Music

Katy Perry, Madonna & More Musicians React to Deadly Hamas Attack on Israel

Stars such as Katy Perry, Madonna and more are speaking out following the Oct. 7 attack on Israel, leveraged by the militant group Hamas.

So far, the violence has resulted in the deaths of more than 700 Israelis (260 of which were killed at a local music festival) and has led Israeli Prime Minister Benjamin Netanyahu to order a “complete siege” of Gaza in retaliation, cutting off water, food, electricity and food to the territory from which the invasion was launched. Amid the deadly conflict, musicians including Katy Perry have made statements on social media to share their support and speak out on behalf of victims in both countries.

One day after the attack, the “Teenage Dream” singer shared a post from UNICEF to her Instagram account, featuring a statement from the organization’s executive director calling for peace in the name of children in both Israel and Palestine. “More than anything, the children of Israel and the State of Palestine need a lasting political solution to the crisis, so that they can grow up in peace and free from the shadow of violence,” it read.

Madonna, meanwhile, was one of the first major stars to speak out about the attacks, voicing support for Israel on her Instagram page. “Conflicts can never be resolved with violence,” the singer wrote. “Unfortunately Humanity does not understand this Universal truth. Has Never Understood it. We live in a World Ravaged by Hate. My heart goes out to Israel. To Families and Homes that have been destroyed. To children who are lost.”

Don McLean also shared his thoughts on the attack in a statement to Billboard. “It is hard for me to control the emotions I feel for Israel at this time,” the “American Pie” singer said. “Having lived in Israel, I remember the neighborhoods I now see being bombed. I knew the people who faced this kind of hatred every day and went to a party every night because life is something to celebrate and it is so precious. Being there changed me forever. I have lived in a different way ever since. I was proud to write the song ‘Jerusalem,’ for the Mayor of Jerusalem and I sing this song every night during shows. On this earth, Jerusalem is at the center of the atom of life and salvation no matter what might be going on anywhere else on the planet.”

Singer-actress Mandy Moore reshared comedian Alex Edelman’s post in her Stories, which read in part, “The murder of innocents is never acceptable. The desecration of corpses is never acceptable. The taking of children as hostages is never acceptable.”

Frozen star Josh Gad, who charted on the Billboard Hot 100 with “We Wish You the Merriest” alongside Idina Mendel, shared his heartbreak on Threads. “I have no words. I am praying for my many family members in Israel. What a cowardly act,” he wrote. “What we are witnessing in real time right now is unprecedented since the Yom Kippur war. My heart breaks for the families of those who have lost loved ones, and for the hostages who have been taken. What a horrific day.”

These stars are just some to react to the deadly attack, with U2, Diddy, Frozen‘s Josh Gad and more all posting statements of their own. Plus, Bruno Mars canceled his concert in Tel Aviv in light of the conflict.

Keep reading to see how musicians are reacting to the ongoing crisis in the Middle East below. (Trigger warning: Some posts may include images of war and violence.)

DJ Mary Turner, Tom Rounds Among Radio Hall of Fame’s 2023 Legends of Radio Inductees (Full List)

On-air personalities Mary Turner, Bob Grant, Jack “The Rapper” Gibson, Long John Nebel and Terry Dorsey are among 12 radio professionals who will receive the Legends of Radio award from the Radio Hall of Fame. The award recognizes “the talents and efforts of on-air personalities, programmers and operators who contributed with greatness to the radio industry and have since passed away.”  

They will be honored at the 2023 Radio Hall of Fame induction ceremony on Nov. 2 at the InterContinental New York Barclay Hotel in New York City. Christopher “Mad Dog” Russo, a 2022 Radio Hall of Fame inductee, will MC the event.

“It’s heartfelt recognition to see these individuals and their career contributions to the radio industry recognized with this induction,” Kraig T. Kitchin, co-chair of the Radio Hall of Fame, said in a statement. “They’ve made a forever impact on the audiences and businesses they interacted with and for that, we’re grateful.” 

Dennis Green, the other co-chair of the Radio Hall of Fame, added: “Gone but never forgotten, these Legends of the radio industry deserve to be recognized as Hall of Famers and it is an honor to induct them to the Radio Hall of Fame. From programmers to talent to executives, these individuals are the best of the best.” 

Another of this year’s Legends of Radio honorees, Tom Rounds, co-founded Watermark Inc., the syndication company responsible for American Top 40, American Country Countdown and other shows. By coincidence, Shadoe Stevens, who succeeded Casey Kasem as host of American Top 40 in 1988, is one of eight inductees into the Radio Hall of Fame this year.

This year’s seven other Radio Hall of Fame honorees are: John DeBella (WMGK-FM, Philadelphia), Gerry House (WSIX-FM, Nashville), Pat St. John (60s Gold, SiriusXM), Bob Rivers (The Bob Rivers Show), Nina Totenberg (National Public Radio), Deborah Parenti (publisher, Radio Ink) and Charles Warfield (executive).

Here are this year’s recipients of the Legends of Radio award: 

  • Bob Grant – on-air personality 
  • Dave Robbins – programming executive 
  • Ed Christian – executive 
  • Eduardo Caballero – executive 
  • Jack “The Rapper” Gibson – on-air personality/writer 
  • Joe “Butterball” Tamburro – programming executive 
  • Long John Nebel – on-air personality 
  • Marty Glickman – play-by-play host/executive 
  • Mary Turner – on-air personality 
  • Steve Rivers – programming executive 
  • Terry Dorsey – on-air personality 
  • Tom Rounds – executive 

Jung Kook & Jack Harlow’s ‘3D’ Debuts at No. 1 on Billboard Global Charts

Jung Kook and Jack Harlow’s “3D” soars in at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. songs charts (dated Oct. 14). Jung Kook earns the second solo leader for a BTS member on each survey, following his “Seven,” featuring Latto.

Elsewhere, Iñigo Quintero’s breakthrough viral hit “Si No Estás” vaults 129-9 on Global Excl. U.S., becoming his first top 10.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



‘3D’ Jumps Out at No. 1 on Global 200

Jung Kook and Jack Harlow’s “3D” launches at No. 1 on the Billboard Global 200, with 104.3 million streams and 119,000 sold worldwide Sept. 29-Oct. 5, following its Sept. 29 release. (The song’s original, “Alternate” and instrumental versions were released that day, while its A.G. Cook remix and clean, sped up and slowed down mixes arrived Oct. 2.)

Jung Kook, from South Korea, achieves the second solo Global 200 No. 1 for a BTS member, after his “Seven,” featuring Latto, reigned for seven weeks beginning upon its July debut. (Both tracks will appear on Jung Kook’s first solo album, Golden, due Nov. 3.)

As “3D” debuts, here’s a rundown, ranked by peak position, of BTS members’ nine Global 200 top 10s (including two No. 1s) outside the act, with BTS as a group having tallied 11 top 10s (including seven No. 1s):

  • “3D,” Jung Kook & Jack Harlow, No. 1 (one week to date), beginning October 2023
  • “Seven,” Jung Kook feat. Latto, No. 1 (seven weeks), July 2023
  • “Like Crazy,” Jimin, No. 2, April 2023
  • “Slow Dancing,” V, No. 4, September 2023
  • “Left and Right,” Charlie Puth feat. Jung Kook, No. 5, July 2022
  • “That That,” PSY feat. SUGA, No. 5, May 2022
  • “Set Me Free, Pt. 2,” Jimin, No. 8, April 2023
  • “Dreamers (Music From the FIFA World Cup Qatar 2022),” Jung Kook, No. 9, December 2022
  • “The Astronaut,” Jin, No. 10, November 2022

Harlow, from Louisville, Ky., notches his first Global 200 No. 1, among three top 10s.

Doja Cat’s “Paint the Town Red” drops to No. 2 after four weeks atop the Global 200; Jung Kook’s “Seven,” featuring Latto, backtracks 2-3; Tate McRae’s “Greedy” holds at its No. 4 high, with 51.9 million streams (up 34%) and 4,000 sold (up 63%) worldwide; and Taylor Swift’s “Cruel Summer” slides to No. 5 from its No. 3 high.

‘3D’ Debuts Atop Global Excl. U.S., Iñigo Quintero Hits Top 10

Jung Kook and Jack Harlow’s “3D” concurrently premieres at No. 1 on the Billboard Global Excl. U.S. chart, with 91 million streams and 70,000 sold outside the U.S. in its first week.

As on the Global 200, Jung Kook claims the second solo Global Excl. U.S. No. 1 for a BTS member, after his “Seven,” featuring Latto, ruled for nine weeks beginning upon its July chart start.

As “3D” enters, here’s a rundown, ranked by peak position, of BTS members’ 13 Global Excl. U.S. top 10s (including two No. 1s) outside the group, while BTS totals 11 top 10s (including seven No. 1s):

  • “3D,” Jung Kook & Jack Harlow, No. 1 (one week to date), beginning October 2023
  • “Seven,” Jung Kook feat. Latto, No. 1 (nine weeks), July 2023
  • “Like Crazy,” Jimin, No. 2, April 2023
  • “Left and Right,” Charlie Puth feat. Jung Kook, No. 2, July 2022
  • “That That,” PSY feat. SUGA, No. 2, May 2022
  • “Slow Dancing,” V, No. 4, September 2023
  • “Dreamers (Music From the FIFA World Cup Qatar 2022),” Jung Kook, No. 4, December 2022
  • “Love Me Again,” V, No. 6, August 2023
  • “The Astronaut,” Jin, No. 6, November 2022
  • “Rainy Days,” V, No. 8, August 2023
  • “Set Me Free, Pt. 2,” Jimin, No. 8, April 2023
  • “Stay Alive,” Jung Kook, No. 8, February 2022
  • “Vibe,” TAEYANG feat. Jimin, No. 9, January 2023

Harlow tallies his first Global Excl. U.S. No. 1, among three top 10s.

Jung Kook’s “Seven,” featuring Latto, holds at No. 2 after spending its first nine weeks on the Global Excl. U.S. chart at No. 1 – and with his “3D” at No. 1, Jung Kook becomes the first soloist to rank at Nos. 1 and 2 simultaneously on the survey; overall, he joins only BLACKPINK (“Shut Down” and “Pink Venom”; Oct. 1, 2022) and BTS (“Life Goes On” and “Dynamite”; Dec. 5, 2020) in scoring such a double domination.

Doja Cat’s “Paint the Town Red” tumbles to No. 3 after two weeks atop Global Excl. U.S.; Tate McRae’s “Greedy” becomes her first top five hit on the chart, jumping 7-4; and Kenya Grace’s “Strangers” dips to No. 5 from its No. 3 high.



Plus, Iñigo Quintero’s breakout Global Excl. U.S. entry, “Si No Estás,” skyrockets 129-9, with 32.8 million streams (up 190%) outside the U.S. The piano-pop song becomes the first top 10 for the Spanish singer-songwriter, who, benefiting from buzz on TikTok and Instagram, became a first-timer on Billboard’s charts a week earlier. The single also becomes his first No. 1 on the Spain Songs chart.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Oct. 14, 2023) will update on Billboard.com tomorrow (Oct. 10). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

R&B/Hip-Hop Fresh Picks of the Week: Fivio Foreign, Megan Thee Stallion, Digga D & More

Drake’s For All the Dogs album — and his subsequent back-and-forth with Joe Budden — took up a lot of airtime this weekend, but the rest of the music world was just as active. As usual, New Music Friday (Oct. 6) unleashed a fresh batch of new R&B and hip-hop tracks to sort through as we count down to the BET Hip-Hop Awards on Tuesday (Oct. 10).

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With Fresh PicksBillboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Fivio Foreign’s fiery new drill anthem to Megan Thee Stallion’s swing at hip-hop musical theatre. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Fivio Foreign, “Why Would I?”



For his first unaccompanied release in several months, Fivio delivers a biting piece of authentic New York drill. With pop-drill — a subgenre that Fivio helped pioneer — topping Top 40 radio and soundtracking the Barbie movie, the skittering snares and staccato flows of New York drill have reached the apex of pop culture. With “Why Would I,” Fivio goes back to basics, as he flexes his real-life successes and achievements in the face of Internet haters, over a menacing drill beat crafted by LS Da Producer and FritzThaProducer.

Megan Thee Stallion, “Out Alpha the Alpha”



After making a return to the rap scene alongside Cardi B with “Bongos,” Megan Thee Stallion commemorates her foray into film acting with a new song for D—ks: The Musical, a musical comedy based on Josh Sharp and Aaron Jackson’s off-Broadway musical of the same name. More Hamilton than Traumazine, “Out Alpha the Alpha” finds the Hot Girl Coach delivering familiar rhymes serenading women’s independence and power — but this time she adds an extra dose of comedy in her delivery to play on the arrangement’s jaunty piano and horns.

Connie Diiamond & Jenn Carter, “Ghetto & Ratchet (Remix)”



As two of the buzziest names coming out of the New York rap scene, it’s no surprise that Connie and Jenn have found their way on a track together. On the remix to Connie’s fast-rising “Ghetto & Ratchet,” Jenn delivers a characteristically rambunctious verse full of bars flexing both his street cred and his status as one of his city’s hottest rappers. His high-octane delivery offers a smart complement to the smoothness of Connie’s tone.

Digga D, “TLC”



On this tender G-funk-inflected track — which incorporates a well-known guitar lick from Soul Mann & The Brothers’ “Bumpy’s Lament,” by way of Dr. Dre’s “Xxplosive” — British rapper Digga D offers an introspective number in which he waxes poetic about needing something a bit more real and human in the face of his fast-moving career. “I know it’s insane / I’m grateful, but I’m kinda tired of fame / I need some TLC, I’m drained,” he spits.

Majid Jordan, “Hands Tied”



For the latest taste of their forthcoming Good People album, Majid Jordan delivers a vibe in the spirit of Sade. Steady percussion and twinkling keys soundtrack a love story concerned with two loves, for whom risk is the reward itself. “Suspicious, suspicious, dismissive, dismissive, dismiss us, dismiss us/ Love is the answer, love is the message, you know it,” they croon. On this smooth, quiet storm-evoking track, the duo makes the smart choice to prioritize singing straight, instead of over-embellishing the song with runaway riffs.

Mannywellz, “Serious”



On “Serious,” ManNywellz continues his soulful blend of Afrobeats and R&B. Here, Manny extends the spirit of “no weapon formed against me shall prosper” for a war-ready anthem of resilience steeped in faith. He waltzes across the peppy, percussive beat with swagger and confidence, sourced from his knowledge of God’s protection over his life. “I identify as God’s n—a / No weapon can dance with us / Can’t compete, I got stamina,” he proclaims.

Luis Miguel ‘El Sol de México’ Lights Up New York City: 5 Things to Know

Luis Miguel is, indisputably, one of the top voices of our generation, and his unmatched showmanship was on full display on Thursday (Oct. 8) at the sold-out, 19,500-capacity Madison Square Garden.

El Sol de México is midway through his ambitious Luis Miguel Tour 2023 of 65 shows, produced by CMN, which kicked off August 3 in Buenos Aires, Argentina. His upcoming dates include Miami (Oct. 13), Oklahoma City (Oct. 26), Austin (Nov. 5), before Miguel makes his way across plenty of cities in his beloved Mexico; he will complete his tour on Dec. 17 in Guadalajara, Jalisco. 

Backed by an orchestra composed of string and brass sections, three backup singers and a band complete with guitar, percussion and bass, Luis Miguel was quite dapper in his elegant black suit — but still full of energy. Although the Mexican icon did not speak to the crowd, he did extend his arms to the front row attendees (Bad Bunny was also in the audience, along with rumored girlfriend Kendall Jenner). Yet, his on-stage dynamism was in full effect, while he delivered 40 years of hits, moments of vocal raspiness aside. 

Amid a sea of neon-colored lights that adorned the scene — via bracelets that elated concert-goers wore on their wrists — and a screen behind the stage showing images of galaxy clusters, aurora borealis, and majestic forests, the nearly two-hour set was nothing short of spectacular. The bonafide hitmaker’s spanned whirling romantic songs (“No Sé Tú,” “La Incondicional,” “Hasta Que Me Olvides”), energetic pop (“Ahora Te Puedes Marchar,” “La Chica Del Bikini Azul,” “Isabel”) and even one number featuring a troupe of invigorated mariachi players (“La Bikina”).

If you missed one of his shows, fret not: The “Fría Como el Viento” crooner will resume with part two for Luis Miguel Tour 2024, kicking off in the Dominican Republic (Jan. 20), then hitting Puerto Rico (Jan. 23), before he makes his way throughout several major cities across South America, and eventually returns back to the United States. 

Here are five things to know about his Luis Miguel Tour 2023: 

10 Cool New Pop Songs to Get You Through the Week: Kenya Grace, Jaden Hossler, Marian Hill & More

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

These 10 tracks from artists including Kenya Grace, Jaden Hossler, Marian Hill and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist with all 10.

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Kenya Grace, “Only in My Mind”



Instead of resting on her laurels and basking in the recent success of “Strangers,” which exploded on TikTok last month and yielded a Hot 100 debut, Kenya Grace has moved on to showcase how her gentle approach to propulsive dance music sounds in another setting. “Only in My Mind” gestures at the drum-n-bass exploration of “Strangers,” but places Grace’s lilting voice over a beat that thumps harder and within a tempo that’s a bit more breathless, resulting in another beguiling groove from the new star. – Jason Lipshutz

Spencer Barnett, “Swank”



Singer-songwriter Spencer Barnett has been relatively quiet since his 2020 EP I’m Fine, but new single “Swank” is effortlessly appealing enough to justify the wait. The guitar and bass creep around each other and create an air of pop-rock relaxation, while Barnett’s honeyed tone perfectly matches the production’s haze — he soothes the listener, and then leaps out of the speaker, to prevent “Swank” from becoming background noise. – J. Lipshutz

Miki Ratsula, “What Would the Neighbors Think?”



“I hate how you wait till its almost too late / To tell me you love me,” Miki Ratsula confesses on the heartbreakingly sad “What Would the Neighbors Think?,” which provides a glimpse at the quiet emotional devastation contained within the confines of a family home. Ratsula has a knack for plainly addressing towering feelings, and they imbue every inch of “What Would the Neighbors Think?” with tender detail, each line stacked atop the one that preceded it upon a foundation of long-gestating hurt. – J. Lipshutz

Claire Rosinkranz, “Swinging at the Stars”



“Swinging at the Stars,” the new single from Claire Rosinkranz’s just-released album Just Because, hints at becoming an anthem of personal ambition — “We’re just looking for a good life / Swinging at the stars,” the chorus opens — but the song is actually a rollicking take on sharing every facet of life’s tapestry with a special someone, sung with a brightness and grandeur befitting the 19-year-old singer-songwriter. Rosinkranz’s voice is multiplied to provide “Swinging at the Stars” more heft, but she’s able to convey a delightful breeziness throughout its run time. – J. Lipshutz

Zada, “Sweet Things in Life” 



Celebrating the “Sweet Things in Life” on her latest song, Zada reminds us that variety is the spice of those sweet things by crafting a mix of sparkling neo-soul, acoustic flourishes and romantic synths. The Ethiopia-born, Canada-based singer tosses and turns between determination and uncertainty, all while her dulcet tones carry the listener along her personal journey.  – Joe Lynch  

Feid and ICON, “FERXXO 151” 



Colombian star Feid teamed with production duo ICON for this sunny and uptempo track, and together, the trio created a soundtrack for a worry-free fling. While the lyrics are a bit eyebrow-raising as Feid sings of all the ways in which his love interest is irresistible, the beat matches his energy with a cadence that’s instantly catchy. – Lyndsey Havens

Royel Otis, “Fried Rice” 



Last week, Australian pop duo Royel Otis announced its upcoming debut album Pratts & Pain, arriving in February 2024. Lead single “Fried Rice” captures an early-2000s indie pop-rock sound with lo-fi vocals layered under driving drums and a repeated riff, all of which combine for a hummable chorus in which the word “I” extends for three syllables across three notes. It’s easy to imagine this one soundtracking an episode of The O.C. – L.H.

Cosmo’s Midnight feat. Shungudzo, “Gimme Some More”



Twin brothers Cosmo and Patrick Liney comprise the Aussie electronic-pop duo Cosmo’s Midnight, and on the shimmering, feel-good “Gimme Some More,” they tapped singer Shungudzo to drive home the sentiment that “enough is not enough” when it comes to the person you love. A song as giddily fun as this demonstrates that sometimes there’s no such thing as too much of a good thing. – L.H. 

Jaden Hossler, “Chrome Hearted”



After teasing a name change and new musical direction on social media, the pop-punk artist formerly known as jxdn finally revealed what he’s been up to: released under his birth name Jaden Hossler, his new single “Chrome Hearted” is a trash-talking pop-trap song. Here, Hossler puts his vocals more front and center than they ever have been before — and hopefully, that’s where they will stay. – L.H.

Marian Hill, “You Were Always Sure”



Jazz undertones have always been present in Marian Hill’s sound, but new single “You Were Always Sure” sees the group amplifying those notes even further. The electronic foundation of the duo duo (Samantha Gongol and Jeremy Lloyd) remains present, showing up as sparse synths that act as the beating heart throughout the track in combination with twinkling piano keys, while Gongol’s vocals swell into lush harmonies as she tells a tale of an uneven romance.  – Starr Bowenbank

*NSYNC Back on Billboard Hot 100 for First Time Since 2002 With ‘Better Place’

*NSYNC’s first single since 2002, “Better Place,” brings the group back to the Billboard Hot 100 (dated Oct. 14) for the first time since that year, following the song’s first week of release.

The track, released Sept. 29 on DreamWorks/RCA Records from the Trolls Band Together soundtrack, due Oct. 20 (ahead of the movie’s expected Nov. 17 premiere), starts at No. 25 on the Hot 100. It tallied 29 million radio airplay audience impressions and 4.8 million official streams and sold 17,000 downloads in the United States in the tracking week ending Oct. 5, according to Luminate.

Notably, “Better Place” ties *NSYNC’s highest Hot 100 start: the group’s debut hit, “I Want You Back,” began at No. 25 on the March 7, 1998-dated chart.

The new single concurrently begins at No. 2 on the Digital Song Sales chart and No. 21 on Radio Songs. The latter marks the highest entrance for a song by a group since Radio Songs began including all-format airplay in 1998; second-best for a group in a lead role in that span? *NSYNC’s “Pop” (No. 24, 2001).

As previously reported, “Better Place” bounds in at No. 12 on Adult Pop Airplay, No. 13 on Adult Contemporary and No. 16 on Pop Airplay.



*NSYNC adds its 13th Hot 100 hit, and 11th top 40 entry, and first since “Girlfriend,” featuring Nelly, spent its last week on the chart (dated June 22, 2002).

Here’s an updated recap of *NSYNC’s top 40 Hot 100 hits:

No. 1 peak (two weeks), “It’s Gonna Be Me,” July 29, 2000
No. 2, “Music of My Heart” (with Gloria Estefan), Oct. 16, 1999
No. 4, “Bye Bye Bye,” April 15, 2000
No. 5, “Girlfriend (feat. Nelly), April 6, 2002
No. 5, “This I Promise You,” Dec. 2, 2000
No. 8, “(God Must Have Spent) A Little More Time on You,” Feb. 27, 1999
No. 11, “Gone,” Nov. 24, 2001
No. 13, “I Want You Back,” May 2, 1998
No. 19, “Pop,” June 16, 2001
No. 25 (to date), “Better Place,” Oct. 14, 2023
No. 29, “God Must Have Spent a Little More Time on You” (Alabama feat. *NSYNC), Aug. 21, 1999

(*NSYNC missed another likely another top 40 Hot 100 hit with “Tearin’ Up My Heart,” which peaked at No. 59 in December 1998; although promoted to radio, the song was not released as a stand-alone single for purchase and, thus, was ineligible to chart on the Hot 100 until that month, when such a restriction was lifted. The song, from the group’s self-titled debut album, rose to No. 15 on Radio Songs in October 1998.)

Ahead of the release of “Better Place,” the group’s Justin Timberlake shared on Instagram a behind-the-scenes look at the quintet back in the studio. “So many stars aligned and that’s why I hit y’all and was like, ‘Hey, something came up,’ ” he is heard telling the act. “If we do this song, it’s a love letter to our fans. I would be honored to have the group on this song.”

All charts dated Oct. 14 will update on Billboard.com Tuesday, Oct. 10.

These Were the Top 10 Songs on the Hot 100 the Week Dionne Warwick’s ‘Walk on By’ Peaked at No. 6

As Doja Cat’s “Paint the Town Red,” with its prominent sample of Dionne Warwick’s “Walk on By,” tops the Billboard Hot 100 for the third nonconsecutive week (on the chart dated Oct. 14), you may be wondering how many weeks “Walk on By” spent at No. 1. Would you believe none? The Burt Bacharach/Hal David song, which features one of Bacharach’s most instantly identifiable arrangements, peaked at No. 6 for two weeks in June 1964.

Of course, a No. 6 hit on the Hot 100 is nothing to sneeze at, then or now. It’s just surprising that such a famous song wasn’t a No. 1.

The British Invasion was in full swing by June 20, 1964, when “Walk on By” logged its second and week at No. 6. The top 10 included three British groups or duos (The Beatles, Gerry and the Pacemakers and Peter & Gordon) and one Irish group (The Bachelors).

“Walk on By” was Warwick’s second top 10 hit in a row, following the No. 8-peaking “Anyone Who Had a Heart.” It was her highest-charting hit to that point, a title it would hold until the fall of 1967, when the sprightly “I Say a Little Prayer” reached No. 4. (Warwick has landed two No. 1 hits, “Then Came You,” a 1974 collab with The Spinners, and “That’s What Friends Are For,” her Grammy-winning team-up with Elton John, Stevie Wonder and Gladys Knight that led for four weeks in 1986.)

“Walk on By” brought Warwick her first Grammy nomination, for best rhythm & blues recording. Bacharach and David weren’t nominated for writing the song, nor was Bacharach nominated for his arrangement, which, as we’ve seen on Doja’s smash, is still a letter-perfect pop hook nearly 60 years later.

Here’s the top 10 on the Billboard Hot 100 for the week ending June 20, 1964.

Doja Cat’s ‘Paint the Town Red’ Holds Atop Hot 100, Jung Kook & Jack Harlow’s ‘3D’ Debuts at No. 5

Doja Cat’s “Paint the Town Red” tops the Billboard Hot 100 songs chart for a third week.

Plus, SZA’s “Snooze,” which holds at its No. 2 Hot 100 high, ascends to the top of the Radio Songs chart, becoming her first leader on the airplay ranking, and Jung Kook and Jack Harlow’s “3D” debuts at No. 5 on the Hot 100. “3D” becomes Jung Kook’s second Hot 100 top 10 – making him the first BTS member with multiple solo top 10s – and Harlow’s fourth.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Oct. 14, 2023) will update on Billboard.com tomorrow (Oct. 10). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.



“Paint the Town Red,” released on Kemosabe/RCA Records, drew 61.8 million radio airplay audience impressions (up 18%) and 23.3 million streams (down 15%) and sold 6,000 downloads (down 9%) in the Sept. 29-Oct. 5 tracking week, according to Luminate. It wins the Hot 100’s top Airplay Gainer award for a third consecutive frame.

The single falls to No. 2 on the Streaming Songs chart following a week at the summit and to No. 4 on Digital Song Sales following two weeks on top; and rises 7-5 on Radio Songs, becoming Doja Cat’s seventh top five hit. It concurrently tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a sixth and seventh week, respectively.

Doja Cat triples her prior Hot 100 command, as “Say So,” featuring Nicki Minaj, led for a week in May 2020.



SZA’s “Snooze” repeats at its No. 2 Hot 100 high, with 75.8 million in radio audience (up 4%), 16.5 million streams (down 5%) and 2,000 sold (down 5%). It ascends 3-1 on Radio Songs, where it’s SZA’s first leader, among four top 10s; “Kill Bill” hit No. 2 in April, following her featured turns on Doja Cat’s “Kiss Me More” (No. 2, 2021) and Maroon 5’s “What Lovers Do” (No. 5, 2017). “Snooze” concurrently tops the multi-metric Hot R&B Songs chart for an 11th week.

(With “Paint the Town Red” at No. 1 on the Hot 100 and “Snooze” at No. 2, RCA ranks in the top two spots for a second consecutive week; until the last two weeks, RCA hadn’t infused the top two simultaneously under the label’s current organizational structure within Sony Music, which dates to the early 2010s.)

Taylor Swift’s “Cruel Summer” climbs 4-3 on the Hot 100, returning to its best rank. Thanks to “Paint the Town Red,” “Snooze” and “Cruel Summer,” the chart’s top three consists entirely of women for the first time in over seven months, since the March 4-dated ranking, when Miley Cyrus’ “Flowers” placed at No. 1, followed by SZA’s “Kill Bill” at No. 2 and PinkPantheress and Ice Spice’s “Boy’s a Liar, Pt. 2” at No. 3. The latest list marks the first top three each by a single female artist since a month before that, with SZA and Swift again involved; on the Feb. 4 chart, Cyrus’ “Flowers” was No. 1, followed by “Kill Bill” at No. 2 and Swift’s “Anti-Hero” at No. 3.

Luke Combs’ cover of Tracy Chapman’s No. 6-peaking 1988 Hot 100 classic “Fast Car” backs up 3-4, following eight weeks at its No. 2 high. The latter adds a third week at No. 1 on the multi-metric Hot Country Songs chart.



Jung Kook and Jack Harlow’s “3D” launches at No. 5 on the Hot 100, with 13.6 million streams, 3.1 million in radio audience and 87,000 physical and digital singles sold combined, following its Sept. 29 release. (The song’s original, “Alternate” and instrumental versions were released that day, while its A.G. Cook remix and clean, sped up and slowed down mixes arrived Oct. 2.)

“3D” is Jung Kook’s second Hot 100 top 10 – making him the first BTS member with multiple solo top 10s – while Harlow adds his fourth.

Here’s a recap of all six top 40 Hot 100 entries so far by BTS members apart from the group, ranked by peak position. All seven of the act’s members have reached the chart overall with solo songs: J-Hope, Jimin, Jin, Jung Kook, RM, Suga and V. (As a group, BTS boasts 15 top 40 hits, including 10 top 10s and six No. 1s.)

Peak Pos., Date, Artist, Title:

  • No. 1, one week, July 29, 2023, Jung Kook feat. Latto, “Seven”
  • No. 1, one week, April 8, 2023, Jimin, “Like Crazy”
  • No. 5 (to date), Oct. 14, 2023, Jung Kook & Jack Harlow, “3D”
  • No. 22, July 9, 2022, Charlie Puth feat. Jung Kook, “Left and Right”
  • No. 29, Dec. 25, 2021, Juice WRLD & Suga, “Girl of My Dreams”
  • No. 30, April 1, 2023, Jimin, “Set Me Free, Pt. 2”

“3D” opens at No. 1 on Digital Song Sales, where Jung Kook and Jack Harlow each earn a third leader.

Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, descends 5-6 on the Hot 100, after it led for a week upon its debut in September. It rebounds for a fourth week atop Streaming Songs (25.2 million, down 5%) and paces the multi-metric Hot Rock & Alternative Songs and Hot Rock Songs charts for a sixth week each.

Morgan Wallen’s “Last Night” dips 6-7 on the Hot 100, following 16 weeks at No. 1 starting in March, the most ever for a non-collaboration; Gunna’s “Fukumean” is steady at No. 8, after hitting No. 4; and Olivia Rodrigo’s “Vampire” falls at 7-9, following two nonconsecutive weeks at No. 1 beginning in July.

Rounding out the Hot 100’s top 10, Rema and Selena Gomez’s “Calm Down” drops 9-10, after reaching No. 3. It rules the Billboard U.S. Afrobeats Songs chart for a record-extending 58th week.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Oct. 14), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Oct. 10).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Bad Bunny Reveals New Album Title and Release Date — and It’s Coming Really Soon

Just two weeks after releasing his latest reggaeton single “Un Preview” — and telling his more than 15 million followers on his WhatsApp Channel that “this is possibly the last song I release this year. It’s a little preview of what’s to come next year” — Bad Bunny announces his new studio album is dropping soon.  

On Monday (Oct. 9), the “Yo Perreo Sola” singer headed to his Instagram account, where he boasts nearly 50 million followers, to share the album title and release date. 

“The most anticipated day by many has arrived,” he captioned the promo video in which he’s seen swarmed by paparazzi before entering a fancy restaurant and being greeted by a gentleman who says, “Don Benito, it’s so nice to see you.” 

Bunny, looking dapper in a black suit, white sunglasses, and showing off his newly shaved head, smiles and shakes his hand, before the album title and date are revealed. 

The global Puerto Rican star — who won seven 2023 Billboard Latin Music Awards including artist of the year — first teased fans on his X account on Sunday (Oct. 8), revealing that 22 tracks are on the set. Next to each number is the word “Fuego,” hinting that each song is fire. This was the same strategy he used in May 2022 ahead of his Un Verano Sin Ti album release, when each number had the word “PALO” next to it, which loosely translated to “hit.” 

The set will be called Nadie Sabe Lo Que Va A Pasar Mañana (Nobody Knows What Will Happen Tomorrow) and will come out this Friday, Oct. 13. Fans can already pre-save the album here

Nadie Sabe marks Bunny’s fifth studio album. He previously released X100PRE (2018), YHLQMDLG (2020), El Último Tour Del Mundo (2020), Un Verano Sin Ti (2022). 

See his posts teasing his new album below: