Music
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Billie Eilish’s “Birds of a Feather” takes flight to No. 1 on Billboard’s Pop Airplay chart dated Sept. 28. The track, released on Darkroom/Interscope/ICLG, gained by 8% in plays Sept. 13-19. (The Pop Airplay chart ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to […]
HyunJin, ChanYeon and JiSeok came together as Big Ocean to debut in April this year as the first Deaf/Hard of Hearing group in K-pop. The group’s warm embrace onto the scene by superstars, production and executives across Korea points towards a more inclusive global music scene. Brought together by Korea’s only agency representing talent with […]
A smiling Big Ocean greet you for a nighttime Zoom call with shaking hands — the American Sign Language translation of applause and cheering — which encapsulates a palpable energy bursting from a K-pop trio unlike any other pop group.
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HyunJin, ChanYeon and JiSeok came together as Big Ocean to debut in April this year as the first Deaf/Hard of Hearing group in K-pop. The group’s warm embrace onto the scene by superstars, production and executives across Korea points towards a more inclusive global music scene.
Brought together by Korea’s only agency representing talent with disabilities Parastar Entertainment, Big Ocean sees three stars with different backgrounds and hearing abilities as a sign of hope and possibility.
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The group’s main vocalist Park HyunJin lost hearing in his left ear after a childhood accident, but a cochlear surgery led him to learning to play the piano, speak some English, and break out as a YouTube creator and TV personality educating viewers about hearing disabilities. Main rapper Lee ChanYeon, who underwent cochlear implant surgery for both ears, developed his musical interest after experiencing the positive side effects of music therapy. Meanwhile, youngest member and main dancer Kim JiSeok was born Hard of Hearing and attended a special school for those with disabilities before becoming a professional ski racer for Seoul skiing team.
Big Ocean admits that the members’ varying auditory perceptions can present challenges when it comes to learning choreography, singing in rhythm and performing live, but it’s inspired innovative ways for the group and their Parastar team to find new ways to rehearse successfully like utilizing vibrating smartwatches as metronomes or flashing lights for rhythmic counting.
While the definition of a K-pop act has expanded from Korean-born pop singers to artists representing a range of different countries, cultures, and languages, Big Ocean not only look the part of handsome, shining stars with international appeal but align with one of the core messages within in K-pop to instill inspiring messages to listeners both with their stories and music.
“The message from our song ‘Slow’ is that if you move forward and continue, slowly and steadily, you can do anything,” HyunJin says of the group’s latest single released last month that features Young K of chart-topping K-pop rock outfit DAY6, marking their latest venture to share more personal storytelling through their songs.
“Not only our seniors but also people from outside the company are giving us a lot of support, so we are really thankful,” adds JiSeok. “If we didn’t have that help, we wouldn’t be where we are today.”
“Not only our seniors but also people from outside the company are giving us a lot of support, so we are really thankful,” adds JiSeok with a special shoutout to the group’s fans, known affection as PADOs. “If we didn’t have that help, we wouldn’t be where we are today.”
With recognitions from members of Stray Kids, ITZY and even the President of Korea, read on for more from Big Ocean’s story and why they are a group to watch as Billboard‘s K-Pop Rookie of the Month for September 2024.
Congratulations on your debut this year and being named Billboard‘s Rookie of the Month! Overall, how has 2024 been for you?
JiSeok: I was really worried if we could do well. I was concerned, “Are we going to be okay?” But fortunately, so many people and so many senior idols gave us a lot of support and help. Not only our seniors but also people from outside the company are giving us a lot of support, so we are really thankful. If we didn’t have that help, we wouldn’t be where we are today.
HyunJin: And even today, we got an opportunity to meet with the President of Korea. We are also getting tons of invitations from outside of the country, so we’re getting so much love and support. So we are really, really grateful.
ChanYeon: And so many of our fans, PADOS, from so many countries, are sending us love and then recognizing us. So, we are really thankful and I feel like we have to pay back with even greater performances.
Thank you for taking time while you’re so busy. Congratulations on your latest single, “Slow,” featuring Young K of DAY6. It’s such a great collaboration; how did it come together, and how was your experience?
HyunJin: The message from our song” Slow,” is that if you move forward and continue, slowly and steadily, you can do anything. And in the process of making this song, we made a proposal to DAY6’s Young K that featuring his voice would sound great and work great with our song. He said “Yes” immediately, so that’s why we were able to release the song successfully and we’re so grateful for it. Thanks to him, we were able to feel even more support and we feel he really has our back.
JiSeok: We were really hoping that we could thank him in person, [but] because Young K was very busy preparing for the [new DAY6] album, we weren’t able to do so. But if we could meet in person later, that would be really great.
Are you guys fans of DAY6? Their latest album is topping the charts in South Korea.
HyunJin: We listened to one of the new songs released from their album, “Melt Down,” and really, really loved it. We wanted to pay back our debts for Young K featuring our song, so we took the highlight of the song and turned it into a challenge on social media with sign language.
JiSeok: The song is doing really great and is really popular — we really want to congratulate them!
I was curious about how you create your sign language challenges and incorporate signing into your performances. Are you the ones making the moves? Do you work with a team?
ChanYeon: When we do a simple sign language challenge, we discuss among ourselves and make it. But when we’re choreographing or releasing something like our official music videos where we are mixing Korean and American Sign Languages, we actually get reviewed by sign language experts to make sure everything is expressed in the most precise way.
Some readers might be surprised to learn that Deaf or Hard of Hearing people can sing, dance, rap and more. Can you tell us about your different backgrounds with just music?
JiSeok: I go to a special school for people with hearing disabilities. At the time when I was in school, RM from BTS sunbaenim actually made a large donation to help the school’s music education. It was thanks to that donation that I actually got a lot more interested in music; I learned about dancing for the first time, I had a lot of opportunities to learn different musical instruments. So, that’s how I was able to fall in love with music and able to dream of becoming an idol.
HyunJin: When I was nine years old, I had an accident and lost hearing ability in my left ear completely. I had a surgery that allowed me to hear sounds; however, afterward, it didn’t really sound natural to me anymore; it sounded very artificial. I felt very uncomfortable hearing any kind of or type of sound.
At the time, I was also learning piano and attending an academy. Listening to the actual piano was very pretty and the only pleasant sound to me. So, as I played piano, sound felt positive, not negative anymore. So that’s when I started to become more interested in music because the piano was the only sound that made me feel good. After I grew up and became an adult, I became a YouTube creator and made many videos about breaking the barriers regarding misunderstandings and prejudices regarding hearing disability. I started making TV appearances and that’s when I actually learned about my current agency, Parastar Entertainment, so I naturally challenged myself to be an idol.
ChanYeon: In my case, I wasn’t really interested in music at all. Only after I got the surgery for cochlear implants for both my ears did I go through a lot of music therapy, and music actually really helped me. That’s when I found my interest in music.
As a boy band, how do you interact with music to perform as a group? Can you share the different ways you overcome any challenges?
HyunJin: Because the level of hearing is different in each one of us, the way we perceive beats and rhythms is also different. So, our company came up with the idea of using smartwatches and vibrations from the smartwatches as metronomes. That’s how we were able to feel the beat and rhythm in sync — and it made it so much easier for us to feel the music.
We also developed a “beam monitor” that flashes lights in sync with the music. So, that was another way. We also continuously film ourselves dancing to the music and constantly monitor ourselves and review to see who feels the beats differently or if we’re not in sync. And we continuously practice. And that’s how we can move in sync.
You’ve performed on Korea’s weekly K-pop music programs like Show! Music Core, Inkigayo, The Show, Music Bank and more. These shows are famously very fast-paced. How was your experience, and could they meet any accommodations you needed?
JiSeok: Our first time going on music programs, they were aware of the fact that we had hearing difficulties, so they always made sure to use hand gestures, give visual signals for cues to enter the stage, or whenever they wanted to send us some type of message. They were really nice about it; very, very kind. They constantly asked us whether we had any problems hearing or listening to the music. So, thanks to them, we could put up a good performance.
HyunJin: If the set or environment is too loud or noisy, we might have trouble listening for the start of the song. So, during rehearsals and the actual shooting, they made sure to ask for the audience’s understanding and to be quieter than usual so that we could actually hear the music. They were very generous for that. Also, our dancers make sure the choreography opens with a starting dance move. The background dancers initiated the choreography so then we knew the performance had started.
ChanYeon: And even our staff members ensured that everyone at the TV stations and on-site knew we might have trouble communicating or listening. So, they ensured everyone was aware, and I think we had no trouble. We’re really grateful for everyone being so considerate.
I saw you met with Felix from Stray Kids backstage during the shows to learn the “Chk Chk Boom” challenge. Tell me about that experience.
JiSeok: After the broadcast, I met Felix for the first time. I thought he was a complete angel — I really thought he was an angel. As soon as I met him, he greeted me with American Sign Language. He prepared it himself and showed us that he learned “Nice to meet you” and “How are you?” It really impressed us. We did the dance challenge together — I was so nervous, soo nervous! — but I was happy and really appreciative of everything. I thought about how I should practice and work even harder to perform even better.
After the dance challenge, Felix gave us [Stray Kids’] album as a gift. I was so grateful; I can’t even express it in words. I really want to see him again and meet him in the future.
I saw a recent announcement from Parastar Entertainment that Big Ocean is auditioning new members. Could we see the group expand in the future?
HyunJin: We have three members, right? We think three of us is too small and that our group is not big enough. That’s why we’re we’re hiring new members. If you come to our website of the company you can apply for the audition 24-7 so please come! We’re definitely looking for more members to apply.
Any other messages you want to share with your international fans at this time?
HyunJin: So three days after this interview, it will be five months since we debuted as Big Ocean so I really want to say thank you to all the fans and people who made Big Ocean possible and gave us a lot of support. To our fandom, PADOS, who are continuously supporting us, promoting us, and even doing all these activities to attract more PADOS on social [media] communities — I really want to say thank you. We will do our part and work harder to show you even greater performance and activities.
JiSeok: Thank you so much for such this great opportunity. Also, in November, we’re trying to release another song, so we will really work hard with our company. If we do release our new song, please send us a lot of support. We will work hard.
LL COOL J and Usher were among the honorees saluted Thursday night by the Black Music Action Coalition at the organization’s fourth annual BMAC Gala. As BMAC co-founder/president/CEO Willie “Prophet” Stiggers noted, the event isn’t about “celebrating record sales, streaming numbers or other accolades. It’s the intersection of activism and music.”
As Stiggers further explained, “When most are turning down the volume around social, racial and economic justice, we’re doubling down on efforts and spotlighting the positive and meaningful impact that the music industry has made on society, which is what we hope to inspire with this event.”
Chief among the highlights inside the packed ballroom at Los Angeles’ Beverly Hilton Hotel were the presentations of the Clarence Avant Trailblazer and Quincy Jones Humanitarian Awards to LL COOL J and Usher, respectively. Surprised onstage by attorney Benjamin Crump, who presented the award, LL noted to exuberant audience applause and cheers, “You must continue to believe in the beauty of your dreams. If I can come all the way here from Queens and do the things that I’m doing, then anything is possible.”
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Co-Founder and Chair of the The Black Music Action Coalition, Willie “Prophet” Stiggers, Honoree of the Clarence Avant Trailblazer Award, LL COOL J, and Benjamin Crump attend Black Music Action Coalition’s 4th Annual BMAC GALA at The Beverly Hilton on Sept. 19, 2024 in Beverly Hills, California.
Johnny Nunez/Getty Images for Black Music Action Coalition (BMAC)
After receiving his award from fellow artist Bobby Brown and briefly teasing the crowd with one of his patented dance moves, Usher segued into a heartwarming 15-minute acceptance speech. He said, in part, “Aside from just being Usher, the performer, the entertainer, I strive every day to just be Usher, the human; who has the means and the power to inspire and bring awareness to the issues that we face as Black men and women in this country.”
Actress Taraji P. Henson presented the BMAC Social Impact Act to the BET Media Group. The company’s executive honorees included president/CEO Scott Mills; president, media sales Louis Carr; executive vp of specials, music programming & music Constance Orlando and executive vp/chief marketing officer Kimberly Paige. The BMAC Change Agent Award was given to Ivy McGregor, CEO of Beyoncé’s BeyGOOD foundation. And the BMAC 365 Award was presented to Live Nation.
Rapper/activist Gunna received a special commendation from the Mayors of Guaranteed Income, an organization comprised of more than 170 mayors from across the country. “I’m here to make sure my community is uplifted – this GI program is going to help change a lot of lives,” said Gunna. He recently partnered with BMAC to launch the BMAC 30349 Guaranteed Income initiative, which will provide a $1,000 monthly stipend to 30 families residing in the artist’s hometown of South Fulton, Georgia.
Co-Founder and Chair of the The Black Music Action Coalition, Willie “Prophet” Stiggers, Honoree of the BMAC Social Impact Award and Executive Vice President of Specials, Music Programming & Music Strategy, BET, Constance Orlando, Honoree of the BMAC Social Impact Award and Executive Vice President and Chief Marketing Officer, BET, Kimberly Paige, Taraji P. Henson, Louis Carr, and Co-Founder of the The Black Music Action Coalition, Shawn Holiday attend Black Music Action Coalition’s 4th Annual BMAC GALA at The Beverly Hilton on Sept. 19, 2024 in Beverly Hills, California.
Johnny Nunez/Getty Images for Black Music Action Coalition (BMAC)
Hosted by Kenny Burns, the gala also featured BJ The Chicago Kid, who set the evening’s tone with his interpretation of the Black National Anthem. Taking the stage later in the evening were Anthony Hamilton and The Hamiltones, who performed a soulful medley. This year’s gala also marked the inaugural BMAC auction, hosted in partnership with Julien’s Auctions. Among the offerings that attendees were vying for: a Flavor Flav clock necklace and sunglasses owned by music legend James Brown.
Dr. Remus E. Wright, Honoree of the BMAC Change Agent Award and Executive Director of BeyGOOD, Ivy McGregor, and Mia Wright attend Black Music Action Coalition’s 4th Annual BMAC GALA at The Beverly Hilton on Sept. 19, 2024 in Beverly Hills, California.
Johnny Nunez/Getty Images for Black Music Action Coalition (BMAC)
In the walkup to its gala, BMAC hosted a series of other events. In partnership with The Revels Group, BMAC co-hosted the Black Future Now brunch (Sept. 15), which honored Jhené Aiko, Cash Cobain and artist manager Rachelle Jean-Louis. Two days later (Sept. 17), BMAC’s Stiggers accepted SESAC’s Visionary Award. Then the next evening (Sept. 18), Stiggers sat down with BMI president/CEO Mike O’Neill to discuss the advantages and challenges of AI during a panel also co-hosted by BMAC.
Co-Founder of the The Black Music Action Coalition, Caron Veazey, Naima Cochrane, Honoree of the BMAC 365 Award, Live Nation, Omar Al-Joulani, Co-Founder and Chair of the The Black Music Action Coalition, Willie “Prophet” Stiggers, Jamil Davis, and Damien Smith attend Black Music Action Coalition’s 4th Annual BMAC GALA at The Beverly Hilton on Sept. 19, 2024 in Beverly Hills, California.
Johnny Nunez/Getty Images for Black Music Action Coalition (BMAC)
Zayn celebrated a special occasion on Thursday (September 19) — his daughter Khai’s fourth birthday. The “Pillowtalk” singer took to Instagram to share a heartfelt message for his baby girl. Explore Explore See latest videos, charts and news See latest videos, charts and news “Happy birthday to the most important person in my life, I […]
It looks like Lady Gaga has something to say ahead of her highly anticipated seventh studio album — and fans are all ears. The pop star caught the attention of her Little Monsters with a cryptic Instagram post shared Friday (Sept. 20), giving no explanation as she shared a grainy image of white streaky text […]
09/20/2024
Mixtape Pluto has made his triumphant return.
09/20/2024
New York City has no shortage of cover bands, but few of them can boast surprise appearances from The Black Crowes’ Chris Robinson, Robert Randolph, The Roots’ Black Thought and Jimmy Fallon.
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It helps, of course, that the cover band in question is anchored by Grammy-winning producer Andrew Watt (guitar, vocals), Rock and Roll Hall of Famer Chad Smith (drums) of the Red Hot Chili Peppers and longtime Saturday Night Live Band fixture G.E. Smith (guitar), with Ivan Bodley (bass), Seneca Black (trumpet), Crispin Cioe (sax), Bob Funk (trombone), Charlotte Lawrence (vocals), Ben Stivers (keyboards) and Jared Tankel (baritone sax) rounding out the group.
The band’s nondescript name — Smith & Watt Steakhouse, the product of a jokey 10-second brainstorm – speaks to its casual, unambitious origin. When the Chili Peppers’ two-year Unlimited Love Tour wrapped up in July, Smith headed to the Hamptons to reenergize – but after a few weeks, he found himself getting restless in the sleepy seaside town. “I’m a musician – I love to play music,” he tells Billboard, sitting on a sunny balcony at the Bowery Hotel in Manhattan. “I don’t want to miss out.”
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The cavalry arrived when Watt, a frequent collaborator and close friend of Smith’s, found himself in the same area with a bit of free time. “We have this insane musical connection, and we love playing live together. We have this musical bromance,” Watt tells Billboard, seated next to Smith. “Naturally, we want to jam together.”
After pulling together a rock band of musical ringers and creating a setlist spanning their favorite artists (Prince, The Police, Sam & Dave, Fleetwood Mac, to name a few), Smith and Watt took the stage at Stephen Talkhouse in Amagansett, N.Y., on Aug. 20 and ripped through an all-covers set that had the Hamptons hot spot bumping.
“(The venue) is small — we broke it,” Smith says with a wide grin. “And then at the end of the night, this gentleman decides to come up on stage.”
Gentleman, while certainly accurate, is a bit of an undersell. Sir Paul McCartney, who had been watching the entire show side stage with his family, made a completely unscripted decision to hop up and join them on a cover of Neil Young’s “Rockin’ in the Free World.”
“I actually whispered into his ear (after that song), ‘Go play drums and show them how much of a badass you are,’” recalls Watt, who has spent time in the studio with the rock icon. “He shrugged me off and goes, ‘I’ll tell you what. One more number. [singing] She was just seventeen!’”
Naturally, McCartney’s surprise performance of The Beatles’ “I Saw Her Standing There” at a 250-capacity venue made headlines and waves across social media – and sent more than a few folks into a FOMO spiral. When Watt was backstage at Pearl Jam’s Madison Square Garden show on Sept. 4 (he joined them onstage that night), tour promoter Peter Shapiro started griping about how sad he was to have missed that once-in-a-lifetime show. After chatting with the entrepreneur, whom Watt calls “a modern-day Bill Graham,” he decided to give Smith a call: “What are you doing Wednesday?”
For its second show, the Watt & Smith Steakhouse headed to Brooklyn Bowl – one of several venues owned by Shapiro — on Wednesday (Sept. 18). And while none of that night’s special guests can lay claim to British knighthood, it was an eclectic, hard-to-resist roster: A loose, all-smiles Chris Robinson shimmied in front of Smith’s drumkit while belting the Faces’ “Stay With Me”; Black Thought rapped Ol’ Dirty Bastard’s “Shimmy Shimmy Ya” and freestyled over the Stooges’ “I Wanna Be Your Dog”; and Robert Randolph flexed his slide guitar mastery on Jimi Hendrix’s “Voodoo Child (Slight Return)” before leading the band through an impromptu, off-setlist “Purple Haze.” As for Jimmy Fallon’s full-throated take on the Doors’ “Roadhouse Blues”? It might not place him in the same category of musical excellence, but there was something undeniably special about watching The Tonight Show host let it all hang out onstage just 20 minutes before turning 50. (FWIW, his vocals were a solid cut above what you’d hear at any given karaoke bar.)
Andrew Watt and Chris Robinson perform onstage with Smith & Watt Steakhouse at Brooklyn Bowl on Sept. 18, 2024 in New York City.
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“Watt & Smith Steakhouse rides again,” G.E. Smith quipped of the cover band’s Brooklyn Bowl gig. Depending on schedules, that ride could turn into a cross-country trek. When asked about future gigs for the Steakhouse, the RHCP drummer pauses. “Yeah. We’ll see what happens,” Smith says, firing up a fresh cigarette (fittingly, the lighter he uses is a piece of promo merch for Eddie Vedder’s 2022 solo album Earthling, which Smith played on and Watt produced).
“In our relationship, we like to eat,” Watt says. “The point of this band is: we’re going to come to some cities, play in your smallest club and go out to your nicest restaurant.”
Ultimately, the band (which continues Smith’s legacy of meaty side projects, from Chickenfoot to Chad Smith’s Bombastic Meatbats) is an excuse for Smith, 62, and Watt, 33, to hang out, eat out and rock out.
“He’s my best friend in the entire world,” says Watt, who acknowledges that part of him will “forever” be the RHCP fanboy who snagged a post-concert pic with Smith as a teenager, years before the two became musical brethren.
“For me, he could be my son,” Smith says with a belly cackle. “There is an age difference.” (Case in point: the first show Smith attended on his own was KISS in 1975, one of the concerts immortalized on Alive!; Watt’s was none other than the Red Hot Chili Peppers with openers Queens of the Stone Age and the Mars Volta in 2003.) “But when it comes to us, especially our musical thing, we have very, very similar likes and tastes,” says Smith. “It’s such a lucky thing when that happens.”
Plus, Watt & Smith Steakhouse gives the former – who can wail like Roger Daltrey, sneer like David Bowie and growl like Gregg Allman – a chance to step out from behind the boards and up to the mic. “This guy is a performer and loves it,” Smith says. “You better go see the Steakhouse – you never know what’s on the menu.”
Nicki Minaj thought she caught a “Peeping Tom” in the act at her San Antonio tour stop on Thursday night (Sept. 19), but it happened to be one of her photographers. Minaj posted the clip to her X account on Friday (Sept. 20) featuring her dancing onstage and then stomping on the photographer’s camera after […]