Music

Paul McCartney Mourns Ex-Bandmate & ‘Great Talent’ Denny Laine: ‘It Was a Pleasure to Know You’

Following the news of rock legend Denny Laine’s death, his former bandmate Paul McCartney took to Instagram to mourn the loss.

“I have many fond memories of my time with Denny: from the early days when The Beatles toured with the Moody Blues,” he wrote alongside a throwback picture of Laine. “Our two bands had a lot of respect for each other and a lot of fun together. Denny joined Wings at the outset. He was an outstanding vocalist and guitar player. His most famous performance is probably ‘Go Now’ an old Bessie Banks song which he would sing brilliantly. He and I wrote some songs together the most successful being ‘Mull of Kintyre’ which was a big hit in the Seventies. We had drifted apart but in recent years managed to re-establish our friendship and share memories of our times together.”

He continued, “Denny was a great talent with a fine sense of humour and was always ready to help other people. He will be missed by all his fans and remembered with great fondness by his friends. I send my condolences and best wishes to his wife, Elizabeth and family. Peace and love Denny. It was a pleasure to know you. We are all going to miss you.”

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Laine — who co-founded The Moody Blues and Wings alongside Paul and Linda McCartney — died on Tuesday, Dec. 5. His wife Elizabeth Hines announced the news on Facebook, less than three months after she started a GoFundMe to help with Laine’s “critical” health issues following a serious bout of COVID-19 followed by a bacterial infection.

Selena Gomez Jokingly Enlists Brooklyn Beckham’s Help to Leave an Event

Selena Gomez represented the introvert community with her new Instagram Story on Tuesday (Dec. 5).

In the clip, the Only Murders in the Building star is seen quickly leaving the Academy Museum of Motion Pictures Annual Gala in Los Angeles on Dec. 4. As she runs, her pal Brooklyn Peltz-Beckham holds the train of her black gown so she doesn’t trip. “Me leaving any event,” she joked in the caption. “Thank you @brooklynpeltzbeckham for the help.”

See the Story here before it disappears.

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Earlier this year, Brooklyn appeared as a guest on the Jennifer Hudson Show, where he opened up about his and wife Nicola Peltz-Beckham’s friendship with the “Hands to Myself” singer. “[Gomez] says we’re a throuple,” he joked to Hudson. “She’s a very sweet girl, obviously very talented, and I love when my wife makes new friends, especially really great friends. And you know, we all get along, so yeah!”

The trio met in December 2022, so when Brooklyn posted a photo of the “throuple” at the Gala this week, he fittingly captioned the post, “Our anniversary.” See it here.

Earlier in the month, Gomez gushed over another one of her besties, praising Taylor Swift for earning the title of Apple Music Artist of the Year. “I think it’s pretty obvious why Taylor is the artist of the year,” Gomez says in a self-filmed clip posted by Apple Music on social media. “She has done so much for her community and fans.”

Limp Bizkit Announces 2024 Summer Tour: See the Dates

Limp Bizkit is hitting the road!

The band announced their 2024 Loserville tour on Tuesday (Dec. 5), and the 24-date run will feature a slew of special guests including Bones with Eddy Baker & Zavier Wulf, N8NOFACE and Corey Feldman. Additionally, Riff Raff will host and MC each night of the tour. “Come lose with us,” the nu metal band captioned an Instagram post announcing the tour.

The tour will kick off on July 16 in Somerset, Wis., before making stops in cities including Toronto, Tampa, Houston, Phoenix and Salt Lake City before wrapping up in San Bernardino, Calif., on Aug. 24.

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Tickets for the presale will be available to purchase here at 10 a.m. local time on Thursday (Dec. 7), before general sale begins on Friday (Dec. 8) at 10 a.m. local time.

See the full list of Limp Bizkit’s 2024 Loserville tour dates below.

Tue Jul 16 – Somerset, WI – Somerset Amphitheater
Thu Jul 18 – St. Louis, MO – Hollywood Casino Amphitheatre STL
Sat Jul 20 – Tinley Park, IL – Credit Union 1 Amphitheatre
Sun Jul 21 – Noblesville, IN – Ruoff Music Center
Tue Jul 23 – Clarkston, MI – Pine Knob Music Theatre
Wed Jul 24 – Toronto, ON – Budweiser Stage
Fri Jul 26 – Bethel, NY – Bethel Woods Center for the Arts
Sun Jul 28 – Bristow, VA – Jiffy Lube Live
Tue Jul 30 – Holmdel, NJ – PNC Bank Arts Center
Wed Jul 31 – Mansfield, MA – Xfinity Center
Fri Aug 02 – Charlotte, NC – PNC Music Pavilion
Sun Aug 04 – Alpharetta, GA – Ameris Bank Amphitheatre
Tue Aug 06 – West Palm Beach, FL – iTHINK Financial Amphitheatre
Wed Aug 07 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
Fri Aug 09 – Pelham, AL – Oak Mountain Amphitheatre
Sun Aug 11 – Houston, TX – The Cynthia Woods Mitchell Pavilion presented by Huntsman
Tue Aug 13 – Dallas, TX – Dos Equis Pavilion
Thu Aug 15 – Albuquerque, NM – Isleta Amphitheater
Fri Aug 16 – Phoenix, AZ – Talking Stick Resort Amphitheatre
Sun Aug 18 – Salt Lake City, UT – USANA Amphitheatre
Tue Aug 20 – Auburn, WA – White River Amphitheatre
Wed Aug 21 – Ridgefield, WA – RV Inn Style Resorts Amphitheater
Fri Aug 23 – Concord, CA – Toyota Pavilion at Concord
Thu Aug 24 – San Bernardino, CA – Glen Helen Amphitheater

Hear Exclusive Seismic Dance Event 6.0 Sets From Boys Noize, Mau P, Azzecca & More

Since launching in 2018, Seismic Dance Event has put Austin on the map for electronic music. Produced by independently owned, Austin-based RealMusic Events, the fest has helped bring house and techno to a city often known as the “live music capital of the world.”

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Happening again this past Nov. 10-12, Seismic expanded that reputation with a lineup that featured headliners Chris Lake, deadmau5 and Kaskade, along with a stacked undercard that featured Anfisa Letyago, Loco Dice, Frankie Wah, VNSSA, Walker & Royce and many more playing across the festival’s two stages. Seismic typically draws roughly 5,000 attendees per day, with the November show selling out.

Seismic has already announced that their spring edition will take place May 10-11, 2024, with another fall show taking place Nov. 15-17, 2024. But before all that, here, we’ve got an exclusive six hours of Seismic Dance Event 6.0 sets from Boys Noize, Mau P, Azzecca and Wax Motif.

Boys Noize

The German legend delivers 90 minutes of music that include his recent VTSS collab “Steady Pace,” his Skrillex collab “Fine Day Anthem,” along with blink-and-you’ll-miss-them samples of Justin Timberlake’s “SexyBack” and Gloria Estefan’s “Conga,” along with — of course — a lot of good old-fashioned hard-hitting techno.

Mau P

The Dutch wunderkind makes good on his white-hot name with a 90-minute set that takes its time warming up before diving into old-school dance tracks like Breach’s classic “Jack,” hip-hop moments from Run-DMC and Outkast, and of course, inevitably, his own hits including “Your Mind Is Dirty,” the Kevin de Vries collab “Metro” and “Drugs From Amsterdam,” which gets an extended treatment.

Azzecca

Opening with Spencer Brown’s always excellent “Windows 95 On Acid,”  the Chicago producer blazes through tracks by artists including Disfreq, Nicky Romero, Shouse, DJ Dan, Morgan Page and her own “Tell That Boy,” “Ego Death” and “Other Side.”

Wax Motif

The Australian-born, Los Angeles-based fave offers a hypnotic, deliciously dark set featuring his recent Zhu collab “Better Recognize,” his Malaa collab “Otherside” and other heaters by Body Ocean, AC Slater, Chris Lorenzo and Fly With Us, and more.

Sarz, Asake & Gunna Are Spreading ‘Happiness’ in New Collab, And It’s Coming Very Soon

Renowned producer Sarz has recruited fellow Nigerian hitmaker Asake and chart-topping Atlanta rapper Gunna for their “Happiness” collaboration, Billboard is exclusively announcing Tuesday (Dec. 5).

The single will be available on Friday, Dec. 8, via UnitedMasters, which partnered with Sarz earlier this year on his 1789 imprint in an effort to empower African artists and allow them to expand their music globally. Following his “Yo Fam!” single with Crayon and Skrillex, this joyful Afrobeats-meets-hip-hop anthem is the second single to arrive ahead of Sarz’s album, which is due in 2024. The song will also be accompanied by a colorful music video directed by Edgar Esteves, which Sarz teased by posting an Instagram photo Monday of the three artists on the video’s set.

“‘Happiness’ is special to me. From the moment I created the beat, I noticed how it made anyone I played it to really happy. I’m glad Asake and Gunna made my vision come to life,” Sarz said in a statement to Billboard.

Sarz (real name Osabuohien Osaretin) has produced records for some of the biggest African artists, such as WizkidBurna Boy and Tiwa Savage, and is responsible for spreading the Afrobeats sound to the U.S. and U.K. charts with hits like Drake, Wizkid and Kyla‘s “One Dance,” which became the most streamed song on Spotify in 2016, and Lojay and Sarz’s “Monalisa,” which went viral and got a Chris Brown remix in 2022.

Pre-save “Happiness” here.

All the Latin U.S. Tours Announced for 2024 (Updating)

Tour: Montecarlo Tour USA

Latin hip-hop artist Tornillo has announced his first-ever headlining tour in the U.S. The 25-date run will kick off Feb. 14 in Las Vegas and will see the 20-year-old Mexican artist — who has collaborated with Santa Fe Klan and Peso Pluma — play theaters across the country, including Gramercy Theatre in New York City and the El Rey Theatre in Los Angeles. Announcement of Tornillo’s U.S. tour comes after wrapping up his first headlining tour of Mexico.

Mexican rapper Dharius will join Tornillo across all dates.

See the dates below:

Feb. 14 — Las Vegas — 24 Oxford

Feb. 15 — Santa Ana, Calif. — The Observatory

Feb. 16 — Phoenix — Van Buren

Feb. 17 — Albuquerque — Launchpad

Feb. 18 — El Paso — Lowbrow Palace

Feb. 21 — San Antonio — Rock Box

Feb. 22 — Houston — Rise Rooftop

Feb. 23 — Dallas — The Studio At The Factory

Feb. 27 — Orlando — The Abbey

March 1 — Atlanta — Terminal West

March 2 — Charlotte — Underground at The Fillmore

March 3 — Philadelphia — The Foundry

March 4 — New York — Gramercy Theater

March 6 — Louisville, Ky. — Mercury Ballroom

March 7 — Milwaukee, Wis. — Turner Hall Ballroom

March 8 — Chicago — Bottom Lounge

March 9 — Minneapolis — Varsity Theater

March 11 — Denver — Marquis Theater

March 13 — Salt Lake City — The Complex

March 15 — Seattle — Neumos

March 16 — Portland — Hawthorne Theater

March 20 — Roseville, Calif. — Goldfield Trading Post

March 21 — San Francisco — Great American Music Hall

March 22 — Ventura, Calif. — Ventura Music Hall

March 23 — Los Angeles — El Rey Theatre

Garth Brooks Talks Cameo With Elton John & Paul McCartney in ‘Spinal Tap’ Sequel: ‘This Is History, Man’

Garth Brooks is opening up (a little!) about the upcoming This Is Spinal Tap sequel, slated to feature a cameo from not only Brooks, but fellow musical heavy-hitters Elton John and Paul McCartney.

The original 1984 film, which roasted all things rock ‘n’ roll, is getting an update in the new project, which is slated to begin filming in February, with original stars/writers Christopher Guest (Nigel Tufnel), Michael McKean (David St. Hubbins) and Harry Shearer (Derek Smalls) reprising their roles as a jinxed metal band.

In a livestream as part of Billboard Live Shopping Week with talkshoplive on Dec. 4 (which featured custom merch from the country star’s Friends in Low Places Bar & Honky Tonk in Nashville), Brooks answered a fan question about his upcoming cameo. Brooks was understandably reluctant to spill any details on his appearance in the movie, saying with a laugh, “Oh, with McCartney, and who is it, Elton maybe? No. Can’t say anything about it.”

He then clarified: “‘Cause it’s not my deal. If it’s my deal, I’d spill my guts, but it’s not, so they swear you to secrecy and to silence.” He did say, however, “If you think you have laughed before, Jiminy Christmas… First of all, I was in love with Spinal Tap, in love with the original movie. The fact that it’s coming back, it’s gonna be neat to be a part of this. Because this is history, man.”

Last week, Rob Reiner revealed that a Spinal Tap sequel was in the works on the RHLSTP With Richard Herring podcast and also let slip that Brooks, John and McCartney would make cameos plus a “few other surprises.”

Brooks’ Billboard Live Shopping Week livestream celebrated the soft opening of his Friends in Low Places Bar & Honky-Tonk — now open Thursdays through Sundays in Nashville — with exclusive bar merch only available through this shopping special. His live show also highlighted his new Bass Pro Box Set, which includes his new album Time Traveler and tickets to his Las Vegas residency, which just added 18 new dates next year.

Michael Bibi Offers Jubilant Update on Cancer Treatment: ‘CANCER FREE!’

After announcing that he’d been diagnosed with a rare form of brain cancer in June, on Tuesday (Dec. 5), Michael Bibi offered a much happier update.

“CANCER FREE!” he wrote on Instagram. “After 6 months of fighting I leave hospital officially in remission with no cancer in my body.

“To every person that sent me the support, energy & strength to fight I thank you from the bottom of my heart & to the staff [at the Royal Marsden hospital in London] for literally saving my life I will forever be in your debt,” Bibi’s post continued. “Thank you so much.. I’m still very tired, I’m on a lot of meds, my body hurts & my hairs all gone….but I’m excited to get home, process, heal & prepare for the future with you all.”

The post is accompanied by photos of Bibi walking out of the hospital with his hands raised, flashing peace signs, images of him with hospital staff, and a short video of him ringing a bell inside the hospital, a hospital tradition for patients finishing treatment. The Royal Marsden specializes in cancer treatment.

The post garnered celebratory comments from many in the electronic music community, including Diplo, who wrote “hero,” John Summit, who wrote “LEGEND,” and Martin Garrix, who wrote “you’re a huge inspiration, so happy & proud of you!!! best f—ing news of 2023.”

In June, Bibi announced that he’d been diagnosed with CNS Lymphona, a rare form of cancer. The U.K. artist, on a hot streak following the pandemic, was forced to cancel all his shows while receiving treatment. His first performance after entering treatment was this past September, when he played a surprise set at DC-10 in Ibiza as part of the closing party for his Solid Grooves label.

The remission announcement follows a bone marrow/stem cell transplant Bibi received last month. In a post from Nov. 1, Bibi wrote that, “After many months of fighting, today I start the last phase of my treatment by having a bone marrow/stem cell transplant. If all goes well this will be the final yet toughest part of my journey. It will hit me hard & could take months of recovery but the end goal is being 100% cancer free… I pray everyday that all goes smoothly & I will be out of hospital with you all again soon. Wish me luck & see you on the other side.”

Jelly Roll Shares Sweet Birthday Surprise From Wife Bunnie XO

Jelly Roll turned 39 years old on Monday (Dec. 4), and the country superstar took to Instagram to share a message of gratitude and a glimpse into his family-filled celebration.

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“I couldn’t ask for a better birthday. Im surrounded by family that loves me. I write songs and sing them for a living and right now I celebrate having the number 1 song on Country Radio with my sister Lainey Wilson. God is incredible – thanks for all the love,” the “Need a Favor” singer wrote alongside a selfie smiling with his dog.

The next slide shows a video of the intimate birthday celebration his wife Bunnie XO put together, featuring Jelly’s daughter, niece, nephew in law and the couple’s dogs all singing “Happy Birthday” to the man of honor. “My wife was waiting for me with my daughter , niece, nephew in law and of course all the dogs when I got home at midnight last night to sing me happy birthday- WHAT A YEAR,” he wrote.

What a year is right. It’s been a big year for Jelly Roll’s skyrocketing career, as he notched two No. 1 Country Airplay hits, with “Son of a Sinner” and “Need a Favor.” He was also Billboard‘s cover star for its 2023 Country Power Players issue, and subsequently performed and spoke during Billboard‘s inaugural Billboard Country Live in Concert event in Nashville earlier this year. The star is nominated for two Grammy Awards for the upcoming 2024 ceremony, including best new artist and best country duo/group performance for the remix of “Save Me” with Lainey Wilson.

See Jelly Roll’s birthday post below.

Brenda Lee’s ‘Rockin’ Around the Christmas Tree’ Finally Hit No. 1 on the Hot 100 — So Now What?

A short 65 years after its 1958 release, Brenda Lee‘s “Rockin’ Around the Christmas Tree” finally hits the No. 1 spot on the Billboard Hot 100 this week.

The Christmas classic, which rose to No. 2 each of the last four holiday seasons but was previously unable to unseat Mariah Carey’s beloved “All I Want for Christmas is You,” gets all the way to the Hot 100’s apex on the chart dated Dec. 9 — making Lee’s third career No. 1, after “I’m Sorry” and “I Want to Be Wanted” both reached pole position in 1960. It comes after a major promotional push from both Lee and her UMG Nashville label, including a new music video, a new holiday EP, and a whole lot of new Lee TikToks, all timed to the song’s 65th birthday celebration this year.

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What was it that finally got the song over the top? And is the No. 1 spot now Lee’s to lose? Billboard staffers discuss these questions and more below.

1. After 65 years — and four years of finishing in the runner-up spot on the Hot 100 to “All I Want for Christmas Is You” every December — Brenda Lee’s “Rockin’ Around the Christmas Tree” finally claims the No. 1 spot this week. On a scale of 1-10, how would you rate the historical long-delayed triumph of “Rockin’” topping the Hot 100 in 2023?

Katie Atkinson: I’ll go with a 5, only because it was the most likely non-Mariah Christmas song to get to No. 1 next so it felt inevitable. But I also wouldn’t have been surprised if Mariah had just never ceded the top spot every December from here for years to come. But I love that this opens up the possibility of a revolving door of holidays hits that shift places in and out of the top spots every year. Justice for Bobby Helms!

Kyle Denis: 7. This is fun! It’s cool to see that “All I Want for Christmas Is You” really did a break a glass ceiling for the Hot 100 performance of holiday tracks in the streaming era.

Jason Lipshutz: A 10. As astonishing as it was when Mariah Carey’s “All I Want for Christmas Is You” finally reached No. 1 a few years ago, “Rockin’ Around the Christmas Tree” surpassing that season-defining juggernaut — even for one week — is even more shocking to me. I would have expected a newer Christmas song to become the next non-Mariah holiday single to top the Hot 100; instead, we have Brenda Lee’s 65-year-old standard getting over the hump. This is as improbable as chart feats get.

Taylor Mims: I would rate it a 7. December on the charts has become a lot more interesting since the Hot 100 rules changed to allow holiday music on the main popular chart. The holidays tend to be a slow time for the music industry, but with Mariah Carey and now Brenda Lee vying for those top spots, there’s certainly more to discuss. Carey has really made a holiday meal out of her Christmas song success, but to see a track like Lee’s standard reach the pinnacle is fun to watch and gives everyone an underdog to root for this year.  

Andrew Unterberger: At least a 9. Four years ago I would have assumed the race between “All I Want” and “Rockin” would prove essentially asymptotic, with Lee’s song always getting closer but never actually catching Carey’s. Last year was the first year it seemed like there was even a real chance that “Rockin’” would eventually capture the top spot — and I still would’ve assumed it was several years away at the nearest. This year… I’m still having a little trouble believing it, to be honest. Kudos to Lee and UMG for achieving the near-impossible.



2. Many factors went into this chart race — but most of all, do you think “Rockin’” finally getting past “All I Want” was more a matter of public sentimentality, promotion from Lee and her label, or just good timing?

Katie Atkinson: I’m going to go with timing here. There were some steps taken this year – like Lee releasing her first music video for the song in early November – but I think it really came down to “Rockin’ Around the Christmas Tree” being the most popular song in that first full Christmas week this year. Yes, Mariah has the recent track record, but Brenda Lee has a 30-year head start on Christmas nostalgia. There’s also the possibility of fa-la-la-fatigue (sorry) for “All I Want for Christmas.” I have no doubt it will go back to No. 1 at some point, but it’s nice to give Brenda her moment.

Kyle Denis: I think it’s a combination of good timing and promotion from Lee and her label. In terms of timing, we aren’t in the midst of an incredibly dominant weekslong run atop the Hot 100, so reaching the summit proved a bit more feasible. Between a new music video, her active TikTok presence, and a promo run that has included collaborations with Kelly Clarkson and Dolly Parton as well as upcoming live performances, Lee and her team were clearly gunning for that No. 1 – and they got it. 

Jason Lipshutz: I think the extra promotion from Lee pushed “Rockin’” to No. 1 this year, after years of running a competitive race but coming up short against “All I Want.” The song has always been a major holiday hit, but this year’s not-so-subtle campaign — including a long-overdue official music video and TikTok appearances from Lee — boosted “Rockin’” just enough to give it a shot at No. 1. Public sentimentality and timing was on its side, but without that promo push, I doubt we’re talking about it finally reaching the top spot.

Taylor Mims: “Rockin’” hitting the top spot seems primarily the work of really good promotion from Lee and her label. That’s not to say it isn’t a great song: It’s fantastic and has absolutely stood the test of time and millions have been and will be playing the song all month. But Lee and her team made a concerted effort to push this song over the threshold on this anniversary and with a star who is incredibly endearing. They got public sentimentality on their side, which is saying a lot considering how crowded the month is with holidays, shopping and general end-of-the-year stress. It shows that people are still interested in these personal profiles and good storytelling.

Andrew Unterberger: The promotion is probably the biggest factor, turning the race into something even non-obsessive Hot 100 watchers were aware of and making Lee’s hunt for the No. 1 one of the feel-good stories of the chart year. But you also can’t count out good old-fashioned playlisting, as Lee’s older holiday classic is privy to some coveted lean-back-listening territory that Carey’s modern standard is still deemed too new for. At this time of year, when a lot of folks are just reaching for the nearest, most-familiar and most-comforting set of Christmas songs available, that advantage is not to be overlooked.

3. Now that “Rockin’” has overtaken “All I Want” for one week, do you see it staying on top indefinitely, trading back and forth with “All I Want” week-to-week, or giving the top spot back up to “All I Want” and resuming its runner-up position?

Katie Atkinson: I see the two songs trading spots — and maybe even allowing for some other holiday favorites to slip in to No. 1 as well. I don’t think there would be anything that embodies the holiday season more than gifting a revolving door of legendary artists an unprecedented chart-topper decades into their careers or even after they’ve passed. Let’s shake it up!

Kyle Denis: I’m inclined to think it will probably concede the top spot to “All I Want” for a few weeks, but the points will be close. At this rate, I wouldn’t be surprised to see a third holiday song sneak a week in at No. 1. 

Jason Lipshutz: Hard to say exactly — I’m still shocked that Brenda surpassed Mariah for a single week this year — but my guess would be that “All I Want” resumes its status as the biggest Christmas song on the charts and “Rockin’” dips back to No. 2. I respect Mariah Carey’s classic single as a culture-dominating holiday behemoth too much to entertain notions of “All I Want” staying in the runner-up spot, at least for the foreseeable future. While I’m very happy that Brenda Lee finally made it to No. 1, I suspect that this will be a one-week flare-up, and Mariah ascends to the top spot next week.

Taylor Mims: That all depends on how much work Lee and her team plan on putting in to this endeavor. “Rockin’” is officially a No. 1 Hot 100 hit, and I am not sure what a few more weeks at the top spot will mean for the track. I think it would take a lot more resources to keep pushing ahead of Carey and her well-oiled “Queen of Christmas” machine. As the month progresses, I also think it will be harder and harder to sustain attention on the subject and folks will go back to playing generic holiday music playlists. Without a PR push, I think it will go back to a close runner up position and there’s nothing wrong with that.

Andrew Unterberger: It seems like “Rockin’” might still have the advantage for this upcoming chart week, and with all this attention and momentum fully behind her, it seems possible that Lee might be able to hang on for the rest of the holiday season — though I certainly wouldn’t count out “All I Want” reclaiming the throne for a week or two. The bigger question will be who starts on top next year, and if it’ll be Carey’s time to turn up the anniversary-celebrating volume; next year will be the 30th birthday of “All I Want,” after all.



4. With “All I Want” finally proving deposable, do you think more artists and/or their labels will be getting actively involved in trying to power their holiday staples up the charts? If so, is there anything they can learn from the success of “Rockin’”?

Katie Atkinson: Absolutely, but it’s pretty hard to take lessons from the decades of legacy “Rockin’” brings to the table. I mean, in addition to everyone growing up with the song, whether purposely or passively, it also has major moments in holiday movies like Home Alone, so you’re going to get your Brenda fix somewhere in the season whether you’re trying or not. But I think just providing a glimmer of hope that it’s possible to (temporarily) dethrone the reigning Queen means other artists, veterans and rookies alike, should shoot their shot.

Kyle Denis: I think we’ll absolutely see more artists trying to fashion chart contenders outs of their holiday originals. From the success of “Rockin,’” artists should take note of the effectiveness of relentless promotion that’s strategically spaced out to maximize chart timing. In the tracking week that ultimately culminated in the “Rockin’” reaching No. 1, Lee provided “part two” of an exclusive BTS music video set tour with appearances from Trish Yearwood and Tanya Tucker, stopped by the Bobby Bones show and visited Talk Shop Live. And this all happened about four weeks after she debuted the track’s official music video, which featured a 78-year-old Lee lip-syncing to her 13-year-old voice! Content is king!

Jason Lipshutz: No — if “Rockin’” hitting No. 1 decades after its release demonstrates anything, it’s that the holiday-song market is darn near impossible to game, especially when it comes to new singles trying to make a dent in the stronghold of the long-running classics. “All I Want” may be perceived as slightly more fallible now than it was last week, but it’s not like a recent holiday song upended its chart run; “Rockin’” is a beloved, generations-spanning single, and those are impossible to replicate within the music industry.

Taylor Mims: Artists and labels will absolutely be coming for Carey’s throne. Lee and her team had a great plan, took their time executing it and triumphed (please, everyone go watch the beautiful video of Lee finding out “Rockin’” hit No. 1). There is now a blueprint for challenging Carey for that No. 1 spot over the holiday season and I think she has a lot of adversaries ahead. Do I think they will all succeed? No. Do I think the public will get tired of holiday chart competitions? Yes. But when something succeeds as well as Lee’s campaign did, there will be copycats.

Andrew Unterberger: In all honesty, I think there’s only one song that has anywhere near the juice to properly challenge either of these songs anytime soon: Wham!’s “Last Christmas,” which is another undeniable classic that also seems to grow in public esteem every year (particularly after frontman George Michael’s death during the 2016 holiday season). If the duo’s Sony label label wanted to follow the “Rockin’” blueprint and do a big promotional push in time for a major anniversary — the song’s 40th anniversary is next year, though they might be better off waiting for the 10th anniversary of Michael’s passing in 2026 — I think the door is at least slightly ajar.

5. Ignoring all chart-related concerns: on another scale from 1-10, how much would you say “Rockin’” still rocks 65 years after its release?

Katie Atkinson: It’s a 10 for me. It’s just so cute and fun, and I’ve somehow never gotten sick of it. I still can’t believe a 13-year-old sang this stone-cold classic.

Kyle Denis: 6. It’s aight.

Jason Lipshutz: An 8. It’s not my favorite Christmas song, as is not as enthralling as “All I Want,” but I always enjoy hearing it on a holiday playlist, on the radio or within a too-crowded shopping mall, and get immediately transported back to the holiday listening sessions of my childhood. You could even say that when I hear it, I get a sentimental feeling.

Taylor Mims: That’s an easy 10. “Rockin’” is one of the most upbeat and cheerful Christmas standards and it is impossible to get out of your head after you’ve heard it once. It is the potato chip of holiday music — you can’t listen to it just once. It’s got guitar, a raspy voice, a touch of brass and a whole lot of heart. Every year we start hearing it earlier and earlier (pre-Thanksgiving now) and it warms the spirits in the cold months. Undoubtedly, “Rockin’” has another 65 years in it.

Andrew Unterberger: A 7. It’s not quite in the top tier to me, but I never really mind hearing it — which, after 65 years of annual overplay (37 of which I’ve been alive for), is still fairly impressive.