan Jackson, Toby Keith and George Strait are all tied with 20 each.
Over on Top Album Sales, For Recreational Use Only marks Shelton’s 18th top 10-charting set (it launches with 10,500 copies sold in the United States in the week ending May 15, according to Luminate).
Elsewhere in the top 10 of the all-genre Top Album Sales chart, five more titles debut in the region, including the No. 1 debut from Sleep Token’s Even in Arcadia.
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
As earlier noted, Sleep Token’s Even in Arcadia debuts at No. 1 on Top Album Sales. The set, the band’s first leader, launches with 73,500 copies sold – the group’s best sales week ever. Kali Uchis’ Sincerely, debuts at No. 2 with 38,000 copies sold – marking the third top 10 for the singer. P1Harmony collect its fourth top 10 as DUH! debuts at No. 3 with 22,000 sold. The Weeknd’s chart-topping Hurry Up Tomorrow rallies 35-4 with 15,000 sold (up 540%) after new vinyl and CD editions of the album were released. Forrest Frank rounds out the top 10, and secures his second top 10 (and first top five set) as Child of God II debuts at No. 5 with 12,000 sold.
PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U reenters the chart at No. 7 with 9,000 sold (up 8,558%) after its vinyl release, Kendrick Lamar’s former leader GNX falls 7-8 (7,000; up 5%), Ghost’s chart-topping Skeletá slips 5-9 (6,500; down 37%) and Arcade Fire’s Pink Elephant bows at No. 10 with 6,000 sold (notching the band its sixth top 10).
PinkPantheress delivered her acclaimed nine-track Fancy That mixtape this month, and fans are hoping she’ll get back on the road soon to tour around the new project.
Pink has been critiqued as a performer in the past, and she sat down with Capital Buzz where she agreed that the criticism has been “fair” and that she doesn’t make music for the stage.
“I don’t do music to perform, I think is the thing, and that’s perfectly fine,” she said around the 23:55 mark of the interview. “I think that people are probably used to and also expect a singer to be able to perform well. And I don’t blame anyone for thinking that. I’m not the best performer. Again, it’s one of those things where I’m like ‘I’m going to get better.’”
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PinkPantheress continued: “But the thing is, no amount of rehearsals can make a difference when you’re in front of like 10,000, 50,000, 100,000. No amount of rehearsal you can do, and as somebody that has got very bad stage fright… I think one of the things people say is like, ‘Oh, I think her performances are a hindrance to her career.’ And I do think there is a level of if you want to make it as like a big, big pop-diva.”
The British artist is at peace in more intimate settings and doesn’t think the performance aspect is a hindrance to her blossoming career. Pink also caught up with Billboard earlier in May, which saw her reveal that touring with Olivia Rodrigo made her learn that she’s “not an arena artist.”
“Watching her and how she combats an arena and how she actually does the arena made me realize, ‘Wow, some people are arena artists and some people are not.’ I’m not an arena artist,” she admitted. “That’s something I learned about myself. What I learned from her is there are ways you can approach an arena and interact with people in the up theres or the far backs. She did that and is amazing at it.”
PinkPantheress added: “What happened when I watched her was, I saw my own failing and my own incapabilities, and I was like, ‘I’m not an arena artist.’ That’s not for a lack of trying. It just made me realize there are some things in life as an artist you’re told you should try one day — but for me, I think I’m one of those artists where I’m comfortable is where I always strive.”
The 24-year-old opened for Rodrigo for six or seven shows before leaving the tour for personal reasons related to her health in 2024.
As for Fancy That, Pink heavily tapped into the drum and bass genre and pulled on inspiration from Basement Jaxx and Calvin Harris to complete the cohesive work, which she thinks is her sonic magnum opus.
Stream the mixtape below.
Bow Wow gave fans some interesting insight into how beats get passed around, while also making a crazy revelation. Sitting down with former NBA player Jeff Teague for his Club 520 podcast, Bow Wow was asked which songs he’s passed on over the course of his career. First, he mentioned passing on the beat that […]
SZA has come to Megan Thee Stallion’s defense after Tory Lanez‘sattorneys and a Florida congresswoman have spoken out about new evidence that they say will prove the Toronto singer/rapper’s innocence.
SZA was spotted by eagle-eyed fans in the comments of an Instagram video posted by user @theluncheonlawyer, who was speaking on the alleged new evidence uncovered in the 2020 shooting case.
“The density !!!!! I’m actually SO shocked at the amount of ppl fully comfortable bullying a woman that’s proven to be a victim of assault,” SZA wrote in defense of her “Freaky Girls” collaborator. “Like out loud where other ppl can see you ?? Lmao u finna be stupid OUTLOUD ?”
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Megan Thee Stallion has also heard the negativity and noise. She clapped back in a comment on her TikTok earlier this week, where she referred to Lanez as a “demon.”
“At what point are yall gonna stop making me have to re live being shot BY TORY,” she reaffirmed. “At what point are Tory and yall FANS gonna stop lying ? Like how much is the check to keep harassing me?”
Meg continued: “One min him/ yall said I was never shot now yall letting him play in yall face AGAIN and say I was shot but it wasn’t him oh ok… ? Ain’t no new f—ing evidence yall been saying the same sh– for years, TORY PLEASE LEAVE ME ALONE you are a f—ing demon.”
Lanez was the victim of a prison stabbing earlier in May. A rep for the Toronto singer claimed he was stabbed 14 times and suffered collapsed lungs, but was “in good spirits” while recovering at a nearby hospital. The Canadian artist was attacked by an inmate inside California Correctional Institution in Tehachapi around 7:20 a.m. PT on May 12, according to a spokesperson for the prison who talked with ABC News.
Lanez is serving a 10-year sentence in prison after being convicted on three felony counts for shooting Megan Thee Stallion during a heated dispute outside a Hollywood Hills party in July 2020. She was granted a restraining order against Lanez in January.
The new evidence claims came from the Los Angeles nonprofit social justice organization Unite the People, as attorney Walter Roberts alleged new findings in Tory’s case during a press conference last week. Roberts claimed that Kelsey Harris’ bodyguard, Bradley James, filed an affidavit saying he overheard Harris admit to shooting the gun and not Lanez.
Rep. Anna Paulina Luna of Florida’s 13th district also called for Tory Lanez’s freedom earlier this week and claimed that new evidence was going to be presented in the next 36 hours, proving Lanez’s innocence.
“I am calling on Gov. Newsom @CAgovernor to review Tory Lanez’s case and issue a pardon,” she wrote. “His 10-year sentence was based on flawed evidence, political pressure, and prosecutorial bias. Justice must be blind— not driven by headlines. Free Tory Lanez.”
She added on Tuesday: “We have compelling evidence proving Tory Lanez’s innocence, and it will be released within the next 36 hours. Those who rushed to call for his incarceration, and worse yet pushed false evidence, should prepare to be held accountable.”
Karol G lands her first No. 1 on Billboard’s Hot Latin Pop Songs chart as her new single “Milagros” flies from No. 19 to the top of the May 24-dated ranking after its first full tracking week.
“Milagros” was released May 8 on Bichota Records/Interscope/ICLG, the last day of the May 2-8 tracking week. Thus, it debuted at No. 19 on the Hot Latin Pop Songs chart with only one day of activity. On the current list, it surges to No. 1 with a 687% boost in streams, that is 4.4 million clicks earned in the U.S. on the tracking week ending May 15, according to Luminate.
As “Milagros” rises to No. 1, Karol G wraps a dominant stretch for Selena Gomez, benny blanco and The Marías at the Hot Latin Pop Songs chart. The trio ruled with “Ojos Tristes” for the last six weeks, since the chart launched on the ranking dated April 12.
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Sales too, assist “Milagros” rise to the summit, after a 253% gain in sales, with 1,000 downloads sold during the same period, enough for an equal No. 1 on Latin Digital Song Sales.
Beyond its Hot Latin Pop Songs coronation, “Milagros” also bows at No. 20 on the Hot Latin Songs chart, which also mixes airplay, streaming data and digital sales into its formula. With the new arrival, Karol adds her 68th career entry, an extends her record for the most career entries among women.
Becky G & Manuel Turizo Hit It Off: Over on the Hot Tropical Songs chart, Becky G secures her maiden top 10 on her first try, thanks to “Qué Haces,” with Manuel Turizo. The song debuts at No. 3 with 1.9 million streams registered on the May 15 tracking week. Plus, it launches at No. 17 on Tropical Airplay with 1.3 million audience impressions.
In terms of digital sales, “Qué Haces” logged little less than 1,000 downloads, enough for a No. 2 debut on Latin Digital Songs.
For Turizo, “Qué Haces” marks his second top 10 on Hot Tropical Songs, among three entries. “En Privado,” with Xavi, took him to a No. 2 debut and peak on the April 12-dated tally.
