Music

Belinda Carlisle’s Diane Warren-Written ‘If U Go’ Debuts on Adult Contemporary Chart

Belinda Carlisle charts her second new song of 2023, as “If U Go” debuts at No. 30 on Billboard’s Adult Contemporary survey (dated Sept. 30).

The single is from Carlisle’s EP Kismet, released in May on BMG. Diane Warren wrote all five tracks on the set, reviving a partnership between the two talents. Carlisle sent the Warren-penned “I Get Weak” to No. 2 on the Billboard Hot 100 and to the Adult Contemporary top 10 in 1988. (Warren has written 32 Hot 100 top 10s, including nine No. 1s.)

Earlier in 2023, Carlisle extended her Billboard chart history by entering Digital Song Sales with another Warren composition, “Gonna Be You.” The all-star song, from the comedy 80 for Brady, brought Carlisle together with Dolly Parton, Cyndi Lauper, Gloria Estefan and Debbie Harry.

“I can’t say ‘no’ to her,” Carlisle mused to Billboard about Warren upon the release of Kismet. “The fact that she gave me these amazing songs is like a gift.”

Warren wrote “If U Go” with Carlisle in mind. Making for a partial team-up of The Go-Go’s, it features Charlotte Caffey on backing vocals. The song even sports a “go, go” echo, although Carlisle said that Warren didn’t originally plan for two members of the Rock & Roll Hall of Fame band to sing that line.



Carlisle appears on a Billboard airplay chart for the first time since 1990, when “Summer Rain” reached Adult Contemporary. She boasts four top 10s on the tally: “Heaven Is a Place on Earth” (No. 7, 1987); “I Get Weak” (No. 9, 1988); “Circle in the Sand” (No. 5, 1988); and “Leave a Light On” (No. 8, 1989). (She last appeared on a chart that blends airplay data when “Do You Feel Like I Feel?” hit the Hot 100 in 1991.)

“I always said that if I was going to record pop in the same vein that I did in the late ‘80s and early ‘90s, it would have to be on par with those songs,” Carlisle told Billboard. “I’m not going to record a song just to record it.”

Of Kismet’s songs, Carlisle said, “This was five out of five.” Warren “didn’t show me anything else, and I loved them all.”

All charts dated Sept. 30 will update on Billboard.com Tuesday, Sept. 26.

Doja Cat, Zach Bryan, Shakira & More: What’s Your Favorite New Music Release of the Week? Vote!

Rap, country and Latin music decorate this week’s new music Friday, which features high-profile releases from Doja Cat, Zach Bryan, Shakira and more.

Doja Cat has made her highly anticipated return with new album Scarlet. After expressing a desire to turn her back on her pop roots — seen on past chart topping hits such as “Say So,” “Kiss Me More,” “Woman” and more — the rapper fully embraces rap on the set, while still keeping the infectiousness of her previous releases on select tracks. “Agora Hills,” much like the LP’s second single “Paint the Town Red,” is ripe for radio play, employing bouncy trap beats and and breathy vocal delivery for an intoxicating listen. “Shutcho,””Gun,” and “F–k the Girls (FTG)” particularly shine on the album, showing the rapper at her most boastful and confident.

Bryan surprised fans with a brand new EP, Boys of Faith, after previously teasing collaborations with Noah Kahan and Bon Iver. Those songs, “Sarah’s Place” and the EP’s title track, sees the steadily rising country star tapping into feelings of wistfulness and vulnerability, while “Nine Ball” serves as the real standout. On the track, Bryan details his complicated relationship with his father while helping him to win a billiards bet.

The highs for Shakira continue. The latest Billboard cover star, who is fresh off winning the Video Vanguard Award at the VMAs earlier this month, teams up with regional Mexican powerhouse Fuerza Regida on “El Jefe” to deliver a vivacious verse on the track, proving no matter the genre, the icon will always continue to soar to new career heights.

Blink-182 and Kylie Minogue also return with new material this week.

Which release is your favorite? Vote in the poll below.

Luck Ra’s ‘La Morocha’ Leads Billboard Argentina Hot 100

Luck Ra secures his second No. 1 on the Billboard Argentina Hot 100 chart as “La Morocha,” featuring BM, ascends 3-1 to lead the Sept. 23-dated ranking. The song ejects Myke Towers’ “Lala” from the summit, with a 2-1 dip, after six weeks in charge.

Luck Ra previously landed in the penthouse for one week through “Ya No Vuelvas,” featuring La K’Onga and Ke Personajes (chart dated Feb. 18). BM, meanwhile, dominated for three weeks with “M.A. (Mejores Amigos),” with Callejero Fino, La Joaqui and Lola Indigo, in April. 

BM also pushes 5-3 with “Ni Una Ni Dos” for his second top 10 song on the current chart. 

This week’s Hot Shot Debut goes to Emilia’s “GTA.Mp3,” at No. 11. With the new recruit, the Argentinian achieves her 24th entry, the fifth-most among all women. Here’s the recap of the female acts with the most entries on Billboard Argentina Hot 100:

43, Maria Becerra
33, Karol G
30, Nicki Nicole
30, Tini
24, Emilia

Rappers YSY A and Bhavi add three new career entries each, all belonging to their latest joint album, Tu Duo Favorito. “Flechazo En El Centro” with Milo J, leads the debuts at No. 41. Meanwhile, Chilean rapper DrefQuila scores his first entry through the three-way collab “Tuuuyo” at No. 79, while “Sonido del Año” with Duki, bows at No. 81.

Elsewhere, Mesita captures his fourth entry with “Una Foto” at No. 71. 

Further, Ke Personajes score the Greatest Gainer honors as “Entre Beso y Beso” climbs 14 places, from No. 92 to No 78. 

Lastly, Diego Torres returns to the chart with “Mejor Que Ayer” at No. 93. 



New Music Latin: Listen to Releases From Ricky Martin & Christian Nodal, Roberto Fonseca & More

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

Explore

See latest videos, charts and news

See latest videos, charts and news

Ricky Martin & Christian Nodal, “Fuego De Noche, Nieve De Día” (Sony Music Latin)



Ricky Martin delivers a reimagined version of his already iconic and gorgeous ballad “Fuego De Noche, Nieve De Día.” This time, he adds elements of mariachi and recruits Mexican star Christian Nodal to sing the 1995 anthem. The new song starts off with Martin singing softly over a piano, much like he did in the original version. Then, at the minute-mark, melancholic mariachi trumpet notes come in to complement Nodal’s vocals as he joins Martin to sing about a person that’s come to turn their world upside down. Marking the first collaborative effort between Ricky Martin and Nodal, the essence of the song — which will be discovered by a new generation of fans nearly 30 years later — remains untouched. “It’s a dream come true,” Nodal says about the duet in a statement. “This song is so special and so profound that it really tugs at your emotions.” — GRISELDA FLORES

Manuel Medrano, “Verano En NY” (Warner Music México)



Colombian singer Manuel Medrano pays tribute to a summer in New York with this soulful alt-pop song powered by sincere lyrics inspired by a memorable summer spent with a great love. The song was co-produced by Juan Ariza, Jona Camacho and Manuel Medrano, and features Medrano’s deep vocals chanting lyrics such as, “Remember that summer in New York/ When we walked hand in hand together/ Don’t forget that I’m still alive.” The accompanying music video, directed by Salomon Simhon and filmed in New York, tells a captivating story about a boy who works at a flower shop and falls in love with one of his customers, daydreaming about various romantic scenarios and always bringing her flowers. “Verano En NY” is the first single from his upcoming third studio album and showcases Medrano’s artistic and musical evolution, immersing us in magical realism. — INGRID FAJARDO

Roberto Fonseca, La Gran Diversión (3ème Bureau / Wagram Music)

Virtuoso Cuban pianist Roberto Fonseca is back with La Gran Diversión (The Great Fun), a 10-track album that intertwines contemporary genres like R&B, rock and funk with the timeless sound of Cuba’s rhythms. From the opener “Yanim,” to the previously released singles “Mani Mambo” featuring Dutch EMD singer Clarence Bekker and “Sal al Malecón,” the Grammy-nominated artist takes us on a scenic voyage — one with end-of-summer vibes that will carry us through the winter. “[This is] the most personal record of my life,” Fonseca says in a press release. “It is a tribute to my roots and above all to traditional Cuban music due to the great connection and acceptance of the public from the ’30s to the present.”

Co-produced by Fonseca and Daniel Florestano, La Gran Diversión was recorded in Havana, Paris and New York with guests including, besides Bekker, guitarist Jorge Chicoy, violinist Regina Carter, and Buena Vista Social Club vocalist Carlos Calunga. Don’t miss the focus track “Baila Mulata” — it will make your body move. — SIGAL RATNER-ARIAS

Juan Luis Guerra, “Mambo 23” (Rimas Entertainment)



“Mambo 23” is the first single from Juan Luis Guerra’s upcoming EP RADIO GUIRA, set to release in November. “’Mambo 23′ is the first time we ventured into a mambo merengue — we had never done it and the rhythm caught our attention and we began to work with arrangements of saxophones, trumpets, trombones, and classical instruments,” says the Dominican artist in a statement. “We liked the result very much and we believe that we have the piece to launch our new EP Radio Guira.”

The video, directed by his son Jean Gabriel Guerra, shows a lonely night cleaning worker of Radio Guira. Feeling alone and curious, he presses a button unleashing an explosion of music and videos. Driven by the irresistible music of Juan Luis Guerra and his 4.40 band, he indulges in an energetic dance routine. In the end, as often happens in life, he discovers that he was not alone. The artist surprises him, gives him a wink and then leaves: a magical moment that captures the essence of his music. Guerra doesn’t shy away from his message of gospel; “Mambo 23” will make more than one person dance no matter where it plays, as only JLG knows how to do. — LUISA CALLE

Luzmila Carpio, Inti Watana – El Retorno del Sol (ZZK Records)

On Inti Watana – El Retorno del Sol, Luzmila Carpio’s music, sung in her native Quechua, resonates with age-old enchantment. Amid pan flutes and twinkling strings, the Bolivian singer effortlessly traverses a range of themes — from celebrating sacred traditions, in the charango-driven hymn of “Kacharpayita,” to contemplating themes of loss and remorse in “Requiem para un Ego.” She engages in captivating conversations with avian companions in “Ofrenda de los Pájaros” and pays homage to the revered goddess of the Andes in “Pachamama desde el Cosmos,” as with Inti, the Inca sun god. Amidst all this, Carpio’s unwavering voice shines through in nine songs that brim with a mystical essence cultivated over centuries of ceremonial rites and a profound connection with the natural world. — ISABELA RAYGOZA

Yandel & Myke Towers, “Borracho y Loco” (Warner Music Latina/La Leyenda LLC)



Yandel and Myke Towers find each other in a new collaboration titled “Borracho y Loco,” following their previous 2020 collab “Mayor.” A hard-hitting reggaeton fused with sensual dancehall melodies, at the helm of Puerto Rican hitmaker Nesty La Mente Maestra, “Borracho y Loco” narrates the story of a man who’s drunk and crazy as he’s trying to heal a broken heart. “I think about you when I’m drunk and crazy/ You left me a broken heart/ I only know about you on social media/ I’m not satisfied only with giving your photo a like,” goes the catchy chorus. Directed by Fernando Lugo, the video shows the two men at a wild party, but distracted by the thoughts of their former partner. — JESSICA ROIZ

Purchase tickets to the 2023 Billboard Latin Music Week here.

Listen to the New Music Latin playlists below:

Bailey Zimmerman Nets Third Career-Opening Country Airplay No. 1 With ‘Religiously’

Bailey Zimmerman scores his third career-launching leader on Billboard’s Country Airplay chart as “Religiously” surges from No. 4 to No. 1 on the list dated Sept. 30. In the Sept. 15-21 tracking week, the single increased by 16% to 28.4 million impressions, according to Luminate.

The track — which the 23-year-old from Louisville, Ill., wrote with Marty James, Alex Palmer, Frank Romano and Austin Shawn — has served as Zimmerman’s opening song since he started as a supporting act on Morgan Wallen’s One Night at a Time Tour in April.

“Seeing my fans with tears in their eyes, screaming the lyrics back night after night has made me realize how many lives it’s touched, and that’s what this whole dang thing is about,” Zimmerman tells Billboard. “I know they are the ones that keep pushing these songs to the top of the charts, supporting me and believing in me. I promise to always give my best. ‘Thank you’ will never be enough. Believe in yourself!”



The song is from Zimmerman’s LP, Religiously: The Album, which opened at its No. 3 high on Top Country Albums in May. The track follows his second Country Airplay leader, “Rock and a Hard Place,” which dominated for six frames starting in April, and his rookie single, “Fall in Love,” which ruled for one week in December 2022.

‘Confetti’ Rises

Dustin Lynch adds his 11th Country Airplay top 10, as “Stars Like Confetti” shoots 13-10, up 12% to 19.1 million impressions. It’s his first such hit since “Thinking ‘Bout You” (featuring MacKenzie Porter), which reigned for six weeks beginning in December 2021, marking his eighth No. 1. His first entry, “Cowboys and Angels,” hit No. 2 in October 2012.

FIFTY FIFTY Releases ‘The Beginning’ EP: Stream It Now

After taking the internet by storm with their breakthrough single “Cupid,” FIFTY FIFTY‘s latest EP, The Beginning, arrived on Friday (Sept. 22).

The set — which contains tracks from the group’s EPs The Beginning: Cupid and The Fifty, as well as three tracks that are newly recorded — is available on seven physical variants for the first time. The original version one of the album comes in pink, with version two in orange. Exclusive variants for Target, Barnes & Noble, Walmart, Amazon and D2C come in red, green, blue, yellow and purple respectively. Each version of the CD is also packaged with a 196-page booklet with two of four exclusive trading cards included inside.

Single “Cupid” — which is also included on The Beginning — earned FIFTY FIFTY its first appearance on the Billboard Hot 100 in March. The track, propelled by its usage in videos on social media platform TikTok, continued to gain on the charts throughout the year before reaching a peak of No. 17 on the tally. In August, the K-pop group — which consists of members Sio, Saena, Aran, and Keena — released a new version of the single featuring Sabrina Carpenter.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

FIFTY FIFTY also participated in a big pop-culture moment earlier this year when the group was included on the Barbie movie’s soundtrack, Barbie The Album. The K-pop group’s contribution was “Barbie Dreams” featuring rapper Kaliii, the final tune on the soundtrack.

Listen to The Beginning below.

From a Purr to a Roar: How Doja Cat Grew Into Her Superstardom

Four years ago, Doja Cat scoffed at the notion that her debut album Amala was anything special. While her sophomore effort, 2019’s Hot Pink, was enjoying white-hot success courtesy of its trifecta of hits (“Streets,” “Like That,” and her eventual first Hot 100 No. 1 single, “Say So”), she was indifferent to Amala during her 2019 Billboard visit, blaming marijuana usage for what she considered to be a lackluster effort. 

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“A lot of people liked Amala, and that’s great. However, I don’t think it was a finished album,” she told Billboard in 2019.”II was smoking hella weed. I was high all the f–king time and it wasn’t even helping me perceive what was going on musically. I was just really out there partying.”

To be fair, Doja’s first album did peak at No. 138 on the Billboard 200, though it failed to gain mainstream traction initially. But what makes Doja’s ascension into superstardom in the years since so intriguing is the slow burn behind her push as she looks to secure her first No. 1 on the Billboard 200 with the release this Friday (Sept. 22) of her fourth album, Scarlet.



Because Cardi B and Olivia Rodrigo’s careers detonated faster than most, scoring No. 1 albums with both their first official singles and albums, fans forget that becoming a superstar overnight is a rare feat, and that artists should be embracing their careers as marathons, not sprints. An artist like Teezo Touchdown, who earned cosigns from Drake and Travis Scott ahead of his debut album How Do You Sleep At Night?, failed to debut on the Billboard 200 this week and became internet fodder because of his paltry showing. This is becoming increasingly common as social media users quickly thrash new artists for failing to immediately impact the Billboard 200. They’re torn apart if their debut projects fail to enter the top 10. Still, many artists, like Teezo, should hold their heads high – because Doja’s route into superstardom wasn’t always scenic. 

After Amala underwhelmed commercially, Doja returned to the drawing board and scripted a kooky, tongue-in-cheek rap song titled “Mooo!” The comedic cow-themed song erupted and became an instant hit, as she milked every bit of virality from her song’s and video’s absurdity. Lyrics like “Bitch, I’m a cow” became meme-fodder, as the visual was celebrated by Missy Elliott and Chance The Rapper. 

“I just like to do the fun stuff. If I’m not having fun with it, I’m not going to do it for the rest of my life,” Doja relayed to Billboard in 2018. “I just wanna bring something fun — the current climate is so uptight and serious, and it’s just good to have something stupid to laugh at. It’s funny because it’s a joke, but it sounds kinda good. People listen to it like it’s a song.”

Beyond the lo-fi video, cow costumes, and green-screen pastures was an artist adept at carving out indelible punchlines. Her wit was uncontested as her bars made punny references to Ludacris’ “Move,” Kelis’ “Milkshake,” and Raekwon’s “C.R.E.A.M.” The success of “Mooo!” made RCA repackage Amala as a deluxe in March 2019 with three new songs. 



With a buzzier presence, Doja crept back into the studio and doled out her second album, Hot Pink, within the same year. The gleefully sophmoric release oozed with flavor and versatility as she mapped her road to being a rap/pop virtuoso. First, she secured a feature from Tyga to revamp her Amala standout “Juicy,” which became her first Hot 100 record, peaking at No. 41. Then, she tapped Gucci Mane for the upbeat “Like That.” She also became a favorite on late-night television, delivering fun-filled performances on Late Night with Seth Meyers and later The Tonight Show Starring Jimmy Fallon

With seven singles off Hot Pink, Doja swept her underperforming debut album under the rug, as she witnessed the longevity of her second LP on the Billboard charts — courtesy of TikTok favorites “Streets” and “Say So,” which took time to heat up and become fireballs of their own. Even the top brass at RCA didn’t know the former would become a success story. “We all love that song,” Tunji Balogun, former executive vp A&R at RCA, told Billboard of “Streets” in 2021, “but we never really focused on it from the beginning of the project.” 

As for the latter, Doja partnered with Nicki Minaj for the song’s remix, which gave “Say So” its final push to No. 1 on the Hot 100 in May 2020. The album’s sustainability and Doja’s torrid streak of incredible performances at award shows, most notably at the 2020 VMAs and the 2021 Grammys, made her an artist to watch in the most literal sense. Despite those big wins, Hot Pink only peaked at No. 9 on the Billboard 200. 


https://youtube.com/watch?v=bHEo4jQp7iw&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Entering her third album, 2021’s Planet Her, Doja was on the cusp of becoming one of Generation Z’s most defining stars, and she unabashedly ran the table that calendar year – even though she was thwarted by Tyler, The Creator, as the album opened at No. 2 on the Billboard 200 behind his Call Me If You Get Lost. Even though she didn’t nab that elusive No. 1, she still debuted with 109,000 album equivalent units and scored a No. 3 single on the Hot 100 with “Kiss Me More” featuring SZA. She landed her first Grammy win from that record and continued to scorch the Hot 100, reeling in three total top 10 hits during that run. 

On Planet Her, the chaotic edge lord took creative leaps, exploring the sounds of Afrobeats on “Woman” and aligning herself with pop behemoths such as The Weeknd (“You Right”) and Ariana Grande (“I Don’t Do Drugs”), all while maintaining her image as one of music’s preeminent trolls. By doing it her way, Doja rocketed past the major stars still trying to do things conventionally and shined with arguably the strongest album in the pop solar system that year. 

As we reach our fourth stop on Doja’s roller-coaster adventure with Scarlet, we still have yet to reach the mountainous peak of her career. Though she has the daunting task of competing against new albums like Olivia Rodrigo’s Sour and Rod Wave’s Nostalgia, she’s closer than ever to securing her first No. 1 album. While toppling Olivia and Rod would be a feat, Doja still has room to hit certain checkpoints, including being a potential headliner at Coachella in 2024 and eventually morphing into a Stadium-billing artist one day. But she’s still racking up the accomplishments: this month, “Paint The Town Red” became the first rap song in 2023 to top the Hot 100 — and the first of Doja’s career as an unaccompanied solo artist — illustrating the artist’s supremacy and evolving pen-game. She also delivered an exhilarating three-song Scarlet medley at the VMAs last week, in one of the night’s best-received performances

So, just because your career didn’t take off at the starter pistol doesn’t mean the race is already over. Sometimes, you have to “moo” before you can run.

Zendaya Confirms She Isn’t Engaged to Tom Holland: ‘You Think That’s How I Would Drop the News?’

Spiderman and MJ won’t be walking down the aisle anytime soon. After sending fans into a tailspin earlier this week by posting a simple photo of her outfit — which she appeared to accessorize with a large engagement band on her ring finger — Zendaya has shut down rumors that she and her longterm boyfriend/ Spider-Man: Homecoming costar Tom Holland are planning on getting hitched.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“I can’t post anything, you guys,” she said in a video shared to her Instagram Story Thursday (Sept. 21), according to E News. “You think that’s how I would drop the news?”

The Euphoria star also emphasized that the ring seen in her photo was actually placed on her right hand, not her left. “I posted it for my hat,” she said, through fits of laughter. “Not for the ring on my right finger, you guys, seriously.”

In the original photo, Z snaps a pic of her reflection on what looks to be the side of a glossy car window. Her face concealed by her phone and a pair of black sunglasses, the 27-year-old singer-actress dons a Golden State Warriors cap, a gray short-sleeve tee and a pearl ring on her selfie-taking hand.

Holland and Zendaya have been dating for at least two years, with the 27-year-old Marvel actor confessing in a June interview that the former Disney starlet used to be his childhood celebrity crush. He also gushed that he was “locked up… happy and in love” and joked that he’d won over his girlfriend by playing the “long game.” “Probably making a movie with each other, definitely helps when the characters you’re playing are falling in love with one another,” he added. 

Later that month, Holland and Zendaya were spotted at Beyoncé’s Renaissance Tour concert in Poland, and a video of the couple adorably singing along to “Love on Top” while looking into each other’s eyes went viral soon afterward.

Sophie Turner Seen Hanging Out With Taylor Swift for Second Time in a Week Amid Joe Jonas Split

Taylor Swift and Sophie Turner are hanging out again in New York City, their second outing together this week amid the Game Of Thrones star’s split from Joe Jonas.

Just a couple nights after the two ladies were first spotted arm-in-arm outside Via Carota in the West Village, Swift and Turner were seen arriving separately at a restaurant in Tribeca Thursday evening (Sept. 21).

Fans on Twitter are absolutely living for the ladies’ repeated girls’ nights out. “taylor left dinner with sophie last night and was like ‘you know what? more of the girls need to hear the tea. are you free tomorrow’ and then boom,” joked one.

“Y’ALL. SOPHIE AND TAYLOR WERE TOGETHER AGAIN??” wrote another astonished fan.

It seems the pop star and actress are becoming fast friends IRL following years of supporting each other online, at one point crossing paths in 2019 as co-guests on The Graham Norton Show. The two do have a bit in common. For starters, they’ve both been in relationships with Jonas, who is rumored to be the subject of Swift’s “Mr. Perfectly Fine.” The pop superstar dated the Disney alum for a few months in 2008, and Turner married to him in 2019. After four years of marriage, however, the former couple posted a joint statement Sept. 6 confirming that they’d “mutually decided to amicably end” their relationship.

This week, in between spending time with Swift, Turner filed a lawsuit against Jonas, accusing him of preventing their 3-year-old and 1-year-old daughters from returning with her to their family home in England. Willa and her younger sister, whose name has not been made public, have been traveling with Joe and uncles Kevin and Nick on the Jonas Brothers’ ongoing world tour, a setup Turner insisted in her suit was “temporary.” In her filing, the actress also alleges that Jonas is refusing to relinquish their passports.

A rep for the musician denied Turner’s allegations in a statement to Billboard. “Joe is seeking shared parenting with the kids so that they are raised by both their mother and father, and is of course also OK with the kids being raised both in the U.S. and the U.K.,” the rep said. “This is an unfortunate legal disagreement about a marriage that is sadly ending.”

Dolly Parton Teams Up With Linda Perry For Moving ‘What’s Up?’ Video

Dolly Parton rolled out the latest song from her upcoming all-star debut rock record Rockstar (Nov. 17) on Friday (Sept. 22), a moving cover of the 1993 4 Non Blondes song “What’s Up?” And because the country legend was determined to make her first foray legit, she collaborated on the song with former Non Blondes singer Linda Perry.

The superstar songwriter/producer (Christina Aguilera, P!nk, Adele) also appears in the just-released video for the song, which was filmed at a Nashville elementary school on the hottest day of the year. “First of all, I love Linda Perry. Second of all, I love this song written by Linda,” Parton said in a statement about the song that perennially asks a question with no clear answer about the state of the world today.

“Third of all, I love being a part of this video to try to make people think about what’s going on in this world today,” Parton, 77, added. “Shout out to the little children that helped with the video! If our children don’t make it, then what will? Again, I ask ‘What’s Up?’ Enjoy.”

The visual for the poignant take on the tune finds Parton singing the song on a stage — with Perry gently strumming an acoustic guitar — as children from Nashville’s Eakin Elementary school sit at her feet. Parton has long supported childhood literacy through her Imagination Library project, which has distributed more than 200 million books since 1995.

“How is one supposed to react when the greatest and most prolific songwriter in the world wants to cover a song YOU wrote?,” Perry said in a statement. “Her version of ‘What’s Up?’ is so good. Her spin on it made me feel like it was her song. No surprise there. Being on set making the video was a comfortable easy experience. The vibe on set was chill and Dolly and I got to catch up and laugh a lot. I could go on and on, obviously I’m a fan!” 

The Perry track is the latest preview of the anticipated 30-song collection (21 covers, 9 originals), following last month’s Paul McCartney/Ringo Starr-assisted cover of the Beatles’ “Let It Be,” originals “World on Fire” and “Bygones” (featuring Judas Priest’s Rob Halford), as well as covers of Queen’s “We Will Rock You/We Are the Champions”) and Heart’s “Magic Man.”

Among the rock world luminaries joining Parton on the album are: Sting (“Every Breath You Take”), former Journey singer Steve Perry (“Open Arms”), John Fogerty (“Long as I Can See the Light”), Joan Jett (“I Hate Myself For Loving You”), goddaughter Miley Cyrus (“Wrecking Ball”), Debbie Harry (“Heart of Glass”) and Pat Benatar and Neil Giraldo (“Heartbreaker”), among many others.

Watch Parton and Perry’s What’s Up? video below.