Music

RBD Drops New Song ‘Cerquita De Ti’: Stream It Now

Calling all RBD fans! The Mexican pop group has unleashed their new single “Cerquita De Ti,” which comes just days before kicking off its highly anticipated reunion tour on Aug. 25 in El Paso, Texas.

The track starts off with a melancholic piano note that then meets a subtle dembow beat for an explosive fusion of sounds. The title of the song translates to “close to you,” which perfectly captures RBD’s long-awaited reunion. “So great that we meet again, nobody believed us but we did it. It’s been hard but we’re here … You know I’ll always be close to you,” they sing.

After splitting in 2008, RBD — comprised of AnahíDulce MaríaChristian ChavezMaite Perroni and Christopher von Uckermann — announced their comeback tour in January confirming stadium and arena shows in the U.S., Mexico and Brazil.

“There’re cycles in life and each one of us had to focus on our careers as actors and musicians and that meant we had to give those projects time, energy and a lot of dedication,” Perroni previously told Billboard. “It also allowed each one of us to grow professionally and personally. Now, the time [for the reunion] is perfect because we’re now more conscious, more mature, we’ll enjoy it from a different perspective now as adults.”

Earlier this week, Billboard announced that RBD’s Maite Perroni, Christian Chávez and Christopher von Uckermann will be part of the 2023 Latin Music Week, set to take place Oct. 2-6 at the Faena Forum in Miami. The three RBD members will take center stage to share how their reunion tour came to fruition. This RBD marquee appearance follows another first as this month, all five members will sit down with Billboard and Billboard Español for their first interview as a group. Purchase tickets to Latin Music Week here.

Below, stream RBD’s “Cerquita De Ti.”

Quavo’s Assistant, Wounded in Shooting That Killed Takeoff, Sues Venue

Quavo‘s assistant, who was one of three people wounded in the November 2022 shooting in Houston that killed Migos rapper Takeoff, filed a lawsuit against the venue Wednesday (Aug. 16) for failing to provide adequate security, screening or emergency assistance before or after the incident.

Joshua Washington, who was working as Quavo’s personal assistant at the time of the tragedy, is suing 810 Billiards and Bowling, its owners and property managers over the incident. He is being represented by civil rights attorney Bakari Sellers of the Strom Law Firm and Audia Jones of the Law Office of Audia Jones.

“810 Houston was warned that they needed extra security. They knew it was a hotspot for violent crime and that an after-hours event like this could turn deadly in a second,” said Sellers in a statement. “But they ignored those warnings and now they have blood on their hands. This shooting was a tragedy. But it was a preventable tragedy.”

According to the lawsuit, defendants 810 Houston, LVA4 Houston Greenstreet, Lionstone Partners, Midway Companies and Cushman & Wakefeld of Texas “provided no screening mechanisms, no after-hours controls or security measures, and no enforcement of rules or industry standards to deter crime against their invitees.” The suit also states that while the shooting was taking place, “no security personnel or personnel from the venue responded or otherwise attempted to deter or end the violence.”

“They had no properly trained security personnel, adequate signage, lighting or cameras. They had no screening to keep out weapons. They didn’t even have a working metal detector,” Jones said in a statement. “This was a powder keg of their own making and folks like Takeoff and Joshua Washington got caught in the explosion.”

Takeoff (real name Kirshnik Khari Ball) was shot and killed in the wee hours of Nov. 1, 2022. He was 28.

Washington, who was an innocent bystander, was shot in his right side by stray bullets, which entered about an inch from his colon. And because the elevators and escalators at the venue “were not operational before, during, or after the event,” he claimed in the suit that he had to run down three flights of stairs while sustaining serious personal injuries, find his own way to the hospital and spend approximately one to two days there while seeking the care of medical professionals. Washington had the bullet from his right side removed, but doctors were unable to remove the bullet fragments. He currently resides in Georgia.

“There was no one. The bullets started flying and no one came to help,” Washington said in a statement. “There were no security guards trying to stop the shooting, no one to help those of us who were hurt, no one at all. They just left us there to die.”

Washington’s lawsuit was filed just two months after Takeoff’s mother, Titania Davenport, filed a wrongful death lawsuit against the Houston bowling alley.

Representatives for 810 Billiards & Bowling did not respond to Billboard‘s request for comment at press time.

You can read the full lawsuit below.

Lizzo’s Big Grrrls Show Support for Singer Amid Lawsuit

Lizzo’s Big Grrrls dance crew have officially spoken out in support of the singer amid a sexual harassment lawsuit filed by her former dancers.

“We had the time of our lives on The Special Tour. We have been so honored to share the stage with such amazing talent,” reads the statement posted to the Big Grrrls Instagram page on Thursday (Aug. 17). “The commitment to character and culture taking precedence over every movement and moment has been one of the Greatest lessons and Blessings that we could possibly could ask for.”

The lengthy note, which thanks Lizzo for “shattering limitations and kicking in the door way for the Big Grrrl & Big Boiii Dancers to do what we love,” continues: “You have created a platform where we have been able to parallel our Passion with a purpose! Not only for Us, but for Woman and All people breaking barriers.”

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The note is signed from “the Big Grrrls and Big Boiiis,” so it is unclear which of the dancers are included in the supportive message.

The lawsuit, filed earlier this month in Los Angeles by dancers Arianna Davis, Crystal Williams and Noelle Rodriguez, accuses Lizzo (real name Melissa Jefferson) and her Big Grrrl Big Touring Inc. of a wide range of legal wrongdoing and included dozens of pages of detailed factual allegations.

In one allegation, the lawsuit claims that Lizzo pushed the dancers to attend a sex show in Amsterdam’s famed Red Light District and then pressured them to engage with the performers. The lawsuit also detailed alleged outbursts by Lizzo, including an “excruciating re-audition” in April after she accused the dancers of “drinking alcohol before shows”; one dancer claims the ordeal continued for so long that she wet herself because she feared she would be fired if she left the stage. The case also claims Lizzo repeatedly told dancers “none of their jobs were safe” and raised “thinly veiled concerns” about a dancer’s weight gain.

Lizzo denied the claims in a response shared to Twitter, calling them “false allegations” and “sensationalized stories.”

“I am not the villain that people and the media have portrayed me to be these last few days,” Lizzo wrote. “I am very open with my sexuality and expressing myself but I cannot accept or allow people to use that openness to make me out to be something I am not.”

See the full statement from the Big Grrrls’ Instagram account below.

Former Billboard Editor-In-Chief On Her Harrowing Escape From the Lahaina Fire: ‘It Was Total Chaos’

We first came to Lahaina during COVID because my son, Greyson, who was 5 at the time, was losing his mind. He’s a very active boy, and we needed to get him out of the house. My dad, musician Ray Conniff, had a lot of close ties to Hawaii and the community here. He’d spent a lot of time in Lahaina and even recorded a Hawaii LP [1967’s Ray Conniff’s Hawaiian Album]. So we moved here for a couple of months during quarantine, spending time with our friends, Stephen Stills’ son Chris and his wife, Stacy, and their family. My son met a local surf instructor, Uncle Bully, who is an amazing human. He teaches kids, especially locals, to surf and respect the ocean. He became a family friend and taught Greyson how to surf. He’s now 8 and a competitive surfer. The water is his happy place.   

There’s something deeply spiritual about Maui, especially Lahaina. It’s a super tightknit surf and skateboarding community. All of the families, aunties, uncles and neighbors look out for one another. If you ever need anything, people drop what they’re doing and help. We have one another’s backs. The community is focused on family; the kids are outside without tablets, and they’re learning about the water, the ocean and how to be one with nature. That’s what Lahaina is all about. We bought a house here, and while I wasn’t born here, my family and I are very respectful of Hawaiian culture and our native community, and the town and island has become our home. Maui grabs your soul, and it will keep you.

We live on Wainee Street, one block from Front Street across from the historic prison. On Tuesday, Aug. 8 at 4 a.m. our power went out due to hurricane winds. Power goes out a lot in Lahaina, so this is not unusual. We gathered our friends to come have lunch because we have a barbeque, and no one had power. Per usual, we had 15 people at our house hanging out. Earlier in the day, some received an alert that there was a fire, but it was 100 percent contained. I never got that alert, but some of my friends did. The winds got so bad that our fence flew off, pieces of our roof. Still no alerts or fire warnings, even though in that same place, that we were told was contained, the fire was already coming. We had some other friends staying in our ohana [guest house] and they came over to say, “We see smoke.” We walked into the back of the house and within seconds, the fire was in our backyard. We grabbed the kids and ran with nothing more than the shirts on our backs. I was driving the car with my son and two boys we watch out for who live at a homeless shelter. 

As we were driving away, the fire was barreling toward us. We reached the main road, and it was gridlock in one direction. The other side was completely open. And there was no one directing traffic. No sirens, no warnings, no text messages, no officials there to help. People were running down streets and trying any way they could to beat traffic.  A power pole was down blocking the way out. When we finally got through we saw three workers with chainsaws cutting the pole to pieces to unblock the road. Only three workers!

People who left after we did — maybe two, three, four and even five minutes later— couldn’t get out. The fire swept through in an instant, and those photos that have emerged showing cars burned on Front Street, they burned because they couldn’t move. Other people jumped in the water. We have friends who live 40 feet from Front Street, they couldn’t get out by car, so they jumped in a golf cart to escape on the sidewalk. It was total chaos.   

As a mom, I tried to stay super calm. I had my son with me and the two other boys, and we didn’t know if their parents were OK because they were at the shelter, which was also on fire. My husband and my daughter were in another car, and I tried to reassure the boys that everyone was going to be OK even though we could see the fire coming down the highway in our direction. I just kept saying, “We’re safe. We’re safe. We’re going to make it out.” And we did.   

Everyone from Lahaina who got out ended up in a Safeway parking lot in Kahului at 3 a.m., walking around aimlessly or sleeping in cars. Nobody knew what to do because we still had no official direction or communication. It was a complete deadly failure on the part of the local authorities. There’s literally no infrastructure in Lahaina. Everyone knows Front Street as a tourist destination. What you don’t know is that a few blocks up is lower income housing, a homeless shelter, generational Hawaiian homes, not the $5 million vacation homes. Locals live here. 

The next day, we went straight into survival mode. We just started thinking about what people need, especially those who have less than we do. It was a lot of coordinating by securing small planes, boats, generators, gas, water, food and figuring how to get it back to Lahaina and those who needed it immediately. We ended up making it back in our truck to deliver supplies. It’s like a bomb went off. It’s totally disorienting because there are no buildings to recognize. Everything is gone. It’s all ash and burned to the ground. From what I’ve seen and the conversations I’ve had with police and firemen in our direct circle, the devastation is being underreported. So many bodies have not yet been identified, and the death toll is expected to grow to hundreds. Cadaver dogs are still searching for bodies. 

Our homes and the homes of our community are gone. When I walked the ashes, what devasted me was seeing my children’s bedrooms burned to the ground because that’s where they slept. I imagined what would’ve happened if we didn’t make it out. What if this happened at night? Stuff is just stuff. None of that matters. What does matter is life, people, community, rebuilding, supporting each other. This is an entire community that has been wiped out. Our realtor friends are getting hundreds of emails from big developers asking to buy “devastated properties.” These are mostly the homes of indigenous families, and we need to make sure they don’t get forced out. Lahaina must stay in Lahaina hands. 

We’ve been buying supplies and giving money to families who need it immediately. I co-founded a nonprofit, Mana Mentors — an organization that helps teach at-risk youth how to surf and skate — and we’ve pivoted to raising money so that in two, three or four months, when no one is paying attention anymore, we can still help and rebuild. We’re also accepting donations of surfboards, skateboards and gear for the kids who lost everything. We’ve been working with Kevin Lyman [founder of the Vans Warped Tour music festival]; Smith Mandel & Associates, who have reached out to all the brands they represent to help; surfers Jud Lau and Tyler Larronde; musician and Maui local Lily Meola; and countless others who have been incredible with their generosity. 

The kids are having a really hard time because they don’t know how to process such a tragedy. These are the things that bring them joy, and we want to help them get back in the water, back on their boards, so they can have something that makes them happy. We lost our town. My daughter, who is 3, can’t really process this, but she loves the banyan tree. She said to me, “Mommy, I just wanna go hug the banyan tree to make it better. When can I go hug the tree?”  

We are 100 percent going to give our all to rebuild this community. We want to protect Lahaina, and we want to preserve its history. This place has such a rich Hawaiian history, and so many Hawaiians have already been forced to move because they were priced out. We don’t want that. Lahaina needs to be rebuilt in a way that can protect the beauty of this special place. 

Inflatable Films was about to release a documentary on Uncle Bully and his mission to teach the local homeless kids how to surf and a take deep look at what the real Lahaina is like. This story will still be told, but the backdrop is no longer the devastation that COVID had on Lahaina, but this — this deadly disaster and how the kids are going to heal from it. Lahaina is Lahaina strong. 

Tamara Conniff is the CEO of AMR Songs, a rights acquisition fund. She served as the editor-in-chief at Billboard and music editor at The Hollywood Reporter and held a top post at Roc Nation. She is one of the founders of Mana Mentors. 

This story was originally published by The Hollywood Reporter.

Sam Asghari Speaks Out Amid Britney Spears Divorce: ‘S— Happens’

A day after filing for divorce from Britney Spears, Sam Asghari took to his Instagram Stories on Thursday (Aug. 17) to release a statement.

“After six years of love and commitment to each other, my wife and I have decided to end our journey together,” he wrote in white text against a black screen. “We will hold onto the love and respect we have for each other and I wish her the best always. S— happens. Asking for privacy seems ridiculous so I will just ask for everyone including media to be kind and thoughtful.”

See his Story before it disappears here.

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The 29-year-old model filed for divorce from the pop star on Wednesday (Aug. 16) in Los Angeles Superior Court, per documents obtained by Billboard. The filing notes that the couple separated on July 28, with Asghari citing irreconcilable differences as the reason for divorce. He also seeks spousal support from Spears. Billboard reached out to Spears’ rep for more information, but did not receive a response at press time. Her lawyer, Matthew Rosengart, declined to comment.

The “Hold Me Closer” singer and Asghari began dating after they met on the set of Spears’ “Slumber Party” music video in 2016. After dating for five years, the couple got engaged in September 2021 and soon tied the knot in a star-studded Los Angeles wedding ceremony in June 2022. Just a month before their wedding, Spears revealed that she suffered a pregnancy loss.

“It was the humbleness that attracted me,” Asghari said of their relationship in a 2022 interview with GQ. “She was very humble and she had a beautiful soul.”

Sting Remembers A&M Co-Founder Jerry Moss: ‘It’s Been a Devastating Loss. He’s Irreplaceable’

A&M co-founder Jerry Moss, who died Wednesday (Aug. 16) at 88, once said that if he could have just one album, it would be Sting’s solo debut, 1985’s Dream of the Blue Turtles. The legendary Police frontman and Moss met in March 1979, the day that The Police played their first Los Angeles show at the Whisky a Go Go. They formed a strong bond over the music, with The Police going on to international superstardom while on A&M. The band’s 1983 smash, “Every Breath You Take,” was A&M’s biggest hit, spending eight weeks at No. 1. But even stronger than Moss and Sting’s musical connection was their potent friendship. 

From his house in Tuscany, Sting talked to Billboard about what Moss meant to him both professionally and personally. 

I first met Jerry Moss in 1979. I just got to California with the band and I hugged a palm tree. I’d never seen a palm tree in my life. We booked into the Sunset Marquis and obviously sat at the swimming pool. And then in walked Jerry Moss and [A&M executive] Gil Friesen, two very tall, handsome, distinguished-looking Californian businessmen. Jerry really looked the part, I have to say: Such a striking, handsome guy. Jerry very quickly became a family friend rather than a record executive. But if I’m asked why I think they were so successful as a record company, I would say Jerry was, not to my knowledge, a cutthroat businessman, he was a gentleman first. 

He was a friend. He was a mentor. He was a confidante. And I think his success was based on those very human qualities, rather than being some kind of shark.

Then I met Herb [Alpert, A&M co-founder with Moss], and, for me, it was fascinating that A&M were two people. It wasn’t like a faceless, corporate acrostic. Mr. A and Mr. M were people. You could sit on their desk and chat to them. They were the perfect company for us. They were artist [friendly], they would be patient, and they knew what they were talking about. They weren’t like just the set of accountants, who are guessing. These guys knew the business. 

Jerry would have informed opinions about [the music] he was hearing and would say things like “I think it needs a bridge here.” He wasn’t necessarily right [laughs]. I’m joking. But I would always listen and take what he said seriously. He knew what he was [talking] about. 

He became a very close friend. [Sting’s wife] Trudie and I would stay at his house in Malibu and in Hawaii. When he became a horse breeder, he named [a] horse after our album, Zenyatta [for Police’s 1980 album, Zenyatta Mondatta] and [another] after Giacomo, my third son. The horse won the Kentucky Derby. It was 80:1 odds when we put the bet on him. We’re still living off the winnings. It was amazing that he had just as much talent spotting musical talent as he did horseflesh that would win. But again, I think his success came from his generosity, his humanity.

Luckily, a month ago, he turned up at a gig I was giving in Halifax, Yorkshire, in the north of England. It’s so unlikely that Jerry would turn up there, but he wanted to see a gig. That was the last time I saw him. He was in a wheelchair. He wasn’t speaking, but he was really able to demonstrate how pleased he was to see me and how pleased I was to see him. We hugged and he watched the show, and that was maybe five weeks ago. It was the most unlikely setting for a final meeting, but I’m so grateful that I had that opportunity. We spent a lot of time with him. He’s irreplaceable.  I love him and it’s been a devastating loss for Trudie and myself and the record industry. 

As told to Melinda Newman

Kellie Pickler Calls Death of Husband Kyle Jacobs the ‘Darkest Time of My Life’

Editor’s note: This story contains mentions of suicide.

Kellie Pickler is breaking her silence after the death of her husband Kyle Jacobs. On Thursday (Aug. 17), the singer-songwriter shared a statement with People about how she has been coping since he died by suicide at age 49 in late February.

“One of the most beautiful lessons my husband taught me was in a moment of a crisis, if you don’t know what to do, ‘Do nothing, just be still,’” she said in a statement to the outlet. “I have chosen to heed his advice.”

The “Didn’t Know How Much I Loved You” singer took a moment in her message to extend a thank you to friends, family and fans “for the countless letters, calls, and messages that you have sent my way.” She continued, “it has truly touched my soul and it’s helping me get through the darkest time in my life. As many of you have told me, you are all in my prayers.”

The country singer revealed that she’s holding a memorial in Jacobs’ honor in the coming months. “I am planning an intimate memorial for my husband, which will happen later this fall, that is what Kyle would have wanted,” she wrote before concluding her message with “Love & Blessings, Kellie.”

Jacobs’ cause of death was reported as a self-inflicted gunshot wound in February; the Davidson County Medical Examiner confirmed that Jacobs died by suicide, while toxicology results revealed he did not have any drugs in his system at the time of his death. Jacobs’ toxicology report additionally shed light on his history of “pseudoseizures, gastrointestinal bleeding, elevated liver enzymes, and chronic alcohol use.”

Pickler and Jacobs married on Jan. 1, 2011. They starred on the reality show I Love Kellie Pickler for three seasons. Jacobs was also a star in his own right, penning country songs for Trace Adkins, Clay Walker, Garth Brooks and more.

If you’re thinking about suicide, or are worried about a friend or loved one, contact the National Suicide Prevention Lifeline, available 24 hours, at 988.

Christina Aguilera Wishes Daughter Summer Rain Happy Birthday in Sweet Tribute: ‘Mommy Loves You So Much’

Christina Aguilera‘s little girl is growing up. On Wednesday, the superstar singer took to Instagram to wish her daughter, Summer Rain, the happiest of birthdays with a sweet tribute filled with moments they’ve shared together in her nine years of life.

“Happy 9th birthday to our sweet Summer Rain,” Aguilera captioned a series of photo of her taking the stage with her daughter by her side. “Today I find myself reflecting on how fast time has gone by. These 9 years have been filled with boundless love, heartwarming hugs, staying up too late, Disney adventures, and most recently, the joy of gracing the stage alongside you.”

The five-time Grammy winner added that getting to be her mother is her greatest achievement to date. “Every day, I thank the universe for gifting me the privilege of being your momma, a role that stands as my ultimate accomplishment,” she wrote. “Witnessing the remarkable young woman you are evolving into fills me with immense pride. Mommy loves you so much!”

Aguilera’s fiancé, Matthew Rutler, also shared a sweet birthday post for his daughter on Instagram, writing, “Happy 9th Birthday to our little sunshine :)” alongside a charming video of Summer pretending to eat the sun.

Summer is Aguilera’s second child; she is also the mother of Max Lion, 15, whom she shares with her ex-husband Jordan Bratman.

See Aguilera and Rutler’s birthday posts for Summer here and here.

Guns N’ Roses Welcomed New Jersey to ‘Paradise City’ With a Hard-Hitting Concert

Quick: Which summer stadium tour features a singer in a shiny outfit, a special guest and a three-hour set that includes a few surprise curveballs? Would you believe Guns N’ Roses? The band is back on tour again this summer — it plays North American stadiums until mid-October — with Slash, original bassist Duff McKagan, longstanding keyboardist Dizzy Reed and, for many concerts, a surprisingly sincere cover of the Jimmy Webb classic “Wichita Lineman.”

In the case of the East Rutherford, N.J., show – its fourth in North America and second in the U.S. this year – the shiny outfit was frontman Axl Rose’s and the special guest was Andrew Dice Clay, who came on to tell jokes for a few minutes after a tight and tough opening set by the Pretenders. “The Diceman,” as he refers to himself, remains upset about several things, including the social-distancing circles on elevator floors that were introduced during the “pandemical,” and the prevalence of senior citizens in Florida, which seems like an issue that’s been around for quite some time. He’s one of the few comedians who can get as much applause for a vocalization — “Ohhhh” — than he can for a joke. That’s not really a good thing, though.

And Guns N’ Roses? They still have it — and much more of it than before Slash rejoined the band in 2016. Slash’s guitar playing is as sharp as ever, and he and McKagan play well together with the touring band, but Rose’s voice isn’t what it was years ago. By the end of the opening “It’s So Easy,” it was clear that Rose has lost some of his range, although how much is hard to tell — he bellowed the chorus of “Mr. Brownstone” to give it the menace it needs and rose to the occasion of “Welcome to the Jungle,” then struggled to hit the high notes of “Rocket Queen.”

Rose isn’t just a compelling performer for his voice, though. Far more than during the shows without Slash, he stalked the stage like a man on a mission, full of menace but also smiling charisma, taking what seemed like a slight bow after some songs. As Slash played along under his usual top hat, Rose actually seemed to be having fun — his history with his bandmates may be soap-operatic, but they all seemed to be having a great old time. He especially shone on songs that didn’t require piercing high notes, such as “Live and Let Die,” “Civil War” and especially “November Rain.”

At a time when critics seem positively shocked at the idea that a stadium show can run for more than three hours and include two surprise songs, it’s worth remembering that this was once simply what rock fans expected — play for a while and surprise us a bit. Guns N’ Roses went beyond this to give each member a chance to shine: McKagan sang a powerful “TV Eye,” Slash snuck pieces of “Voodoo Child” and “People Get Ready” into other songs and “Dizzy f–king Reed,” as Rose called him, showed off his keyboard work. There were plenty of covers, too: “Down on the Farm” (the U.K. Subs song the band covered on The Spaghetti Incident?), “Knockin’ on Heaven’s Door” and, yes, “Wichita Lineman.” It’s hard to think of a song that seems less suited for a hard rock band – sincere, minimal, tasteful – but it worked well enough to make up for Andrew Dice Clay.

Axl Rose and Slash of Guns N' Roses

Axl Rose and Slash of Guns N’ Roses perform at MetLife Stadium in East Rutherford, N.J., on Aug. 16, 2023.

Guilherme Neto

After a hard-hitting “Nightrain,” the band came back with an encore that started with “Coma,” then played the AC/DC song “Walk All Over You,” which Rose said had “his favorite f–king drum fill ever.” (Rose uses profanity as punctuation the way the characters on Succession do.) It’s not the easiest song to sing, but Rose jumped around as Slash powered through the riffs and the band shared parts of the chorus. For a few moments — at various points during this show but especially during this song, “Patience” and a show-ending “Paradise City” — you could believe that these musicians weren’t celebrities who had spent three decades feuding, but just guys who fell in love with the power of loud, crunching hard rock. Which, in some way, they still are.

Setlist:

  1. “It’s So Easy”
  2. “Bad Obsession”
  3. “Chinese Democracy”
  4. “Slither” (Velvet Revolver)
  5. “Hard Skool”
  6. “Mr. Brownstone”
  7. “Welcome to the Jungle”
  8. “Pretty Tied Up”
  9. “Absurd”
  10. “Double Talkin’ Jive”
  11. “Estranged”
  12. “Down on the Farm” (U.K. Subs)
  13. “Live and Let Die” (Wings)
  14. “Rocket Queen”
  15. “Reckless Life”
  16. “You Could Be Mine”
  17. “T.V. Eye” (The Stooges)
  18. “Anything Goes”
  19. “Civil War”
  20. Slash guitar solo
  21. “Sweet Child o’ Mine”
  22. “November Rain”
  23. “Wichita Lineman” (Jimmy Webb)
  24. “Catcher in the Rye”
  25. “Knockin’ on Heaven’s Door” (Bob Dylan)
  26. “Nightrain”

Encore:

  1. “Coma”
  2. “Walk All Over You” (AC/DC)
  3. “Patience”
  4. “Paradise City”

Guns N’ Roses Classic Crowns Top TV Songs Chart After ‘The Summer I Turned Pretty’ Synch

Multiple songs from the second season of Prime Video’s The Summer I Turned Pretty dot Billboard’s Top TV Songs chart, powered by Tunefind, for July 2023, paced by Guns N’ Roses’ classic “Sweet Child o’ Mine” at No. 1.

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of July 2023.

“Sweet Child o’ Mine” featured in the fourth episode of The Summer I Turned Pretty’s second season, which aired July 21.

In July 2023, the song, a two-week No. 1 for Guns N’ Roses on the Billboard Hot 100 in 1988, racked up 19.3 million official on-demand U.S. streams and 3,000 downloads, according to Luminate.

Four songs from The Summer I Turned Pretty reach the July 2023 ranking in all, with “Sweet Child o’ Mine” followed by Frank Ocean’s cover of “Moon River” at No. 6 (1.6 million streams, episode five).

The Chambers Brothers’ “Time Has Come Today” takes No. 2 after a synch in Justified: City Primeval on FX. Heard in the show’s second episode (July 18), it earned 292,000 streams in July 2023.

Big Star’s “Thirteen” leads a trio of songs from Apple TV+’s The Afterparty at No. 3, with 347,000 streams after its inclusion in the second season’s fourth episode on July 26.

See the full top 10, also featuring music from The Righteous Gemstones and What We Do in the Shadows, below.

Rank, Song, Artist, Show (Network)
1. “Sweet Child o’ Mine,” Guns N’ Roses, The Summer I Turned Pretty (Amazon Prime Video)
2. “Time Has Come Today,” The Chambers Brothers, Justified: City Primeval (FX)
3. “Thirteen,” Big Star, The Afterparty (Apple TV+)
4. “I Wish,” Skee-Lo, The Afterparty (Apple TV+)
5. “Party Up,” DMX, The Righteous Gemstones (HBO)
6. “Moon River,” Frank Ocean, The Summer I Turned Pretty (Amazon Prime Video)
7. “Ants Marching,” Dave Matthews Band, What We Do in the Shadows (FX)
8. “Good Day,” Nappy Roots, The Afterparty (Apple TV+)
9. “Edamame,” bbno$ feat. Rich Brian, The Summer I Turned Pretty (Amazon Prime Video)
10. “The Distance,” Cake, The Summer I Turned Pretty (Amazon Prime Video)