Music

Introducing Jaden Hossler, Pop Star

In May of 2020, Travis Barker’s label DTA announced its first signee: a relatively unknown artist named jxdn. Since then, the rising rocker scored two top 10 hits on the Hot Rock & Alternative Songs chart, opened for Machine Gun Kelly on tour and became a key player in pop-punk’s next wave. 

Explore

See latest videos, charts and news

See latest videos, charts and news

But now, after a particularly trying few years – during which his best friend Cooper Noriega died of an accidental drug overdose, he struggled with his own mental health and ultimately entered rehab this summer – the artist is ready for his fresh start. 

In July, he returned to social media after a brief hiatus, captioning a fresh-faced smiling selfie: “I finally feel like Jaden Hossler so that’s who I’m going to be.” In September, he announced his new single “Chrome Hearted” to be released under his full name for the first time. The single is not only a reintroduction, but also a redirection for the artist, as the trap-pop song more prominently features his vocals than previous singles and steps away from the punk and rock roots through which he launched his career. 



“I’ve always wanted to be a pop star,” says Hossler while sipping chamomile tea (since prioritizing his sobriety, he’s cut out caffeine). “And I think I couldn’t be the pop star without being the rockstar that I was.”

And while his rockstar persona led Hossler to career highs, it also paved the way for personal lows. He recalls his breaking point this summer, when he “lost it” in London just before he was about to go onstage with MGK. Instead, he booked a ticket home and soon after checked himself into a treatment center for his mental and physical health as he battled anxiety, depression and addiction. 

“This past year has been by far the hardest time of my life…and it’s all finally catching up to me,” wrote Hossler in a June Instagram post. “I am trusting my gut that this will put me in the best possible position to be who I want to be, feel how I want to feel and go where I want to go.”

Jaden Hossler

Jaden Hossler

Hunter Moreno

When we meet in mid-July at the Sherman Oaks staple Sweet Butter Kitchen, it’s only been a couple of weeks since he finished his 21-day treatment – and it’s clear his manifesto held strong. Hossler wrote “Chrome Hearted” before entering rehab, saying “I think it was a big reason why I felt comfortable going, because I felt like I had a glimmer of hope. Like I wasn’t coming out to nothing.” 

“I wasn’t coming out having to change everything, I had already started this process for myself,” he continues. “And if I came out of rehab and just wanted to drop all of it, I could. But being in rehab and leaving rehab, I felt even more [confident] about it. This song was really the first moment where I was proud of myself again in a really, really long time. And it felt the same way as soon as I got out.”

“Jaden has always had pop tendencies in his music, so it felt like a natural evolution,” says Johnny Minardi, SVP of A&R at Elektra (through which DTA signed a joint venture). “It’s been super exciting for me to witness Jaden’s [growth] both as an individual and as an artist.”

Below, Hossler opens up about his year of change, revealing what encouraged his reintroduction and why he finally feels like the artist, and person, he was always meant to be.

How did the idea for “Chrome Hearted” come about – and why was this the right song to venture more into pop music with?

I’ve been playing with pop for about a year, but I could never find the right sound. It was either too bubble gummy or just didn’t feel like me – I really wanted to find a sound of my own. I’ve always leaned towards ballads, but then I was like, “I want to make [a song] that is uplifting and could go on radio.” I kind of got obsessed with [luxury brand] Chrome Hearts at the time so it came into my mind to use it as an adjective. I had this melody and as soon as I sang it, I was like, “This is gonna be one of my biggest songs.”

We [Hossler and songwriter-producer Andrew Goldstein] made a demo of the hook in 15 minutes. I was showing everybody – I even went up to the president of Elektra, Greg [Nadel], because we were at the Blink-182 concert, and I was like, “I just wanted to let you know I just made a hit.” Once we finished the song, I woke up the next morning and [Greg] called me, my A&R called me, my manager and everyone called me, and they were like, “Holy shit, you were right.” I’ve really struggled with trusting my instincts over the past two-three years, especially when Cooper died, I felt like I lost my identity. And this was the first time where I trusted myself, so that was the start of this whole new process for me.

There’s a bit of attitude to “Chrome Hearted,” which is very different from your prior single “Elevated Heartbreak.” 

I kind of wanted to talk my shit a little bit, you know what I mean? I haven’t really shown off my voice as much as I could because of the style of music I was making. This song isn’t the focus track of my album or anything – I’m working on my album separately – but this song is to let everyone know, “Hey, I’m Jaden Hossler now.” It felt like a complete 180 shift, but still felt like me.

Some of the lyrics are a little pointed, like “you don’t hold me down, you just watch me drown” and “she’s so obsessed with herself.” As someone who launched their career online, how do you deal when fans want to know who or what your music is about?

I kind of love it because now I’m in a position where I don’t really care. I think it’s awesome to leave it up to the interpretation of the listener because even when I listen to music I’m like, “What is this about?” I do the same thing. People want a story associated with it. But that’s the best part, a little bit of a mystery. Before, I thought I had to put everything on the table for people to accept me. Now I feel very different. I feel very confident and secure in who I am and my story.

It’s also important to not only have but protect your private life. 

And I never understood that. And I haven’t really had one. Especially with social media and TikTok. It’s overtaken everything, and some people lean into it, but I know why they do, it’s because either side hurts. Either side is very invasive and anxiety-ridden and I just am not dealing with that anymore.

Is “Chrome Hearted” indicative of what your next album will sound like?

I haven’t completely put my project together but I made 25 songs, so my plan is to make around 40 and pick from there. I’m itching to make music. That’s all I can do right now. I’m genuinely obsessed with it, which is such a good feeling because for a while I just wasn’t in the studio. I wasn’t really present. 

I’m reaching far and wide on the landscape of pop music and trying to center it on my voice. And more than that, center the songs on my story. I feel like I’ve been through a lot of shit and I really want to talk about it. It’s cool for me to express myself in a lot of different ways. It’s a lot of trap-pop, there’s an 80s pop vibe, like The Weeknd, which is really cool. And then R&B, these past few weeks I’ve been making a lot of SZA and Bryson Tiller [inspired] songs. This album’s gonna be a conglomeration of a few different sounds, I never want to put myself in a box again.

The Weeknd recently told W Magazine he wants to kill off his artist character. Do you see your own shift being as dramatic? 

Oh it’s incredibly dramatic for me. When I decided to be jxdn, I just wanted to be anything but Jaden Hossler because I couldn’t live with myself from high school and my past. I felt like there was an opportunity to be someone different, and quite literally it was. And a lot of amazing things came from being jxdn, but then there’s a point where the pendulum comes back and I hit that wall of, “I can’t be this person anymore.” I’ve come to terms with all my trauma and all the things that I’ve hated about myself before and all my insecurities. That’s why I’m proud to be Jaden Hossler. I think it’s gonna be the key to open the door for everything that I’ve been dreaming of my entire life.

What is that dream?

I watched Justin Bieber: Never Say Never, when I was nine years old. I can see it clear as day, I was sitting in front of my parents bed and I just started bawling my eyes out throughout this documentary. I saw myself on the stage like he was. And so that was the beginning of manifesting that entire journey for myself. And that night I literally went and found a camera in my house, put on purple because that was his color, and started singing. That was the first time I realized I had a voice. I [always] knew what I wanted, but I didn’t know who I was. Having both is very important.

Who are some other pop stars you’re a fan of?

I didn’t listen to Taylor Swift really at all my entire life but recently I’ve been listening to her because she’s such an amazing writer. And listening to these different styles of music, I have a lot to learn. I’m excited about that. So I listen to anyone and everyone that I can right now, it’s almost like I have homework. There’s this guy named Brakence who I really love. Olivia Rodrigo is amazing; I love “Vampire.” Funny enough, I never listened to the radio before, but I listen to the radio a lot now because I want to see what they’re playing. I want to understand, because as much as people don’t want to believe, it is sort of an algorithm. And so I want to infiltrate it and then fuck everything up. 

And Travis [Barker] has always been so supportive of what I want. He’s always believed in me, even when he really had no reason to. And so that’s really the biggest blessing, is to be able to have someone like him that no matter what I do, he backs me because he knows that I’m doing this for the right reasons.

How did the rollout of “Chrome Hearted” compare to previous releases?

I directed my first music video, which is pretty cool. I’m more invested in this project than I’ve been in anything else. Also, I’m fully sober. I thought that I would be less creative before I got sober, but I’m more creative than I’ve ever been in my life. Like, I needed sobriety to fulfill my dreams, and I never knew that. 

In a weird way, it almost feels like restarting. Right now, I’m not thinking about 10 years down the line, because one of the things about being sober is trying to be present, but I do know that I’m building a career that’s lifelong. 

What did you learn in rehab that you’re still implementing in your daily life now?

It’s the structure that I miss the most. The waking up, making your bed, going to breakfast. I eat three meals a day now, minimum, and I ate one meal every two days before. And obviously it has to do with sobriety, but even more so I meditate, I do things that actually help me throughout the day, that no matter if anything else changes, I have that structure, and that’s what I got to take from the treatment center. 

I don’t drink caffeine because I know that if I start drinking caffeine enough it gives me anxiety, and then that anxiety makes me want to smoke, and that makes me want to drink. Little things that make a big difference. 

Leading up to this reintroduction, why was it so important to be open about how you ended up here?

People like to talk about the story of starting from nothing and getting to the top. But there’s another story that I think a lot of people can resonate with: I started from nothing and I got success and then I lost myself in that success. I got lost in even good things, too much of anything can kind of turn you the wrong way, but it’s never too late to be who you really want to be, it’s never too late to make a change for yourself. I chose not to give up on myself. I’m here to remind people that you control what happens now and what happens next. And I’m really grateful for that. I feel like this is the start of a brand new life for me.

Drake Finally Lets The ‘Dogs’ Out: Stream His New Album Now

When the clock struck 6am on Friday, Oct. 6, Drake’s eighth studio album, For All The Dogs, hit streaming services after weeks of delays. 

Marking his first solo album since 2022’s Honestly NevermindFor All The Dogs spawned his Hot 100 No. 1 single “Slime You Out” featuring SZA. The song marked Drake’s 12th No. 1 single on the Hot 100, tying him for fifth all-time. His latest feat moved him closer to surpassing Michael Jackson for the most among solo males, as the King of Pop sits at 13. 

Aside from “Slime You Out,” Drake revved up anticipation on Thursday (Oct. 5) when he released his sixth entry in his “AM 2 PM” series with “8 AM in Charlotte.” The six-minute clip dropped during the wee hours of the morning and starred his son Adonis. “Charlotte” caused waves on social media, sparking questions about who Drake was addressing in some of his lyrics. The internet has tossed numerous names in the ring, including Metro Boomin, YoungBoy NBA, Charlamagne Tha God, and Kanye West. 

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Fans leaned on the latter, especially after hearing Drake’s third verse. “You n-ggas obsessed with me and it’s not on no hetero vibe/ Handle beef so quiet you think that I’m letting it slide/ Next thing you know we tip-toeing past enemy lines/ Diss me so long ago we making your memories fly/ Conspiracy theories start floating around like the Kennedy guy/I’ll probably hold a grudge against you guys ’til I’m 75,” he raps. 

Drake has previously thrown darts at West on songs such as Travis Scott’s “Sicko Mode” and French Montana’s “No Stylist.”

Stream For All The Dogs below. 

Ron Haffkine, Dr. Hook Producer and Manager, Dies at 84

Ron Haffkine, a Grammy-winning record producer and manager known for his work with Dr. Hook & the Medicine Show, has died. He was 84.

Haffkine died Sunday at his home in Mexico after a brief bout with leukemia and kidney failure, his friend of 50 years, music executive Joel Diamond, told The Hollywood Reporter.

“Ron always had an uncanny knack of hearing a hit song in its rawest stage and the rare talent to couple it with the best musicians and then top it off with a meticulous performance by the artist,” Diamond noted.

Haffkine was instrumental in getting Dr. Hook signed by Clive Davis at Columbia Records in the 1970s, and the band led by Dennis Locorriere, George Cummings, the eyepatch-wearing Ray Sawyer and Billy Francis would compile a string of hits that included “Sylvia’s Mother,” “Cover of the Rolling Stone,” “Sharing the Night Together,” “When You’re in Love With a Beautiful Woman,” “Sexy Eyes,” “Baby Makes Her Blue Jeans Talk” and “A Little Bit More.”

Haffkine produced 10 Dr. Hook studio albums and two live albums and worked with the likes of Waylon Jennings, Lou Rawls, Mac Davis and Helen Reddy, too.

Haffkine also often collaborated with singer, songwriter and poet Shel Silverstein. He won a Grammy Award in 1985 for producing Silverstein’s “Where the Sidewalk Ends” and received another Grammy nom two years later for his work on another Silverstein children’s album, “A Light in the Attic.”

Born in New York on Dec. 13, 1938, Haffkine contracted polio when he was 12, leaving him paralyzed for two years. Later, he and Silverstein became friends in Greenwich Village.

Silverstein asked him to produce music he had written for the films Ned Kelly (1970), starring Mick Jagger, and Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971), starring Dustin Hoffman and Barbara Harris.

Haffkine recommended that Dr. Hook be used in Harry Kellerman, but for that to happen, the New Jersey band had to have a record deal. After the musicians did an impromptu live showcase in Davis’ office and were signed, Dr. Hook performed the Silverstein-written songs “Bunky and Lucille” and “Last Morning” in the movie.

Haffkine also produced Silverstein’s 1972 music comedy album Freakin’ at the Freakers’ Ball, with Dr. Hook handling the title track, and recorded the quirky Silverstein song “Do You Want to Boogie or Do You Don’t” that year as well.

Haffkine and his wife of 37 years, Sydney, moved to Mexico several years ago. She survives him.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

This article originally appeared in THR.com.

Ed Sheeran’s ‘Autumn Variations’ Sweeps to No. 1 In Australia

It’s Ed Sheeran season on Australia’s albums chart as Autumn Variations (via Gingerbread Man) debuts at No. 1.

Produced by the National’s Aaron Dessner, Autumn Variations is Sheeran’s second leader on the ARIA Chart in 2023, and his seventh in total – all consecutive. Autumn Variations follows + ( plus from 2012), X (multiply from 2014), ÷ (divide from 2017), No. 6 Collaborations Project (2019), = (equals from 2019) and – (subtract from 2023) in hurtling all the way to the top.

Australians have adopted Sheeran like one of their own. Earlier this year, the British singer and songwriter completed another lap of stadiums in these parts – and broke several more records – for his Mathematics Tour.

Explore

See latest videos, charts and news

See latest videos, charts and news

When the “Shape Of You” singer last toured Australia, in 2018, also with Frontier Touring, he shifted more than 1 million tickets, a feat that wiped Dire Straits’ record for a single trek (950,000) that had stood for since the 1980s.

On the latest ARIA Albums Chart, the podium is completed by Olivia Rodrigo’s Guts (at No. 2 via Geffen/Universal) and the Weeknd’s The Highlights (at No. 3 via Universal), both unmoved from the previous week.

Meanwhile, U.S. pop-rock outfit Lany makes its first appearance on the ARIA Top 50 with A Beautiful Blur (Virgin/Universal), new at No. 4. That result crushes Lany’s previous best result, No. 53 for their 2017 self-titled debut LP.

Country music has been hot on Australia’s charts this year, and homegrown singer James Johnston gets in on the action with Raised Like That (Ditto Music), his debut album. Raised Like That starts at No. 7 on the ARIA Albums Chart, published Oct. 6. Its title track dropped in 2021 and became the fastest-ever debut single by an Australian country singer to reach one million streams, ARIA reports.

Also new to the top tier is Kimosabè, the fourth studio album by Angus Stone’s Dope Lemon project. It’s new at No. 9, and follows Rose Pink Cadillac (No. 2 in 2022), Smooth Big Cat (No. 2 in 2019) and Honey Bones (No. 11 in 2016). As a member of sibling duo Angus & Julia Stone, he claimed No. 1s with Down The Way in 2010 and Angus & Julia Stone in 2014, and, as a solo artist, reached No. 2 with 2012’s Broken Brights.

On Thursday Oct. 5, BMG announced it had acquired the Dope Lemon recordings catalog from Stone, in a deal that included those three earlier album and the 2017 EP Hounds Tooth. BMG released Kimosabè through a new recording deal.

Last week’s leader, Kylie Minogue‘s 16th studio album Tension (Liberator Music/BMG), tumbles 1-10.

Over on the ARIA Singles Chart, Doja Cat’s “Paint The Town Red” (RCA/Sony) enters a seventh week at No. 1, ahead of Tate McRae’s “Greedy” (up 3-2 for a new peak via RCA/Sony), and Kenya Grace’s “Strangers” (down 3-2 via Warner).

“Paint The Town Red” moves up the list of longest-reigning No. 1 tracks this year. Doja’s hit draws level with Dave and Central Cee’s “Sprinter” for third on a tally that’s led by Miley Cyrus’ “Flowers” (12 weeks), and Morgan Wallen’s “Last Night” (eight weeks).

Finally, BTSJung Kook has the top debut on Australia’s singles chart this week with “3D” (Warner/Universal) featuring Jack Harlow. It’s new at No. 7. The K-pop star’s “Seven” featuring Latto peaked at No. 2 earlier this year, and impacts the top 40, holding at No. 38. Harlow now has a fourth top 10 in Australia, a list that includes “What’s Poppin” (No. 8 in 2020), “Industry Baby” with Lil Nas X (No. 4 in 2021) and “First Class,” which flew all the way to No. 1 for a two-week stint in 2022.

Keanu Reeves’ Dogstar Drops New Album ‘Somewhere Between the Power Lines and Palm Trees’: Stream It Now

Every dog has its day. Today is Dogstar day.

Keanu Reeves’ SoCal indie rock act returns for Somewhere Between the Power Lines and Palm Trees, Dogstar’s third studio album and first since 2000’s Happy Ending.

The Hollywood star is back on bass, alongside guitarist/vocalist Bret Domrose and drummer Robert Mailhouse for Between the Power Lines, released through the band’s own label Dillon Street Records and distributed through ADA.

Explore

See latest videos, charts and news

See latest videos, charts and news

Featuring the previously released singles “Everything Turns Around,” “Breach” and “Glimmer,” Somewhere Between the Power Lines represents a day few of us figured would arrived. Indeed, when the trio reunited earlier in the year and performed at BottleRock Napa Valley music festival in May, it marked their first performance as a unit in more than 20 years.

During a brief but bright run in the noughts and early 2000s, Dogstar captured a lot of international interest, much of it due to Reeves’ participation.

Starting with release of their 1996 four-track EP Quattro Formaggi, the trio hit their straps, toured the world, nabbed a spot at Glastonbury Festival, opened for David Bowie, and warmed up for Bon Jovi on a lap of Australia. A date in Japan in 2002 would be their last, before the bandmembers went their separate ways.

Now they’re back, and they’re out on the road in support of the new LP. This week, Dogstar kicked off the second leg of their 35-plus city headline tour, which includes gigs in  St. Louis, Columbus, Niagra, Los Angeles, Chicago, Detroit, Toronto, Brooklyn, Boston, Atlanta, Nashville and elsewhere. The first began Aug. 10 and included stops in Phoenix, Las Vegas, Salt Lake City, and Denver before the band headed overseas for a three-date stretch in Japan.

Spread across 12 tracks, Somewhere Between the Power Lines and Palm Trees will be presented by way of a global livestream from the alternative rock act’s concert Tuesday, Oct. 10 at The Capitol Theatre in Port Chester, NY.

Stream Somewhere Between the Power Lines and Palm Trees below.

Paramore Returns With ‘Re: This Is Why’: Stream It Now

Paramore‘s update to its latest album is finally here.

The pop-rock group — which consists of members Hayley Williams, Zac Farro and Taylor York — released Re: This Is Why on Friday (Oct. 6), a redux of an album that dropped in February of this year.

The rock band explained that the purpose of the new version — the original of which peaked at No. 2 on the Billboard 200 — was to reimagine the tracks from their sixth studio album through the lens of the favorite artists and collaborators.

“We’ve long wanted to recognize the connection we have with some of the artists who’ve influenced us as a band and/or who have cited our band as an influence,” the group explained in an Oct. 2 tweet via X. “Re: This Is Why is almost a remix album. Some of the songs have been remixed sort of classically, while others were reworked or rewritten. It’s incredible to hear all our worlds colliding.”

The Linda Lindas, Foals, Panda Bear, Wet Leg, Julien Baker, Claud, Romy, Remi Wolf, Bartees Strange, DOMi and JD BECK and Zane Lowe are all featured in the reimagines tracks on the album. In addition to the reworked songs, a demo of “Sanity” — originally recorded during the band’s After Laughter album sessions, but left off the original record — is also included on Re: This Is Why.

“We never finished it, but that little verse was the first hint my subconscious gave me that I wasn’t okay,” she said of the track in a 2018 op-ed with Paper Magazine.

Re: This Is Why is available to stream now on all platforms.

Listen below.

BLACKPINK’s Jennie Releases Solo Track, ‘You & Me’: Stream It Now

Blinks, the wait is finally over: Jennie has released her highly anticipated solo track, “You & Me,” on Friday (Oct. 6).

“I love you and me dancing in the moonlight/ Nobody can see, it’s just you and me tonight/ I love you and me, dancing in the moonlight/ Nobody can see, it’s just you and me tonight,” she sings on the chorus of the track.

“You & Me” drops as Jennie performs the track during the solo moments in BLACKPINK‘s Born Pink World Tour. The song also marks her second solo effort. The first came in 2018, with her official solo debut track, “Solo.” Unlike the rest of her BLACKPINK groupmates, Jennie’s solo track did not come as part of a solo EP like Rosé’s R, Lisa’s Lalisa, or Jisoo’s Flower.

Explore

See latest videos, charts and news

See latest videos, charts and news

In the time since Jennie first released solo material, BLACKPINK issued two LPs — The Album and Born Pink, which charted at Nos. 2 and No. 1, respectively, on the Billboard 200.

Independently of the group, Jennie scored a starring role on the Sam Levinson and The Weeknd’s The Idol as the character Dyanne. As Dyanne, Jennie served as the backup dancer, friend and eventual foil to the show’s main protagonist, pop star Jocelyn (played by Lily-Rose Depp). The show, however, was not renewed by Max for a second season, amid strong reactions on social media after its airing.

The track is available to stream on all platforms, and includes a “Coachella Version.”

Listen to “You & Me” below.



Karol G Scoops Spirit of Hope Honors at 2023 Billboard Latin Music Awards

With an audience chanting “bichota, bichota,” Karol G received the Spirit of Hope honor at the 2023 Billboard Latin Music Awards in recognition of her philanthropic work with the Con Cora Foundation.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Wearing a sparkling white dress with fringes, the Colombian superstar took the stage to receive the trophy from Camilo Carrera and Paris Hilton. “This is probably one of the most special awards I’ve ever received in my entire career,” she said.

Regarding the work of the foundation, she proudly stated that it is “made up of women and we work for women.” And she added: “They are empowered super-cool women.”

“One of the reasons why it is nice and special to participate in these movements is that it gives us the possibility of receiving help from companies that seek us out around the world to support great projects of which you are also a part, because what we do in tickets, in record sales, we also direct it to the foundation,” she told her fans.

The star concluded her speech by giving the award to Valentina Bueno, whom he took with her by the hand to the stage. “Today I have this award here, but I want to give it to (Bueno).. the director of the foundation. She more than anyone makes this foundation a reality.”

The Spirit of Hope Award, inspired by the legendary Selena and created more than two decades ago, recognizes the philanthropic work of artists.

Con Cora promotes the empowerment of women in vulnerable situations such as mothers who are heads of households, women deprived of their liberty, or those with low resources, among others. The foundation fosters this empowerment through social, economic, artistic, psychological, and spiritual support.

“It often crosses my mind, especially when I’m on the plane, that I have a lot of time to think, ‘God, I know you are making me big for a reason. It is impossible for a person to receive so many blessings simply to fill themselves with success or fill their pockets with money. Please give me the wisdom to understand what this beyond is that I need to do. I feel that there is my mission, through CON CORA” the Colombian expressed to Billboard upon learning that she would receive the recognition.

The 2023 Billboard Latin Music Awards aired live from the Watsco Center in Coral Gables, FL, on Telemundo.

Peso Pluma Invites Nicki Nicole to the Stage at Billboard Latin Music Awards 2023

Peso Pluma surprised fans at the Billboard Latin Music Awards 2023 by inviting Nicki Nicole to join him on stage at Thursday night’s (Oct. 5) ceremony.

Dressed completely in white and wearing dark glasses, Peso appeared on a white platform, rendered with his initials PP, as smoke and red light filled the stage. Nicole was up next, dressed to match and with her initials on her outfit.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Con ustedes la hermosa Nicki Nicole” (with you the beautiful Nicki Nicole), said the Mexican singer.

Together, they performed their collaboration “Por las noches” while showing off their chemistry. The couple was accompanied by a band numbering more than half-a-dozen musicians who played live as silhouettes of their faces in black and white were projected on the screens.

Later, Peso Pluma took the stage again dressed in black to perform “La Bebe”, this time with Yng Lvcas and a group of hooded dancers on a flaming stage.

The Mexican artist has had an extraordinary year on the Billboard charts, including collaborations with Eslabón Armado “Ella Baila Sola”, “La bebe” with Yng Lvcas, as well as his album Genesis. He topped the list of Billboard Latin Music Awards 2023 finalists with 21 mentions in 15 categories, and walked away as the top winner with eight awards including Artist of the Year, Debut; “Hot Latin Songs” Artist of the Year, Male; and the coveted Songwriter of the Year award.

The Billboard Latin Music Awards 2023 also featured performances by Bad Bunny, Calibre 50, Chiquis, Eddy Lover, Eladio Carrión, Farruko, Grupo Frontera, La Factoría, Los Ángeles Azules, Los Sebastianes, Manuel Turizo, Marc Anthony, Marshmello, Myke Towers, Olga Tañon, Pepe Aguilar, Sky Rompiendo, Sofía Reyes, Tini, Ximena Sariñana, Yandel, Yng Lvcas and others.

Farruko, Eddy Lover & La Factoría Close Latin Music Awards 2023 with Panamanian Reggaetón Classic

Evoking Panamanian genre pioneer El General, Farruko arrived on stage like a general and paid homage to the roots of reggaetón (also known as reggae en español) with a performance of “Perdóname” Thursday (Oct. 5) at the 2023 Billboard Latin Music Awards.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

As a sweet surprise, Panama’s La Factoría and Eddy Lover, who originally recorded “Perdóname” in 2008, also rocked the stage. La Factoría donned a slinky latex red suit with a huge bow as an adornment and long matching boots, while Lover wore a metallic lime green suit.

The three performers mellowed-out “Perdóname,” for a laid back version of the classic song.

Accompanied by a cajon player, guitarist, keyboardist, over a dozen dancers, and even a Vespa motorcycle, the genre trailblazers delivered a beautiful, sultry performance to close the 30th annual ceremony at Watsco Center in Coral Gables, FL.

The 2023 Billboard Latin Music Awards featured additional performances from Bad Bunny, Los Ángeles Azules, Calibre 50, Chiquis, Eladio Carrión, Grupo Frontera, Los Sebastianes, Manuel Turizo, Marc Anthony, Marshmello, Myke Towers, Nicki Nicole, Olga Tañon, Pepe Aguilar, Peso Pluma, Sky Rompiendo, Sofía Reyes, Ximena Sariñana, Yandel and Yng Lvcas.

The 30th annual Billboard Latin Music Awards was broadcast live on Telemundo. It simultaneously aired on the Spanish entertainment cable network Universo, on Peacock and the Telemundo app. Throughout Latin America and the Caribbean, it’s available on Telemundo Internacional.

Check back to Billboard.com throughout the night for the latest news on performances, special awards and more.