Music

Blink-182 Appear to Tease New Music With Mystery Website and Lyric Posters

Blink-182 are up to… something. The pop-punk trio posted a mysterious new video on their official site on Wednesday (Sept. 6) and fans have spotted posters in a number of cities that seem to hint at a new single. The latter reportedly feature the Blink logo and the line “One more time…”

A snap of a set of posters one fan found in a Toronto store window reportedly have what seem like lyrics that read: “Do I have to die to hear you miss me?/ Do I have to die to hear you say goodbye?/ I don’t want to act like there’s tomorrow/ I don’t want to wait to do this one more time.”

Adding to the speculation that the reunited group are prepping a follow-up to their late 2022 comeback single, “Edging,” is a revamped official site which now opens with a note that says “Site closed for maintenance.” But if you click on the box that says “okay,” it leads you to a colorful page where a figure in a yellow hazmat suit and gas mask wearing headphones is busy dancing around and scrubbing various messages off a dirty bathroom wall.

The wall features a band logo, the words “crappy punk rock,” “a pink TV playing classic Blink concert footage and the apparent lyrics “I don’t feel pain/ But I feel more than you’d ever know.” As the scrubber listens to what sounds like a new Blink riff on the headphones, they slowly erase all the messages on the wall while tuning the TV and cueing up a clock that blinks “12:00” as the sounds of a strummed acoustic guitar briefly bubble up.

In addition, fans who text the phone number on the wall will get a response that reads: “helloooo it’s your favorite crappy rock band blink-182. make sure you click the link above so we can save your contact.” Blink re-re-united with twice-departed singer/guitarist Tom DeLonge last year and dropped “Edging” in October. Though they’ve been teasing a comeback album ever since, to date they have not yet announced a title or release date for their follow-up to 2019’s Nine, which featured DeLonge’s fill-in, Alkaline Trio guitarist/singer Matt Skiba. DeLonge shared what appeared to be a snapshot from a new video two weeks ago in which he strummed a guitar in front of a green screen.

The band has been on tour in Europe, but last week they were forced to postpone a series of shows so drummer Travis Barker could fly home to be by pregnant wife Kourtney Kardashian’s side due to a medical emergency she described as “urgent fetal surgery”; the band will resume the tour on Friday (Sept. 8) in Antwerp, Belgium.

See the poster and new landing page pics below.

Lainey Wilson Leads 2023 CMA Awards Nominations – And Makes History (Full List)

Lainey Wilson is the top nominee for the 2023 CMA Awards, with nine nods. Wilson was also the top nominee last year, with six nods. Wilson is the first artist in CMA history to top the nominations list in her first two appearances on the final ballot.

Moreover, Wilson is just the fourth artist in CMA history to land nine or more nominations in a single year. She follows Merle Haggard (nine nods in 1970), Alan Jackson (a record 10 nods in 2002) and Miranda Lambert (nine nods in both 2010 and 2014).

Wilson is the first artist in 13 years to land two nominations for single of the year in the same year. Wilson is nominated for “Heart Like a Truck” and as a featured artist on HARDY’s “wait in the truck.” Lambert was the last artist to land two nods in this category in one year; she was nominated in 2010 with both “The House That Built Me” and “White Liar.”

First-time nominee Jelly Roll landed five nominations, second only to Wilson for the most nods this year.

Luke Combs and HARDY each collected four nominations. Jordan Davis, Ashley McBryde, producer/mix engineer Joey Moi, songwriter/producer Jordan Schmidt, Chris Stapleton, Morgan Wallen and musician/producer Derek Wells each secured three nods.

Two women are nominated for entertainer of the year for the fourth consecutive year. Carrie Underwood and Wilson are nominated this year. Underwood and Lambert were both nominated in each of the last three years. This is the first time in CMA history that two women (or woman-led groups) have been nominated four years running.

The other entertainer of the year nominees are Combs, who won in that category the last two years; Stapleton, nominated for the seventh time; and Wallen, nominated for the second year in a row.

Women dominate the album of the year nominations for the second year in a row. Wilson, McBryde and Kelsea Ballerini are nominated in that marquee category this year. Wilson, Lambert and Maren Morris were nominated last year.

The other nominees in that category this year are Combs and Wallen.

Lambert landed her 17th nomination for female vocalist of the year, which puts her in a tie with Martina McBride for second place in that category; Reba McEntire leads with 18 nominations.

Little Big Town landed their 18th nomination for vocal group of the year; only Alabama has had more nods (21).

Brooks & Dunn was nominated for vocal duo of the year for a record-extending 24th time.

Three of the five song of the year nominees were written by gaggles of four or more songwriters, a change from past practices in country songwriting circles. A fourth was written by a three-member team. The only nominee written by a solitary songwriter was written 35 years ago: Tracy Chapman’s “Fast Car,” nominated this year because of Combs’ smash cover version.

Chapman isn’t the only Black artist to receive a CMA nod this year in a high-profile category: The War and Treaty, consisting of married couple Michael Trotter Jr. and Tanya Trotter, is nominated for vocal duo of the year for the first time.

Davis’ “Next Thing You Know” and “Wait in the truck” by HARDY featuring Wilson are this year’s only works to receive nominations for single, song and video of the year. “Fast Car” and “Heart Like a Truck” were both nominated for single and song of the year, but not music video of the year.

First-time CMA Awards nominees — besides the aforementioned Jelly Roll, Chapman and The War and Treaty — include Mason Allen, Trannie Anderson, Renee Blair, Michael H. Brauer, Katelyn Brown, Zach Bryan, Josh Ditty, David Fanning, Nicki Fletcher, Greylan James, Paul Jenkins, Gena Johnson, Chase McGill, Cameron Montgomery, Megan Moroney, Austin Nivarel, Eivind Nordland, John Osborne, Hunter Phelps, David Ray Stevens, Patrick Tohill, Alysa Vanderheym, Hailey Whitters, Ben Williams, Dallas Wilson and Charlie Worsham.

Fiddle player Jenee Fleenor, who has won musician of the year four years running, is nominated again this year. She faces steel guitarist Paul Franklin, who is nominated in the category for the 31st time; guitarist  Derek Wells (his eighth time); guitarist Rob McNelley (his second); and multi-instrumentalist Charlie Worsham (his first).

Winners will be determined in a final round of voting by eligible voting CMA members. The third and final ballot will be emailed to CMA professional members on Monday, Oct. 2. Voting closes on Friday, Oct. 27. CMA Broadcast Awards winners will be determined by a final round of judging this month. Entries are judged by a panel of broadcast professionals, representing all market sizes and regions. Winners will be revealed in October and will be honored at the CMA Awards. All balloting is tabulated by Deloitte. 

The 57th annual CMA Awards, hosted by Luke Bryan and Peyton Manning for the second year in a row, broadcasts live from Bridgestone Arena in Nashville Wednesday, Nov. 8 (8–11 p.m./ET) on ABC. The show is a production of the Country Music Association. Robert Deaton is the executive producer.

The first CMA Awards Banquet and Show was held at Municipal Auditorium in Nashville in 1967. The following year, the CMA Awards was broadcast for the first time on NBC – making it the longest-running annual music awards program on network television. The CMA Awards have aired on ABC since 2006.

Here’s a complete list of the nominations for the 57th annual CMA Awards (listed in ballot category order):  

Entertainer of the year

Luke Combs

Chris Stapleton

Carrie Underwood

Morgan Wallen

Lainey Wilson

Single of the year

Award goes to Artist(s), Producer(s) and Mix Engineer(s)

“Fast Car” – Luke Combs; Producers: Luke Combs, Chip Matthews, Jonathan Singleton; Mix Engineer: Chip Matthews

“Heart Like a Truck” – Lainey Wilson; Producer: Jay Joyce; Mix Engineers: Jason Hall, Jay Joyce

“Need a Favor” – Jelly Roll; Producer: Austin Nivarel; Mix Engineer: Jeff Braun

“Next Thing You Know” – Jordan Davis; Producer: Paul DiGiovanni; Mix Engineer: Jim Cooley

“wait in the truck” – HARDY (feat. Lainey Wilson); Producers: HARDY, Joey Moi, Jordan Schmidt, Derek Wells; Mix Engineer: Joey Moi

Album of the year  

Award goes to Artist, Producer(s) and Mix Engineer(s)

Ashley McBryde Presents: Lindeville – Ashley McBryde; Producers: John Osborne, John Peets; Mix Engineers: Gena Johnson, John Osborne

Bell Bottom Country – Lainey Wilson; Producer: Jay Joyce; Mix Engineers: Jason Hall, Jay Joyce

Gettin’ Old – Luke Combs; Producers: Luke Combs, Chip Matthews, Jonathan Singleton; Mix Engineers: Michael H. Brauer, Jim Cooley, Chip Matthews

One Thing at a Time – Morgan Wallen; Producers: Jacob Durrett, Charlie Handsome, Joey Moi, Cameron Montgomery; Mix Engineers: Josh Ditty, Joey Moi, Eivind Nordland

Rolling Up the Welcome Mat – Kelsea Ballerini; Producers: Kelsea Ballerini, Alysa Vanderheym; Mix Engineers: Dan Grech-Marguerat, Alysa Vanderheym

Song of the year 

Award goes to Songwriter(s)

“Fast Car”; Songwriter: Tracy Chapman

“Heart Like a Truck”; Songwriters: Trannie Anderson, Dallas Wilson, Lainey Wilson

“Next Thing You Know”; Songwriters: Jordan Davis, Greylan James, Chase McGill, Josh Osborne

“Tennessee Orange”; Songwriters: David Fanning, Paul Jenkins, Megan Moroney, Ben Williams

“wait in the truck”; Songwriters: Renee Blair, Michael Hardy, Hunter Phelps, Jordan Schmidt

Female vocalist of the year 

Kelsea Ballerini

Miranda Lambert

Ashley McBryde

Carly Pearce

Lainey Wilson

Male vocalist of the year

Luke Combs

Jelly Roll

Cody Johnson

Chris Stapleton

Morgan Wallen

Vocal group of the year

Lady A

Little Big Town

Midland

Old Dominion

Zac Brown Band

Vocal duo of the year  

Brooks & Dunn

Brothers Osborne

Dan + Shay

Maddie & Tae

The War And Treaty

Musical event of the year 

Award goes to Artists and Producer(s) 

“Save Me” – Jelly Roll (with Lainey Wilson); Producers: Zach Crowell, David Ray Stevens

“She Had Me at Heads Carolina (Remix)” – Cole Swindell & Jo Dee Messina; Producer: Zach Crowell

“Thank God” – Kane Brown (with Katelyn Brown); Producer: Dann Huff

“wait in the truck” – HARDY (feat. Lainey Wilson); Producers: HARDY, Joey Moi, Jordan Schmidt, Derek Wells

“We Don’t Fight Anymore” – Carly Pearce (featuring Chris Stapleton); Producers: Shane McAnally, Josh Osborne, Carly Pearce

Musician of the year

Jenee Fleenor

Paul Franklin

Rob McNelley

Derek Wells

Charlie Worsham

Music video of the year 

Award goes to Artist(s) and Director(s)

“Light on in the Kitchen” – Ashley McBryde; Director: Reid Long

“Memory Lane” – Old Dominion; Directors: Mason Allen, Nicki Fletcher

“Need a Favor” – Jelly Roll; Director: Patrick Tohill

“Next Thing You Know” – Jordan Davis; Director: Running Bear

“wait in the truck” – HARDY (feat. Lainey Wilson); Director: Justin Clough

New artist of the year

Zach Bryan

Jelly Roll

Parker McCollum

Megan Moroney

Hailey Whitters

2023 CMA Broadcast Awards

Finalists for broadcast personality of the year (by market size):

Weekly National

“American Country Countdown” (Kix Brooks) – Cumulus/Westwood One

“Country Countdown USA” (Lon Helton) – Compass Media Networks

“Honky Tonkin’ with Tracy Lawrence” (Tracy Lawrence and Patrick Thomas) – Silverfish Media

“On The Horizon with Buzz Brainard” (Buzz Brainard) – SiriusXM

“Y’all Access with Kelly Sutton” (Kelly Sutton) – Firefly Media/Silverfish Media

Daily National

“Angie Ward” – iHeartMedia

“The Big D and Bubba Show” (Derek “Big D” Haskins, Sean “Bubba” Powell, Patrick Thomas, and Carsen Humphreville) – Silverfish Media

“Katie & Company” (Katie Neal) – Audacy

“Nights with Elaina” (Elaina Smith) – Westwood One

“The Sam Alex Show” (Sam Alex) – Sam Alex Productions, LLC

Major Market

“Chris Carr & Company” (Chris Carr, Kia Becht, and Sam Sansevere) – KEEY, Minneapolis-St. Paul, Minn.

“Frito & Katy” (Tucker “Frito” Young and Katy Dempsey) – KCYY, San Antonio, Texas

“Hawkeye in the Morning with Hawkeye and Michelle” (“Hawkeye” Mark Louis Rybczyk and Michelle Rodriguez) – KSCS, Dallas-Fort Worth, Texas

“Josh, Rachael & Grunwald” (Josh Holleman, Rachael Hunter, and Steve Grunwald) – WYCD, Detroit, Mich.

“Scotty Kay” (Scotty Kay) – WUSN, Chicago, Ill.

Large Market

“The Big Dave Show” (“Big Dave” Chandler, Ashley Heiert, and Jason “Stattman” Statt) – WUBE, Cincinnati, Ohio

“The Morning Drive with Mike Kellar and Jenny Matthews” (Mike Kellar and Jenny Matthews) – KBEQ, Kansas City, Mo.

“Scott and Shannen” (Scott Dolphin and “Shannen O” Oesterreich) – WMIL, Milwaukee-Racine, Wis.

“Tim & Chelsea In The Morning” (Tim Leary and Chelsea Taylor) – WIRK, West Palm Beach-Boca Raton, Fla.

“The Wayne D Show” (“Wayne D” Danielson and Tay Hamilton) – WSIX, Nashville, Tenn.

Medium Market

“Cait & Bradley Morning Show” (Cait Fisher and Matt Bradley) – KWEN, Tulsa, Okla.

“Clay & Company” (Clay Moden, Rob Banks, and Kadie Daye) – WYRK, Buffalo-Niagara Falls, N.Y.

“Ellis and Bradley Show” (Bill Ellis and Beth Bradley) – WSSL, Greenville-Spartanburg, S.C.

“Mo & StyckMan” (Melissa “Mo” Wagner and Greg “StyckMan” Owens) – WUSY, Chattanooga, Tenn.

“Steve & Gina In The Morning” (Steve Lundy and Gina Melton) – KXKT, Omaha-Council Bluffs, Neb.-Iowa

Small Market

“The B100 Morning Show with Brittney Baily” (Brittney Baily) – WBYT, South Bend, Ind.

“The Eddie Foxx Show” (Eddie Foxx and Amanda Foxx) – WKSF, Asheville, N.C.

“Officer Don & DeAnn” (“Officer Don” Evans and DeAnn Stephens) – WBUL, Lexington-Fayette, Ky.

“Steve & Tiffany in the Morning” (Steve Waters and Tiffany Kay) – WFLS, Fredericksburg, Va.

“Steve, Ben and Nikki” (Steve Stroud, Ben Walker, and Nikki Thomas) – WXBQ, Johnson City-Kingsport-Bristol, Tenn.-Va.

Finalists for radio station of the year (by market size): 

Major Market

KCYY – San Antonio, Texas

KEEY – Minneapolis-Saint Paul, Minn.

KKBQ – Houston, Texas

KSCS – Dallas-Fort Worth, Texas

WXTU – Philadelphia, Pa.

Large Market

WIRK – West Palm Beach-Boca Raton, Fla.

WKDF – Nashville, Tenn.

WMIL – Milwaukee-Racine, Wis.

WUBE – Cincinnati, Ohio

WWKA – Orlando, Fla.

Medium Market

KUZZ – Bakersfield, Calif.

KXKT – Omaha-Council Bluffs, Neb.-Iowa

WGGY – Wilkes Barre-Scranton, Pa.

WPCV – Lakeland-Winter Haven, Fla.

WQMX – Akron, Ohio

Small Market

KCLR – Columbia, Mo.

WBYT – South Bend, Ind.

WKML – Fayetteville, N.C.

WXBQ – Johnson City-Kingsport-Bristol, Tenn.-Va.

WYCT – Pensacola, Fla.

Miley Cyrus Was Filming ‘Black Mirror’ Scene When Her Malibu House Burned Down

Miley Cyrus said she was filming a traumatic scene for Black Mirror at the same time the Woolsey Fire tore through Malibu and burned down her and ex-husband Liam Hemsworth’s home.

As a result, the “Flowers” singer explained in a recent installment of her Used to Be Young TikTok series that she suffered from panic anxiety attacks years later.

“I was filming Black Mirror and while I was there the Woolsey Fires happened in Malibu,” Cyrus said. “I was in South Africa but [the episode] was taking place in Malibu, so it was just a real trip. Two or three years after this happened, I didn’t understand, but I had this anxiety attack with a vision attached that I would be strapped down to a gurney.”

The scene she was referring to was when her character, fictional pop star Ashley O, was tied down to a medical bed against her will in an episode of season five of the popular anthology series. The scene was also similar to the harrowing dreams she was having in real life.

“I would have these dreams any time I would go to perform, and I thought that was just an anxious vision that made no sense,” she said. “But actually as my house was burning I was strapped to a gurney with my hands locked in handcuffs strapped to a bed [filming Black Mirror].

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The following day, after her house was demolished by the wildfires, Cryus said in the TikTok video that she had to film the music video for Ashley O’s song “On a Roll,” which went on to receive more than 19 million views on YouTube.

“Found out that my house had burned to the ground, and this was the next day of [filming],” she added. “The show must go on.”

During her Used to Be Young TikTok series to celebrate her new single of the same name, Cryus has been looking back at earlier moments in her career as well as past relationships and friendships. Most recently, Cyrus talked about how she “didn’t make a dime” from her 2014 Bangerz Tour, as well as reminisced on falling in love with ex-husband Hemsworth while filming 2010’s The Last Song. She has also opened up about why she hasn’t toured in nearly a decade.

This article originally appeared in THR.com.

Los Angeles Azules & Maria Becerra’s ‘El Amor De Mi Vida’ Hits the Top 10 on Regional Mexican Airplay

Los Angeles Azules add a new single to their collab portfolio with “El Amor De Mi Vida,” featuring Maria Becerra. The song flies 38-9 on Billboard’s Regional Mexican Airplay chart dated Sept. 9. It earns Becerra her first top 10 with her first entry.

“El Amor De Mi Vida” was released Aug. 18 via SeiTrack/Disa/UMLE. With a 38-9 surge it becomes the biggest jump for a song since Adan Chalino Sanchez’ “Nadie Es Eterno” equally climbed 29 rankings, from No. 33 to No. 4, in 2004.

“El Amor De Mi Vida” traces its top 10 ascent to a robust 178% percent gain in audience impressions, to 4.1 million, earned in the U.S. in the week ending Aug. 31, according to Luminate.

As the song arrives in the upper region, Becerra secures her first top 10 since the chart’s inception in 1994. Los Angeles Azules, meanwhile, log their 14th top 10 hit, after “Tú y Tú,” with Cazzu and Santa Fe Klan, crowned Regional Mexican Airplay for one week in May.



As Los Angeles Azules register a new top 10 song, here’s the history of their top 10 hits:

Peak, Title, Artist, Peak Date, Weeks At No. 1
No. 5, “Como Te Voy A Olvidar,” Jan. 25, 1997
No. 3, “Me Haces Falta Tú,” April 18, 1998
No. 7, “Quiero Ser,” Nov. 21, 1998
No. 1, “El Listón De Tu Pelo,” Feb. 5, 2000, seven
No. 8, “Sin Ti No Se Vivir,” Sep. 16, 2000
No. 5, “Ni Contigo Ni Sin Ti,” featuring Pepe Aguilar, August 4, 2018
No. 1, “Nunca Es Suficiente,” featuring Natalia Lafourcade, Jan. 26, 2019, three
No. 2, “Amor A Primera Vista,” with Belinda & Lalo Ebratt featuring Horacio Palencia, Aug. 31, 2019
No. 6, “Acaríñame,” with Julieta Venegas & Juan Ingaramo, Dec. 28, 2019
No. 7, “Y La Hice Llorar,” featuring Abel Pintos, June 13, 2020
No. 4, “Otra Noche,” with Nicki Nicole, March 12, 2022
No. 4, “Cumbia Del Corazón,” con Carlos Vives, Nov. 26, 2022
No. 1, “Tú Y Tú,” con Cazzu & Santa Fe Klan, May 20, 2023, one
No. 9, “El Amor De Mi Vida,” y Maria Becerra, Sept. 9, 2023

Elsewhere, “El Amor” debuts at No. 29 on the overall Latin Airplay chart. It’s the highest start for Los Angeles within their 17 career entries. Prior, the Mexicans scored a No. 29 debut with “Acaríñame,” with Julieta Venegas and Juan Ingaramo, in 2019.

Becerra adds a seventh entry on Latin Airplay. Plus, she extends her record for the most entries by a woman on Billboard Argentina Hot 100 with 43 career entries.

El Fantasma Lands Fifth No. 1 on Regional Mexican Airplay With ‘Vida Cara’

El Fantasma captures his fifth No. 1 on Billboard’s Regional Mexican Airplay chart as “La Vida Cara” crowns the list dated Sept. 9. The single checks into the penthouse after a 13% gain in audience impressions, to 6.8 million, earned in the U.S. during the Aug. 25-31 tracking week, according to Luminate.

‘La Vida Cara” ascends 4-1 in its ninth week and unseats Carin León’s “Indispensable” from its three-week domination; the song dips 1-2.

El Fantasma scores his fifth No. 1 after coming short on his last appearance. Previously, “El Selectivo” reached No. 2 in April, where it held for three weeks. Prior, “Soldado Caído” lifted 3-1 in Oct. 2022.

With his fifth champ, El Fantasma becomes the sixth male artist with as many No. 1s on Regional Mexican Airplay since the list launched in 1994. Christian Nodal beats the race with 15. Here’s the recap:

15, Christian Nodal
12, Gerardo Ortiz
8, Marco Antonio Solis
7, Vicente Fernández
6, Alejandro Fernández
5, El Fantasma

Notably, as “Vida Cara” lands at No. 1, collaborators Salvador Hurtado and Indalfer Ochoa, who share writing credits, achieve their first champ on any Latin radio list. Hurtado previously landed in the runner-up slot when La Fiera De Ojinaga’s “900 Cigarros” peaked at No. 1 on the Aug. 26-dated list.

Beyond its Regional Mexican Airplay coronation, “Vida” gifts El Fantasma his ninth top 10 on the overall Latin Airplay chart as the song climbs 15-5.



Maluma’s ‘Don Juan’ debuts in the top 10: Elsewhere on Latin charts, Maluma picks up his sixth top 10 on Latin Rhythm Albums as Don Juan opens at No. 5 with 8,000 equivalent album units earned in week ending Aug. 31.

The 24-track Don Juan was released Aug. 25 via Sony Music Latin. Of the 8,000-unit week, 7,000 derives from streaming activity, equal to 10.3 million official on-demand audio and video streams for the album’s songs in its first week.

With Don Juan, Maluma logs his sixth top 10 effort on Latin Rhythm Albums out of seven chart entries. Before the No. 12-peaking The Love & Sex Tapes set in June 2022, his previous five releases all reached top 10, and three out of those topped the list – 2015 Pretty Boy, Dirty Boy earned the Colombian his first chart appearance and maiden No. 1, while F.A.M.E. (2018) and 11:11 (2019), both debuted at the summit and ruled for one week, respectively.

Don Juan was preceded by four songs on the multi-metric Hot Latin Songs chart, starting with “Sobrio,” which peaked at No. 11 in Oct. 2021. Meanwhile, three others debuted in 2023: “La Fórmula,” with Marc Anthony, “Diablo, Que Chimba,” with Anuel AA, and “Coco Loco,” all debuted and peaked at No. 33, No. 45, and No. 41 in Feb., April, and June, respectively.

Further, Don Juan debuts at No. 11 on Top Latin Albums, Maluma’s best chart performance since Papi Juancho debuted and peaked at No. 2 in 2020.

Drake’s ‘For All the Dogs’ Album Has a Release Date

Drake‘s next album has a release date. The rapper took to Instagram late Wednesday (Sept. 6) to reveal that For All the Dogs will arrive on Sept. 22.

“FOR ALL THE DOGS SEPTEMBER 22,” Drake captioned an Instagram reel featuring an archival video of his dad, Dennis Graham, going by the moniker “Cousin Dennis” and singing with a blues band on the local Toronto TV show Stormy Monday With Danny Marks in the early ’90s. “I’m Dennis Graham from Memphis, Tennessee,” Graham says to introduce himself ahead of the performance, which includes an epic harmonica solo.

Drake first teased the album and its title back in June, taking out a full-page advertisement in major outlets like the New York Post, Los Angeles Times and Houston Chronicle to promote his July poetry collection Titles Ruin Everything: A Stream of Consciousness, by Aubrey Drake Graham and Kenza Samir. The ad contained a QR code leading to the website titlesruineverything.com.

“I made an album to go with the book,” Drake wrote on the site at the time. “They say they miss the old Drake girl don’t tempt me. FOR ALL THE DOGS.”

This will be Drake’s eighth studio album and his first solo project since the dance-leaning Honestly, Nevermind in June 2022. He also released the joint album Her Loss with 21 Savage in November 2022. Both albums debuted at No. 1 on the Billboard 200.

Prior to Drake’s announcement, Doja Cat had revealed that her next album, Scarlet, is also set for Sept. 22.

Drake is currently on his co-headlining It’s All a Blur Tour with 21 Savage.

See Drake’s post below:

Bruce Springsteen Postpones All September Shows as He’s Treated for Peptic Ulcer Disease Symptoms

Bruce Springsteen announced Wednesday (Sept. 6) that he’s postponing all his September concerts as he’s treated for symptoms of peptic ulcer disease.

“Bruce Springsteen and The E Street Band have postponed all performances currently scheduled for September 2023, beginning with tomorrow’s show scheduled for the JMA Wireless Dome in Syracuse, NY,” a statement on the band’s social media reads. “Mr. Springsteen is being treated for symptoms of peptic ulcer disease and the decision of his medical advisors is that he should postpone the remainder of his September shows.”

Some of the symptoms of peptic ulcer disease include pain or discomfort in the upper part of your abdomen, feeling uncomfortably full after eating a meal, nausea and vomiting.

The Instagram post also included this quote from Springsteen: “Over here on E Street, we’re heartbroken to have to postpone these shows. First, apologies to our fabulous Philly fans who we missed a few weeks ago. We’ll be back to pick these shows up and then some. Thank you for your understanding and support. We’ve been having a blast at our US shows and we’re looking forward to more great times. We’ll be back soon. Love and God bless all, Bruce.”

Springsteen and The E Street Band had nine dates scheduled this month, starting with Thursday’s show in Syracuse, New York, and wrapping Sept. 29 at Nationals Park in Washington, D.C.

As Springsteen alluded to in his quote, two of the dates are rescheduled Philadelphia shows that were set for last month until the rocker fell ill and moved them to September. “Due to Bruce Springsteen having been taken ill, his concerts with The E Street Band at Citizens Bank Park in Philadelphia on August 16 and 18 have been postponed,” a statement at the time read.

See the new Instagram post below:

Counting Crows Cover Taylor Swift’s ‘The 1’ & Adam Duritz Says He Was ‘Floored’ by The Eras Tour

Taylor Swift‘s The Eras Tour has been attended by several celebrity fans, and now we know Counting Crows frontman Adam Duritz was one of them.

The singer/songwriter spoke with the Los Angeles Times in a Wednesday (Sept. 6) interview and gushed about his experience at the pop star’s career-spanning concert.

“I was floored,” Duritz said of seeing Swift live. Despite not keeping tabs on the pop star’s music over the past decade, the rock singer admitted that he tuned back in with Swift’s 2020 pandemic album releases, Folklore and Evermore. “I was a big fan when she started, but I hadn’t listened to her for about 10 years. My girlfriend is obsessed and she got us tickets and she made me a playlist — I couldn’t believe how good the Folklore and Evermore stuff was. A lot of big shows don’t interest me because it just seems like it’s people plus dancers plus whatever. But this was a work of art — like some combination of Broadway show and Universal theme ride.”

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Duritz enjoyed Folklore so much that during the Crows’ Las Vegas concert at Palms Casino Resort on Saturday, he took to the piano to perform a cover of the album’s opening track “The 1,” with an accordion carrying him through most of the song and the rest of the backing band joining him for the track’s conclusion.

“But we were something, don’t you think so?/ Roaring 20s, tossing pennies in the pool/ And if my wishes came true/ It would’ve been you/ In my defense, I have none/ For never leaving well enough alone/ But it would’ve been fun/ If you would’ve been the one,” Duritz sang on the chorus of the track.

Watch Duritz perform “The 1” in the fan-captured video below.



Neck Brace, But Make It Fashion: Doja Cat Shares New Pics of Apparent Injury

Forget how her “Demons” look, what about that neck brace?! On Wednesday (Sept. 6), Doja Cat shared a pair of pics to Instagram showing off a gnarly tri-color neck brace.

“I’m fine, my neck is fine,” she captioned the first post, choosing to relegate the second picture to the end of a separate photo set captioned “before the test he confessed.” Currently, details are scarce regarding why exactly the “Attention” rapper is sporting a neck brace. Doja Cat’s reps did not immediately respond to Billboard’s request for comment.

The revelation of Doja’s apparent injury comes less than a week before she is slated to take the stage at this year’s MTV Video Music Awards. The Billboard Hot 100 chart-topper boasts six nominations at this year’s ceremony, including artist of the year, video of the year (“Attention”) and song of the summer (“Paint the Town Red”). In 2021, she served as the show’s host and won two Moonpeople.

Not only is Doja set for a major performance in a few days, she is also gearing up to release her fourth studio album. Scarlet, the follow-up to 2021’s Grammy-winning Planet Her, is set to arrive on Sept. 22. In addition to “Attention,” which peaked at No. 31 on the Hot 100, Doja Cat released two other songs to drum up anticipation for the record. “Paint the Town Red,” the album’s current radio single, is already a shining success, reaching a new peak of No. 3 on the Hot 100 this week (chart dated Sep. 9, 2023). A promotional single titled “Demons,” which features a music video starring Emmy-nominated Yellowjackets actress Christina Ricci, arrived last week (Sep. 1).

An injury wouldn’t be the first obstacle the Scarlet album campaign has had to overcome. On Aug. 31, Doja revealed an updated album cover for Scarlet. She was forced to change the original artwork — which featured a fittingly scarlet-colored spider — after fans noticed that German hardcore band Chaver also used the same spider on the artwork for their upcoming album cover.

Hopefully, everything is alright with Doja and she can get back to painting the town red.

Check out Doja’s neck brace flicks:

GloRilla Teams Up With Gloss Up, Slimeroni & More in ‘Wrong One’ Video: Watch

Revenge is sweet for GloRilla, who sends a message to her cheating ex — with help from a few close friends — in the music video for new song “Wrong One,” released on Wednesday (Sept. 6).

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The video kicks off with Glo in the car with Aleza, Gloss Up, Slimeroni and K Carbon, when from the passenger’s seat of the car she sees her boyfriend heading into a house with a different girl. The visual then fast-forwards to the five girls sitting on top of a roof with GloRilla sullenly drinking liquor from a bottle, when the girls suggests she teaches her man a lesson. “I got to get my get back, right?” Glo asks before striking gold. “I have an idea.”

The group of friends roll up to where GloRilla’s man lives after he goes on a date with the new girl, and one by one each girl takes turns destroying the property by breaking mirrors, spray-painting valuables, and spraying condiments all over the dining room table.

“He had the right game, but he just picked the wrong one/ (F— wrong with this dumb-a– n—a?)/ Ayy, I had to show him I’m that b—h, but I’m my daddy son/ Mmm, I’m the one (Mmm)/ Slime, h-/ When it come to doggin’ n—-s, I do that for fun (Yeah)/ I do that for fun (Yeah), I do that for fun (I’m a dog)/ Steady s—–n’ up on these b—–s like I got the runs/ Like I got the runs,” Glorilla, Aleza, Gloss Up, Slimeroni and K Carbon all take turns rapping on the chorus of the Tay Keith-produced track.

“Wrong One” marks the lastest team-up with GloRilla and her friends — she released a track alongside Gloss Up, Slimeroni, K.Carbon and Aleza with 2021’s “Set the Tone.”

Watch the video for “Wrong One” above.