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After Selena Gomez posted an emotional response to the Donald Trump administration’s recent immigration raids, a user identifying as politician Sam Parker called for her to be deported in a post on X — but the singer-actress isn’t fazed.
On Instagram Stories, Gomez dismissed the Utah Republican — who Ballotopedia says ran unsuccessfully for United States Senate in 2018 — by writing, according to People, “Oh, Mr. Parker, Mr. Parker.”

“Thanks for the laugh and the threat,” the Rare Beauty founder added in the post, which has since disappeared from her Story.

Billboard has reached out to Gomez’s rep for comment.

The Only Murders in the Building star’s words come in response to Parker taking to X to call on the U.S. government to “Deport Selena Gomez” after she posted a video on her Story Monday (Jan. 27) of herself crying over the arrests of nearly 1,000 people deemed to be national security threats by the Immigration and Customs Enforcement over the weekend. “All my people are getting attacked, the children,” Gomez said in the clip through sobs. “I’m so sorry, I wish I could do something, but I can’t. I don’t know what to do. I’ll try everything, I promise.”

The Texas-born star later deleted the video from her Story and wrote, “Apparently it’s not ok to show empathy for people,” according to People.

Gomez has long been a strong advocate for the immigrant community. In 2019, she produced the Netflix docuseries Living Undocumented, which told the stories of eight families who faced potential deportation under the first Trump administration. She’s also spoken about how immigration has shaped her own family’s history, detailing how her aunt and grandparents crossed the Mexican border to start their lives in the U.S. before she was born in a 2019 essay for Time.

“Over the past four decades, members of my family have worked hard to gain United States citizenship,” she wrote at the time. “Undocumented immigration is an issue I think about every day, and I never forget how blessed I am to have been born in this country thanks to my family and the grace of circumstance.”

Dolly Parton’s upcoming musical, Dolly: An Original Musical, will be getting a Music City premiere this summer, before heading to Broadway in 2026.
The musical, which brings Parton’s life story to the stage, will launch a four-week limited engagement at Belmont University’s Fisher Center For the Performing Arts this summer. Preview performances start July 18, followed by the opening night on Aug. 8. The musical will run through Aug. 17.

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Parton made the announcement during a press conference held at Belmont’s The Fisher Center For the Performing Arts on Tuesday morning (Jan. 28). Parton is a native Tennessean and has lived in Nashville for 60 years.

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“It seemed natural and right for me to premiere the story of my life in Tennessee, because I’m Tennessee born and Tennessee raised,” Parton told the audience.

“I have always wanted to do my life story as a musical, and I just thought I wanted to see it done while I was still around to be able to oversee it and make sure that it’s done properly, the way I would want to see it,” Parton later added, explaining her motivations for working on the project.

The musical will feature music written by Parton, with a book by Parton and Maria S. Schlatter, and will be directed by Tony Award winner Bartlett Sher. Parton noted that in addition to some of her most famous songs, the musical will also feature new music she composed.

Parton is also a producer on Dolly: An Original Musical, along with Danny Nozell, ATG Productions and Gavin Kalin Productions. 

Parton revealed plans for the musical last year, and an open casting call has since been launched to search for the ideal performer to portray Parton. During the press conference, Parton noted that the cast would be revealed “soon.”

Additionally, Parton has launched the “Dolly U” program, an immersive educational partnership with Belmont University. According to a release, the initial Dolly U program will allow students “opportunities to participate in aspects of the production, working alongside the musical’s professional cast, creative, and producing teams, as it is developed and premieres at the Fisher Center this summer. In addition, new project-based courses are being offered during the spring semester in subjects such as marketing, brand partnerships, and merchandising, providing students hands-on opportunities with the musical while receiving course credit.”

“I’ve had a lot of my relatives and friends go to Belmont. We know that this is a great school…everybody loves to learn about the business end of the music business,” Parton said during the press conference, noting that her niece graduated from Belmont University.

Tickets for Dolly: An Original Musical are on sale at dollymusical.com and at Belmont’s Fisher Center Box Office.

Laila! is going on tour, Billboard can exclusively announce. The hip-hop and R&B prodigy is set to embark on the Gap Year Tour!, where she’ll be hitting 10 cities across North America beginning on Mar. 27 in San Francisco and finishing up on Apr. 27 in Toronto. Ticketing will begin with an exclusive artist presale […]

After teasing a “new era” on Instagram last week (Jan. 25), Kelela kept the wait short and sweet, unveiling her latest project on Tuesday (Jan. 28). Out Feb. 11, In The Blue Light is a live album capturing Kelela’s intimate, unplugged performances at New York City’s Blue Note jazz club. Last year (May 28-29, 2024), […]

Marshmello and Jonas Brothers’ new collaboration, “Slow Motion,” debuts in the top five of Billboard’s newly-revamped Hot Dance/Electronic Songs chart (dated Feb. 1).

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The track enters at No. 4 with 3.1 million official streams, 420,000 all-format radio audience impressions and 1,000 downloads sold in the United States in its first week (ending Jan. 23), according to Luminate. The song was released Jan. 17 via Marshmello’s imprint, Joytime Collective, and Republic Records.

The single earns Marshmello his 19th career top 10 on Hot Dance/Electronic Songs, the fifth-most in the chart’s history (which dates to January 2013), after Kygo (26), David Guetta (25), the Chainsmokers and Calvin Harris (23 each). Jonas Brothers also notch their first top 10 on the chart.

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“Slow Motion” marks the second collaboration between Marshmello and Jonas Brothers. They previously teamed up for “Leave Before You Love Me” in 2021. That track reached No. 19 on the Billboard Hot 100, as well as the top 10 on Pop Airplay, Adult Pop Airplay and Adult Contemporary.

Meanwhile, Marshmello and Kane Brown spend a 37th week at No. 1 on Hot Dance/Electronic Songs with their collaboration, “Miles On It.” That’s the third-longest-leading No. 1 hit in the chart’s history, after Marshmello & Bastille’s “Happier” (69 weeks at No. 1) and David Guetta & Bebe Rexha’s “I’m Good (Blue)” (55).

Elsewhere on Hot Dance/Electronic Songs, John Summit’s “Focus,” featuring CLOVES, debuts at No. 5. Released Jan. 17 on Experts Only/Darkroom Records/ICLG, the song debuts on the strength of two million streams earned in its opening week.

Summit scores his third top 10 on the chart, following two No. 8-peaking collaborations with HAYLA: “Where You Are” (2023) and “Shiver” (2024).

Australian singer-songwriter CLOVES added her second entry on Billboard’s rankings. She first charted in 2016 with her breakthrough hit “Don’t Forget About Me,” which reached No. 34 on Hot Rock & Alternative Songs. CLOVES (real name: Kaity Dunstan) has released two full-length projects since: One Big Nothing (2018) and Nightmare on Elmfield Road (2021). She also appeared on the second season of Australia’s The Voice in 2013.

Also in the top 10 of Hot Dance/Electronic Songs: Dxrkaii and Jiandro’s “New Jeans (Jersey Club)” rises 12-10, becoming the first top 10 for each act, thanks to 1.5 million streams (up 15%). The song, whose slowed-down mix has been used in over 20,000 TikToks, reworks NewJeans’ K-pop track “New Jeans.”

As previously reported, Billboard revamped Hot Dance/Electronic Songs as of the chart dated Jan. 18. The 25-position chart ranks the most popular current dance/electronic songs, billed to DJs, producers and long-standing core artists in the dance/electronic genre, with an emphasis on electronic-based production. The same week, Billboard launched the 15-position Hot Dance/Pop Songs chart, which ranks the most popular current dance/pop titles, featuring titles with dance-centric vocals, melody and hooks, by artists not traditionally rooted in the dance/electronic genre.

Listening to Jacob Collier’s star-studded Djesse album series, now on its fourth installment, can feel like attending the most expansive, open-minded music festival you’ve never heard of — with a roster of guest artists spanning contemporary hit-makers, instrumental legends and global choruses and orchestras. But though Collier’s recordings have become as known for their diverse array of big-name guests as his own presence, his full-lengths weren’t always defined by collaboration.

“The first album I ever made, In My Room, was an album written, recorded, arranged, produced and mixed entirely alone, and my first world tour of this album was with a one-man show,” explains the 30-year-old studio savant of his 2016 debut album. The solo experience sufficiently convinced him there might truly be strength in numbers: “By the end of that process, I was deeply ready for collaboration.”

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The guest-heavy Djesse sets — pronounced “Jay Cee,” like Collier’s initials — have yielded two album of the year nods for the performer-­writer-producer, including this year for 2024’s Vol. 4, the series’ final entry. “I’m sure the heart of my world will always be, in part, in my little room where the journey first began, in that solitary sanctuary,” he reflects. “But more than ever, collaborating feels like a big part of what I am here for.” These are just some of the names who’ve entered the Collier Constellation — on Djesse Vol. 4 and beyond.

AESPA

Collier knew the best-selling South Korean quartet, who he calls “one of the most adventurous and contemporary K-pop groups I’ve ever heard,” would be the perfect match for the “galactic multigenre form” of Vol. 4’s “Over You.” “Plus,” he adds, “we’re all Crocs fans, so it was meant to be.”

Anoushka Shankar

The British American sitar luminary (and daughter of sitar legend Ravi Shankar) lends her “incalculable greatness and magic” to the rousing “A Rock Somewhere,” which Collier says allows the song to “bridge effortlessly from the ancient and classical to the sparkling modern.”

Brandi Carlile

Collier first met fellow Grammy darling Carlile through Joni Mitchell, when Carlile invited Collier to Mitchell’s house to ­privately sing her song “Little Green” to her as she recovered from a brain aneurysm. So for a song called “Little Blue” on Vol. 4, “it felt only right to invite Brandi to offer her inimitable storytelling magic [to the song].”

Camilo

“Camilo is pure joy in human form!” Collier raves of the Colombian pop hit-maker, whose bilingual crooning leads “Mi Corazón.” “His ability to hop between Spanish and English is next level. He brings an incredible energy to everything he touches… and his moustache is a bonus.”

Chris Martin

Chris Martin and Jacob Collier

Michal Augustini

Collier says the Coldplay frontman, who sings on “Over You,” has become “like a brother” since they met in 2019: “With a presence and openheartedness that’s so transformative, he’s the kind of mentor everybody should have.”

Chris Thile

Chris Thile and Jacob Collier

Fran Haincourt

The Nickel Creek mandolinist, whom Collier calls “a true master of his craft,” lends his plucking to “Summer Rain,” alongside fellow alt-folker Madison Cunningham. “[He’s] my ultimate dueling partner,” Collier adds, “yet somehow, we connect so deeply on a musical level.”

Daniel Caesar

The R&B star lent his buttery vocals to Vol. 1’s nu-soul jam “Time Alone With You.” Collier says recording with Caesar “felt like having a friend come over to hang out after school. He’s that rare combination of incredibly cool and incredibly warm — one of the leading lights of this generation of artists, yet so down to earth.”

Dustin Yellin

A project as sprawling as Djesse needed ambitious artwork to match, and for that, Collier enlisted artist Yellin to create a “30-sheet glass sculpture, with more than 3,000 miniature cut-out paper elements glued within and between the sheets, to form a three-­dimensional silhouette of the ‘Djesse head,’ ” which has been featured on all four series volumes. “He’s a maverick, a legend and a master world-builder,” Collier gushes.

John Mayer

Jacob Collier and John Mayer

Courtesy Jacob Collier

Collier was ecstatic to have the superstar singer-guitarist lend his “master touch” to a six-string solo on gentle ballad “Never Gonna Be Alone,” also featuring Lizzy McAlpine’s vocals. “John’s the master of tone, taste and impeccable phrasing… And a top gent, to boot.”

Kimbra

Another close friend and regular collaborator, the New Zealand singer-songwriter did not appear on Vol. 4, but she did jam with Collier as a special guest on the North American leg of the accompanying world tour. “She is such a tour de force in music,” he raves. “A firecracker of a writer, singer and world-builder.”

Kirk Franklin

After making a pact on the 2022 Grammys red carpet to work together, the contemporary gospel legend sang on and/or lent direction of his eponymous Singers to multiple Vol. 4 tracks. Collier says his day in the studio with Franklin in Arlington, Texas, “changed my life… The community and energy surrounding him is nothing like I’ve ever seen.”

Metropole Orkest

The “mighty Dutch bunch” has provided backing for the Djesse series since its beginning, with Suzie Collier conducting it on Vol. 4. He says the “shape-shifting, multigenre” ensemble has “played a pivotal part [in] my musical journey, both onstage and in the studio.”

Michael McDonald

The undisputed King of Yacht Rock maintains his own legacy of unexpected collaborations on “Wherever I Go,” where his “iconically unmatched vocal tone” powers what Collier calls “a bit of an homage to the music [fellow guest singer] Lawrence and I grew up listening to.”

The Mystery of the Bulgarian Voices

Jacob Collier (center) and The Mystery of the Bulgarian Voices.

Courtesy Jacob Collier

A fan of this choir since he discovered it as a teen, Collier calls snagging the group for “All Around You” on the Vol. 4 deluxe edition a “bucket-list collaboration. Their sound is life-changing — 25 singers from 12 regional traditions, all coming together to create something so pure, agile and breathtaking.”

Oumou Sangaré

“A Malian Wassalou icon” who has appeared on multiple Djesse sets — most recently as part of a global all-star lineup of guest vocalists on Vol. 4’s “Box of Stars Pt. 2.” — Sangaré’s presence was “so majestic,” Collier says, “the room felt so small in comparison.”

Rapsody

The Grammy-nominated North Carolina MC “brought so much depth and magic” to Vol. 3’s “He Won’t Hold You,” providing what Collier calls her “rare mixture of ultra-hip and ultra-heartfelt” rhymes.

Steve Vai

The legendary 64-year-old axeman for Frank Zappa and David Lee Roth is now a very dear friend who has taught Collier about “everything from chords to Zappa to philosophy to the nature of [the] music business.” Vai plays on three Vol. 4 tracks, on which Collier calls his “wild mastery… nothing short of astounding.”

Suzie Collier

Jacob and Suzie Collier

Michal Augustini

Collier’s mother — an internationally known conductor and his “first collaborator as a human being” — has worked with him since Djesse’s first installment, and she conducted on multiple Vol. 4 tracks: “My dear mother has taught me more about music than almost anybody I can think of,” he says. “Her musical sensitivity and mastery has shaped so much of who I am.”

Tori Kelly

Since they became friends in 2017, the artist Collier calls “arguably the most gifted vocalist on the planet right now” has appeared on multiple tracks of his, including Vol. 4’s stirring a cappella rendition of the pop standard “Bridge Over Troubled Water,” also featuring John Legend.

This story appears in the Jan. 25, 2025, issue of Billboard.

A big part of the job at Saturday Night Live in the week leading up to showtime is convincing that week’s host or musical guest to appear in sketches that sometimes sound bizarre at best, or potentially disastrous at worst. That was the dilemma frequent SNL guest Justin Timberlake found himself in November 2008 when cast member Andy Samberg hit him up to see if he was in town to hop in on a bit that castmate Bobby Moynihan had cooked up.
“He said Bobby Moynihan has this great idea for a sketch about you, me, and him being Beyoncé’s background dancers that never made the cut,” Timberlake explained in the three-hour doc Ladies & Gentleman… 50 Years of SNL Music, which aired on NBC on Monday night (Jan. 27). “I was like ‘full leotard’? And he’s like, ‘yeah.’ I was like, ‘This is too funny. We have to do this.’”

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Here’s the thing: the three guys were totally down, but convincing Queen Bey to get super silly with them was going to be another matter entirely. In the exhaustive look at the show’s musical history co-directed by Oscar-winning Roots drummer Questlove, current SNL star Bowen Yang explained that “when you pitch a sketch that the musical guest is involved in potentially it can always go wrong.”

And, according to JT, at first Beyoncé was not into it. At all.

“She was very polite about it, but she was very hesitant. And when I say hesitant, I mean like, she was not having it,” Timberlake said. “I’m like: Does she know how funny this is gonna be? How beloved this whole moment will be?” Determined to commit to the bit, Timberlake decided that he had to show his fellow pop superstar how far he was willing to go to convince her.

“I put the leotard and the heels and the hose on and everything, and put a robe on,” he said. “I walked and knocked on her door, I threw the robe down and put my hands on my hips and she was like, ‘No you didn’t!’” Long story short, Bey said yea and the rest is SNL history.

In the final sketch (which is not officially available on YouTube), host Paul Rudd plays the “Single Ladies” video director introducing the singer to her new backup dancers, who she is nervous about.

“Oh look, don’t worry about the other dancers, B-Town,” Rudd tells her. “I hand-picked them myself, these guys are pros.” The three men then enter in all their black leotard, white tights and black heels regalia, assuring Bey that they are definitely warmed up, “like biscuits,” Moynihan says, with Timberlake adding the unhelpful second helping, “yeah, dance biscuits!”

Smash cut to the trio gyrating impertinently on, around and at Beyoncé and the singer repeatedly stopping filming until Rudd finally admits that they are his stepsons, who his wife said he had to spend more time with. “Aww, I didn’t know these were your sons,” Beyoncé says. “That’s very noble of you.”

“So you’ll let them be in your music video?” Rudd asks. “Hell no,” Bey replies.

Ladies & Gentlemen… 50 Years of SNL Music is available to stream now on Peacock.

Lady Gaga has been Mother Monster for about two decades. Now, she’s ready to be a mother.
In a cover story interview with Elle published Tuesday (Jan. 28) — just one day after the star finally announced her seventh studio album, Mayhem — Gaga revealed that she and fiancé Michael Polansky have talked “a lot” about starting their family very soon. In fact, the 13-time Grammy winner emphasized that her near future will focus on “me and Michael and our kids,” adding, “Sometimes I worry people will say I’m boring these days, but honestly, thank God I’m boring.

“Thank God!” she said. “Because I was living on the edge. I don’t know what was going to happen to me living that way.”

As for how she would navigate raising her children in the public eye, Gaga said, “That’s something Michael and I have talked about a lot — allowing our kids to be their own people…. It’s such an intense thing for kids coming into the world,” she continued. “And they’re told how to think and what to believe in and how to eat … I just kind of want to let my kids find out who they are.”

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The “Rain on Me” singer and businessman started dating shortly after meeting at a party in 2019, five years after which Polansky proposed in April 2024. The Joker: Folie à Deux actress has previously credited her fiancé with pushing her to make a new pop album, and while speaking to Elle, she revealed that Polansky helped pen “like, seven songs” on Mayhem — including single “Disease,” on which he’s credited as a songwriter.

The venture capitalist also spoke to Elle about being present for much of the creation of “Disease,” detailing how he would work on his laptop while watching his fiancée work her magic in the studio across the street from their home. “It’s been one of the most incredible parts of this chapter of my life, to live with and coexist alongside someone making art and being creative in ways that very few people get to experience,” he told the publication. “I think of myself as really lucky to have been there for it.”

Polansky also opened up about what it’s like to be in a relationship with one of the most famous women on the planet. “Accepting that you won’t have the privacy others might have was the hardest part,” he shared. “But [Gaga’s] comfort with it and patience with me has been amazing. Our relationship is probably a lot like everyone else’s. We just have to figure out how to do some of it in public.

“That makes it even more important for us to have strong friendships and close family relationships,” he added. “We find normalcy where we can.”

On Jan. 28, 1995, Alan Jackson’s “Gone Country” hit No. 1 on Billboard’s Hot Country Songs chart.
The track was solely authored by Bob McDill and produced by Keith Stegall. In 2017, Billboard described the song as, lyrically, “reflective of a time period where many artists were coming to Music City from New York, Los Angeles and all points in between. Jackson told the press that he definitely understood the appeal of the format to newcomers and welcomed them all to town. Even so, there was a little bit of gently-placed sarcasm on this one, which helped to make it yet another No. 1.”

“Gone Country” was released as the third of five singles from Jackson’s album Who I Am, which yielded four Hot Country Songs leaders: “Summertime Blues” (three weeks), “Livin’ on Love” (three), “Gone Country” (one week) and “I Don’t Even Know Your Name” (one). Fourth single “Song for the Life” hit No. 6. Who I Am became his second of 14 No. 1s on the Top Country Albums chart.

“Gone Country” marked Jackson’s ninth of 26 No. 1s on Hot Country Songs. Dating to his first, “I’d Love You All Over Again,” in March 1991, he and Tim McGraw boast the most leaders: 26 each.

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Jackson was born Oct. 17, 1958, in Newman, Ga., and moved to Nashville in 1985 to follow his dreams. He became the first artist signed to Arista Records’ then-new country division in June 1989. His first of 84 Hot Country Songs entries, “Blue Blooded Woman,” peaked at No. 45. He followed with his first of 51 top 10s, the No. 3-peaking “Here in the Real World.”

In 1979, Jackson married his high school sweetheart, Denise Jackson (yep, same last name). The couple has been married for 45 years and has three daughters.

On Sept. 28, 2021, in an interview on NBC’s Today with Jenna Bush Hager, Jackson revealed that he had been diagnosed with Charcot-Marie-Tooth (CMT), a degenerative nerve condition which limits his ability to perform. Inducted into the Country Music Hall of Fame in 2017, he released his 21st studio set, Where Have You Gone, in May 2021. It arrived at its No. 2 best on Top Country Albums, becoming his 28th and most recent top 10.

Shaboozey is trading in his double shot of whiskey for something much sweeter during this year’s Super Bowl. The country superstar is set to appear in Nerds Gummy Clusters’ Big Game advertisement, and the candy shared a teaser of the spot on Tuesday (Jan. 28).

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In the 15-second clip, the Hot 100 chart-topper enjoys a bag of Nerds Gummy Clusters while strumming his guitar. Shortly after taking a bite of the popular candy, a gummy cartoon character appears on his shoulder, transforming his guitar into a Nerds-inspired instrument. The message, “Unleash your senses,” appears on the screen to end the preview.

For Shaboozey, teaming up with Nerds was a no-brainer. “I remember Halloween, getting those little boxes and pouring the candy into my mouth. I love them so much,” he tells Billboard of his nostalgic connection to the treat. “It’s awesome to just to see the process of how it all came together. I make country music, and to be able to have the guitar and my world, and have just everything that I’m into, combined with Nerds Gummy Clusters was just amazing. It’s combining two things that are really good on their own to make something even better.”

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Fittingly, in the spirit of the partnership, Shaboozey was ready to express what he’s a nerd about. “Music. [laughs] I love music,” he says. “I love video games, and just anything that you can get really involved in and find yourself being super immersed in.”

This year’s game down in New Orleans marks the star’s first time attending the Super Bowl, after taking the stage for a Thanksgiving Day NFL halftime show last year and appearing alongside Beyoncé during her Christmas halftime show. “I got the opportunity to play two really huge halftime shows. It was definitely a dream come true,” he recalls. “I grew up watching some so many different athletes, and I’m really excited to be a part of this Big Game. To be in a Super Bowl commercial with a brand I grew up on, it’s going to be hard to beat that.”

The Nerds Super Bowl ad is just the beginning of an exciting year for Shaboozey, who is nominated for five Grammy Awards thanks to his Beyoncé collaboration “SPAGHETTII” and his breakthrough hit, “A Bar Song (Tipsy),” which notched a record-tying 19th week at No. 1 on the Billboard Hot 100 in November. He’s also scheduled to perform at both Coachella and Stagecoach music festivals in the spring.

“It’s a dream. It’s surreal,” he says. “Every day I wake up, I’m just like, ‘Wow, we did that.’ I’m excited to keep making great music, and continue to give the people great things and great products. I’m also excited to keep improving and do better every day.”

Check out Shaboozey in the Nerds Big Game ad teaser below, and catch the full spot during Super Bowl LIX on Feb. 9, where the Kansas City Chiefs and Philadelphia Eagles will face off for the championship.