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Jimmy Buffett’s 20 Best Songs: Critic’s Picks

Jimmy Buffett ably summed up his catalog with the title of his 1992 box set — Boats, Beaches, Bars & Ballads. But that cuts broader, and deeper, than many realize.

Buffett’s prevailing image, of course, was of floral shirts and Hawaiian leis, summer concert parties and fans with parrots on their shoulders and sharks, or at least fins, on their heads. And cheeseburgers on a paradise of tailgate grills. He also pioneered lifestyle branding, turning his tunes into an inclusive universe that includes restaurants, casinos, beer, real estate, radio and even a form of social media well before Mark Zuckerberg took the SAT. (Sadly, Buffett died at age 76 this week, as announced on his website, “surrounded by his family, friends, music and dogs.” His cause of death has not yet been confirmed.)  

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Buffett’s signature lifestyle (and associated business ventures) sometimes eclipsed his music, and particularly to his songwriting. Before Margaritaville became a utopian state-of-mind, Buffett was an active and accomplished troubadour, writing songs in Nashville and busking in New Orleans before Jerry Jeff Walker introduced him to Key West and lit a conceptual light bulb Buffett would ride to fame and fortune. But he’s applied the same craft and literary flair from his folk club days to everything he’s recorded during the past 53 years — and the vast majority of his songs sound just as good sober as they do if you’re, well, wasting away in a grass skirt and coconut bra. 

So, we put down the margaritas for a moment to consider the 20 best Jimmy Buffett songs, from across his vast, 29-album catalog.

20. Jimmy Buffett, “Gypsies in the Palace”

The spoken-word introduction wears out its welcome quickly, but this lively country rocker about the mice playing — raising hell, actually — while the cat’s away is a welcome listen most any time.

19. Jimmy Buffett, “Livingston Saturday Night”

Buffett’s in fine country rockin’ form here, pumped up by a hot brass section and Greg “Fingers” Taylor’s fiery harmonica solo.

18. Jimmy Buffett, “Oldest Surfer On The Beach”

Mark Knopfler wrote this 2013 album track for Buffett, bringing something with poignant emotional weight to the Margaritaville man’s latter-day canon.

17. Jimmy Buffett, “The Great Filling Station Holdup”

Buffett’s contribution to country’s crime songs sub-genre is honky-tonk worthy 45 years later — and also has the distinction of being the A-side of “Why Don’t We Get Drunk,” which went on to even greater popularity.

16. Jimmy Buffett & Martina McBride, “Trip Around The Sun”

Country never seemed to trust Buffett enough (imagine that!) to make him one of the genre’s staples, but this 2004 duet with Martina McBride was worthy of its Top 20 status and doesn’t sound like it’s aged a minute.

15. Jimmy Buffett, “Pencil Thin Mustache”

At the ripe age of 28 Buffett was in a nostalgic and jaunty mood, name-checking Disneyland, “American Bandstand,” “Sky King,” Ricky Ricardo and more with genuine joy.

14. Jimmy Buffett, “Boat Drinks”

A 1979 B-side (to “Survive”) that’s nothing less than a Buffett mission statement, Caribbean flavored but driven by some meaty guitars that give these “Drinks” a bit more punch.

13. Jimmy Buffett, “It’s Midnight and I’m Not Famous Yet”

A rocking co-write with Steve Goodman from 1992’s Somewhere Over China. Buffett was already famous, to a degree, but it’s something of a foreshadowing to the Margaritaville mania that would build momentum in just a few years. 

12. Jimmy Buffett, “Volcano” 

Buffett plays historian, as it were, on this good-humored, Caribbean-flavored ditty about the real-life — and at the time dormant — Soufriere Hills volcano on Montserrat, where he recorded during May of 1979. For the record, Soufriere woke up again during August of 1995.

11. Jimmy Buffett, “Nobody From Nowhere” 

The existential opening track from 2009’s Buffett Hotel rides a cool, slightly country-flavored groove that slow burns into a gospel-tinged soul chorus. A gem that merits more attention and appreciation.

10. Jimmy Buffett, “Why Don’t We Get Drunk”

The songwriting debut by one Marvin Gardens (a Monopoly-inspired pseudonym for Buffett) is tongue-in-cheek country — not quite parody, but definitely acknowledging that he got the joke, too. 

9. Jimmy Buffett, “Changes In Latitudes, Changes In Attitudes” 

A pure Buffett travelogue that goes down as easy as a Mai Tai at sunset. Interesting fact: The “sons of b–ches” lyric has to be edited to “some bruises, some stiches” when the single came out during 1977.

8. Jimmy Buffett, “Come Monday”

The Buffett go-to ballad, cottony and gentle, was his first Hot 100 top 40 hit and top five on the old Easy Listening chart, a categorization it would take him a minute to climb away from. 

7. Jimmy Buffett, “One Particular Harbor” 

A buoyant, dynamic delight inspired by island travels, with an infectious chorus groove and recurring lyrics in Tahitian for authenticity. If the original 1983 production feels a bit tame, subsequent live arrangements gave the tune more lift-off.

6. Jimmy Buffett, “A Pirate Looks at Forty” 

Buffett was only 28 when he released this gentle rumination for, and about, a real-life drug-smuggler, but he ably conveys a blend of world-weary resignation and still-simmering desire.

5. Jimmy Buffett, “Margaritaville”

As much a state of mind as a song, Buffett’s cinematically drawn nirvana is still an absorbing listen, even if it’s been turned into maybe the best branding device pop music has ever witnessed.

4. Jimmy Buffett, “Cheeseburger In Paradise”

A buoyant and sincere celebration of high-calorie, high-cholesterol and high-spirited goodness that even a vegan could get behind, even if they don’t consume. That’s OK — we’ll take theirs.

3. Jimmy Buffett, “He Went to Paris”

Buffett has periodically celebrated this one, about a Spanish Civil War veteran he met while he was performing in Chicago, as one of his favorite compositions. Bob Dylan apparently likes it, too — and so should any Parrothead worth his or her Margarita salt. 

2. Jimmy Buffett, “Fins” 

Fun, and funny, this was Buffett’s best rocker even before the Parrotheads started making the en masse dorsals above their heads at concerts.

1. Jimmy Buffett, “Son of a Son of a Sailor”

The best Jimmy Buffett song isn’t one for hoisting boat drinks; It’s more fit for sippin’ at sunset, watching the other crafts sail in after you’ve tied yours in the slip. 

Nelly Furtado Says She’s ‘Happier Than Ever’ in Her Career: ‘It’s Just Pure Inspiration Every Day’

Nelly Furtado is back and better than ever, and in celebration of her reunion with Timbaland and Justin Timberlake on “Keep Going Up,” she sat down with Billboard‘s Jason Lipshutz to discuss where she’s at in her career at the moment.

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“[Timbaland and Timberlake] had thought it out quite a lot,” she said of the new collaboration, which arrives more than a decade after the trio’s Billboard Hot 100 chart topper “Give It to Me” was released in 2007. “What’s great about them is they’re like, ‘We want you to do your thing.’ If the three of us are on a song, then we’re all equals, and that’s a really good feeling.”

As for how she’s feeling, the 44-year-old star said she’s more “grateful” than ever. “I feel like the place that I’m at is the same place I was at when I was like 20, when I first signed a record deal and spent all my time obsessing over music, listening to music, making music and collaborating with friends who make music,” she explained. “I’m there again, I’m in it for the craft. I’m in it for the right reasons and it’s so pure for me right now. It’s just pure inspiration all day.”

She continued, “I’m just happier than ever making music. I love my job more than I’ve ever loved it. I recognize that being onstage is like my home.”

Moving forward, Furtado is gearing up to release new music. “I have so many songs in the pipeline. I have so many new songs,” she assured.

Watch Billboard‘s full interview with Nelly Furtado above.

HYBE x Geffen’s ‘The Debut: Dream Academy’ First Episode Is Here: See the Girl Group Hopefuls Placed in Teams

The Debut: Dream Academy has arrived.

The first episode of the competition series aired on Friday (Sept. 1) featured all 20 contestants as they watched a conversation between HYBE Chairman Bang Si-Hyuk and Interscope Geffen A&M Records CEO John Janick, as they give advice on what it takes to succeed in a girl group. “If you don’t love music, you won’t succeed,” he explains.

Janick added, “I feel like to be a successful part of this group, it’s going to require a huge amount of creativity and passion. I think with every artist, that’s what we’re looking for.”

The duo then ran down the first mission of the competition series, a showcase that aims to “level up your skills as a global girl group,” in which the contestants are split into two dance teams and two vocal teams. The mission will result in two eliminations. “Team members are crucial business partners, and it’s important to know proper work etiquette with your business partner,” Bang Si-Hyuk explained.

The executives then explained the two other missions of the series. According to an explainer also shared to Dream Academy‘s YouTube page, in the team mission, the contestants will head to Korea to compete before another series of eliminations. The artistry mission will test the contestant’s “ability to pull off unique concepts” before the final girl group is revealed at the live finale on Nov. 17. 

Finally, the girls were split into their teams. The first dance team, which will be performing BLACKPINK’s “Pink Venom,” features Daniela, Megan, UA, Adéla and Hinari. The second dance team, which will be performing NewJeans’ “OMG,” features Emily, Ezrela, Marquise, Yoonchae and Mei. The first vocal team, which will be performing a mashup of Robyn’s “Dancing on My Own” and Billie Eilish’s “Happier Than Ever,” features Karlee, Lexie, Iliya, Brooklyn and Manon. The second vocal team, which will be performing Paramore’s “Still Into You,” features Sophia, Lara, Celeste, Samara and Nayoung.

The diverse group of young women were selected from more than 120,000 submissions after HYBE and Geffen announced the joint venture — HYBE x Geffen Global Girl Group Audition — in November 2021.

Watch the full first episode below.



Billboard Explains: The Women of Hip-Hop

For this latest episode of Billboard Explains, the topic of discussion anchors around the women of hip-hop. While names like Drake, Kendrick Lamar and Travis Scott continue to cause waves in the landscape, it’s a golden age in the genre thanks to the plethora of female MCs wreaking havoc on the mic.

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Before the scorching success of Cardi B, Nicki Minaj, Megan Thee Stallion and more, many pioneers broke through the seams of hip-hop and paved the way for generations to come. Hip-hop’s first female artist was MC Sha-Rock, who originally started as a Funky 4 + 1 group member. Following Sha-Rock were MC Lyte and Roxanne Shanté, who further fortified the lanes of female hip-hop with their presence in the ’80s. Queen Latifah, Lil’ Kim, Salt-N-Pepa, Foxy Brown, Missy Elliott and Eve were among some of the thriving stars in the ’90s and ‘2000s who placed the welcome mat for women looking to step onto the scene.

Even with contrasting styles, their lyrics, individuality and unshakable confidence were the ingredients needed to step inside the lion’s den and prove to be fierce competitors alongside their male counterparts.

“It’s took years, but it’s just that time. They’re not going to be held back,” Nas tells Billboard regarding the feats of female rappers.

Today, sisterhood in hip-hop is at an all-time high, as many collaborations find female artists pairing together and, in some cases, legacy acts joining forces with rookie talents.

“We have our own fanbases, messages, shows — our own everything,” says Baby Tate. “I don’t really see any of this as a competition. Everybody has their own story.”

Watch the newest episode of Billboard Explains on The Women of Hip-Hop.

U.K. Singer-Songwriter Faye Fantarrow Dies at 21 of Rare Brain Tumor

Faye Fantarrow, a U.K. singer-songwriter whose debut came out earlier this year, has died at age 21, her publicist confirmed. The rising neo-soul talent died on Aug. 26, and her death was first announced on social media on Aug. 31 by her mother, Pam.

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Fantarrow previously beat leukemia twice since being first diagnosed at eight years old. Nearly a year ago, doctors discovered a rare Glioma tumor in her brain. The release date of her debut EP, AWOL, was moved up to an earlier date (Feb. 10) to accommodate the grim prognosis; around the time of its release, Billboard hailed her distinctive vocal phrasing and the pulsing rhythm of the EP’s title track. AWOL came out on Dave Stewart’s Bay Street Records; following her passing, the Eurythmics member shared how “devastated” Fantarrow’s death left him in a statement.

“I can’t put into words how devastated I was when, just after spending an amazing creative time with Faye last summer making her debut album, Faye found out she had this very aggressive brain tumor,” Stewart said. “Faye was a joy to be around, full of fun, laughter and sharp as a razor — a true artist in every sense. Being with her and watching her at work is a diamond stuck in my head, moments I will never forget. I’m lucky to have met Faye and her Mum Pam, two humans together battling against all odds for Faye’s survival. It has been both traumatic and beautiful to witness their strength and dignity and I am so sorry the world only got to witness Faye’s genius for such a short time. She is one of the true greats, a northern girl on fire with her lyrics and melodies. I loved her deeply.”

“There is a gaping void in our lives that can never be filled, our beautiful, compassionate, intelligent and immensely talented girl has gone,” her mother Pam wrote in a social media post. “Faye fought with a strength and bravery that kept her with those she so desperately loved and who loved her beyond compare.”

Prior to her death, Fantarrow raised £235,000 (close to $300,000 USD) on Justgiving for an experimental treatment in California. She visited the U.S. for the first treatment but proved too sick for follow-ups. The extra money from the Justgiving campaign was “donated to a charity to fund further life-saving research in Faye’s memory,” per reps.

You can listen to her debut EP below.

Luke Combs Makes History by Claiming Top Two Spots on Country Airplay Chart

Luke Combs’ rolls up his 17th No. 1 – and makes history in the top two – on Billboard’s Country Airplay chart (dated Sept. 9), as “Love You Anyway” climbs 2-1 and his former five-week leader “Fast Car” rebounds 3-2.

Combs is the first artist to hold the top two positions on Country Airplay without any other billed acts since the list launched in 1990. Only one other act has taken the two ranks simultaneously at all: On the charts dated May 31 and June 7, 2014, Luke Bryan’s “Play It Again” was No. 1 and Florida Georgia Line’s “This Is How We Roll” featuring Bryan placed at its No. 2 peak.

In the Aug. 25-31 tracking week, “Love You Anyway” increased by 9% to 32 million impressions, according to Luminate. Combs wrote the song with Ray Fulcher and Dan Isbell.



Combs claims another Country Airplay record, as “Love You Anyway” reaches No. 1 after a mere four-week break since “Fast Car,” his update of Tracy Chapman’s 1988 Billboard Hot 100 hit, wrapped its reign. No artist had previously led with different songs in a lead role on both so quickly, as Combs passes Morgan Wallen, whose “You Proof” spent the last of its record 10 weeks at No. 1 this January, while he returned to the top after just a six-week gap with “Thought You Should Know” in February.

Counting featured roles, Tim McGraw wasted no time between No. 1s in March 2002: Jo Dee Messina’s “Bring On the Rain” featuring McGraw led for a week, and his “The Cowboy in Me” supplanted it at the summit the following frame.

Additionally, Combs rules Country Airplay just nine weeks after “Fast Car” topped the tally for the first time – also a record for the quickest turnaround among acts reaching No. 1 with different songs. Multiple artists led with new No. 1s 10 weeks apart (counting from their first weeks on top), most recently Shania Twain, from “You Win My Love” to “No One Needs To Know” in 1996.

Combs’ unprecedented achievements reflect the historically atypical release schedule for his two latest Country Airplay No. 1s, as “Love You Anyway” was intended to be his lone current promoted single but “Fast Car” went viral and they wound up scaling the survey in tandem.

Taste of the Top 10

Meanwhile, Lainey Wilson nets her fifth Country Airplay top 10 as “Watermelon Moonshine” rises 11-10 (19.3 million, up 22%). It follows her feature on HARDY’s “Wait in the Truck,” which peaked at No. 2 in April.

Additional reporting by Gary Trust.

Why Oliver Anthony Likely Won’t Receive Any 2023 CMA Award Nominations

Country artist Oliver Anthony is dominating the charts and political discourse right now with his Billboard Hot 100 chart-topper “Rich Men North of Richmond,” but one place fans likely won’t find him is among the 2023 CMA Awards nominations when they are announced next Thursday (Sept. 7).

That’s because the Virginia singer-songwriter, who records as Oliver Anthony Music, and his music either aren’t eligible for inclusion or did not come into enough prominence to be on voters’ minds, as they were marking their ballots by the deadline. 

The CMA Awards eligibility period for the 2023 show, which airs live on ABC on Nov. 8, is July 1, 2022-June 30, 2023, meaning that, according to the CMA rules, “singles, albums, music videos and qualified music products for the annual show must have been released or reached peak national prominence during the eligibility period.” 

RadioWV put up Anthony’s live performance of “Rich Men North of Richmond” on YouTube Aug. 7, well after the eligibility cutoff. 

However, Anthony has been releasing videos on YouTube for nearly a year, so he technically is eligible for several other categories, including male artist and new artist of the year. Practically, though, few were aware of Anthony until after “Rich Men” went viral in mid-August, and the first round of ballots closed July 16. Though the second round, which narrows the initial round of nominees down to the five finalists for each category, ran Aug. 2-Aug. 16, it’s unlikely that Anthony made it onto the first round. Also, unlike the Grammy Awards where artists or their representatives can submit them for contention, the CMA Awards’ first round ballot is based on voters writing in their selections based on the criteria.

Anthony’s early material also would have not been eligible for single of the year even though it was released during the eligibility period. For consideration, the track must have reached the top 10 of Billboard’s Country Airplay chart, Hot Country Songs chart or Country Aircheck’s chart for the first time within the eligibility period. 

In addition to debuting at No. 1 on Billboard’s all-genre Hot 100 chart, “Rich Men” also bowed at the top of the Billboard Hot Country Songs chart, but it was after the eligibility period closed. “Rich Men” is currently holding on top of both of those charts for a second week. “Rich Men” debuted at No. 45 on the Country Airplay chart last week.

In other words, though Anthony likely missed out for this year’s CMA Awards, he could be a big nominee for the 2024 show.

Nicki Minaj Talks ‘Last Time I Saw You’ & New Drake Collaboration: ‘The World’s Going to Love the Song’

Nicki Minaj unveiled her new single, “Last Time I Saw You,” on Friday (Sept. 1), and its melancholy energy and plaintive lyrics make the track quite atypical for the woman behind Billboard Hot 100 No. 1 hits such as “Super Freaky Girl” and “Say So” (with Doja Cat).

“I knew for the album, of course, I would have to discuss certain things or whatever. I just didn’t intend on it being a single. A lot of times people forget that I do a lot of features, and so these are not my actual songs,” she told Zane Lowe on Apple Music 1‘s New Music Daily radio show. “These are not songs from my album. And so sometimes people forget the kind of music that I’m able to create because it’s been a long time since they heard an album, and most of the times they get those kind of cuts on the album.”

“I just wanted the next song that I put out to represent my growth,” she said. “Not just as an artist, but as a human being. I’ve experienced so many things that I hadn’t experienced five years ago, and that’s just the truth.”

“Last Time I Saw You” is the latest taste from Minaj’s forthcoming Pink Friday 2. The LP, which is due on Nov. 17, will serve as both the sequel to Minaj’s Billboard 200-topping debut studio album and the follow-up to 2018’s Queen, which peaked at No. 2 on the Billboard 200 and spawned singles including “Chun-Li” and “Good Form.”

“Me even having people anticipate an album … My first album came out in 2010. My first mixtape came out in 2007. So the fact that people even care is a blessing,” she gushed.

While details surrounding the new LP remain relatively scarce, Minaj stressed, “I could have been put this album out … I feel like as a leader in anything, you have to be willing to take those kind of risks that you know that you’re not guaranteed to win at, but it’s going to shift the motherf–king culture because if you ain’t going to do it, who will?”

In her conversation with Lowe, Minaj also touched on how she “definitely cracked the code to something that gives a person peace no matter what’s going on around them” since becoming a mother — a life-changing experience that occurred around the same time her father passed. “The last thing I thought I was going to have to do when I just gave birth to my first child was to start preparing for my father’s funeral,” she revealed.

Also on the horizon is Minaj’s upcoming collaboration with Drake on the Canadian rapper’s forthcoming For All the Dogs album. The collaboration will serve as the first song solely between Minaj and Drake since 2011’s “Make Me Proud,” which peaked at No. 9 on the Hot 100.

“I’ll just say I really love the song. I know my fans are going to love the song,” she teased. “I know the world’s going to love the song. And that’s all I will say about that.” Minaj also sicced her Barbz on Drake, saying, “Barbz, make sure y’all let Drizzy Drake know that Pink Friday 2 is coming out Nov. 17 as well. And we are waiting on his contribution.”

Just as the note on her official website suggests, Minaj is in a space of gratitude above all else. “Thank you from the bottom of my heart for everything you guys have done. And that’s why I’m putting quality,” she said.

Miley Cyrus Says She Had ‘Undeniable’ Chemistry With Liam Hemsworth in ‘The Last Song’

Miley Cyrus unveiled part 20 of her TikTok series inspired by her new single, “Used to Be Young,” in which she reflects on pivotal moments in her life and career. In the newest video, posted on Friday (Sept. 1), the singer reacts to a photo of herself kissing ex-husband Liam Hemsworth when they starred together in 2010’s The Last Song.

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She explained that in 2008, she needed to do “another feature film for Disney,” but she wanted to do something outside of the Hannah Montana universe. “When the screenplay was written, it was time to audition all the guys that would play Will, my boyfriend in the movie,” she recalls. “We had gotten it down from thousands to the final three, and Liam was a part of that final three.”

Cyrus continued, “I think one of the elements that made that movie feel so special was it was watching two very young people fall in love with each other, which was happening in real time and real life. So, the chemistry was undeniable and that was the beginning of a long, 10-year relationship.”

The 30-year-old singer was briefly married to Hemsworth from December 2018 to August 2019. The former couple’s on-off relationship actually lasted much longer — for nearly a decade — outside the bonds of marriage.

Watch part 20 of Cyrus’ “Used to Be Young” series below.

Nicki Minaj Promises ‘Pink Friday 2’ Will Be ‘the Best Album That’s Been Released In Years’

It’s been yet another banner year for Nicki Minaj, and the Grammy-nominated rapper is taking some time to express how grateful she is. On Friday (Sep. 1), coinciding with the release of her new single, “Last Time I Saw You,” Minaj shared a sweet message to fans via her official website.

“I can’t thank you enough for your love and continued support. I have not been excited about the release of a song to this extent for maybe… I don’t know I can’t even tell you, I don’t even remember when! I hope that it’s therapeutic for you,” she wrote. “I hope that even after, it makes you reflect and that if you are reflecting on a time, or a person that you wish you could go back in time and have a do over etc… I hope that you are still able to smile at the end of the song by realizing that you now have a chance to treat the people that you love, that are still in your life the way that expresses to them what they mean to you.”

“Last Time I Saw You” marks Minaj’s first unaccompanied release since “Red Ruby Da Sleeze,” which peaked at No. 13 on the Billboard Hot 100 earlier this year. Nonetheless, the Queens rapper has been remarkably present in music as she continues to prep Pink Friday 2. This year, she scored a pair of top 10 hits with Ice Spice — “Princess Diana” (No. 4) and the AQUA-assisted “Barbie World” (No. 7) — and appeared on songs from Kim Petras (“Alone,” No. 55), Sexyy Red (“Pound Town 2,” No. 66), Lil Uzi Vert (“Endless Fashion,” No. 20), YoungBoy Never Broke Again (“WTF,” No. 99), and Young Thug (“Money”).

Minaj closed her message by teasing her upcoming album. “In the meantime, please enjoy the song as much as I have enjoyed creating it, and just know that ‘Pink Friday 2’ is going to be the best album that’s been released in years!!! LOVE YOU. ? ✨” she wrote. Pink Friday 2, the sequel to Minaj’s Billboard 200-topping debut studio album, is slated for a Nov. 17 release. The album will serve as Minaj’s first LP since 2018’s Queen, which peaked at No. 2 on the Billboard 200 and spawned singles including “Chun-Li” and “Good Form.”