Music

Taylor & Tay Lautner Joke About Having ‘Post Taylor Swift Show Depression’ After Attending Eras Tour

The Taylor Lautners are in the same boat as millions of American Swifties: mourning the end of Taylor Swift‘s first U.S. Eras Tour leg.

In a recent Instagram Story, podcaster Tay Lautner and her husband, Twilight actor Taylor Lautner, opened up about experiencing a very specific type of PTSD after attending the Eras Tour at SoFi Stadium, where the pop star recently closed out six straight shows signaling the end of her bestselling trek’s first U.S. leg.

“PTSD: post Taylor Swift show depression,” quipped Taylor, asking his wife, “Is that real?”

“Absolutely,” replied Tay, who captioned the video: “When one show isn’t enough…”

The couple posted a handful of photos and videos from their time in the audience, at one point slow-dancing together as Swift performed “Midnight Rain” toward the end of the show. They were previously invited as special guests to the Grammy winner’s July Kansas City show, where Mr. Lautner assisted Swift onstage in premiering her “I Can See You” music video, in which he stars alongside Joey King.

 “He was a very positive force in my life when I was making the ‘Speak Now’ album, and I want to say he did every single stunt that you saw in that music video,” Swift told the crowd that night of her friendship with Lautner, whom she dated briefly in 2009 and later penned the song “Back to December” about. “He and his wife have become some of my closest friends, and it’s very convenient because we all share the same first name.”

“Taylor, I respect you so much,” Lautner replied. “Not just for the singer you are, the songwriter, the performer, but for the human you are. You are gracious, humble, kind and I am honored to know you.”

See Mr. and Mrs. Lautner joke about having post T-Swift depression below:

Every Track on Karol G’s ‘Mañana Sera Bonito (Bichota Season)’ Album Ranked

Karol G has re-entered her Bichota era—this time with light pink hair and a new album dubbed Mañana Será Bonito (Bichota Season), out today (Aug. 11) via Bichota Records/Interscope Records.

Home to 10 tracks, including the previously released “Provenza (Remix)” with Tiësto and “S91,” Bichota Season delivers a new side of the Colombian superstar, who has evolved, healed, fallen in love, and remained as empowered as ever. She also continues to flaunt her artistic versatility, experimenting with chill reggae beats (“Me Tengo Que Ir” with Kali Uchis) and norteño rhythms (“Mi Ex Tenía Razón”), among other new sounds.

“I would love to find the exact words that define what this season means to me,” the Colombian artist expressed on Instagram. “Mañana será bonito part B: perreo season, bellaqueo season, and why not, romantiqueo too.”

Mañana Será Bonito (Bichota Season) — which includes collabs with Uchis, Peso Pluma, Dei V, and Young Miko — coincided with the week the Bichota singer kicked off her Mañana Será Bonito stadium tour, which started Aug. 10 at the Allegiant Stadium in Las Vegas. The 15-date trek, presented by Live Nation, will also visit Pasadena, Miami, Houston and Dallas, before wrapping up Sept. 28 at Gillette Stadium in Boston.

The set also dropped almost six months after the release of the historic Mañana Será Bonito album on Feb. 24, which became the first all Spanish-language LP by a female artist to top the Billboard 200 albums chart.

Below, the Billboard Latin editors rank every new song on Karol’s album. (The closing “Provenza (Remix)” — which debuted at the 2022 Tomorrowland Music Festival — is not on the ranked list, since it’s a previously released track.)

The Chainsmokers’ Artist-in-Residence Program Will Cover a Year of Rent for an Emerging Artist in NYC

Before they were rich and famous and dwelling in mansions, The Chainsmokers were just two dudes trying to make it as musicians in New York City.

Understanding how hard it can be to keep the lights on in the city while producing new music, the duo is now co-sponsoring a new artist-in-residence program in New York City that aims to help an emerging artist focus on music while eschewing the stress of paying rent.

Being launched in collaboration with The Blumenfeld Group, The Chainsmokers’ own JAJA Tequila and creative agency NOISE, this artist-in-residence program will provide the winner with a free apartment equipped with a music studio at apartment building The Smile. Located in Harlem, it was designed by architect Bjarke Ingels and is named for its curved design.

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The 794-square-foot apartment unit was designed by The Chainsmokers themselves, and features dining, working, sleeping and living room spaces.

“We started our careers in New York City and our experiences living in the city really shaped us into who we are today,” The Chainsmokers tell Billboard in a joint statement. “The city is fun and inspiring, but we also know all too well how expensive it can be to live there, especially as a new artist.”

“For the longest time we worked out of a shoebox-sized apartment making music every day,” the pair continue. “We’re so excited to offer a talented artist the chance to thrive by providing a free apartment with a music studio at The Smile for a year.” 

The program is currently accepting applications, which require would-be winners to submit some basic information along with a TikTok. You can apply for it here.

“At NOISE we love working with clients who are willing to think outside the box. Especially those who are not only willing to push boundaries in their respective industries but also are excited to create culture-forward and impactful campaigns –– David [Blumenfeld] and the entire team at BDG are one of those clients,” says Joe Laresca, founder and CEO of NOISE and creator of this campaign. “This is definitely out of the norm for a real estate company, and of course, partnering with The Chainsmokers is iconic, but being able to change an artist’s life and career trajectory is something we’re really proud of.”

Nicki Minaj Teases She’s Written Her ‘Greatest Song’: ‘The World Needs This’

Nicki Minaj is 100 percent in album mode right now — and she’s excited about one track in particular. On Thursday (Aug. 10), the “Barbie World” rapper tweeted reveal that she’s made what she considers to be her magnum opus song.

“The greatest song I’ve ever written. My goodness. Opened the vault & played it last night & the reaction,” Minaj shared. “My babies have to have this. The world needs this. Trees will grow. Y’all I’m in love. I’m not kidding y’all.”

The 40-year-old gave a few hints in fan interactions with her beloved Barbz. One fan asked if Minaj was “talking about the first song on #PinkFriday2,” to which she replied, “No babe. This won’t be the first song on the tracklist.”

Another excited fan expressed joy at Minaj’s revelation, commenting, “you got some hits in there ik it.” The “Super Freaky Girl” emcee confirmed, and then some in her response: “Oh baby this is beyond just having ‘hits’. This is the word that stands above ALL OTHER words. This is a C-L-A-S-S-I-C.”

Minaj further doubled down when a fan recalled, “The way us Barbz gonna remember when you said this after hearing the song in November gonna be LEGENDARY cause you never LIE!!!.”

The rap icon replied, “And you can bet me all the money in the world on this one boo. I’m being so serious right now yo wow. This is what TF my babies fkng deserve. And y’all know I don’t throw out certain terms loosely. But ‘classic’ is the word. Hits galore. But ‘classic’ is the word.”

Minaj’s upcoming fifth album, Pink Friday 2 — the sequel to her record-breaking debut album Pink Friday — is scheduled to arrive on Nov. 17, after originally being slated for an October release.

See Minaj’s tweets below.

Rauw Alejandro Pens a Heart-Wrenching Love Letter to Rosalía in ‘Hayami Hana’: Here Are the Lyrics Translated Into English

Rauw Alejandro pours his heart out in his new song “Hayami Hana,” a love letter to Rosalía in which he opens up about how difficult their breakup has been for him and says that he never thought they would separate.

“We’ve argued, I find it hard to express myself/ All my shortcomings you already know/ I have to put up with your things too/ But the option of removing myself never crossed my mind,” sings the Puerto Rican star.

The track released on Thursday (August 10) — whose title in Japanese could be translated as “flower of rare beauty” — comes less than a month after the couple announced that they have ended their relationship after nearly four years together. Its moving lyrics evidence Rauw’s deep love and respect for his ex-fiancée, both as a person and as an artist.

“What will come next? I don’t know/ But I know that for you it will be all the Grammys, hey/ They will study your art over time/ When they plan, I know that they always take you as an example,” sings Rauw. And in one of the most heartbreaking moments he laments, “I’ll finish our little house in case you feel like coming back/ Today I stop writing you, not loving you.”

Rauw and Rosalía met in person in 2019 — after months of messaging each other on social media — at a Las Vegas hotel lounge during the Latin Grammys. It was love at first sight, the couple told Billboard for their cover story interview. Shortly after, on March 24, 2023, they revealed that they were engaged in the music video for “Beso,” one of the three songs included on their joint EP RR, released that same day.

Since the inception of their relationship, Rosalía and Rauw were each other’s biggest supporters on and off the stage. Rosalía sang backing vocals on “Dile a Él” from Rauw’s first album, Afrodisiaco (2020), as well as on “Corazón Despeinado” from Saturno (2022), while Rauw co-wrote some lyrics for Rosalía’s “Chicken Teriyaki” from her Grammy and Latin Grammy-winning 2022 album, Motomami.

“I’m lucky to be your partner, and I want to be there for you, sabes? And I feel you’re there for me, independent of the careers,” said Rosalía, who had Rauw as a guest on her Coachella set in April where they performed “Beso” and “Vampiros” off RR. “For me, our relationship is first, and then there’s everything else. Of course my career is super important in my life, but at the same time, in my life, you’re my companion, and everything else comes second.”

Listen to “Hayami Hana” and read the lyrics of the song translated to English below:



In case we never talk again
And my favorite eyes don’t look at me again
I do this for when you want to remember
Of the crazy person who really loved you.
And I’m not going to make myself strong
I am not going to fake it
Everyone here knows that I’m gonna cry, I’m gonna miss you
Yes, there is nothing to hide here
But there are a couple things that I want to get off my chest.

Everybody knows, everybody knows
Everybody knows, everybody knows
Everybody knows, they know s–t
Everybody knows, everybody knows
Everybody knows, everybody knows
They say they know, they know s–t

We’ve argued
I find it hard to express myself
All my shortcomings you already know
I also have to put up with your things
But the option of removing myself never crossed my mind.
And what a pity, couples no longer last
They last a little, there are few old people left
To tell us their little tricks
How can I see
All my life with you, the dawn?
And mami I don’t have the answer for this
But I loved both your qualities and defects equally
Everything gets harder with time
But not all people are prepared for this
And I don’t blame you, the life we ​​lead is not for everyone
The press, social media, peer pressures
Being away is more difficult, easier together
We work non-stop but to what extent
Being in our little camp is worth more than all the money and fame
To wake up and see you by my side
I don’t feel like getting out of bed

Hey, all my songs are for you since Afrodisíaco
Everyone knows that, that’s irrelevant
It’s that I can’t stop missing her sleeping in my arms
I don’t know how to stop thinking about that last hug
And if I had known that it was going to be the last one, I wouldn’t have let her go
Maybe now she would be by my side
Watching movies in tuck in bed
But this summer I had to be like the sun, alone

I may be many things, but never unfaithful
She always had the key to my cell
This was something else that is not in my power
My crystal girl, my paper boat
You disarmed and I tried to fix you
And although you went far away from me, I stayed
Now I’m not here but I want you to know that
You are stronger than you think
And I hope someday we can laugh at the past
There are no grudges here, this is not a complaint
If you have given me the best days
That’s why I have your name tattooed on my belly, ma
I gave you everything and I would do it again
I will finish our little house in case you feel like coming back
Today I stop writing you, not loving you
How to forget your kisses after that nap?

Everybody knows, everybody knows
Everybody knows, everybody knows
Everybody knows, they know s–t
Everybody knows, everybody knows
Everybody knows, everybody knows
They say they know, they know s–t

To finish
I know you’re going to be the best artist
It’s just that another like you I really don’t think exists
You are the most beautiful cover of all magazines
I would know even if I couldn’t see
If just by hearing your voice
The sea calms down from any torment
Thousands of people agree
I don’t say it because of this feeling
And from Los Angeles I knew it
She is my MOTOMAMI
What will come next? I don’t know
But I know that for you it will be all the Grammys, hey
They will study your art over time
When they plan I know that they always take you as an example
And even if they copy you, they will fail in the attempt
Because only God chooses a few with that talent
You are genuine, you are amazing, you are, you are pure joy, huh
You are medicine
You heal my heart
All those nights at home dancing to our song
And if life brings me together with you on another occasion
I won’t argue with fate’s reason

Once again I’m staying here without you
D–n, baby, I’m gonna miss you
I didn’t see this coming to an end, yeah
Once again I’m staying here without you
This time I’m not going to stop you
I say goodbye to you, have a great time, yeah
Oh, oh-oh-oh, oh-oh, how it hurts
I say goodbye to you, have a great time
Oh, oh-oh-oh, oh-oh, how it hurts
I say goodbye to you, have a great time
Oh, oh-oh-oh, oh-oh, how it hurts
I say goodbye to you, have a great time
Oh, oh-oh-oh, oh-oh, how it hurts
Oh-ah-ah-ah
Hayami Hana!
Hayami Hana!
Hayami Hana!
Hayami Hana!
Yeah, yeah

Justin Bieber’s ‘Baby’ Music Video With Ludacris Hits 3 Billion Views on YouTube

Oh, baby! Justin Bieber and Ludacrismusic video for the former tween star’s breakout single “Baby” has hit 3 billion views on YouTube.

The “Baby” video came out in 2010 and effectively introduced the world to the young heartthrob with a skater haircut, high-pitched voice and smooth dance moves who would go on to help define pop music for the next decade. The visual features a 15-year-old Bieber wooing a girl with an epic dance-off at a bowling alley, joined by Ludacris, whose rap verse about a teen romance remains wholly iconic.

The year it was released, “Baby” became the most-watched video in YouTube history at the time, surpassing Lady Gaga’s “Bad Romance” with 246 million views. It was also the most-disliked video on the platform until 2018, when that year’s YouTube Rewind amassed more dislikes than “Baby” in just one week.

In 2020, Bieber celebrated the 10-year anniversary of his career breakthrough with a nostalgic Instagram post, sharing a throwback to the decade-old cover art of his multiplatinum single. The song served as the lead single of his debut album, My World 2.0 and debuted at No. 5 on the Billboard Hot 100, trumping the successes of his earlier singles such as “One Time” and “One Less Lonely Girl.”

“Baby” isn’t the first of Bieber’s music videos to join the exclusive 3 billions club, with 2015’s “Sorry” currently approaching 3.7 billion. In 2016, the “Yummy” singer became the first artist to crack 10 billion combined views on Vevo.

Watch the “Baby” music video above.

The Future 50: Predicting R&B/Hip-Hop’s Next Legends 

Billboard forecasts which next-gen artists, creatives and executives will be tomorrow’s greats.

If there’s one constant in the music industry, it’s this question: Who’s got next? As hip-hop’s 50th anniversary celebration continues, its various GOAT lists, special compilations and other reflections on the past have also elicited conversations about which younger artists now would warrant a similar spotlight in the future. After the respect and props being accorded to hip-hop’s fearless pioneers this year, who will be the next trustees ensuring hip-hop’s future? 

With that in mind, Billboard is observing National Hip-Hop Day today (Aug. 11) with the unveiling of its Future 50 list. Instead of focusing solely on rap artists, Future 50 represents all of the players most likely to change the game, including R&B artists as well as songwriters, producers and executives working in the realms of hip-hop and R&B. The Future 50 will be revealed 10 names at a time alphabetically, with the entire list posting in December.  

In determining those selected, we considered the impact each candidate has achieved to date, but focused even more on the potential each has for sustaining and building on that momentum in the coming years. Weighing into that assessment were factors such as chart achievements, industry accolades, cultural influence and skill set. As a result, some of those chosen are already household names, some are getting there, and some you may not be familiar with just yet. The executives we picked, who hail from record labels, publishing companies, management and other industry sectors, show outsize promise based on their acquisitions, signings, partnership ventures and what they’ve helped their clients achieve. 

Now read on and see who’s got next in the first installment of Billboard’s Future 50.  

Kevin Costner Declares He’s ‘Officially a Swiftie’ After Seeing The Eras Tour With His Daughter

No one is immune to the Swiftie spell, not even two-time Academy Award winner Kevin Costner.

After seeing Taylor Swift perform at one of her SoFi Stadium shows in Inglewood, Calif., with his daughter, Costner took to Instagram to declare that he’s officially fallen into the Eras Tour concertgoer to certified Swiftie pipeline. “My videos are blurry, but I had an amazing time with my daughter at the @taylorswift show,” the actor wrote, captioning a trio of photos and videos of Swift onstage.

“I was absolutely blown away watching her art bring so many people together,” he continued. “I had a great view of her band and had a blast watching them, too. An inspiring night. I’m officially a Swiftie!”

The Bodyguard star was close to the side of the main stage, where he snapped videos of Swift singing “22” and “Don’t Blame Me.” In one picture he shared, thousands of fans in the audience could be seen with their light-up bracelets, glowing in tandem with the stage effects.

Costner — who is also the frontman for country rock band Kevin Costner & Modern West — isn’t the first star to attend an Eras Tour concert and come out of it a diehard fan of the “Anti-Hero” singer. Diplo shared that he’s a “motherf—ing Swiftie now” after catching a concert in Las Vegas, and former Arizona Cardinals defensive end J.J. Watt raved about Swift after seeing her opening night in Glendale. “So much respect @taylorswift,” he wrote. “When your fans pay for a ticket, they are getting their money’s worth and some.”

The Yellowstone actor was one of dozens of celebrities to show face at one of Swift’s six concerts at SoFi, including Lupita Nyong’o, Meghan Markle, Brie Larson, Charlize Theron, Selena Gomez, Austin Butler, Mariska Hargitay, Jeff Goldblum and more. Stars such as Halsey, Sadie Sink, Anya Taylor-Joy and Karlie Kloss were at the pop star’s Wednesday (Aug. 9) finale show — which marked the end of the Eras Tour’s first U.S. leg — where they joined thousands of fans in witnessing Swift’s announcement that 1989 (Taylor’s Version) will arrive Oct. 27.

See Kevin Costner’s post about the Eras Tour below:

LL Cool J Reveals He Has an Unreleased Collaborative Album With 50 Cent: ‘It Didn’t Work’

Hip-hop has been a collaborative culture since its inception, and from Jay-Z and Kanye West’s Watch the Throne to Drake and 21 Savage’s Her Loss, collaborative albums have become their own phenomenon within rap music. And LL Cool J almost added one to the collection. The rapper revealed on the Wednesday (Aug. 9) episode of The Breakfast Club that he once wrote a collaborative album with 50 Cent.

“I tried to do a more collaborative writing album. I did a whole album with 50 Cent. And we were writing together on this album,” LL Cool J recounted. “And when it was done, I listened to it. I’m like, ‘It sounds good. I like the music, it sounds cool, but it ain’t me.’ So, I ain’t put it out.”

“It was nothing against 50, I love 50,” he clarified. “I just wanted to try something different. Maybe we collaborate, write together … It didn’t work.”

When one of the radio show’s co-hosts brought up “Paradise,” LL’s 2002 Billboard Hot 100 top 40 hit (No. 36), the Grammy-winner explained, “50 wrote the chorus on ‘Paradise’ for Amerie, which she sung. He didn’t write my rhymes … when that happened, I didn’t even know 50 was involved. That was The Trackmasters, they got that done.”

As one of the most celebrated and decorated rappers of his era, LL’s artistry has always been as important to him as his persona. “The collaborative thing, when it comes to my verses, that doesn’t work for me,” he said.

The “Mama Said Knock You Out” rapper also mused about the apprehension that comes with continuing to rap while aging, and said that he “loves” to be underestimated because “it makes the jabs that much stiffer.”

Watch his interview with The Breakfast Club above.

Friday Music Guide: New Music From Olivia Rodrigo, Karol G, Trippie Redd and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Olivia Rodrigo wrestles with a (great) bad idea, Karol G keeps collecting W’s and Trippie Redd shows a new side of himself. Check out all of this week’s picks below:

Olivia Rodrigo, “bad idea right?” 



Two years ago, Olivia Rodrigo preceded her debut album with a spectacularly emotional ballad and a head-banging pop-punk anthem; both of those songs, “drivers license” and “good 4 u,” reached the top of the Hot 100, and Sour became a year-defining full-length. Rodrigo is utilizing a similar playbook with her sophomore effort, GUTS, as the theatrical epic “Vampire” has been followed by the driving shout-along “bad idea right?” — although the new single is far from a rehash, instead mixing pop, riot grrrl rock and new wave into a compact call-and-response ode to ex-boyfriend temptation. More than anything, Rodrigo understands how to give wide swaths of listeners exactly what they need, regardless of tempo or sound — it’s the reason why she’s a superstar at the age of 20.

Karol G, Mañana Será Bonito (Bichota Season) 



Few popular artists are having a better commercial year than Karol G: after Mañana Será Bonito album became the first all-Spanish language album by a woman to reach No. 1 on the Billboard 200 chart, the Colombian superstar plotted headlining dates in football stadiums, performed on Saturday Night Live and popped up on the best-selling Barbie soundtrack. Now, the winning streak continues with Mañana Será Bonito (Bichota Season), a companion piece to her recent album, but also a 30-minute project that stands on its own; new collaborations with Kali Uchis and Peso Pluma are especially dynamic, while previously released single “S91” sounds even more impactful in the context of a full-length.

Trippie Redd, A Love Letter to You 5 



A Love Letter to You 5 may be the fifth and final edition of Trippie Redd’s popular mixtape series that began in 2017, but the 19-track project feels particularly thoughtful and expansive, as if the hip-hop streaming juggernaut wanted to end the project with the biggest, best installment possible. Lil Wayne, Roddy Ricch and The Kid LAROI all swing by, although the pair of collaborations with Skye Morales, the gifted singer and Trippie Redd’s former partner, are especially poignant, and shed new light on a prolific star’s emotional range.

DJ Khaled feat. Lil Baby, Future & Lil Uzi Vert, “Supposed To Be Loved” 



Summertime is a season for beach days, backyard barbecues and star-studded DJ Khaled singles — and although it’s already mid-August, Khaled has come through with a song that will no doubt linger in the mainstream until the leaves begin to fall. “Supposed To Be Loved” not only corrals Lil Baby, Future and Lil Uzi Vert and lets them unfurls some surprisingly tender bars, but Khaled positions the hip-hop summit over a sample of Michael Jackson’s “P.Y.T.,” as extra insurance that the new single will be smooth and summer-friendly.

V, “Love Me Again” 



A few weeks after his BTS band mate Jung Kook topped the Hot 100 chart with his Latto collaboration “Seven,” V steps forward with his own solo bid, albeit with a very different sonic approach. “I wish you would love me again / No, I don’t want nobody else,” V sings, his vulnerability matched by sensitive R&B production that motions toward jazz and classic soul; the subtleties of “Love Me Again” begin to reveal themselves on the first listen, then deepen with each new play.

Editor’s Pick: The Hives, The Death of Randy Fitzsimmons 



Swedish punk veterans The Hives invaded America during the garage-rock movement of the early ‘00s, as singles like “Hate to Say I Told You So” and “Walk Idiot Walk” made their intense presences felt on MTV and alternative radio. The Death of Randy Fitzsimmons is the quintet’s first album in over a decade, but from the opening riffs of lead track “Bogus Operandi,” the group swaggers back into view like they never left, filling 31 hard-charging minutes with punk performances that will make any thirtysomething want to get back in the pit.