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10 Cool New Pop Songs to Get You Through The Week: Empress Of, Delilah Montagu, Ally Brooke with Dinah Jane & More

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

These 10 tracks from artists including Empress Of, Delilah Montagu, Ally Brooke and Dinah Jane and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.

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Empress Of, “Femenine”



This snappy single from Empress Of is a dance-pop treat on which she sings of knowing exactly what she wants — and refuses to settle for anything less. Delivered entirely in Spanish, Empress Of’s confidence-dripping delivery is complimented by a bass-heavy, sultry beat. If “Femenine” is setting the tone for what’s to come, then this next era is sure to be Empress Of’s most unwavering yet. – Lyndsey Havens

Lyn Lapid, “July”



Rising pop artist Lyn Lapid pulled an unusual, though clever move with her latest single, “July.” On the airy track, she fitting recalls a summer romance — at a time when many in the states are approaching the dead of winter. As a result, a song so new feels so familiar, which is also credited to lyrics that allude to being 17, drinking out of solo cups and spilling secrets — essentially a starter pack for a teen approaching the next phase of their life, not yet knowing what they will soon be missing. – L.H.

Delilah Montagu, “Coffee”



L.A. based singer songwriter Delilah Montagu has been releasing music since 2019, but her profile has grown drastically in the past year thanks in large part to dance phenom Fred Again… and his track “Delilah (Pull Me Out Of This),” on which Montagu features. “Coffee” shows a softer side in comparison, with the artist building upon her own harmonies and looped drum beat, resulting in a gorgeous and intimate track about the simple side of love, like — as the title suggests — bringing a partner coffee. – L.H.

Ally Brooke & Dinah Jane, “Have Yourself a Merry Little Christmas”



The holiday season has brought a delightful mini-Fifth Harmony reunion: Ally Brooke and Dinah Jane have linked back up a few years after their 5H days for a soothing rendition of “Have Yourself a Merry Little Christmas.” The accompanying music video finds the longtime friends goofing around in festive pajamas, while also showcasing the soulful vocals that has helped their group’s tunes endure. – Jason Lipshutz

Tiny Deaths, “Take the Bullet”



Singer-songwriter Claire de Lune has established herself as an NBA columnist, as well as spent time in an early 2010s group named The Chalice that also featured Lizzo; as Tiny Deaths, however, she flaunts a singular skill set, often operating over lilting pop arrangements. “Take the Bullet,” from new album Spirit of the Staircase, contains a percussive drive in addition to the ethereal production, as de Lune allows the instrumentation to stomp forward around her words. – J.L.

Mercury, “Woolgathering”



“I’m overthinking / Just because I’m not used to being alone,” Maddie Kerr wails on “Woolgathering,” a gargantuan indie-rock meditation on still feeling unsettled when everything is going your way. Nashville band Mercury pull out all the stops to give their new track some extra heft, and while Kerr’s voice matches the guitar avalanche, the subtle glitches in the production play into the theme of something amiss, and highlight the song. – J.L.

Nailah Hunter, “Strange Delights”



Need a pop song that celebrates the wonders of nature while also sounding like it was recorded outdoors? Nailah Hunter’s “Strange Delights” buzzes, caws and crows through the haze of its piano arrangement, with the Los Angeles-based multi-instrumentalist deploying her words sparingly; Hunter treats the song like a pastiche of sights and sounds meant to be remembered, and revels in the natural beauty. – J.L.

Ducks Ltd., “Hollowed Out”



In the music video for the excellent new single “Hollowed Out,” Ducks Ltd. singer-songwriter Tom McGreevy sings the effervescent hook straight at the camera with stone-faced earnestness, as if presenting his latest findings from the indie-pop lab. That chorus is going to provoke plenty of tour-date bounce-alongs in the near future, and Toronto duo’s upcoming album Harm’s Way should be considered one of the most anticipated of 2024 if the rest can match this level. – J.L.

Kaytranada feat. Rochelle Jordan, “Lover/Friend”



Wrapping up a highly successful 2023 with a double single, Kaytranada unveiled “Lover/Friend” with Rochelle Jordan and “Stuntin” with Channel Tres last week — and while “Stuntin” has its charm, the former track glows with an intoxicating rhythmic-pop urgency. Jordan exhales every syllable like she can’t wait to blurt out her passion, while Kaytranada bestows her with effortless dance-floor style, particularly on that finger-snapping breakdown. – J.L.

Middle Kids, “Bend”



Middle Kids’ “Bend” starts out innocently enough, with the Sydney trio’s Hannah Joy confessing, “I am one bend away from a break” — but then the production erupts, her voice soars skyward, and the pressure that Joy is singing about becomes literal. The rest of “Bend” is can’t-turn-away catharsis, and Middle Kids end up with an anthem for anyone who’s at the end of their rope. – J.L.

Blake Lively Thanks Beyonce & Taylor Swift For ‘Aligning’ Women Instead of ‘Dividing’

Blake Lively is loving the female empowerment displayed by her pop superstar friends.

The Age of Adaline actress took to Instagram on Saturday (Dec. 2) after attending Beyoncé’s Renaissance: A Film By Beyoncé London premiere to pay tribute to the “Break My Soul” singer and her best friend, Taylor Swift, who attended each other’s concert documentary premieres.

“When I grew up, women were always pit against one another,” she captioned a series of photos smiling with Bey and Swift individually at the premiere. “It took me until adulthood to see that the instinct for women to lift each other up to their highest potential is the norm not the exception. Most of my best friends are women who would’ve been packaged to me as threats or competition. It’s our job to show younger generations the power in aligning rather than dividing.”

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Of course, Lively added her characteristic sense of humor to the post, writing, “All this to say, @beyonce and @taylorswift neither of you have to be threatened by my pop stardom. There’s space for us all.”

See the post here.

After the Renaissance movie premiere on Nov. 30, Swift herself took to Instagram to shower Bey with love. “Got invited to London by The Queen…✨?✨ Renaissance: A Film by Beyoncé is in theaters now!!” Swift captioned a series of photos posing alongside Beyoncé. Swift’s attendance at the premiere comes just a month after Bey supported Tay at her Eras Tour film premiere in Los Angeles in October.

“I’m so glad I’ll never know what my life would’ve been like without @beyonce‘s influence,” Swift wrote after the event, sharing a gif of her and Bey posing in movie theater seats, playfully tossing popcorn at the cameras. “The way she’s taught me and every artist out here to break rules and defy industry norms.”

50 Cent Thinks Diddy’s Brand Won’t Be Affected By Controversy: ‘He Has F–k You Money’

If anyone enjoys kicking someone while they’re down, it’s 50 Cent. This past Sunday (Dec. 4), 50 continued his onslaught of Diddy when he posted a photo merging the faces of the shamed Bad Boy legend and the disgraced R&B singer R. Kelly. 

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Soundtracking Kelly’s 1998 song “Did You Ever Think,” 50 succinctly captioned the post as “Diddy do it,” before later diving into this thoughts on Diddy’s brand. “No, he will be fine,” 50 said on Instagram when responding to a question the New York Times posed about Diddy’s potential demise of Diddy’s businesses. “He has so much money, when his corporate partners pull out, he will just reach in his pockets and make it happen. You saw how fast he paid Cassie. He’s a real Billionaire. He has f–k you money, guys. So f–k you!”

Last month, Diddy was on the opposing end of three sexual assault lawsuits, including one from his ex-girlfriend Cassie. Her lawsuit was settled within 24 hours for an undisclosed amount. The other two cases stem from accusations dating back to the ’90s. 

Last Friday (Dec. 1), 50 teased the idea of possibly putting together a documentary highlighting Diddy’s recent turmoil. “I thought Diddy was a Billionaire music mogul, If he’s smart he will file bankruptcy now,” 50 said in response to a Page Six story about his possible involvement in putting together a show. “Anyone with real money knows why I’m saying this. Im the best producer for the job guys. here come the receipts.”

Fifty’s TV background is formidable, as proven by the success of his Power franchise, Hip-Hop Homicides, and BMF. 

Billboard reached out to 50’s reps for comment. Check out 50’s posts below. 

Taylor Swift & Travis Kelce Did a Holiday Party Double Date With Patrick & Brittany Mahomes

Taylor Swift and Travis Kelce are getting in the holiday spirit.

The “Anti-Hero” singer and her football star boyfriend were recently spotted at Miracle Pop Up, a holiday-themed bar in Kansas City. According to People, the pair were there as guests at a festive party hosted by the Chiefs Friday evening (Dec. 1).

In a fan picture from the night, which was also shared on Miracle’s Instagram Story, the 12-time Grammy winner appeared to twin with Kelce in matching Christmas sweaters, with Swift pairing hers with a plaid skirt and her classic red lip. Standing next to her in the photo is Brittany Mahomes — who is married to Chiefs quarterback Patrick Mahomes — wearing a reindeer onesie.

And based on a snap shared by Brittany on Instagram, Tayvis wasn’t the only couple in matching outfits. “Falalalalalalalalala,” Ms. Mahomes captioned a photo showing off Patrick’s identical reindeer ensemble.

Brittany and the “Karma” musician seem to have become fast friends ever since Swift started dating Kelce earlier this year. The pair are often seen watching Chiefs games side-by-side; in fact, two days after the holiday party, the women were spotted entering Lambeau Field in Wisconsin together to watch Kansas City face off with the Green Bay Packers (sadly for Chiefs Kingdom, they lost 19-27).

The game capped a characteristically busy week for Swift, who was in London just a few days ago for Beyoncé’s star-studded Renaissance concert film premiere. While there, she posed for pictures with both the woman of the hour and close pal Blake Lively — the latter of which resulted in a hilarious post from Ryan Reynolds, who shared a photoshopped image of his and Kelce’s faces respectively pasted onto Lively and Swift’s.

“I feel like I should remember this,” joked the actor, who is married to and shares three kids with Lively, on his Instagram Story.

And while Swift is the bonafide musician in the relationship, Kelce is actually the one who’s most recently released a new song — and a Christmas song, at that. His “Fairytale of Philadelphia” holiday duet with brother Jason Kelce, who plays center on the Philadelphia Eagles, topped both the Rock Digital Song Sales and Holiday Digital Song Sales charts last week.

R&B/Hip-Hop Fresh Picks of the Week: Beyoncé, Flo Milli, BigXthaPlug, Antha Pantha & More

Did anything else happen in the past week besides the premiere of Beyoncé‘s Renaissance: A Film by Beyoncé? The music icon’s latest concert documentary vogued to the top of the weekend box office with $21 million — the biggest opening for a film on this historically sleepy first weekend in December in 20 years. With a pair of star-studded (Taylor Swift! Lupita Nyong’o!) premieres in Los Angeles and London, Queen Bey dominated all things music last week.

Nonetheless, the hip-hop and R&B worlds had plenty happening outside of the Renaissance rush. Debates around who belongs on the “mixtape Mount Rushmore” dominated social media, while other conversations continue to deal with the barrage of high-profile lawsuits filed under New York State’s recently-expired Adult Survivors Act.

On the music side, Sexyy Red repackaged her breakout Hood Hottest Princess tape with a tracklist that doubled the size of the original, Lil Wayne joined forces with Shabba Ranks and Buju Banton for the lead single for the forthcoming Book of Clarence soundtrack and Usher commemorated the close of his Las Vegas residency with his appearance on the remix of Jung Kook‘s “Standing Next to You.”

With Fresh PicksBillboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop. Get into these seven new picks and be sure to check out the rest of our recs in the Spotify playlist below.

Freshest Find: Antha Pantha feat. A$AP Ferg, “Catwalk”



Harlem native Antha Pantha unleashed her debut album, Feline Season, last week, with guest appearances from A$AP Ferg (twice!) and HuntDawgg. Ferg lent his talents to the album’s second track, “Catwalk,” an electric tribute to the late ’90s New York hip-hop. He interpolates DMX‘s iconic “meet me outside” chant from “Party Up,” and uses it to evoke the brash energy of the late rapper and his era of high-octane party-rocking crossover hip-hop hits. Antha Pantha skates across the track with the flirtatious charisma of classic-era Lil Kim, always tempered by her own comedic idiosyncrasies in her lyricism and tone. New York’s female rappers just keep on winning.

Beyoncé, “My House”



Would it be a Beyoncé film event if we didn’t get a new song? Just like the Queen’s winning cover of Frankie Beverly & Maze’s “Before I Let Go” accompanied her Homecoming documentary, “My House” arrives as Beyoncé’s bonus treat for the Renaissance doc. Equal parts marching band-infused dirty South trap and ballroom-ready house, “My House” is Beyoncé’s signature (and somewhat literal) take on house music. Between her animated vocal delivery and those ridiculously lush vocal stacks, the track is unmistakably Beyoncé despite featuring the singer at arguably her most experimental.

BigXthaPlug, “Back on My BS”



On Friday (Dec. 1), BigXthaPlug capped off his banner year with the release of a new EP titled The Biggest. “Back On My BS” opens the project with a swaggering combination of jazz brass and skittering bass. “The one who put all this together/ They gave me somethin’ good and I made that s–t better/ Turnt up the notch, my watch changed up the weather/ I’m bigger and better, shit bigger than ever,” he spits on the single-verse track. Between his charismatic cadence and Tony Coles’ smooth beat, “Back on My BS” is a knockout opening track.

Dee-1, “Lines Drawn”



Hip Hop 50 has been wracked with conversation regarding the current scope of the genre’s messaging, the state of hip-hop culture at large and the alleged precariousness of its current position in the music industry. Dee-1, a NOLA rapper, has been vocal about his opposition to the redundancy of mainstream contemporary rap and its glorification of violence. On his new track “Lines Drawn,” which will is presently exclusively available on Audiomack, Dee-1 demands more from both consumers and creators in hip-hop: “I said that glorifying murder in our music is bad/ Now people saying ‘Stop speaking up, we like to hear that!’/ If that’s your preference, that’s cool, but when you get on the defense/ That lemme know my spirit irritatin’ your demons,” he spits over a chugging trap-infused instrumental.

Flo Milli, “Never Lose Me”



The Alabmama rapper’s long-gestating “Never Lose Me” is finally here — and it was, in fact, worth the wait. A snippet of this song went viral on TikTok, amassing over 100,000 posts in just under two months. The new track, and latest taste of her forthcoming Fine Ho, Stay album, finds Flo delivering smooth, sultry bars over a sample of Babyface Ray & 42 Dugg‘s “Ron Artest.” “Yeah, he my man, he was never your type/ If you try me, ho, it’s on sight/ He totin’ the Uzi, but he actin’ real bougie/ I like to fight over d–k, ho, don’t get hit with the two-piece,” she spits over the synthy instrumental, using her sweet tone as a Trojan horse for hard-hitting barbs.

Tyla, “Truth or Dare”



As the newly Grammy-nominated South African breakout star continues to rides the waves of “Water” to new commercial heights around the world, she’s already racing to her forthcoming eponymous debut studio album. She released three strong new tracks last week (Dec. 1), including the sensual standout “Truth or Dare.” On the mellow new Afropop-infused track, Tyla employs a staccato delivery in the verses to glean the truth from a lover who got away, ultimately delivering subtle riffs and ear-candy harmonies in the chorus. “Truth or dare? Is it true you care?/ Now that you can see the love from everyone,” she croons.

Hillari, “Blind Then”



Backed by mournful acoustic guitar, rising Filipina-Norwegian artist Hillari spends “Blind Then” parsing the difficulties of prioritizing music over certain relationships in her life. “Wish I would’ve noticed I was/ Blind then, silenced/ But I never noticed you was/ Right there, beside me,” she sings. It’s a simple arrangement — mostly reliant on a soulful collage of guitar and drums — but it’s Hillari’s weighty voice that illuminates that simplicity. Each quiver of her vibrato rings with the doubt, frustration and yearning she describes in her lyrics.

Mariah Carey’s ‘All I Want for Christmas Is You’ Returns to No. 1 on Billboard Global Charts

Mariah Carey’s “All I Want for Christmas Is You” reclaims the crown on both the Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Dec. 9). The song dashes from No. 3 to No. 1 on the former and 8-1 on the latter.

‘Tis the season for other holiday hits in the charts’ top 10, as well, led by Wham!’s “Last Christmas,” which leaps 9-2 on the Global 200 and returns to the Global Excl. U.S. top 10 (15-3). Plus, Brenda Lee’s “Rockin’ Around the Christmas Tree” (17-4), Bobby Helms’ “Jingle Bell Rock” (24-6) and Ariana Grande’s “Santa Tell Me” (35-8) all make sleigh rides back to the Global 200’s top 10.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



Carey’s ‘Christmas’ Back Atop Global 200

Carey’s “All I Want for Christmas Is You” tops the Global 200 with 73.4 million streams (up 51%) and 6,000 sold (up 46%) worldwide Nov. 24-30. The song, originally released in 1994, has now spent 14 weeks at No. 1, following four weeks in both the 2020 and 2021 holiday seasons and five frames over last year’s holidays. Only Harry Styles’ “As It Was” has led longer: 15 weeks in 2022.

Wham!’s “Last Christmas” charges 9-2 on the Global 200 with 62.1 million streams (up 51%) and 4,000 sold (up 64%) worldwide. The song, from 1984, spends a seventh total week at its highpoint.

Jack Harlow’s “Lovin on Me” retreats to No. 3 from its No. 2 Global 200 best and Brenda Lee’s “Rockin’ Around the Christmas Tree” bounds 17-4 with 48.6 million streams (up 69%) and 3,000 sold (up 44%) worldwide. The 1958 chestnut reached No. 2 last holiday season.

Rounding out the Global 200’s top five, Tate McRae’s “Greedy” drops to No. 5 following two weeks at No. 1.

Two other carols again decorate the Global 200’s top 10: Bobby Helms’ “Jingle Bell Rock” (24-6) and Ariana Grande’s “Santa Tell Me” (35-8). The former, from 1957, drew 42.2 million streams (up 62%) worldwide in the tracking week, while the latter, released in 2014, logged 35.6 million (up 57%). The songs have hit Nos. 4 and 5, respectively, on the chart.

Carey Also No. 1 on Global Excl. U.S.

Carey’s “All I Want for Christmas Is You” concurrently revisits the Billboard Global Excl. U.S. apex, with 44.1 million streams (up 53%) and 3,000 sold (up 56%) worldwide Nov. 24-30. The song adds a ninth week at No. 1, following one week in the 2020 holiday season, three the next year and four last season.

Tate McRae’s “Greedy” descends to No. 2 a week after it hit No. 1 on Global Excl. U.S.; Wham!’s No. 2-peaking “Last Christmas” flies 15-3 (38.1 million streams, up 55%); Jung Kook’s “Seven,” featuring Latto, falls 2-4, following nine weeks at No. 1 beginning in July; and Iñigo Quintero’s “Si No Estás” slips 4-5, following two weeks on top in November.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Dec. 9, 2023) will update on Billboard.com tomorrow (Dec. 5). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

New Old-Fashioned No. 1: Brenda Lee’s ‘Rockin’ Around the Christmas Tree’ Tops Hot 100, 65 Years After Its Release

Carey’s “All I Want for Christmas Is You” rises 4-2 on the Hot 100, with across-the-board gains in streams (32.4 million, up 47%), airplay (21.5 million, up 38%) and sales (4,000, up 39%); it’s the chart’s second-greatest gainer in both streaming and airplay and earns the top Sales Gainer nod. With its 2019 coronation, Carey claimed her 19th Hot 100 No. 1, extending her mark for the most among soloists and moving to within one of The Beatles’ overall record 20. The single also reigns as the No. 1 hit on Billboard’s Greatest of All Time Holiday 100 Songs retrospective.

Jack Harlow’s “Lovin On Me” dips to No. 3 on the Hot 100, a week after it became his third No. 1. It claims the chart’s top Airplay Gainer award (29.9 million, up 44%), while also increasing in streams (25.1 million, up 6%). It concurrently tops the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100, for a third week each.

Next up among holiday songs on the Hot 100, Bobby Helms’ “Jingle Bell Rock,” from 1957, gallops 12-4, one spot way from its best rank, with 27.6 million streams (up 55%) and 19.9 million in airplay audience (up 36%); Wham!’s “Last Christmas” jingles 13-5, led by 26.9 million streams (up 52%); and Burl Ives’ “A Holly Jolly Christmas” dashes 16-6 (26.2 million, up 61%). The latter two tracks, from 1984 and 1964, respectively, have both hit No. 4 highs to date.

Taylor Swift’s “Cruel Summer” falls 2-7 on the Hot 100, following four nonconsecutive weeks at No. 1 beginning in October.

Doja Cat’s “Paint the Town Red” descends 3-8 on the Hot 100, after it led for three nonconsecutive weeks beginning in September – and becomes her first No. 1 on Radio Songs (65.8 million, down 1%).

SZA’s “Snooze” remains tucked in the Hot 100’s top 10, slipping 5-9, after reaching No. 2, as it leads the multi-metric Hot R&B Songs chart for an 18th week.

Rounding out the Hot 100’s top 10, Andy Williams’ “It’s the Most Wonderful Time of the Year,” originally released in 1963, leaps 28-10, with 20 million in radio reach (up 26%). The late singer now sports a record span of 64 years and two months from his first week in the top 10 with “Lonely Street” in October 1959 through his latest frame. (Excluding holiday fare, The Beatles broke the record for the longest top 10 span last month: 59 years, nine months and three weeks, from “I Want To Hold Your Hand” in 1964 to the debut of their newly-released single “Now and Then.”)

Maná, Fuerza Regida, Junior H & Alejandro Fernández to Headline BottleRock’s Festival La Onda

Maná, Fuerza Regida, Alejandro Fernández and Junior H will headline La Onda, a packed two-day festival slated to take place June 1-2, 2024 at the Napa Valley Expo. The festival lineup also includes Farruko, Eslabon Armado, Café Tacvba, Los Ángeles Azules, Mon Laferte and more.

The new festival is the brainchild of Dave Graham‘s Latitude 38 — the Live Nation-backed company that produces the annual award-winning BottleRock festival in Napa — and Maná manager Jason Gardner. Graham, who grew up studying Spanish in school and only speaks Spanish in his home with his children, has long wanted to create an event for Napa Valley’s flourishing Hispanic community, which now makes up 41% of the population in the region.

“About 14 percent of BottleRock attendees are Latino and we’ve been for some time that they we want something for they can call their own,” says Graham, who led the booking efforts in collaboration with Gardner as well as Live Nation’s Jorge Garcia, Manuel Moran and Han Schafer.

La Ondo takes place the weekend following BottleRock and will provide a premium experience with two full days of music; regional Latin cuisine and specialty beverages; elevated, shaded lounges and viewing options; and immersive activations including a relaxing spa, dance club and silent disco.

“Jason kind of took me under his wings, so to speak, and Jorge and Hans and Manuel and those guys really helped me understand La Onda once I described what we wanted to be,” says Graham. “Everything from curat[ing] a lineup the right way to find support with Live Nation and making it feel authentic with the audience. We want the Latino community to feel part of La Onda and celebrated at the festival.”

Weekend/two-day and single-day festival tickets go on sale Friday (Dec. 8) at 10 a.m. PT at LaOndaFest.com. General Admission tickets begin at $169, GA + tickets begin at $219 and VIP tickets begin at $389. Weekend El Mirador tickets begin at $1,199 while weekend Diamante tickets begin at $3,299. Layaway plans for all ticket levels are available at the festival website.

To keep up to date, visit LaOndaFest.com and sign up for text message notifications and/or follow the festival on TikTok, X, Snapchat and Instagram @LaOndaFest.

Drake & Adonis Get Their Hair Braided For New NOCTA x Nike Campaign

For his latest NOCTA x Nike drop, Drake keeps the family close and tags in his son Adonis for an intimate campaign celebrating the Air Force 1 Low “Love You Forever.”

Along with showing off their fancy feet, the father-son duo also get their hair braided in the new photos, as Adonis poses in a Nike sweater. The new NOCTA campaign also features polaroids-style shots of Kehlani, Young Nudy, and Jonas Wood with their respective families. According to Hypebeast, the sneakers “feature premium leather uppers accented by redesigned perforated toe panels, and the North Stars motif embroidered at the left heel. Finishing up the design of the shoe are plastic alphabet and number beads, along with molded outsoles with miniature hearts.”

Last month, Kevin Durant was a featured model for Drake‘s NOCTA basketball collection. Durant and Drake’s brotherly relationship is well-documented. The two-time NBA champion recently received A&R credit for Drake’s For All The Dogs and earned an executive producer slot on the rapper’s latest Scary Hours edition. 

As for Drake, For All The Dogs continues dominating the charts. Last week, the album rebounded and soared back to No. 1 on the Billboard 200 courtesy of the project’s Scary Hours edition. “You Broke My Heart” and “Evil Ways,” featuring J. Cole, debuted at Nos. 5 and 10, respectively, on the Hot R&B/Hip-Hop Songs chart. Those two entries further solidified Drake’s hold on his record for the most top 10s among all artists in the Hot R&B / Hip-Hop Songs department, as he leads the charge with 130. 

Check out the Air Force 1 Low “Love You Forever” campaign here.

Mariah Carey Is Determined to Have a Merry Christmas in 2023: ‘Last Year Wasn’t the Greatest’

Even the self-proclaimed Queen of Christmaas has a subpar holiday season every once in a while. But in 2023, Mariah Carey is determined for that not to be the case.

“Years? What are years? I’m unfamiliar with them,” the 54-year-old vocalist joked in her Monday (Dec. 4) digital cover story with People, adding that she prefers to live “Christmastime to Christmastime.”

“I’ve been looking forward to this Christmas for, like, the whole year,” she continued. “Since last year —because last year wasn’t the greatest. I’m thankful for them all, but it wasn’t my most fun version of Christmas ever.”

To make up for last year’s apparent dud, Carey has embarked on a 14-city “Merry Christmas One and All” tour, ending Dec. 17 with a finale show at Madison Square Garden in New York City. The five-time Grammy winner is famous for dominating the Christmas music market from year to year, mostly thanks to her evergreen hit “All I Want For Christmas Is You”; the 1994 hit ranks at No. 4 on the Billboard Hot 100 chart dated Dec. 2 and has spent a collective 12 weeks at No. 1 over the years.

“I’ve been working day and night on this one,” Carey told the publication of her tour. “I’ll be doing songs I’ve never done before, some duets. I’ve got to keep some surprises.”

Her 12-year-old twins Moroccan and Monroe, whom she shares with Nick Cannon, are coming on the road with her as featured performers. “Roc,” as Carey calls him, raps during “Here Comes Santa Claus,” while “Roe” duets with her mom on “Jesus Born on This Day.”

In between details about her favorite X-mas decorations, the “Obsessed” singer also opened up to the publication about not shying away from the “diva label. “I still define the word ‘diva’ the way it is in the dictionary,” she said. “It’s a successful singer, usually a soprano, typically in the opera field.”

“So many people that I know that are called ‘divas’ all the time, don’t take offense to it,” she added. “If someone’s like, ‘The diva, so-and-so.’ Who cares? Why is it a big deal? Just take it and be on your merry way.”