Music
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A slimmed-down Lizzo joined The Breakfast Club on Monday (May 12), and the “Truth Hurts” singer opened up about her “weight release” process, which began with cleansing her mind and clearing out the negative energy from her life.
“I think I had to start with cleaning out my mind and my energy and clearing out all of the negativity around me. And I feel like I released so much I was holding on,” she said. “I do call it a weight release because [when] it started, I got snatched here first. And then my body just followed suit so I do feel amazing.”
Lizzo credits workouts like pilates and yoga sculpting as well as pickleball and going on hikes as part of her exercise regimen.
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The Detroit native pushed back when co-host Charlamagne Tha God said he doesn’t consider her “big” anymore. “I am big,” she said. “What we talking about? Baby, I’m big.”
Lizzo added: “The Internet is like, ‘Oh Lizzo’s skinny now,’” she said. “I am well over 200 pounds, do you know what I’m saying? I’m 5-foot-9. I got double-numbered pants on now.”
While Lizzo said she reached her weight loss goal in January, a number she hasn’t seen on the scale since 2014, the singer still looks in the mirror and sees her 2023 self, and even at her heaviest, Lizzo says she still felt mentally skinnier back then compared to now.
“Put me next to any pop star right now, I’m still bigger than them,” she explained. “I didn’t realize how much my body changed until I was filming the ‘Love in Real Life’ music video. I was in shock. It shocked me, because the way that I’m releasing weight has been a long slow process,” she added. “People may not have seen me or been keeping up with me, but I’ve been posting about it, and I’m in a calorie deficit, so that’s the one that sneaks up on you.”
Lizzo continued: “When I was bigger, I felt skinnier than I do now. When I was in my string bikini and I was at my heaviest weight, I was like, ‘Skinny bi—.’ That’s when I realized skinny was a feeling and not a look.”
While she’s feeling “Good as Hell,” Lizzo is gearing up for a new album. She returned with her “Love in Real Life” and “Still Bad” singles earlier this year.
Watch the full interview with Lizzo below.
Los Alegres del Barranco, their manager and their concert promoter will face criminal proceedings for projecting images of a criminal leader during a March performance in the state of Jalisco, a judge ruled Monday (May 12). During a hearing at the Puente Grande Penitentiary in Jalisco, Mexico, the judge did not order preventive detention; the accused will be able to continue their defense in freedom.
A document from the Jalisco Prosecutor’s Office shared with Billboard Español says that the precautionary measures ordered by the judge for the six accused (including the four members of the band) include regular weekly appearances in court; the enforcement of a financial guarantee of 300,000 Mexican pesos for each of them, equivalent to 1.8 million pesos (approximately $92,000); and their stay in the state of Jalisco, meaning they will only be given permission to attend three concerts in other states previously agreed upon and return afterward.
The accusation stems from a concert by Los Alegres del Barranco on March 29 at the Telmex Auditorium in the municipality of Zapopan, where images of Nemesio Oseguera Cervantes, alias “El Mencho,” leader of the Jalisco New Generation Cartel (CJNG), were projected while they performed the song “El del Palenque.”
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Authorities indicated that the investigation and the precautionary measures imposed by the judge will remain in effect for at least three months. Upon leaving the hearing, Luis Alvarado, spokesperson for Los Alegres del Barranco, told reporters that their fight is “for freedom of expression” and thanked those who have supported them.
Billboard Español has sent a request for comment to representatives of the band.
Los Alegres del Barranco became the first act from the regional Mexican genre to be formally accused by the Jalisco State Prosecutor’s Office of alleged glorification of criminal activities. The incident even led the U.S. to revoke work and tourist visas for the band members, as announced April 1 by U.S. Deputy Secretary of State Christopher Landau in a statement on X.
The band, its representative, and the promoter are facing investigation from the Jalisco Prosecutor’s Office for four performances in different municipalities of that state in which they allegedly glorified criminal activities, according to information published on May 9 by the same office.
That same day, Los Alegres del Barranco won an injunction granted by a federal judge to sing narcocorridos in the Mexican state of Michoacán, despite the state decree prohibiting the broadcast of music or expressions that promote crime in public spaces, which went into effect in April. For now, the ruling only favors the group for having filed the lawsuit. The federal judge has set a new hearing for May 15 to determine whether to uphold or revoke the temporary suspension granted to the musical group.
“We are going to respond,” said Michoacán Governor Alfredo Ramírez Bedolla at a press conference on Monday (May 12). “Today I will submit the initiative to amend the State Penal Code, which will establish the crime of apology and now make it a criminal offense.”
Ten out of Mexico’s 32 states have implemented various bans against narcocorridos or any expression that promotes or glorifies criminal activities, though such bans have not yet become federal law.
Eminem‘s daughter Hailie Jade celebrated her first Mothers Day over the weekend, and she commemorated the day with a heartwarming post. On Sunday, Jade hopped on Instagram to celebrate her first Mama’s Day, revisiting her pregnancy journey with a touching reel on IG. “Growing you has been the greatest gift of my life,” Jade wrote […]
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Texas rapper That Mexican OT is known for his rapid flows and quick wordplay, but unfortunately, his speed is limited to his speech as the man just doesn’t have the physical requirement needed to move fast enough to get out of the way of a charging bull.
Over the weekend, a video showing the “Johnny Dang” rapper getting mowed down by a bull at a PBR Rodeo in Fort Worth, Texas, hit the internet and while OT seems fine and dandy, it still wasn’t a pretty sight. Partaking in the rodeo festivities, OT was hit by the bull three times in the video with the final hit actually flipping the Mexican rapper over and onto the ground before the video cut off. Though there was another man trying to get the bull’s attention and get some of that horn himself, that bull saw a slower-moving target with a lot of carne on its person and knew it was chow time.
Luckily, That Mexican OT seemed to have avoided any serious injuries such as a horn impaling any body parts and actually seems to enjoy the sport as he promoted his appearance in anticipation of the event.
Check out That Mexican OT getting mashed on by a bull in slow-mo below, and let us know if this is something you’d do if given the chance in the comments section.
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On May 9, Beyoncé wrapped a historic run of five shows at SoFi Stadium in Inglewood, California, 10 miles from downtown Los Angeles. According to figures reported to Billboard Boxscore, the Cowboy Carter Tour kick-off grossed $55.7 million and sold 217,000 tickets.
Beyoncé’s $50 million-plus run in Los Angeles is the biggest reported single-venue engagement of 2025 so far, eclipsing multiple stops on Coldplay’s tour through Asia and Shakira’s seven-night stay in Mexico City. Further, it’s the fifth-highest grossing tour stop in Boxscore history, only behind two legs of U2’s Sphere residency in Las Vegas (2023-24), Harry Styles’ 15 shows at Madison Square Garden in New York (2022), and eight nights of Take That at Wembley Stadium in London (2011). Notably, it’s the highest-grossing reported single-venue engagement ever by a woman.
Cowboy Carter Tour launched on Monday, April 28, with successive performances on May 1, 4, 7, and 9. On average, Beyoncé grossed $11.1 million per night, playing to more than 43,000 fans at each show. In completing this week-long run, she has now played more shows at SoFi Stadium than any other artist in the venue’s history – eight, including three in 2023 – since its opening at the beginning of the decade.
The L.A.-area shows may not even remain the tour’s peak, as an upcoming five-night stay at MetLife Stadium in East Rutherford, N.J. (13 miles from New York) could challenge that $55 million take. Beyoncé will have her longest run at one venue in London with six nights at Tottenham Hotspur Stadium, though ticket prices overseas often fall below the surging rates in the United States.
Using Cowboy Carter Tour figures in the Los Angeles area as a guide, with city-by-city comparisons to previous tours, it appears that Beyoncé’s 2025 run is barreling toward Billboard’s initial projections of $300 million. It will out-gross all of her previous tours with the lone exception of 2023’s Renaissance World Tour, which ran for 56 shows compared to Cowboy Carter Tour’s current routing of 32. According to Live Nation, total ticket sales will eclipse one million.
The initial reports for Cowboy Carter Tour push Beyoncé’s reported career Boxscore earnings past $1.4 billion, with 11.9 million tickets sold. Those totals will continue to rise until the trek closes on July 26 at Las Vegas’ Allegiant Stadium.
The ACM Awards will return to Prime Video next year.
The Academy of Country Music and ACM Awards producer Dick Clark Productions (DCP) has struck a deal with Prime Video for the return of the show on the service for the next three years, which will take it through its 63rd ceremony in 2028.
The news follows the ACM Awards’ 60th anniversary show, which streamed live on Amazon’s Prime Video on May 8 from the Ford Center at the Star in Frisco, Texas. The show also streamed live for an international audience across more than 240 countries and territories, exclusively on Prime Video and Amazon Music’s channel on Twitch.
During this year’s ceremony, Lainey Wilson took home the night’s top honor of entertainer of the year (marking her second consecutive win in the category), as well as female artist of the year, songwriter-artist of the year and album of the year (for Whirlwind). Ella Langley earned the most trophies of the evening with five wins, followed by Wilson with four wins. Alan Jackson was the recipient of the inaugural ACM Lifetime Achievement Award, while Keith Urban was honored with the ACM Triple Crown Award.
“Our ongoing partnership with the Academy of Country Music and Dick Clark Productions has been an amazing experience for everyone involved,” said Vernon Sanders, global head of television at Amazon MGM Studios, in a statement. “With the tremendous success of this year’s 60th anniversary show hosted by the legendary Reba McEntire, we are overjoyed to continue our relationship with the Academy and DCP for the next three years. We look forward to maintaining this success and bringing even more star-studded and captivating shows to our global Prime Video customers.”
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“Our powerful partnership with Amazon MGM Studios and Prime Video has expanded the reach and accessibility of our show and the country music genre to viewers anytime, anywhere around the world and has redefined what an awards show experience can and should be in today’s environment,” said Damon Whiteside, CEO of the Academy of Country Music, in a statement. “The synergies between Prime Video, Amazon Music, Twitch, and the other divisions of Amazon bring exponential value to our artists, our genre, and our fans through an immersive 360 music experience they can’t get from any other platform. I am so proud of our pioneering first four years in the streaming space, and we are excited to continue to deliver the future of country music and the ACM Awards to fans everywhere over the next three years.”
“We’re thrilled to continue our partnership with Prime Video through 2028,” added Jay Penske, CEO of Dick Clark Productions. “The Academy of Country Music Awards made history in 2022 as the first major awards show to exclusively livestream and continues to break new ground, creating a world-class music event and providing dynamic, unparalleled reach through Prime Video, connecting country music with a global audience.”
“I feel like it’s just another way for us to get country music out there to the world,” added the Academy of Country Music’s winningest artist of all time, Miranda Lambert, of the partnership between the ACM Awards and Prime Video. “Country music is really popular right now, and I’m so glad more people are understanding what we’re about, and I’m so happy to be part of the ACM history, and that it’s gonna continue for three more years is really exciting.”
The 60th Academy of Country Music Awards was produced by DCP, with Raj Kapoor serving as executive producer and showrunner and Patrick Menton serving as co-executive producer. Whiteside served as executive producer for the Academy of Country Music, while Penske and Barry Adelman served as executive producers for DCP, with John Saade working as consulting producer for Amazon MGM Studios.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
To celebrate 30 years of steering the Korean entertainment sphere, SM Entertainment hit Los Angeles with its star-studded SMTOWN Live 2025 concert. Boasting 68 individual artists, representing 13 different groups, all on one sprawling stage at the Dignity Health Sports Park, the showcase brought out a range of K-pop talent that showcases SM’s expansive impact […]
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San Francisco’s Portola festival has announced the lineup for its fourth edition this fall. The bill is led by LCD Soundsystem, The Prodigy, Underworld, Dom Dolla, Peggy Gou, Mau P, Chris Lake and Chris Lorenzo performing under their Anti Up alias and, in the festival’s continued tradition of delivering a marquee pop moment, Christina Aguilera. […]
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