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PARTYNEXTDOOR and Drake’s first collaborative album, $ome $exy $ongs 4 U, debuts atop the Billboard 200 chart (dated March 1), earning 246,000 equivalent album units in the U.S. in the week ending Feb. 20, according to Luminate. It’s the first leader for PARTYNEXTDOOR and fourth top 10 charting set. It’s 14th No. 1 for Drake among 17 top 10s. Drake now ties JAY-Z and Taylor Swift for the most No. 1s among soloists in the nearly-69-year history of the chart. Overall, only The Beatles, with 19 No. 1s, have more.

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A collaborative project from PARTYNEXTDOOR and Drake had been teased for months, but was only officially announced on Feb. 3, in advance of its release on Feb. 14.

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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 1, 2025-dated chart will be posted in full on Billboard‘s website on Feb. 25. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of $ome $exy $ongs 4 U’s 246,000 first-week equivalent album units, SEA units comprise 219,000 (equaling 287.04 million on-demand official streams of the set’s songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 25,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise 2,000.

With 287.04 million on-demand official streams generated of its songs, $ome $exy $ongs 4 U nets the largest streaming week for an album in 2025. It’s the largest streaming week for any album since Kendrick Lamar’s GNX debuted at No. 1 on the Dec. 7, 2024, chart with 379.72 million.

Speaking of Lamar, $ome $exy $ongs 4 U is Drake’s first album since the feud between him and Lamar escalated in March 2024 with the release of “Like That” by Future, Metro Boomin and Lamar. A flurry of diss tracks followed from each artist, with Lamar’s “Not Like Us” finding the most commercial success, spending three nonconsecutive weeks at No. 1 on the Billboard Hot 100 (including a return to the top a week ago after he performed the track during his Super Bowl LIX halftime show on Feb. 9).

$ome $exy $ongs 4 U replaces Lamar’s GNX atop the Billboard 200, as the latter falls to No. 3 after returning to No. 1 a week ago in the wake of the halftime show. It’s the first time Lamar and Drake have swapped the No. 1 slot on the Billboard 200. This is also only the third time Lamar and Drake have been in the top three at the same time on the Billboard 200. They previously shared space in the top three on the May 13, 2017, chart, when Lamar’s DAMN. was in its second week at No. 1 and Drake’s former leader More Life was No. 2, and on the May 6, 2017, chart, when DAMN. debuted at No. 1 and More Life was No. 3. (DAMN. spent four nonconsecutive weeks at No. 1 in May-August 2017 and More Life had three weeks at No. 1, consecutively, in April 2017.)

$ome $exy $ongs 4 U is the first collaborative No. 1 on the Billboard 200 in 2025. There were three collab No. 1s in 2024, none in 2023, one in 2022, one in 2021 and one in 2020. Of Drake’s 14 leaders, three are collaborative sets. He previously led with the collab projects Her Loss (with 21 Savage in 2022) and What a Time to Be Alive (with Future in 2015).

On the new Billboard 200 chart, Sabrina Carpenter’s former leader Short n’ Sweet surges 7-2 with 156,000 equivalent album units earned (up 208%) following its reissue with five additional tracks on Feb. 14. The set was reissued on streamers, as well as at retail as a digital download, CD, cassette and two vinyl variants. One of the additional cuts on the reissue is a reworked version of Carpenter’s solo No. 1 Hot 100 hit “Please Please Please,” now rerecorded as a collaboration featuring Dolly Parton.

With 156,000 equivalent album units earned in the latest tracking week, Short n’ Sweet snags its biggest week since it debuted at No. 1 on the chart dated Sept. 7, 2024, with 362,000. Of the album’s 156,000 units earned, SEA units comprise 83,000 (up 108%, equaling 111.95 million on-demand official streams of the set’s songs; it climbs 7-4 on Top Streaming Albums), album sales comprise 71,000 (up 616%; it rises 6-1 on Top Album Sales) and TEA units comprise 2,000 (up 198%).

SZA’s chart-topping SOS falls 2-4 on the Billboard 200 with 93,000 equivalent album units earned (down 14%); Bad Bunny’s former No. 1 Debí Tirar Más Fotos dips 4-5 with 67,000 units (down 14%); and The Weeknd’s chart-topping Hurry Up Tomorrow descends 3-6 with 58,000 units (down 42%).

Chappell Roan’s The Rise and Fall of a Midwest Princess slips 5-7 on the Billboard 200 (49,000 equivalent album units earned; down 17%); Billie Eilish’s Hit Me Hard and Soft drops 6-8 (46,000; down 18%); Morgan Wallen’s chart-topping One Thing at a Time dips 8-9 (39,000; down 5%); and Lamar’s DAMN. falls 9-10 (33,000; down 14%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Bill Fay, the British cult folk singer-songwriter, has passed away at the age of 81.
On Saturday (Feb. 23), Fay’s label Dead Oceans confirmed his death in a statement on Instagram, noting that the musician “peacefully” passed away that morning in London. A cause of death was not specified, but Fay had been diagnosed with Parkinson’s Disease.

“Bill was a gentle man and a gentleman, wise beyond our times,” Dead Oceans wrote in a statement. “He was a private person with the biggest of hearts, who wrote immensely moving, meaningful songs that will continue to find people for years to come.”

Born in North London in 1943, Fay studied electronics at a university in Wales, where he began honing his songwriting skills on piano and harmonium. His early recordings caught the attention of former Van Morrison drummer Terry Noon, who helped him sign to the Decca Records subsidiary Dream.

Fay released two albums with the label: his self-titled debut in 1970 and Time of the Last Persecution in 1971. The latter album was a commercial failure, and he was dropped by the label. Fay would not release any new music for decades afterward.

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“I didn’t leave the music business — the music business left me,” Fay told The Guardian in February 2024. “It wasn’t difficult, because I still had the music … and you find the songs. And then you find another. That’s good enough for me.”

After leaving the music industry, Fay worked as a groundskeeper, fruit picker and factory worker, among other jobs, all while continuing to make music. In 1998, a small British label reissued his first two albums, leading to renewed interest in his work. Producer Jim O’Rourke soon discovered Fay’s music and played it for Jeff Tweedy during the recording sessions for Wilco’s 2002 album, Yankee Hotel Foxtrot. Tweedy was so taken with Fay’s music that he incorporated a cover of “Be Not So Fearful” into Wilco’s live shows, even convincing Fay to join the band on stage in 2007 and 2010.

“There’s a simplicity and an elegance to it,” Tweedy told The Guardian last year. “You immediately recognize this is something uncut by ambition and fashion; it’s just somebody humbly adding their voice to contribute some beauty in, and maybe make peace with, the world.”

O’Rourke also introduced Fay’s music to Current 93’s David Tibet, who helped release the 2005 compilation Tomorrow, Tomorrow & Tomorrow, which featured recordings from 1978 to 1981.

In the years that followed, producer Joshua Henry discovered a copy of Time of the Last Persecution in his father’s record collection and eventually reached out to Fay. This connection led to Fay signing with Dead Oceans, where he released three new albums: Life Is People (2012), Who Is the Sender? (2015), and Countless Branches (2020).

Dead Oceans stated that Fay had been working on new music just a month before his death.

“Only a month before his passing, Bill was busy working on a new album,” the label wrote. “Our hope is to find a way to finish and release it, but for now, we remember Bill’s legacy as the “man in the corner of the room at the piano”, who quietly wrote heartfelt songs that touched and connected with people around the world.”

See Dead Ocean’s announcement of Fay’s passing on Instagram here.

Karol G’s Con Cora Foundation hosted its inaugural Con Cora Land benefit charity gala on Saturday (Feb. 22) at the Vizcaya Museum & Gardens in Miami. 
The evening, which started promptly at 7 p.m. local time, welcomed industry leaders and artists alike, including Elena Rose, Manuel Medrano, Mau y Ricky and Ela Taubert, among others. The fundraising event was in support of the Colombian singer’s Con Cora Foundation and its Casa Con Cora initiative to empower “thousands of women” to pursue their dreams.

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“This project comes from the heart of the home, the nest of the family,” Karol G said at the event. “When we were little, my parents always had an ideology of life and it was that the blessing had to circulate. The need for the foundation comes from the number of projects that come knocking on our doors that we would love to attend to. With you helping us, we can do it. Our mission is to give the blessing to other women because precisely from our position we realized how difficult it has been. Thank you for being here, for accompanying us. I want you to go home proud because you are making a project possible to support women, entire families, children, girls, and generations.” 

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In a previous press release, the artist noted that the foundation’s goal “was to empower women and girls to transform their dreams into reality, regardless of their background. Con Cora Land will be a special space where we can recognize our accomplishments, raise awareness of the impact we’ve made and look ahead to the incredible journey ahead.”

Below, check out some highlights from the gala: 

Live Auction 

The gala was hosted by Puerto Rican actress and presenter Giselle Blondet, who first invite all the guests to take a seat and enjoy their dinner around 8 p.m. A live auction then took place with five special items. The first, a gold necklace designed by Colombian jeweler Johanna Ortiz that was auctioned for $4,500, followed by tickets to the Miami U.S. Open (auctioned at $7,000), a dinner experience for 16 at the Casadonna Restaurant (auctioned at $7,000), a six-day trip for two to Africa (auctioned at $17,000), and an art piece signed by Karol G and created by a fan in Spain that auctioned for more than $70,000. Many donations were also made, including more than $5,000 for a girl’s soccer training and other educational funds and resources.

An online auction, featuring concert tickets to Bad Bunny’s shows in Puerto Rico and limited-edition merch from Feid, will run until March 12, here.

Special Performers

Following the live auction, the host of the night invited all the guests to make their way to the stage for a one-hour concert. First, guests were surprised by Nelly Furtado, who delivered an intimate acoustic set of “Say It Right,” “Maneater,” and “I’m Like a Bird.” One of the night’s highlights is when Furtado scouted through the crowd to sing her Juanes-assisted “Fotografía” with Karol G. According to the Canadian singer-songwriter, the lattermost is one of Karol’s favorite songs.

Then, to everyone’s surprise too, Ricardo Montaner took center stage with a live band to sing some of his greatest hits: “La Cima del Cielo,” “Me Va a Extrañar” and “Bésame,” to name a few. He told guests that this was the first time in over a year that he performs live, and that the reason he was doing it was because he fully supports Karol’s initiatives with her foundation. “Ay Dios mio, Karol, the things you make me do,” he joked. In the crowd were his sons Mau y Ricky singing along to every song.

Con Cora Land

In true Karol G fashion, the artist made an experience out of her benefit gala event. Among some of the activations held in the gardens of Vizcaya was a market village featuring items made by Latina entrepreneurs: jewelry, crochet, ceramics, and more were sold at the market. Meanwhile, each guest received a Con Cora Land tote filled with goodies, including a JBL portable speaker and a themed bracelet by Amorfa Gemz — a jewelry brand by Karol’s sister and manager, Jessica Giraldo.

Marc Anthony will kick of the 2025 Viña del Mar International Song Festival, performing Sunday (Feb. 23) at the Quinta Vergara amphitheater in the coastal city of Viña del Mar in Chile.

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The salsa superstar will perform with his whole band as part of his Historias tour, in what will be his fourth appearance at the festival. Viña del Mar, which is celebrating its 64th edition, previously hosted Anthony in 2009, 2012 and 2019.

Anthony headlines the first of six nights of stacked performances that will be streamed in the U.S. exclusively on Billboard.com and Billboardespanol.com. He is slated to perform approximately at 7:45 p.m. ET, followed by pop/tropical duo Bacilos at approximately 11:15 p.m. ET.

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Both performances are part of the nightly Viña del Mar broadcast, which year after year is Chile’s highest-rated television show. Each night features a headliner, a supporting artist, a comedian and an international song festival in folk and pop categories, where contestants compete every night for a winner in each.

Sunday’s performance will kick off with Anthony, and will be followed by a set from Venezuelan comedian George Harris, the song competition, and Bacilos as the grand finale.

Led by Jorge Villamizar and André Lopes, Bacilos gained fame in the early 2000s with a series of hits including “Tabaco y Chanel,” and “Caraluna.” With a discography that includes six studio albums, two compilations and two EPs, the Miami-based band has earned a Grammy and five Latin Grammys. Last year, they released their newest album, Pequeños Romances.

Viña will continue Monday (Feb. 24) with performances by headliner Myriam Hernández and sibling duo Ha*Ash; Feb. 25 with Colombian’s Morat headlining and Sebastian Yatra; Feb. 26 with Carlos Vives headlining and Carín León; Feb. 27 with Incubus, Juan Carlos López and The Cult; and Feb. 28, urban night, with headliner Duki, Eladio Carrión and Kid Voodoo.

All nights will be livestreamed in the U.S. on Billboard.com and Billboardespanol.com. Performances can be viewed on the player in this story beginning at 7:15 p.m. ET, or throughout billboard.com and billboardespañol.com.

Canadian rockers Three Days Grace have never played it safe. For over two decades, they’ve delivered some of rock’s most anthemic gut punches—”I Hate Everything About You,” “Animal I Have Become,” and “Never Too Late”—while weathering lineup changes, shifting sounds, and carving out a legacy that refuses to fade.

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Now, they’re flipping the script once again. Original frontman Adam Gontier is back, but not as a replacement—he’s teaming up with Matt Walst in a rare, dual-frontman powerhouse. Instead of a passing of the torch, it’s a collision of past and present, rewriting the band’s next chapter in real-time.

“I grew up same town, watching these guys practice in my basement when I was 12 years old,” Walst tells Billboard. “So I’ve always been a big fan of the band. It’s pretty cool to see this happen.”

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This reunion had been years in the making. Gontier made a surprise appearance with Three Days Grace in 2023, igniting rumors of a comeback. By October 2024, the band made it official after dropping a video of Gontier and Walst linking up at the studio. For the first time, Three Days Grace would have two lead singers.

If the reaction from fans was explosive, the impact on the charts was just as immediate.

Their first single as a dual-fronted band, “Mayday,” skyrocketed to No. 1 on Billboard’s Mainstream Rock Airplay chart. It marked their 18th No. 1–the first featuring vocals from Gontier since “Misery Loves My Company” in 2013.

“We knew people would freak out about it, but I didn’t think it would fly up to No. 1 on Billboard in five weeks to No.1,” Walst says. “It’s now sat there for five weeks. It’s been No. 1 for half the time it’s been out. We’re blown away by it. It’s crazy.”

With new music and a massive tour alongside Disturbed on the horizon, the next big question became—how do two powerhouse singers split up vocal duties?

“We start rehearsals next week, and then we’re out on tour with Disturbed across America, and it will be the first time we’ve gone through the songs together,” explains Walst, who took on the role of frontman in 2013.

For older songs originally sung by Gontier, Walst says, “I’m playing guitar and singing harmonies, backups.” Meanwhile, for songs from his own tenure, “he’s playing guitar and singing backups, and then for the new song we’re gonna sing together.”

Walst has a deep respect for Gontier’s talent, particularly his vocal range. “He can sing really, really high, he can hit notes that way, way up there. It’s insane.”

That ability, Walst believes, has only grown stronger over time. “It’s pretty cool to watch,” he added.

But when it came to recording their first tracks as a two-frontman band, they took an unconventional approach to deciding who sings what.

“Sometimes we did rock paper scissors,” Walst laughs. “Like, okay, who’s singing this part?”

“A lot of the time in the studio, it just comes naturally. Who’s gonna sing what and where,” he explains. “It’s been a lot of fun. We have each other’s backs and we cheer each other on when we do a good take. It’s pretty cool to be part of.”

“We get along. We’re both pretty chill people, and we’ve known each other for years and years,” he adds of his relationship with his fellow frontman. “We grew up together. We’re from the same town, so it’s not like if Van Halen singers tried to get together and do a tour.”

With a deep catalog of Billboard rock hits, the band is gearing up for a high-energy setlist, featuring the heavy-hitting sound that has fueled their legacy—only this time, with even more fire behind it.

“I think we’re just gonna bash them over the head with some hits,” Walst jokes.

“We have a lot of heavier songs on this album,” Walst teases. “But we have our ballads too, some lighter stuff. With every album, we like to balance it out with heavier songs and some lighter material, just so there’s diversity in it. ‘Mayday’ would not be the heaviest song on the record, but it’s up there.”

After 20 years of career highs, lineup changes, and countless tours, the band knows longevity in rock isn’t just about surviving—it’s about evolving and not letting egos get in the way of the music. For Walst, that’s never been an issue for the band.

“We don’t get offended if our idea isn’t good enough, or if our suggestion doesn’t go through,” he continues. “It’s about the song. Whatever is best for the song is gonna go.”

“I think it’s just writing about stuff that is going on in our lives or around us, and that people can apply themselves to the music and feel that,” Walst reflects. “If they’re depressed or they can reach on to a song, like ‘Never Too Late,’ or they going through a breakup, listening to ‘I Hate Everything About You.’”

As Three Days Grace kick off their new chapter, Walst is looking forward to what’s ahead.

“When the crowd is going nuts, it fuels me,“ he says about performing live. “The more they go crazy, the more I go crazy. I haven’t been on a stage for a year, and it’s gonna be interesting to get back up there and feel the butterflies and feel that energy again. It’s kind of like a drug you can’t get anywhere else.”

“I won a lot of awards recently, but this one tonight is probably the most special award I’ve ever gotten because it’s from this institution that represents these people, us people of color, Black people.”
That’s how comedian and actor Dave Chappelle began his acceptance speech upon becoming the first comedian to receive the President’s Award at the 56th NAACP Image Awards on Saturday (Feb. 22). Then gliding back and forth between being serious and, of course, humorous, he delivered insightful and compelling comments while delivering a call to arms to the entertainment industry that drew strong applause amid a standing ovation.

Chappelle continued his speech by introducing his “god brother Ben Jealous,” a former president of the NAACP.  “I asked him, ‘What do you think I should say tonight?,” said Chappelle. “And Ben sent me a whole speech [to audience laughter]. But what was important? He said in 1915 the movie Birth of a Nation came out and had a hideous depiction of African Americans. And by 1927 the NAACP had opened its first office here in Hollywood. And from then, 100 years ago to this very night, they have been chipping away at this industry so that people like me can stand up in front of people and tell my story or our stories. Each and every artist in here, every opportunity we get, every time we’re on camera, on stage, we just keep chipping away at this monster of a machine. But tonight, man, I feel invigorated because all my Netflix checks cleared [more audience laughter].

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“I don’t owe anybody any work right now,” Chappelle continued in part. “So every time you see me, just know I’m only up there because I want to be right up there. I hope all of us who work in this industry feel strong and inspired and not discouraged, especially because this is a very difficult time right now, and your institution is, sadly, more relevant than it’s been in a long time. We got a lot of work to do, but it feels good to know that we’re not in it alone, that we got each other. And remember community is everything. Shout out to everybody who lost their home or was displaced from their home … Don’t ever be afraid to lean on each other. My father told me a phrase that got me all the way to where I am today. He said, “Whenever you mess up or you feel like you can’t get up, remember these words because they’re magic words. And I said, ‘What’s the words, dad?’ And he said, ‘Whoops’ [audience laughter] ’ Let’s keep it moving, y’all, let’s keep it moving.”

After thanking the NAACP and the audience before heading off stage, Chappelle also paid tribute to veteran film and TV director/ producer Stan Lathan, who was in the audience. Lathan’s lengthy list of credits includes Chappelle’s stand-up comedy shows such as Killin’ Them Softly, Equanamity and Sticks and Stones as well as Sesame Street, Sanford & Son and Def Comedy Jam.

Prefacing the award presentation was an introduction from NAACP president/CEO Derrick Johnson who said in part, “We’re honoring him with the NAACP President’s Award, an award that isn’t just about recognizing legends in their field but about celebrating their impact on culture. For decades, Dave has made us laugh like no one else can, and let’s be real. We need that now more than ever. Countless others have recognized him for his genius in comedy, but we’re honoring him for his fearless social commentary, for making us think, for pushing boundaries and for the way his comedy has challenged the status quo and resonated with people of every background.”

Johnson’s comments were followed by a video segment featuring various clips from Chappelle’s career onstage and in television and film as well as his philanthropic work including his support of The Duke Ellington School of the Arts and the Flint water crisis. Among the industry colleagues and friends participating in the video was fellow comedian and actor Eddie Murphy who said, “Dave is maybe the most intellectual comedian ever.”

Chappelle is a six-time Grammy Award winner for best comedy album, most recently in February for The Dreamer. His accolades also  include five Primetime Emmy Awards: three for his Netflix comedy specials Sticks & Stones and Equanimity & The Bird Revelation and two for hosting Saturday Night Live in 2017 and 2021. Chappelle is also the 2019 recipient of the prestigious Mark Twain Prize for American Humor.

Keke Palmer was named entertainer of the year at the 2025 NAACP Image Awards, which were held at Pasadena Civic Auditorium in Pasadena, Calif. on Saturday (Feb. 22). The other nominees in the category were Cynthia Erivo, Kendrick Lamar, Kevin Hart and Shannon Sharpe.
Palmer also won outstanding host in a reality/reality competition, game show or variety series or special for the reboot of Password, but her win in the top category was considered a surprise. In accepting her award, she made clear she expected the red-hot Erivo to win.

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The NAACP presented dozens of awards, most of them prior to the televised ceremony. Beyoncé’s Cowboy Carter, which had won a Grammy for album of the year on Feb. 2, was voted outstanding album. It’s Bey’s fourth win in that category, which puts her in a tie with Whitney Houston for the most awards in that category in the show’s history. Beyoncé also won outstanding female artist for a record-extending eighth time.

Chris Brown won outstanding male artist for the fourth time, which puts him in tie with Usher for second place among all winners in this category. Luther Vandross leads with seven wins. (Vandross’ continuing legacy was seen when Luther: Never Too Much won for outstanding documentary – motion pictures.) Brown won two additional awards. “Residuals” won outstanding soul/R&B song.“Hmmm,” featuring Davido, took outstanding international song.

Lamar’s “Not Like Us,” which won five Grammys, including record and song of the year, won outstanding hip-hop/rap song and outstanding music video/visual album.

Doechii won outstanding new artist. She was Grammy-nominated for best new artist, but lost to Chappell Roan. This is the sixth year in a row that the NAACP winner in this category was at least nominated for the Grammy for best new artist.

The Six Triple Eight won outstanding motion picture. This is the second film directed by Tyler Perry to win in this category, following For Colored Girls (2011). Denzel Washington, Taylor Hackford and Ryan Coogler have also directed two NAACP Image Award winners in this category.

Neither of the Black actors nominated for lead acting Oscars this year won in their categories at the NAACP Image Awards. Erivo (Wicked) lost to Kerry Washington for The Six Triple Eight. Colman Domingo (Sing Sing) lost to Martin Lawrence for Bad Boys: Ride or Die.

Three notable second-generation stars won awards (along with their famous parents). Blue Ivy Carter, Beyoncé’s 13-year-old daughter, won for outstanding character voice performance, motion picture for Mufasa: The Lion King. Malcolm Washington, the son of Denzel Washington, won for outstanding breakthrough creative, motion picture, for The Piano Lesson. His father won outstanding supporting actor in a motion picture for Gladiator II. Damon Wayans Jr. won outstanding supporting actor in a comedy series for Poppa’s House. His father Damon Wayans wonthe lead actor prize for that same show.

Jamie Foxx: What Had Happened Was… won outstanding variety show (series or special). On the Netflix special, Foxx shed light on his April 2023 health emergency. He revealed that he had a brain bleed that led to a stroke which resulted in his hospitalization.

The Prince of Death Row Records, about singer October London, won outstanding short-form series or special – reality/nonfiction/documentary.

The Jennifer Hudson Show won outstanding talk series, while the show’s host won outstanding host in a talk or news/information (series or special), individual or ensemble. Hudson won entertainer of the year at the NAACP show three years ago.

Cliff “Method Man” Smith won outstanding supporting actor in a drama series for Power Book II: Ghost. Smith, a member of the East Coast hip-hop collective Wu-Tang Clan, has had significant success in both hip-hop and acting.

Former Vice President Kamala Harris received the Chairman’s Award. Dave Chappelle became the first comedian to receive the President’s Award. The BET Media Group won the NAACP Founders Award.

The Wayans Family received the Hall of Fame Award. In addition, three family members won individual honors. As noted, Damon Wayans and Damon Wayans Jr. both won for Poppa’s House.  Marlon Wayans won outstanding guest performance for Bel Air.

Ledisi, joined by a gospel choir, performed the gospel standard “How I Got Over” in a special segment remembering the victims of the recent wildfires, which devastated the historically-Black neighborhood of Altadena, Calif. Clara Ward wrote the song, which has been performed by such greats as Mahalia Jackson and Aretha Franklin.

Maze featuring Frankie Beverly’s “The Golden Time of Day” soundtracked the In Memoriam spot, which included Beverly. There was a separate tribute to Quincy Jones, which included clips of such signature works “Ai No Corrida,” Brothers Johnson’s “Stomp!” and the funky instrumental theme to TV’s Sanford & Son.

Here’s a complete list of the nominations in key categories in the 2025 NAACP Image Awards, with winners marked.

Entertainer of the year

Cynthia Erivo

WINNER: Keke Palmer

Kendrick Lamar

Kevin Hart

Shannon Sharpe

Outstanding album

Alligator Bites Never Heal — Doechii (Capitol Records/Top Dawg Entertainment)

Cape Town to Cairo — PJ Morton (Morton Records/EMPIRE)

Coming Home — Usher (mega/gamma.)

WINNER: Cowboy Carter — Beyoncé (Columbia Records/Parkwood Entertainment LLC)

Glorious — GloRilla (Collective Music Group/Interscope Records)

Outstanding soul/R&B song

“16 CARRIAGES” — Beyoncé (Columbia Records/Parkwood Entertainment LLC)

“Here We Go (Uh Oh)” — Coco Jones (Def Jam Recordings)

“I Found You” — PJ Morton (Morton Records/EMPIRE)

WINNER: “Residuals” — Chris Brown (RCA Records/Chris Brown Entertainment)

“Saturn” — SZA (RCA Records/Top Dawg Entertainment)

Outstanding hip hop/rap song

“Mamushi” — Megan Thee Stallion feat. Yuki Chiba (Hot Girl Productions LLC/Warner Music Group)

“Murdergram Deux” — LL Cool J feat. Eminem (Def Jam Recordings)

“Noid” — Tyler, the Creator (Columbia Records)

WINNER: “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)

“Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)

Outstanding male artist

WINNER: Chris Brown (RCA Records/Chris Brown Entertainment)

J. Cole (Dreamville/Interscope Records)

Kendrick Lamar (pgLang, under exclusive license to Interscope Records)

October London (Death Row Records/gamma.)

Usher (mega/gamma.)

Outstanding female artist

WINNER: Beyoncé (Columbia Records/Parkwood Entertainment LLC)

Coco Jones (Def Jam Recordings)

Doechii (Capitol Records/Top Dawg Entertainment)

GloRilla (Collective Music Group/Interscope Records)

H.E.R. (RCA Records)

Outstanding new artist

WINNER: Doechii (Capitol Records/Top Dawg Entertainment)

Myles Smith (RCA Records/Sony Music Entertainment)

Samoht (Affective Music)

Shaboozey (American Dogwood/Empire)

Tyla (Epic Records)

Outstanding duo, group or collaboration (traditional)

WINNER: Adam Blackstone & Fantasia — “Summertime” (BASSic Black Entertainment Records/Anderson Music Group/EMPIRE)

Leela James feat. Kenyon Dixon — “Watcha Done Now” (Shesangz Music, Inc. under exclusive license to BMG Rights Management (US) LLC)

Maverick City Music feat. Miles Minnick — “God Problems (Not by Power)” (Tribl Records)

Muni Long & Mariah Carey — “Made for Me” (Supergiant Records/Def Jam Recordings)

Sounds of Blackness feat. Jamecia Bennett & Buddy McLain — “Thankful” (McLain Music, LLC)

Outstanding duo, group or collaboration (contemporary)

FLO & GloRilla — “In My Bag” (Island Records)

GloRilla feat. Kirk Franklin, Maverick City Music, Kierra Sheard, Chandler Moore — “RAIN DOWN ON ME” (Collective Music Group/Interscope Records)

Usher & Burna Boy — “Coming Home” (mega/gamma.)

Victoria Monét feat. Usher — “SOS” (Sex on Sight) (RCA Records/Lovett Music)

WINNER: Wizkid feat. Brent Faiyaz — “Piece of My Heart” (RCA Records/Sony Music International/Starboy Entertainment)

Outstanding gospel/Christian album

Heart of a Human — DOE (Life Room Label/RCA Inspiration)

WINNER: Live Breathe Fight — Tamela Mann (Tillymann Music Group)

Still Karen — Karen Clark Sheard (Karew Records/Motown Gospel)

Sunny Days — Yolanda Adams (Epic Records)

The Maverick Way Reimagined — Maverick City Music (Tribl Records)

Outstanding international song

“Close” — Skip Marley (Def Jam Recordings)

WINNER: “Hmmm” —  Chris Brown feat. Davido (RCA Records/Chris Brown Entertainment)

“Jump” — Tyla (Epic Records)

“Love Me JeJe” — Tems (RCA Records/Since ‘93)

“Piece of My Heart” — Wizkid feat. Brent Faiyaz (RCA Records/Sony Music International/Starboy Entertainment)

Outstanding music video/visual album

“Alright” — Victoria Monét (RCA Records/Lovett Music)

“Alter Ego (ALTERnate Version)” — Doechii, JT (Capitol Records/Top Dawg Entertainment)

“Boy Bye” — Chloe Bailey (Columbia Records/Parkwood Entertainment LLC)

WINNER: “Not Like Us” — Kendrick Lamar (pgLang, under exclusive license to Interscope Records)

“Yeah Glo!” — GloRilla (Collective Music Group/Interscope Records)

Outstanding soundtrack/compilation album

Bob Marley: One Love (Soundtrack) (Tuff Gong/Island Records)

Genius: MLK/X (Songs from the Original Series) (Hollywood Records)

Reasonable Doubt (Season 2) (Original Soundtrack) (Hollywood Records)

The Book of Clarence (The Motion Picture Soundtrack) (Geneva Club under exclusive license to Roc Nation Records, LLC)

WINNER: Wicked: The Soundtrack (Republic Records)

Outstanding gospel/Christian song

“Church Doors” — Yolanda Adams (Epic Records)

“Do It Anyway” — Tasha Cobbs Leonard (TeeLee Records/Motown Gospel)

“God Problems (Not by Power)” — Maverick City Music feat. Miles Minnick (Tribl Records)

“I Prayed for You (Said a Prayer)” MAJOR. — (NowThatsMAJOR/MNRK Music Group)

WINNER: “Working for Me” — Tamela Mann (Tillymann Music Group)

Outstanding jazz album

Creole Orchestra — Etienne Charles (Culture Shock Music)

Epic Cool — Kirk Whalum (Artistry Music)

Javon & Nikki Go to the Movies — Javon Jackson and Nikki Giovanni (Solid Jackson Records)

On Their Shoulders: An Organ Tribute — Matthew Whitaker (MOCAT Records)

WINNER: Portrait — Samara Joy (Verve Records)

Outstanding original score for television/motion picture

Challengers (Original Score) (Milan Records)

Dune: Part Two (Original Motion Picture Soundtrack) (WaterTower Music)

WINNER: Star Wars: The Acolyte (Original Soundtrack) (Walt Disney Records)

The American Society of Magical Negroes (Original Motion Picture Soundtrack) (Back Lot Music)

The Book of Clarence (Original Motion Picture Score) (Milan Records)

Outstanding motion picture

Bad Boys: Ride or Die (Sony Pictures)

Bob Marley: One Love (Paramount Pictures)

The Piano Lesson (Netflix)

WINNER: The Six Triple Eight (Netflix)

Wicked (Universal Pictures)

Outstanding actor in a motion picture

André Holland — Exhibiting Forgiveness (Roadside Attractions)

Colman Domingo — Sing Sing (A24)

John David Washington — The Piano Lesson (Netflix)

Kingsley Ben-Adir — Bob Marley: One Love (Paramount Pictures)

WINNER: Martin Lawrence — Bad Boys: Ride or Die (Sony Pictures)

Outstanding actress in a motion picture

Cynthia Erivo — Wicked (Universal Pictures)

WINNER: Kerry Washington — The Six Triple Eight (Netflix)

Lashana Lynch — Bob Marley: One Love (Paramount Pictures)

Lupita Nyong’o — A Quiet Place: Day One (Paramount Pictures)

Regina King — Shirley (Netflix)

Outstanding supporting actor in a motion picture

Brian Tyree Henry — The Fire Inside (Amazon MGM Studios)

Corey Hawkins — The Piano Lesson (Netflix)

David Alan Grier — The American Society of Magical Negroes (Focus Features)

WINNER: Denzel Washington — Gladiator II (Paramount Pictures)

Samuel L. Jackson — The Piano Lesson (Netflix)

Outstanding supporting actress in a motion picture

Aunjanue Ellis-Taylor — Exhibiting Forgiveness (Roadside Attractions)

Aunjanue Ellis-Taylor — Nickel Boys (Orion Pictures/Amazon MGM Studios)

Danielle Deadwyler — The Piano Lesson (Netflix)

WINNER: Ebony Obsidian — The Six Triple Eight (Netflix)

Lynn Whitfield — Albany Road (Faith Filmworks)

Outstanding independent motion picture

Albany Road (Faith Filmworks)

Exhibiting Forgiveness (Roadside Attractions)

Rob Peace (Republic Pictures)

WINNER: Sing Sing (A24)

We Grown Now (Sony Pictures Classics)

Outstanding international motion picture

El lugar de la otra (Netflix)

WINNER: Emilia Pérez (Netflix)

Memoir of a Snail (IFC Films)

The Seed of the Sacred Fig (NEON)

The Wall Street Boy, Kipkemboi (ArtMattan Films)

Outstanding breakthrough performance in a motion picture

Brandon Wilson — Nickel Boys (Orion Pictures/Amazon MGM Studios)

Clarence Maclin — Sing Sing (A24)

Danielle Deadwyler — The Piano Lesson (Netflix)

WINNER: Ebony Obsidian — The Six Triple Eight (Netflix)

Ryan Destiny — The Fire Inside (Amazon MGM Studios)

Outstanding ensemble cast in a motion picture

Bob Marley: One Love (Paramount Pictures)

The Book of Clarence (Sony Pictures)

The Piano Lesson (Netflix)

WINNER: The Six Triple Eight (Netflix)

Wicked (Universal Pictures)

Outstanding animated motion picture

WINNER: Inside Out 2 (Walt Disney Studios Motion Pictures)

Kung Fu Panda 4 (DreamWorks Animation)

Moana 2 (Walt Disney Studios Motion Pictures)

Piece by Piece (Focus Features)

The Wild Robot (DreamWorks Animation)

Outstanding character voice–over performance – motion picture

Aaron Pierre — Mufasa: The Lion King (Walt Disney Studios Motion Pictures)

Anika Noni Rose — Mufasa: The Lion King (Walt Disney Studios Motion Pictures)

Ayo Edebiri — Inside Out 2 (Walt Disney Studios Motion Pictures)

WINNER: Blue Ivy Carter — Mufasa: The Lion King (Walt Disney Studios Motion Pictures)

Lupita Nyong’o — The Wild Robot (DreamWorks Animation)

Outstanding short form (live action)

Chocolate with Sprinkles (AFI)

Definitely Not a Monster

If They Took Us Back

My Brother & Me (MeowBark Films)

WINNER: Superman Doesn’t Steal

Outstanding short form (animated)

if(fy) (OTB/The Hidden Hand Studios)

Nate & John (Unity Animation Project, LLC)

WINNER: Peanut Headz: Black History Toonz “Jackie Robinson” (Exhibit Treal Studios)

Self (Pixar Animation Studios)

Walk in the Light (419 Studios)

Outstanding breakthrough creative (motion picture)

David Fortune — Color Book (Tribeca Studios)

WINNER: Malcolm Washington — The Piano Lesson (Netflix)

RaMell Ross — Nickel Boys (Orion Pictures/Amazon MGM Studios)

Titus Kaphar — Exhibiting Forgiveness (Roadside Attractions)

Zoë Kravitz — Blink Twice (Amazon MGM Studios)

Outstanding youth performance in a motion picture

Anthony B. Jenkins — The Deliverance (Netflix)

Blake Cameron James — We Grown Now (Sony Pictures Classics)

Percy Daggs IV — Never Let Go (Lionsgate)

Jeremiah Daniels — Color Book (Tribeca Studios)

WINNER: Skylar Aleece Smith — The Piano Lesson (Netflix)

Outstanding cinematography in a motion picture

Andrés Arochi — Longlegs (NEON)

WINNER: Jomo Fray — Nickel Boys (Orion Pictures/Amazon MGM Studios)

Justin Derry — She Taught Love (Andscape)

Lachlan Milne — Exhibiting Forgiveness (Roadside Attractions)

Rob Hardy — The Book of Clarence (Sony Pictures)

Outstanding comedy series

WINNER: Abbott Elementary (ABC)

How to Die Alone (Hulu)

Poppa’s House (CBS)

The Neighborhood (CBS)

The Upshaws (Netflix)

Outstanding actor in a comedy series

Cedric The Entertainer — The Neighborhood (CBS)

WINNER: Damon Wayans — Poppa’s House (CBS)

David Alan Grier — St. Denis Medical (NBC)

Delroy Lindo — UnPrisoned (Hulu)

Mike Epps — The Upshaws (Netflix)

Outstanding actress in a comedy series

Ayo Edebiri — The Bear (FX/Hulu)

Kerry Washington — UnPrisoned (Hulu)

Natasha Rothwell — How to Die Alone (Hulu)

WINNER: Quinta Brunson — Abbott Elementary (ABC)

Tichina Arnold — The Neighborhood (CBS)

Outstanding supporting actor in a comedy series

WINNER: Damon Wayans Jr. — Poppa’s House (CBS)

Giancarlo Esposito — The Gentlemen (Netflix)

Kenan Thompson — Saturday Night Live (NBC)

Tyler James Williams — Abbott Elementary (ABC)

William Stanford Davis — Abbott Elementary (ABC)

Outstanding supporting actress in a comedy series

WINNER: Danielle Pinnock — Ghosts (CBS)

Ego Nwodim — Saturday Night Live (NBC)

Janelle James — Abbott Elementary (ABC)

Sheryl Lee Ralph — Abbott Elementary (ABC)

Wanda Sykes — The Upshaws (Netflix)

Outstanding drama series

9-1-1 (ABC)

Bel-Air (Peacock)

WINNER: Cross (Amazon Prime Video)

Found (NBC)

Reasonable Doubt (Hulu)

Outstanding actor in a drama series

Aldis Hodge — Cross (Amazon Prime Video)

Donald Glover — Mr. & Mrs. Smith (Amazon Prime Video)

Harold Perrineau — FROM (MGM+)

Jabari Banks — Bel-Air (Peacock)

WINNER: Michael Rainey Jr. — Power Book II: Ghost (Starz)

Outstanding actress in a drama series

Angela Bassett — 9-1-1 (ABC)

Emayatzy Corinealdi — Reasonable Doubt (Hulu)

WINNER: Queen Latifah — The Equalizer (CBS)

Shanola Hampton — Found (NBC)

Zoe Saldaña — Lioness (Paramount+)

Outstanding supporting actor in a drama series

Adrian Holmes — Bel-Air (Peacock)

WINNER: Cliff “Method Man” Smith — Power Book II: Ghost (Starz)

Isaiah Mustafa — Cross (Amazon Prime Video)

Jacob Latimore — The Chi (Paramount+)

Morris Chestnut — Reasonable Doubt (Hulu)

Outstanding supporting actress in a drama series

Adjoa Andoh — Bridgerton (Netflix)

Coco Jones — Bel-Air (Peacock)

Golda Rosheuvel — Bridgerton (Netflix)

Lorraine Toussaint — The Equalizer (CBS)

WINNER: Lynn Whitfield — The Chi (Paramount+)

Outstanding limited television (series, special or movie)

WINNER: Fight Night: The Million Dollar Heist (Peacock)

Genius: MLK/X (National Geographic)

Griselda (Netflix)

Rebel Ridge (Netflix)

The Madness (Netflix)

Outstanding actor in a limited television (series, special or movie)

WINNER: Aaron Pierre — Rebel Ridge (Netflix)

Colman Domingo — The Madness (Netflix)

Kelvin Harrison Jr. — Genius: MLK/X (National Geographic)

Kevin Hart — Fight Night: The Million Dollar Heist (Peacock)

Laurence Fishburne — Clipped (FX/Hulu)

Outstanding actress in a limited television (series, special or movie)

Aunjanue Ellis-Taylor — The Supremes at Earl’s All-You-Can-Eat (Hulu/Searchlight Pictures)

WINNER: Naturi Naughton — Abducted at an HBCU: A Black Girl Missing Movie (Lifetime)

Sanaa Lathan — The Supremes at Earl’s All-You-Can-Eat (Hulu/Searchlight Pictures)

Sofía Vergara — Griselda (Netflix)

Uzo Aduba — The Supremes at Earl’s All-You-Can-Eat (Hulu/Searchlight Pictures)

Outstanding supporting actor in a limited television (series, special or movie)

Don Cheadle — Fight Night: The Million Dollar Heist (Peacock)

Luke James — Them: The Scare (Amazon Prime Video)

Ron Cephas Jones — Genius: MLK/X (National Geographic)

WINNER: Samuel L. Jackson — Fight Night: The Million Dollar Heist (Peacock)

Terrence Howard — Fight Night: The Million Dollar Heist (Peacock)

Outstanding supporting actress in a limited television (series, special or movie)

Brandy Norwood — Descendants: The Rise of Red (Disney+)

Jayme Lawson — Genius: MLK/X (National Geographic)

Loretta Devine — Terry McMillan Presents: Tempted By Love (Lifetime)

Sanaa Lathan — Young. Wild. Free. (BET+)

WINNER: Taraji P. Henson — Fight Night: The Million Dollar Heist (Peacock)

Outstanding news/information (series or special)

Black Men’s Summit (BET Media Group)

Finding Your Roots with Henry Louis Gates, Jr. (PBS)

Laura Coates Live (CNN)

NewsNight with Abby Phillip (CNN)

WINNER: The ReidOut (MSNBC)

Outstanding talk series

Hart to Heart (Peacock)

Sherri (Syndicated)

Tamron Hall Show (Syndicated)

WINNER: The Jennifer Hudson Show (Syndicated)

The Shop Season 7 (YouTube)

Outstanding reality program, reality competition or game show (series)

WINNER: Celebrity Family Feud (ABC)

Password (NBC)

Rhythm + Flow (Netflix)

The Real Housewives of Potomac (Bravo)

Tia Mowry: My Next Act (WeTV)

Outstanding variety show (series or special)

BET Awards 2024 (BET Media Group)

Deon Cole: Ok, Mister (Netflix)

WINNER: Jamie Foxx: What Had Happened Was… (Netflix)

Katt Williams: Woke Foke (Netflix)

Saturday Night Live (NBC)

Outstanding children’s program

Craig of the Creek (Cartoon Network)

Descendants: The Rise of Red (Disney+)

WINNER: Gracie’s Corner (YouTube TV)

Sesame Street (MAX)

Snoopy Presents: Welcome Home, Franklin (Apple TV+)

Outstanding performance by a youth (series, special, television movie or limited–series)

Caleb Elijah — Cross (Amazon Prime Video)

Graceyn Hollingsworth — Gracie’s Corner (YouTube TV)

WINNER: Leah Sava Jeffries — Percy Jackson and the Olympians (Disney+)

Melody Hurd — Cross (Amazon Prime Video)

TJ Mixson — The Madness (Netflix)

Outstanding host in a talk or news/information (series or special) – individual or ensemble

Abby Phillip — NewsNight with Abby Phillip (CNN)

Henry Louis Gates Jr. — Finding Your Roots with Henry Louis Gates, Jr. (PBS)

WINNER: Jennifer Hudson — The Jennifer Hudson Show (Syndicated)

Joy Reid — The Reidout (MSNBC)

Sherri Shepherd — Sherri (Syndicated)

Outstanding host in a reality/reality competition, game show or variety (series or special) – individual or ensemble

Alfonso Ribeiro — Dancing With the Stars (ABC)

WINNER: Keke Palmer — Password (NBC)

Nick Cannon — The Masked Singer (FOX)

Steve Harvey — Celebrity Family Feud (ABC)

Taraji P. Henson — BET Awards 2024 (BET Media Group)

Outstanding guest performance

Ayo Edebiri — Saturday Night Live (NBC)

Cree Summer — Abbott Elementary (ABC)

Keegan-Michael Key — Abbott Elementary (ABC)

WINNER: Marlon Wayans — Bel-Air (Peacock)

Maya Rudolph — Saturday Night Live (NBC)

Outstanding animated series

Disney Jr.’s Ariel (Disney Jr.)

Everybody Still Hates Chris (Comedy Central)

WINNER: Gracie’s Corner (YouTube TV)

Iwájú (Disney+)

Marvel’s Moon Girl and Devil Dinosaur (Disney Channel)

Outstanding character voice-over performance (television)

Angela Bassett — Orion and the Dark (Netflix)

WINNER: Cree Summer — Rugrats (Nickelodeon)

Cree Summer — The Legend of Vox Machina (Amazon Prime Video)

Dawnn Lewis — Star Trek: Lower Decks (Paramount+)

Keke Palmer — The Second Best Hospital in the Galaxy (Amazon Prime Video)

Outstanding short form series or special – reality/nonfiction /documentary

In the Margins (PBS)

NCAA Basketball on CBS Sports (CBS)

Roots of Resistance (PBS)

SC Featured (ESPN)

WINNER: The Prince of Death Row Records (YouTube TV)

Outstanding breakthrough creative (television)

WINNER: Ayo Edebiri — The Bear (FX/Hulu)

Diarra Kilpatrick — Diarra From Detroit (BET+)

Maurice Williams — The Madness (Netflix)

Thembi L. Banks — Young. Wild. Free. (BET+)

Vince Staples — The Vince Staples Show (Netflix)

Outstanding documentary (film)

Daughters (Netflix)

Frida (Amazon MGM Studios)

King of Kings: Chasing Edward Jones (Freestyle Digital Media)

WINNER: Luther: Never Too Much (Sony Music Entertainment/Sony Music Publishing/CNN Films)

The Greatest Night in Pop (Netflix)

Outstanding documentary (television)

WINNER: Black Barbie: A Documentary (Netflix)

Black Twitter: A People’s History (Hulu)

Gospel (PBS)

Simone Biles Rising (Netflix)

Sprint (Netflix)

Outstanding short form documentary (film)

Camille A. Brown: Giant Steps (American Masters and Firelight Media)

Danielle Scott: Ancestral Call (American Masters and Firelight Media)

WINNER: How to Sue the Klan

Judging Juries

Silent Killer (Kaila Love Jones Films)

Outstanding social media personality of the year

Kai Cenat

Keith Lee

RaeShanda Lias

WINNER: Shirley Raines

Tony Baker

The Mildred Bond Roxborough Social Justice Impact Award 

WINNER: Jotaka Eaddy

Vanguard Award

WINNER: Essence

Shakira‘s concert in Medellín, Colombia, that was scheduled for Monday (Feb. 24) has been postponed. Event organizers said there were safety concerns for the show at Estadio Atanasio Girardot, after the roof of the stage installed by local production was damaged.
Shakira — who was forced to reschedule another Las Mujeres Ya No Lloran tour date in Lima, Peru, last weekend, when she was hospitalized with an “abdominal” condition — expressed regret regarding another unexpected concert postponement on Saturday. She shared the news with fans in a note on social media.

“My people from Medellín! It hurts me a lot not to be able to get on stage and sing for you as much as I wanted to,” she wrote in a post on X.

Trending on Billboard

“My children were excited to get to know Medellín, and I was excited to meet you again and share all the surprises I had prepared for them. I’m sorry for the inconvenience, especially for those who have traveled. It’s out of my hands and those of my production team, but I’m sure we’ll soon find a new date to celebrate together,” said Shakira.

“Always grateful for the unconditional support you give me,” she added. “I love you very much and I hope to see you very soon.”

Concert promoter Páramo Presenta said Shakira’s performance would be rescheduled.

“Together with Shakira’s team, we are working on new concerts for Colombia in the second half of this year, news that will be celebrated by more than one city in the country,” read a statement on X.

Páramo Presenta explained why the decision to cancel Monday’s concert had been made, noting there was a risk to the safety of the performers, the crew and the crowd.

The update on Saturday said, “During the assembly process of the show scheduled for February 24, the roof of the stage installed by the local production suffered damage that puts at risk the safety of the artist, her staff and, most importantly, that of the audience. The promoter and the artist’s team are working together and hope to reschedule the date in the future. We understand that this decision may be annoying for the public who were anxiously awaiting the show, but the most important thing is everyone’s safety.”

Ticketholders can find information about refunds at www.eticket.co.

Atención: La fecha programada de LMYNLL World Tour no podrá realizarse este 24 de febrero. Junto con el equipo de Shakira, estamos trabajando en nuevos conciertos para Colombia en el segundo semestre de este año, una noticia que será celebrada por más de una ciudad en el país. pic.twitter.com/8q52PNVGsv— Páramo Presenta (@paramo_presenta) February 21, 2025

Justin Bieber is among the stars set to participate in a benefit hockey game aimed at raising funds for those impacted by the Los Angeles wildfires. Actor Steve Carell and musician Ross Lynch will join the Canadian superstar as they lace up for “Skate For LA Strong: A Celebration to Support the Fire Recovery Efforts […]

Jennifer Lopez and Ben Affleck are officially divorced and legally single.
As of Friday (Feb. 21), the Los Angeles County Superior Court finalized the dissolution of their marriage, confirming their legal single status, according to Associated Press. The couple reached a divorce settlement on Jan. 6.

Court documents revealed that Lopez, 55, and Affleck, 52, settled through mediation in September, successfully avoiding the lengthy court battles that have plagued other high-profile celebrity divorces.

Lopez and Affleck first began dating in 2002 after meeting on the set of Gigli. They got engaged but called off their wedding in 2004. Nearly two decades later, they rekindled their romance in 2021 and tied the knot in a Georgia ceremony the following year.

Trending on Billboard

“I never thought that he and I would get back together,” Lopez told Billboard in February 2024, ahead of the release of her film This Is Me… Now: A Love Story, which chronicled their rekindled relationship. “I just couldn’t give up on the idea that there was something amazing out there for me, even when it got really bad — and it did at times. I always believed deep, deep down to not give up completely.” 

The singer and actress filed for divorce from Affleck about two years after their Georgia wedding, listing their separation date as April 26, 2024. In her initial filing, she cited “irreconcilable differences” as the reason for their split.

According to settlement documents obtained by Billboard, the pair agreed on terms to divide their properties and assets. Both waived spousal support and agreed to equally split the legal fees of their negotiation, which was mediated by Laura Wasser. Lopez will also change her legal name back from Jennifer Affleck to Jennifer Lopez.

Lopez was previously married to Ojani Noa, Cris Judd, and Marc Anthony, with whom she shares two children. Affleck was previously married to Jennifer Garner, with whom he shares three children.

In October 2024, Lopez reflected on her feelings about being single again following her split from Affleck.

“I think to myself, ‘F—, that is exactly what I needed,’” she told Interview. “Thank you, God. I’m sorry it took me so long. I’m sorry that you had to do this to me so many times. I should have learned it two or three times ago. I get it … I’m not looking for anybody, because everything that I’ve done over the past 25, 30 years, being in these different challenging situations, what can I f—ing do when it’s just me flying on my own … What if I’m just free?”