State Champ Radio Music
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Morgan Wallen’s latest studio effort, I’m the Problem, debuts atop the Billboard 200 chart (dated May 31) with the year’s biggest week for any album — 493,000 equivalent album units earned in the United States in the week ending May 22, according to Luminate. It also easily lands the largest streaming week for any album in 2025.
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It’s the third No. 1 for Wallen on the Billboard 200, following 2023’s One Thing at a Time (19 nonconsecutive weeks at No. 1) and 2021’s Dangerous: The Double Album (10 weeks at No. 1, all consecutive). The latter two titles both debuted at No. 1 and have never left the weekly top 50 of the chart. On the latest chart, One Thing at a Time is a non-mover at No. 4 (making Wallen the only act with two concurrent albums in the weekly top five in 2025), while Dangerous shifts 11-12.
I’m the Problem was officially announced in mid-March, and was preceded by eight charting songs on the Billboard Hot 100 over the past 10 months, all of which reached the top 20 of the ranking, including six top 10s (the most top 10s ever from an album prior to its release). Among them were the No. 1 “Love Somebody,” which debuted atop the list last November, and the album’s title track (No. 2 in February).
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Also in the latest Billboard 200 top 10, Jin notches his highest-charting effort as Echo launches at No. 3. The BTS member previously hit the top 10 as a soloist with Happy (No. 4) in 2024.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new May 31, 2025-dated chart will be posted in full on Billboard‘s website on May 28, one day later than usual due to the Memorial Day holiday in the U.S. on May 26. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of I’m the Problem’s 493,000 first-week equivalent album units, SEA units comprise 357,000 (equaling 462.63 million on-demand official streams of the set’s 37 tracks; it debuts at No. 1 on Top Streaming Albums), album sales comprise 133,000 (it debuts at No. 1 on Top Album Sales) and TEA units comprise 3,000.
I’m the Problem is the fifth No. 1 on the Billboard 200 in 2025, of 14 total, to also simultaneously be No. 1 on both Top Album Sales and Top Streaming Albums, following Sleep Token’s Even in Arcadia (May 24), Lady Gaga’s MAYHEM (March 22), Kendrick Lamar’s GNX (Feb. 22) and The Weeknd’s Hurry Up Tomorrow (Feb. 15).
I’m the Problem captures 2025’s biggest week by equivalent album units earned. The last bigger week was the opening frame of Taylor Swift’s The Tortured Poets Department over a year ago. It bowed at No. 1 with 2.61 million units on the May 4, 2024-dated chart.
With 357,000 SEA units equaling 462.63 million on-demand official streams of I’m the Problem’s 37 tracks, the set logs the largest streaming week of 2025 for any album, and the biggest since The Tortured Poets Department’s first week, which snared 891.37 million. I’m the Problem also tallies the second-biggest streaming week ever for any country album, trailing only the opening week of Wallen’s last album, One Thing at a Time, which bowed with 498.28 million clicks.
Meanwhile, with 133,000 copies sold in its first week, I’m the Problem captures Wallen’s biggest sales week ever, the biggest sales week for any country album in 2025 and the fourth-largest sales frame in 2025 among all albums. The last country set to post a bigger sales week was Beyoncé’s Cowboy Carter, when it debuted with 168,000 sold (April 13, 2024-dated chart). I’m the Problem’s sales were helped by its availability on vinyl in its first week. Wallen’s last album, One Thing at a Time, didn’t get its vinyl release until its fourth week on sale.
During its first week, I’m the Problem was available to purchase across five vinyl variants (standard black vinyl, a “first pressing” black vinyl, bone white-colored, coke bottle clear-colored [all exclusively sold in Wallen’s webstore] and a Target-exclusive opaque brown-color edition with a collectible insert), four CD variants (standard, a deluxe boxed set containing a branded T-shirt, a signed CD and a Target-exclusive edition with a collectible insert) and a standard digital download. All variations of the album had the same 37 tracks. All told, of I’m the Problem’s first-week sales, digital downloads comprise 51,000, vinyl comprise 48,000 (Wallen’s best week on vinyl ever, and the largest week for a country album in 2025) and CDs comprise 34,000.
SZA’s chart-topping SOS rises one spot to No. 2 on the latest Billboard 200, earning 47,000 equivalent album units — down 8%.
Jin nabs his highest-charting effort on the Billboard 200 as Echo arrives at No. 3. It’s the second charting solo set for the BTS member, who previously hit the chart with the No. 4-peaking Happy in November 2024.
Echo debuts with 43,000 equivalent album units earned. Of that sum, album sales comprise 35,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 6,000 (equaling 8.92 million of the album’s tracks) and TEA units comprise 2,000. Echo’s first-week sales were bolstered by its availability across 13 CD variants (all have the standard seven-song tracklist and contain collectible branded paper ephemera) and five download album variants (a standard wide version, a version exclusive to Jin’s webstore containing a bonus voice memo track and three widely available deluxe editions each containing two different remixes of the album’s “Don’t Say You Love Me”).
Nos. 4-9 on the new Billboard 200 are all former No. 1s. Wallen’s One Thing at a Time is steady at No. 4 (42,000 equivalent album units; down 13%); Kendrick Lamar’s GNX rises 7-5 (41,000; down 5%); Sleep Token’s Even in Arcadia falls 1-6 in its second week (38,000; down 70%); Sabrina Carpenter’s Short n’ Sweet steps 8-7 (just over 37,000; down 6%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U drops 5-8 (37,000; down 21%); and Bad Bunny’s Debí Tirar Más Fotos climbs 10-9 (nearly 37,000; down 3%).
Fuerza Regida’s 111XPANTIA closes out the top 10, falling 6-10 with 32,000 equivalent album units earned (down 26%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
OVO Fest will be back in summer 2025. Drake made the announcement while making a surprise guest appearance at Central Cee‘s concert in Toronto Saturday (May 24) at History. “I’ll see you this summer, by the way” Drake said to the crowd, while congratulating the British rapper on his success. “OVO Fest will be back […]
Christie Brinkley is showing her support for ex-husband Billy Joel following news of his recent health diagnosis.
On Saturday (May 24), the 71-year-old model took to social media to share a heartfelt tribute to Joel, 76, just one day after he revealed he had been diagnosed with normal pressure hydrocephalus (NPH), a type of brain disorder.
“Dear Billy, the whole Brinkley gang is sending you lots of love and good wishes for a full and speedy recovery,” Brinkley wrote on Instagram. Her message was accompanied by video clips of herself and daughter Sailor Brinkley Cook — whose father is Peter Cook — attending one of Joel’s past concerts.
“I was looking for some cute photos of you and Alexa to send you, when I came across this clip from a recent concert,” she continued. “It made me laugh … but it also reminded me of all the joy you create, and all the sensational sing a longs you’ve lead… You turn an arena of strangers into a living room full of friends as we all sway in unison.”
Brinkley closed her message with an emotional note of encouragement.
“I’m sure I’m speaking for everyone in that room when I say please take good care of yourself, we all want you back in that white hot spotlight, you’re OUR piano man,” she wrote. “And we’re always in the mood for your melodies And we all hope you’re feeling alright! We Love You, the kids, me and an arena or two!”
Brinkley and Joel married in 1985 and welcomed daughter Alexa Ray Joel that same year. The couple divorced in 1994 after nearly a decade together.
Just last month, Brinkley was spotted in the audience at Joel’s concert at New York’s Madison Square Garden, smiling and dancing along to his 1983 hit “Uptown Girl” — a song he famously wrote with Brinkley in mind. In his 2014 biography Billy Joel: The Definitive Biography, the iconic musician revealed that the track was initially inspired by the models of Manhattan, but he changed the title from plural to singular after beginning his relationship with Brinkley.
Earlier this week, Joel announced he would be canceling all upcoming shows due to complications from NPH.
“This condition has been exacerbated by recent concert performances, leading to problems with hearing, vision and balance,” he said in a statement. “Under his doctor’s instructions, Billy is undergoing specific physical therapy and has been advised to refrain from performing during this recovery period. Billy is thankful for the excellent care he is receiving and is fully committed to prioritizing his health.”
The cancellations include several scheduled appearances throughout summer and fall 2025, as well as early 2026, including joint shows with Sting, Rod Stewart, and Stevie Nicks.
Crunchyroll, the global brand fueling anime fandom, revealed the winners of the 2025 Crunchyroll Anime Awards during a live ceremony held at Grand Prince Hotel Shin Takanawa in Tokyo on Sunday (May 25). Creepy Nuts won best anime song for “Otonoke,” the opening theme from anime of the year nominee DAN DA DAN. Hiroyuki Sawano won best score for Solo Leveling, which won anime of the year.
The ninth annual Anime Awards was co-hosted for the third year in a row by voice actress Sally Amaki and entertainer Jon Kabira. The winners were revealed by celebrity anime fan presenters, including Grammy-winning singer Kacey Musgraves; Canadian director, musician, and actor Finn Wolfhard and American actor Gaten Matarazzo, both from the hit series Stranger Things; global superstar and anime collaborator J Balvin; Italian singer-songwriter Damiano David; musician and actor Rina Sawayama; Brazilian pop icon Pabllo Vittar; American snowboarder Chloe Kim; and screenwriter Zak Penn.
During the awards show, fans enjoyed performances from Creepy Nuts, the 2025 Anime Awards winning hip-hop duo, who performed “Bling-Bang-Bang-Born,” the opening theme from Mashle: Magic and Muscles. Rock band FLOW performed “DAYS” to commemorate the 20th anniversary of Eureka Seven; and LiSA, Spotify’s most streamed Japanese artist globally in 2020, performed three songs — “crossing field,” “Datte Atashino Hero,” and “gurenge,” the hit from Demon Slayer: Kimetsu no Yaiba.
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During the ceremony, Attack on Titan was awarded the Anime Awards’ first global impact award. The final film Attack on Titan: THE LAST ATTACK premiered in late 2024, marking the end of the longstanding anime. Yuichiro Hayashi from MAPPA accepted the award on behalf of all the creatives who brought the series to life over the years.
This year, a record 51 million votes were cast by fans worldwide to celebrate their favorite series, films, and actors. The 2025 Anime Awards will be available to stream as video-on-demand shortly on Crunchyroll’s YouTube and Twitch Channels, along with SONY PICTURES CORE and the Sony Group Corp Japan and Global YouTube Channels.
“Fans form deep emotional connections to anime. These are not just series, films or songs, but rather works of art that help define the identity of anime fans,” Rahul Purini, president of Crunchyroll, said in a statement.
Sony Music Solutions Inc., part of Sony Music Entertainment (Japan) Inc., and Dempsey Productions supported Crunchyroll in the execution of the Anime Awards this year.
Here’s a complete list of 2025 Crunchyroll Anime Awards nominees and winners.
Anime of the Year
DAN DA DAN
Delicious in Dungeon
Frieren: Beyond Journey’s End
Kaiju No. 8
WINNER: Solo Leveling
The Apothecary Diaries
Best Anime Song
Abyss – Yungblud – Kaiju No. 8
Bling-Bang-Bang-Born – Creepy Nuts – MASHLE: MAGIC AND MUSCLES The Divine Visionary Candidate Exam Arc
Fatal – GEMN -【OSHI NO KO】Season 2
LEveL – SawanoHiroyuki[nZk]: TOMORROW X TOGETHER – Solo Leveling
WINNER: Otonoke – Creepy Nuts – DAN DA DAN
The Brave – YOASOBI – Frieren: Beyond Journey’s End
Best Score
BLEACH: Thousand-Year Blood War – The Conflict- Shiro Sagisu
DAN DA DAN – kensuke ushio
Demon Slayer: Kimetsu no Yaiba Hashira Training Arc – Yuki Kajiura, Go Shiina
Frieren: Beyond Journey’s End – Evan Call
Look Back – Haruka Nakamura
WINNER: Solo Leveling – Hiroyuki Sawano
Film of the Year
HAIKYU!! The Dumpster Battle
WINNER: Look Back
Mononoke The Movie: The Phantom in the Rain
My Hero Academia: You’re Next
SPY x FAMILY CODE: White
The Colors Within
Best Original Anime
BUCCHIGIRI?!
GIRLS BAND CRY
Jellyfish Can’t Swim in the Night
Metallic Rouge
WINNER: Ninja Kamui
Train to the End of the World
Best Continuing Series
BLEACH: Thousand-Year Blood War – The Conflict
WINNER: Demon Slayer: Kimetsu no Yaiba, Demon Slayer: Kimetsu no Yaiba Hashira Training Arc
My Hero Academia, My Hero Academia Season 7
ONE PIECE
【OSHI NO KO】【OSHI NO KO】Season 2
SPY × FAMILY, SPY × FAMILY Season 2
Best New Series
DAN DA DAN
Delicious in Dungeon
Frieren: Beyond Journey’s End
Kaiju No. 8
WINNER: Solo Leveling
The Apothecary Diaries
Best Opening Sequence
Abyss – Yungblud – Kaiju No. 8
Bling-Bang-Bang-Born – Creepy Nuts – MASHLE: MAGIC AND MUSCLES The Divine Visionary Candidate Exam Arc
Fatal – GEMN – 【OSHI NO KO】Season 2
LEveL – SawanoHiroyuki[nZk]: TOMORROW X TOGETHER – Solo Leveling
WINNER: Otonoke – Creepy Nuts – DAN DA DAN
UUUUUS! – Hiroshi Kitadani – ONE PIECE
Best Ending Sequence
Antanante – riria. – Ranma1/2
Burning – Hitsujibungaku – 【OSHI NO KO】Season 2
KAMAKURA STYLE – BotchiBoromaru – The Elusive Samurai
Nobody – OneRepublic – Kaiju No. 8
WINNER: request – krage – Solo Leveling
TAIDADA – ZUTOMAYO – DAN DA DAN
Best Action
BLEACH: Thousand-Year Blood War – The Conflict
DAN DA DAN
Demon Slayer: Kimetsu no Yaiba Hashira Training Arc
Kaiju No. 8
WINNER: Solo Leveling
WIND BREAKER
Best Comedy
Delicious in Dungeon
KONOSUBA -God’s Blessing on This Wonderful World! 3
WINNER: MASHLE: MAGIC AND MUSCLES The Divine Visionary Candidate Exam Arc
My Deer Friend Nokotan
Ranma1/2
SPY × FAMILY Season 2
Best Drama
A Sign of Affection
DEAD DEAD DEMONS DEDEDEDE DESTRUCTION
WINNER: Frieren: Beyond Journey’s End
【OSHI NO KO】Season 2
Pluto
The Apothecary Diaries
Best Isekai Anime
KONOSUBA -God’s Blessing on This Wonderful World! 3
Mushoku Tensei: Jobless Reincarnation (season 2, Cour 2)
WINNER: Re:ZERO -Starting Life in Another World- Season 3
Shangri-La Frontier Season 2
Suicide Squad ISEKAI
That Time I Got Reincarnated as a Slime Season 3
Best Romance
A Sign of Affection
WINNER: Blue Box
Makeine: Too Many Losing Heroines!
Ranma1/2
Scott Pilgrim Takes Off
The Dangers in My Heart Season 2
Best Slice of Life
Laid-Back Camp Season 3
WINNER: Makeine: Too Many Losing Heroines!
Mr. Villain’s Day Off
My Deer Friend Nokotan
Sound! Euphonium 3
The Dangers in My Heart Season 2
Best Animation
DAN DA DAN
Delicious in Dungeon
WINNER: Demon Slayer: Kimetsu no Yaiba Hashira Training Arc
Frieren: Beyond Journey’s End
Kaiju No. 8
Solo Leveling
Best Background Art
DAN DA DAN
Delicious in Dungeon
Demon Slayer: Kimetsu no Yaiba Hashira Training Arc
WINNER: Frieren: Beyond Journey’s End
Pluto
The Apothecary Diaries
Best Character Design
WINNER: DAN DA DAN
Delicious in Dungeon
Demon Slayer: Kimetsu no Yaiba Hashira Training Arc
Frieren: Beyond Journey’s End
Kaiju No. 8
The Apothecary Diaries
Best Director
Fuga Yamashiro – DAN DA DAN
Haruo Sotozaki – Demon Slayer: Kimetsu no Yaiba Hashira Training Arc
WINNER: Keiichiro Saito – Frieren: Beyond Journey’s End
Megumi Ishitani – ONE PIECE FAN LETTER
Norihiro Naganuma – The Apothecary Diaries
Yoshihiro Miyajima – Delicious in Dungeon
Best Main Character
Frieren – Frieren: Beyond Journey’s End
Kafka Hibino – Kaiju No. 8
Okarun – DAN DA DAN
Maomao – The Apothecary Diaries
Momo – DAN DA DAN
WINNER: Sung Jinwoo – Solo Leveling
Best Supporting Character
WINNER: Fern – Frieren: Beyond Journey’s End
Himmel – Frieren: Beyond Journey’s End
Jinshi – The Apothecary Diaries
Seiko – DAN DA DAN
Senshi – Delicious in Dungeon
Turbo Granny – DAN DA DAN
“Must Protect at All Cost” Character
WINNER: Anya Forger – SPY × FAMILY Season 2
Frieren – Frieren: Beyond Journey’s End
Okarun- DAN DA DAN
Senshi – Delicious in Dungeon
Tokiyuki Hojo – The Elusive Samurai
Yuki Itose – A Sign of Affection
Best Japanese Voice Artist Performance: Aoi Yuki (Maomao) – The Apothecary Diaries
Best English Voice Artist Performance: Aleks Le (Sung Jinwoo) – Solo Leveling
Best Arabic Voice Artist Performance: Hiba Snobar (Anya Forger) – SPY × FAMILY Season 2
Best Brazilian Portuguese Voice Artist Performance: Charles Emmanuel (Sung Jinwoo) – Solo Leveling
Best Castilian Spanish Voice Artist Performance: Masumi Mutsuda (Sung Jinwoo) – Solo Leveling
Best French Voice Artist Performance: Adrien Antoine (Kafka Hibino) – Kaiju No. 8
Best German Voice Artist Performance: Daniel Schlauch (Monkey D. Luffy) – ONE PIECE
Best Hindi Voice Artist Performance: Lohit Sharma (Satoru Gojo) – JUJUTSU KAISEN Season 2
Best Italian Voice Artist Performance: Ilaria Pellicone (Kyomoto) – Look Back
Best Latin Spanish Voice Artist Performance: Miguel Ángel Leal (Eren Jaeger) – Attack on Titan Final Season THE FINAL CHAPTERS Special 2
When Shakira announced the stadium tour dates for her Las Mujeres Ya No Lloran trek, Chicago was not part of the list, leaving fans wondering why the Windy City was left out. Soon after, it was unveiled that she’d headline Sueños Festival and on Saturday (May 24), the Colombian star closed out day one of the two-day event in Chicago’s Grant Park.
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What was originally billed as a two-hour performance starting at 8 p.m., Shakira went onstage closer to 8:30 p.m. and played a 90-minute set. The crowd — which had quickly dispersed after Peso Pluma’s set — slowly returned to find a good spot to watch Shakira and the empty spots filled up, especially when the main stage lights were turned on.
Shakira’s crowd was multigenerational, which is noteworthy given that Sueños caters to a younger, perhaps Gen Z-leaning crowd. Many women in attendance paid homage to Shakira, wearing her signature belly-dancing hip belts. And Colombians proudly waved their flags, eager to hear La Loba howl.
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“I was really looking forward to being with you tonight,” a beaming Shakira said, speaking in a mix of English and Spanish. “This is incredible. This city, wow I’m in love with this city, it’s so beautiful. Thank you for making me feel at home. There is definitely no better reunion than a she-wolf with her pack. Chicago, tonight, we are one.”
While it’s hard to replicate a stadium tour stage in a festival setting, it’s safe to say Shakira gifted Chicago fans an unforgettable night. Going from wearing a shimmery white jumpsuit and large black sunglasses to a sparkly pink dress in a blink of an eye, the “Pies Descalzos” singer, backed by a troupe of fierce dancers, kicked off with bangers, including “Girl Like Me,” “Las de la Intuición,” “Estoy Aquí,” “Inevitable,” “Te Felicito,” “TQG” and “Don’t Bother.”
“These last few years have not been easy for me, nobody is saved from falls. But if I have learned anything, it’s that the fall is not the end but the beginning of a higher flight. We, women, get up a little stronger, a little more wiser, every time we fall,” Shakira said, a nod to the empowering theme of her Las Mujeres Ya No Lloran era, inspired by the healing that comes from a heartbreak.
During her 90-minute set, Shakira’s hypnotizing dance moves and choreography were on full display, including her unmatched belly-dancing in “Ojos Asi” and the champeta and calypso footwork during “Waka Waka.” But a fan favorite moment was when Shakira revisited her rockera roots, singing “Pies Descalzos, Sueños Blancos” and “Antología.”
Of course, she closed with the global hit “Bzrp Music Sessions, Vol. 53,” which had all the women in attendance singing at the top of their lungs, ending an epic reunion between a she-wolf and her pack.
Sueños continues on Sunday (May 25) with Grupo Frontera and Don Omar as headliners. Meanwhile, Shakira’s Las Mujeres Ya No Lloran is set to visit Boston, Atlanta, Miami and Los Angeles next.
Sueños fans waited one year for Peso Pluma to headline the Latin music festival in Chicago’s Grant Park after his set was canceled by festival organizers last year over thunderstorms.
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“It’s good to be in Chicago,” Peso told attendees at the top of his one-hour-and-15-minute set on Saturday (May 24). “Remember last time we got rained out? Well, no rain can stop me this time.”
The significant crowd that gathered to see him perform at the event’s main stage roared, crowding the stage area to be closer to Peso.
Although the air was crisp and unseasonably cold temperatures had festival-goers rethinking their summery wardrobe choices, it did not rain. This time, mother nature was on Peso’s side. And so he went on to sing his biggest hits, including “AMG,” “Rubicón,” “Nueva Vida,” “La Patrulla,” “Rompe La Dompe” and “Lady Gaga,” to name a few on his Sueños setlist.
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Dressed casually in jeans, a black T-shirt with a black puffer jacket over it and a black and white Chicago White Sox baseball cap (which he later traded for a beige one), Peso was accompanied by his band composed of nearly 10 musicians — giving life to signature sound powered by instruments like charchetas, trombones and trumpets and following Peso’s lead.
“They are my family,” Peso gushed about his band. “Over the past three years, we’ve grown this project together.”
A handful of artists joined him onstage as special guests, including Oscar Maydon and El Alfa — both who had performed earlier in the day — and labelmates Tito Double P and Jasiel Nuñez. Throughout his show, Peso expressed his Mexican pride and wrapped a Mexican flag at the end of his set saying, “Viva la cultura mexicana!”
And, although he didn’t address head on the bans on narcocorridos in Mexico and the U.S., and how they’ve impacted a few of his fellow regional Mexican hitmakers, Peso made note during his set that he’s focusing on romantic corridos.
According to Sueños’ website, as of Saturday, about 95% of the passes to the event were sold, although actual daily attendance figures were not made readily available by festival organizers. Now in its fourth edition, day one of Sueños featured other acts like NSQK, El Malilla, Dei V, Oscar Maydon, El Alfa and Arcángel. Shakira closed out Saturday with a 90-minute set.
Don Omar and Grupo Frontera will headline day two of Sueños on Sunday (May 25).
Sophie Turner seems to be streaming her ex’s new album. The actress posted Joe Jonas‘ Music for People Who Believe in Love on Saturday (May 24) in an Instagram Story, where she also shared a note of support for his latest solo release.
“Go go @joejonas,” Turner wrote on the post, which showed an image of the album on Spotify and tagged her ex-husband’s Instagram profile.
Her reaction to Music for People Who Believe in Love‘s release comes after the former couple — who co-parent their two children, four-year-old Willa and two-year-old Delphine — finalized their divorce in September 2024. Jonas, who outside of his solo endeavors is one third of the Jonas Brothers, met Turner in 2016. They were wed in 2019.
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Though Jonas and Turner initially had a disagreement over custody, they voluntarily entered into a confidential parenting plan and separation agreement that was in the best interest of the family, a judge declared on final judgement paperwork for the divorce, dated Sept. 6, 2024.
“After four wonderful years of marriage we have mutually decided to amicably end our marriage,” they said in a joint statement that first announced their split in 2023. “There are many speculative narratives as to why but, truly this is a united decision and we sincerely hope that everyone can respect our wishes for privacy for us and our children.”
Turner later said the breakup “was incredibly sad.” “We had a beautiful relationship, and it was hard,” she told Harper’s Bazaar.
Music for People Who Believe in Love was released on Friday (May 23) via Republic Records. The set is Jonas’ second studio album as a solo artist, following 2011’s Fastlife, and features the singles “Work It Out,” “What This Could Be” and “Heart By Heart.”
Working on the personal project “was scary at times, and also freeing,” Jonas told Billboard last summer. “I’m not trying to come for anyone on this album. I’m not trying to put stuff on blast. I have a beautiful life that I’m grateful for. I’ve got two beautiful kids. I’m a happy person, and the music needed to resemble that — but also, the journey to get here.”
D’Angelo has dropped out of the 2025 Roots Picnic in Philadelphia, citing medical complications related to a previous surgery.
On Friday (May 23), the iconic R&B artist announced through social media that he will no longer headline the Roots Picnic, scheduled for May 31 and June 1 at Philly’s The Mann in Fairmount Park. The decision was made following medical advice related to an “unforeseen” delay in his surgical recovery.
“It is with the deepest of regrets that [I] must cancel my performance at the Roots Picnic in Philadelphia next weekend,” D’Angelo wrote in a statement shared through the Roots Picnic’s Instagram page. “But, due to an unforeseen medical delay regarding surgery [I] had earlier this year, [I’ve] been advised by my team of specialists that the performance this weekend could further complicate matters.”
The festival added its support in the post’s caption. “Due to a longer-than-expected surgical recovery, @thedangelo won’t be able to join us at Roots Picnic this year. We’re sending love and keeping him in our thoughts as he continues to heal!” organizers wrote.
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The 17th annual Roots Picnic will still go forward with a stacked lineup including headliners Meek Mill and Lenny Kravitz. Other performers include GloRilla, Miguel, Tems, Latto, Kaytranada, and Jeezy.
D’Angelo was originally slated to perform alongside festival curators The Roots. Stepping in as his replacement is fellow neo-soul icon Maxwell, the festival announced Friday on Instagram.
“It is nearly impossible to express how disappointed [I am] not to be able to play with my Brothers ‘The Roots,’” D’Angelo added. “And even more disappointed to not see all of You.”
The singer closed the message by thanking fans for their continued support, hinting at new music on the horizon. [I’m] currently in the Lab & can’t wait to serve Up what’s in the Pot!” he wrote. “LOVE U All and will see you very soon!” he wrote.
D’Angelo last performed at the Roots Picnic in 2016, during the festival’s first-ever New York City edition. The appearance followed the release of his acclaimed third album, Black Messiah, which reached No. 5 on the Billboard 200 in January 2015.
Sacha Jenkins, a pioneering hip-hop journalist, author, filmmaker and cultural historian, has died at the age of 54.
Jenkins passed away on Friday (May 23) at his home due to complications from multiple system atrophy, his wife, journalist and filmmaker Raquel Cepeda, confirmed to The Hollywood Reporter.
Throughout his multifaceted career as an author, producer, magazine founder and filmmaker, Jenkins was widely regarded as a key authority on hip-hop culture. Born in Philadelphia and raised in New York City, he moved to Queens in the late 1970s — a formative time when hip-hop, punk, graffiti and skateboarding were all rising cultural forces.
Jenkins was the son of Horace Byrd Jenkins III, an Emmy-winning documentary filmmaker who worked on 60 Minutes and Sesame Street. He began his own career by founding Graphic Scenes & X-plicit Language, an early magazine dedicated to graffiti art. Jenkins later co-founded the hip-hop newspaper Beat Down with childhood friend and fellow music journalist Elliott Wilson.
In 1994, Jenkins and Wilson launched the influential hip-hop and skateboarding publication Ego Trip. The magazine ran for 13 issues and spawned two acclaimed books: 1999’s Ego Trip’s Book of Rap Lists and 2002’s Ego Trip’s Big Book of Racism! Alongside team members Jefferson “Chairman” Mao, Gabriel Alvarez and Brent Rollins, Ego Trip also branched into television, producing several shows for VH1, including 2007’s The (White) Rapper Show.
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Jenkins contributed his writing to publications like Spin, Rolling Stone and served as both music editor and writer-at-large at Vibe. He recently held the position of creative director at Mass Appeal, according to Rolling Stone.
As a filmmaker, Jenkins directed and produced a range of projects. His work includes Louis Armstrong’s Black & Blues (2022), Bitchin’: The Sound and Fury of Rick James (2021), Fresh Dressed (2015), All Up in the Biz (2023) and Harley Flanagan: Wired for Chaos (2024). His 2019 docuseries Wu-Tang Clan: Of Mics and Men earned him an Emmy nomination.
Jenkins is survived by his wife, Raquel Cepeda, and their two children.
Justin Bieber made a rare onstage appearance with SZA during her concert at SoFi Stadium in Inglewood, Calif., on May 23.
The surprise collaboration took place during the second Los Angeles stop of SZA and Kendrick Lamar’s co-headlining Grand National Tour, which launched in April.
Bieber, who is currently working on new music, stunned the packed crowd as he joined the five-time Grammy nominee for a flirty rendition of “Snooze.” The pop superstar previously featured on the acoustic remix of the track, originally released on SZA’s 2022 sophomore album, SOS.
Wearing an all-black ensemble topped with a Balenciaga jacket, Bieber traded verses with SZA, kissed her hand multiple times, and danced with her throughout the sultry performance.
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The singer’s wife, Hailey Bieber, showed her support by sharing a clip of the moment on her Instagram Story, captioning it, “My 2 favorite artists.”
“Snooze” earned SZA her second No. 1 on Billboard’s R&B/Hip-Hop Airplay chart in July 2023, and also topped the Mainstream R&B/Hip-Hop Airplay tally.
The unplugged version of the track featuring Bieber dropped in September 2023. The music video also stars Young Mazino, Woody McClain and Benny Blanco.
This isn’t Bieber’s first time performing “Snooze” live. In February 2024, he attempted a solo rendition during a surprise appearance at the NHL All-Star Draft in Toronto, according to Rolling Stone. Friday’s performance at SoFi Stadium marked the first time Bieber and SZA have performed the song live together.
Bieber has made several surprise appearances at concerts in recent years, including a performance of “Private Landing” at Don Toliver’s L.A. show in October 2024, and a cameo during Tems and Wizkid’s Coachella 2024 set to perform the “Essence” remix. He hasn’t played a full solo concert since September 2022.
During the first night of the Grand National Tour’s Los Angeles stop on Wednesday (May 21), SZA brought out surprise guest Lizzo for a live performance of their “Special” remix. SZA and Lamar are set to play one final show at SoFi Stadium on Saturday.
