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On daddy duty! Justin Bieber gave fans new glimpses of his son, Jack, via social media on Friday (May 30). The photos of the 9-month-old appeared in a carousel of images posted by the pop star with the caption, “Gonna be a good summer.” In the first photo, the pop star carries Jack on his […]

05/30/2025

Counting down to our favorite track from MC’s blockbuster comeback as it turns two decades old.

05/30/2025

Shakira is the top Latin touring artist on the Billboard Boxscore midyear chart, grossing $130 million on her Las Mujeres Ya No Lloran World Tour so far. Shakira reported 21 concerts for the midyear touring period, which runs from Oct. 31, 2024, to March 31, 2025, landing her the number two slot overall on the […]

Ye (formerly Kanye West) misses the G.O.O.D. times. Yeezy took to X on Friday (May 30), extending an olive branch to his former right-hand collaborator, Pusha T, after King Push name-dropped West on the new Clipse single. “I miss me and Pusha’s friendship,” Ye wrote of his ex-G.O.O.D. Music president. West seemed to get wind […]

Following Patti LuPone‘s recent remarks disparaging fellow Broadway actresses Audra McDonald and Kecia Lewis, more than 500 members of the Broadway community have signed an open letter calling out the musical theater legend for “bullying” and “harassment.”
In the message published Friday (May 30) — just a few days after a New Yorker piece quoted LuPone as saying that McDonald was “not a friend” while calling Cole a “bi—” for labeling herself a stage “veteran” — the signatories wrote that the Agatha All Along star’s comments were “degrading and misogynistic,” as well as a “blatant act of racialized disrespect.” People who signed the letter include Courtney Love, as well as Tony winners James Monroe Iglehart, Maleah Joi Moon and Wendell Pierce.

“It constitutes bullying,” the letter continues. “It constitutes harassment. It is emblematic of the microaggressions and abuse that people in this industry have endured for far too long, too often without consequence.”

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Though the signatories directly urged the American Theatre Wing and the Broadway League to disinvite LuPone from the 2025 Tony Awards — as well as other “industry events” such as “fundraisers and public programs” — they also insisted that their message was about “more than one person.”

“It is about a culture. A pattern. A persistent failure to hold people accountable for violent, disrespectful, or harmful behavior — especially when they are powerful or well-known,” the letter reads. “This is not about differing opinions. It is about public actions that demean, intimidate, or perpetuate violence against fellow artists. It is about the normalization of harm in an industry that too often protects prestige over people.”

Billboard has reached out to LuPone’s rep for comment.

The letter adds to the online backlash LuPone has been facing since her New Yorker profile went live Monday. In the piece, LuPone reflected on how she once asked Shubert Organization head Robert Wankel to step in after sound from the Alicia Keys-created musical Hell’s Kitchen, in which Lewis starred, could be heard during LuPone’s performances of The Roommate next door on Broadway. Shortly after LuPone’s complaint, Lewis posted an Instagram video labeling the icon’s actions as “bullying,” “racially microaggressive” and “rooted in privilege” for calling “a Black show loud.”

“She calls herself a veteran? Let’s find out how many Broadway shows Kecia Lewis has done, because she doesn’t know what the f— she’s talking about,” LuPone told The New Yorker of the situation. “Don’t call yourself a vet, bi—.”

As for McDonald, LuPone took issue with the Private Practice star showing support for Lewis in the comments of said Instagram video. “I thought, You should know better,” LuPone told the publication, noting that there had been an undisclosed “rift” between the two actresses. “That’s typical of Audra. She’s not a friend.”

McDonald later responded in an interview with Gayle King, saying she had no idea what “rift” LuPone was referring to.

But while the comments could be regarded as typical for the famously forthright LuPone, the members of the Broadway community who signed Friday’s open letter thinks she crossed a line. “To publicly attack a woman who has contributed to this art form with such excellence, leadership, and grace … is not simply a personal offense,” their statement reads. “It is a public affront to the values of collaboration, equity, and mutual respect that our theater community claims to uphold.

“We cannot continue to welcome back those who harm others simply because of their fame or perceivedvalue,” it concludes. “This must stop. We will no longer tolerate violence—verbal, emotional, or physical—against artists within our own community. No more free passes. If our industry is truly committed to equity, justice, and respect, then those values must be applied consistently, even when it’s uncomfortable.”

Diddy is currently on trial in New York for sex trafficking and racketeering. While the trial is still in its early stages, President Donald Trump was asked about potentially pardoning the Bad Boy mogul, and Trump admitted it’s something he’d consider. Explore See latest videos, charts and news See latest videos, charts and news During […]

WAR will receive its star on the Hollywood Walk of Fame on Thursday June 5 – 56 years after the band was formed in Long Beach, Calif.
Comedian George Lopez, whose eponymous sitcom (2002-07) featured War’s 1975 smash “Low Rider” as its theme song, is set to speak at the event. In a fun twist, the group is scheduled to arrive at the star ceremony in low riders provided by four car clubs – Imperial Car Club, Groupe ELA, Spirit Car Club, and Southern Life Car Club.

Music producer Jimmy Jam will emcee the ceremony, which will take place at 11:30 a.m. PT at 6212 Hollywood Boulevard. It is the 2,814th star ceremony and will be streamed live exclusively at walkoffame.com.

The honor is shared by original members Lonnie Jordan, Harold Brown, Howard Scott, Lee Oskar and Jerry Goldstein; late members Charles Miller, Morris Dickerson and Thomas Sylvester Allen; and current members Salvador Rodriguez, Marcos Reyes, Rene Camacho, Scott Martin, Mitchell Kashmar and James Zota Baker.

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WAR had four top 10 albums on the Billboard 200, including one that reached No. 1 in 1973, The World Is a Ghetto. It had six top 10 hits on the Billboard Hot 100, with the funky “The Cisco Kid” climbing as high as No. 2 in 1973 – kept from the top spot by Tony Orlando & Dawn’s resolutely unfunky “Tie a Yellow Ribbon Round the Old Oak Tree.”

“Low Rider,” released in 1975, was its only No. 1 on what was then called Hot Soul Singles (and is now called Hot R&B/Hip-Hop Songs). “Low Rider” has since become the band’s signature song. It was voted into the Grammy Hall of Fame in 2014.

WAR’s signature fusion of funk, soul, jazz, Latin, rock and street music made their music stand out in the 1970s, along with their ability to weave social messages into their songs, notably on “Why Can’t We Be Friends?” WAR have been nominated for the Rock & Roll Hall of Fame three times (2009, 2012, 2015), but have yet to get the nod.

The Hollywood Chamber of Commerce administers the Walk of Fame for the City of Los Angeles and has hosted these star ceremonies for decades.

Alex Warren and Jelly Roll went all the way back to the Middle Ages in a music video for their new single “Bloodline.” Released Friday (May 30), the clip begins with Warren barricaded inside a medieval tavern. According to a brawny extra, there’s apparently a dangerous war raging outside. “The enemy shall be upon us […]

The last week of May is coming to a close, and it’s shaped up to be a big one for pop music releases. Miley Cyrus leads the charge with a full album of new music that dropped Friday (May 30), Something Beautiful, featuring the singles “End of the World” and “More to Lose.” The high-energy […]

Carlos Santana, a living legend in global music, hardly needs an introduction. With nearly eight decades under his belt, his influence continues to ripple across generations of artists and fans alike.

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Now, his artistry intertwines with Grupo Frontera in “Me Retiro,” a Tex-Mex rock collaboration that celebrates resilience and emotional rebirth, with Santana stepping in as both a musical sage and spiritual guide.

The song, produced and co-written by Edgar Barrera, tells the story of someone trying to move past the pain of a broken relationship while grappling with an overwhelming sense of emptiness. Musically, “Me Retiro” blends Santana’s unmistakable electric guitar melodies — dizzying and immersive — with Grupo Frontera’s signature tejano acoustic style, where, instead of the accordion, Santana’s guitar takes center stage. The “Black Magic Woman” artist uses his electrifying rock riffs to elevate the track to a more dynamic level, while Frontera’s Texan instrumentation grounds it in the cultural and emotional roots of norteño.

Trending on Billboard

In a Zoom interview with Billboard Español, Santana reflects on the essence of the song and his connection to its message. “It’s about someone who doesn’t see themselves as a victim,” he said. “There are so many songs I didn’t like growing up, about people getting drunk and crying, like, ‘Oh, they left me, they’re gone.; That music is so depressing, and I don’t think that way — I’m a lion. If my woman leaves, let her go, I’ll find another queen with even more light. I have very strong faith, and I relate to Frontera’s lyrics because they’re basically saying, ‘I don’t give a damn.’

“I came into this world to transcend,” the musician concludes. “I’m a gardener, and my water is for all the flowers.”

Barrera was the bridge between the iconic guitarist and the Texan-Mexican group. For the producer and songwriter, this project marked a pivotal moment in his career. “It was a very special moment for me to be able to work with Santana because the first song I ever learned how to play on the guitar was ‘Samba Pa Ti’ and I played it in a talent show when I was 10 years old,” shares Barrera. “He is one of the main reasons I fell in love with music and he’s always been one of my idols so this was truly a full circle moment in my career and I’m honored that he agreed to collaborate with me.”

The creative process was just as meaningful for Grupo Frontera, whose members are still reflecting on the unforgettable opportunity to work with a musical legend. “It’s always a surreal moment when you get to collaborate with people you’ve looked up to your whole life,” said the band via email. “Edgar Barrera told us that Santana wanted to make a song together and we were shocked. Being in the same room as him, watching him work, we were speechless. We learned a lot from the experience.”

For Santana, the project felt authentic and aligned with his own musical style, creating a natural connection with Grupo Frontera. “They have so much energy and joy and I really relate to that,” Santana says. “If you break down where their music comes from, it’s African music. It’s blended with northern Texas and Mexican influences, but its foundation — just like Selena’s cumbia — is rooted in African music, and that’s something I can express very naturally.”

Despite his recent health challenges, 77-year-old Santana says he’s ready to keep sharing his magic with the world. “Thank God, I’m better than ever. I’m ready to go on tour and bring this strength and hope to people,” he says.

For him and his unmistakable guitar, the mission has always been clear: to inspire others with a “pinch of light.”

Listen to “Me Retiro” by Carlos Santana and Grupo Frontera below.