Music
Page: 196
Four years have passed since Lady Gaga released her 2020 dance-pop symphony, Chromatica, although that gap may feel like a yawning void to some. Between the seismic social shift caused by a global pandemic and a steady, mind-boggling stream of historic events in the intervening months since, the last four years have felt more like […]
Prince was posthumously inducted into the Songwriters Hall of Fame on Saturday (July 27) at a 40th anniversary screening of his film Purple Rain at Minneapolis’ Target Center. This is the second time this year that the SHOF has posthumously inducted a legendary songwriter. It honored the late Cindy Walker at an event in April.
Upon accepting the award from Gilbert Davison, a longtime professional colleague of Prince’s, Prince’s sister, Sharon L. Nelson, said, “You will always remember his songs. This is the award he wanted more than any other in life — to be known as a great songwriter.”
Why didn’t the SHOF didn’t get around to honoring Prince in his lifetime? He was selected for induction in 2013, but SHOF policy is that a songwriter has to personally attend the annual induction and awards gala to be officially inducted, and Prince’s schedule didn’t permit him to attend for a few years.
Trending on Billboard
SHOF president and CEO Linda Moran stated that the organization had been working with him to coordinate his schedule. “He reached out at the end of 2015 and said how important the award was to him and that the June 2016 ceremony could work,” Moran said in a statement. “We planned that it would be unannounced and a surprise; but unfortunately, Prince passed two months beforehand in April. It has been a long road, but we are thrilled that one of the world’s most prolific and phenomenal songwriters is finally a member of the Songwriters Hall of Fame.”
[embedded content]
A songwriter, producer, musician and pioneer of the Minneapolis Sound (which also included 2017 SHOF inductees Jimmy Jam and Terry Lewis), Prince crossed genres with ease. Credited by his full name, Prince Rogers Nelson, he wrote every song in his catalog. He placed 19 songs in the top 10 of the Billboard Hot 100, including five that went to No. 1: “When Doves Cry”; “Let’s Go Crazy” and “Kiss” (both credited to Prince and the Revolution); “Batdance”; and “Cream” (credited to Prince and the New Power Generation).
Prince also wrote hits for other artists including Sheena Easton, Kenny Rogers, Madonna, Stevie Nicks, Patti LaBelle, Celine Dion, Kate Bush and the Bangles. Several of his songs that he had recorded were also covered by other artists including Chaka Khan, Tom Jones, Sinéad O’Connor, Alicia Keys, the Pointer Sisters and Cyndi Lauper.
Prince won both an Oscar and a Grammy for his Purple Rain score. He also won a Grammy for best R&B song for writing “I Feel for You,” a 1984 smash for Khan. He was nominated for song of the year for writing “Nothing Compares 2 U,” a 1990 smash for O’Connor.
[embedded content]
Walker, whose most famous song is the cross-genre classic “You Don’t Know Me,” was inducted into the SHOF in a special event on April 19 at historic Columbia Studio A in Nashville. The ceremony took place during a SHOF Master Session with Liz Rose, a 2023 SHOF inductee. The event was co-hosted by SHOF board member Fletcher Foster, who chairs the SHOF Nashville Committee.
The annual SHOF gala in June does not normally include posthumous inductions, though this year’s inductees included Steely Dan, whose Walter Becker died in 2017. The SHOF prefers the June event to have a celebratory mood, but it intends to continue hosting posthumous inductions at unique venues and special events such as this one.
“The ceremony at Columbia Studio A was warm, intimate and respectful,” Foster said in a statement at the time of Walker’s induction. “SHOF president and CEO Linda Moran says this now sets the stage for future posthumous inductions.”
There appears to be some clarity regarding the much-delayed Vultures 2 project from Ye (formerly Kanye West) and Ty Dolla $ign. West’s YZY website provided an updated message explaining on Wednesday (July 31) that all orders have been fulfilled and shipped out, and V2 is set to arrive on Friday (Aug. 2).
Billboard has reached out to reps for Ty Dolla $ign.
Trending on Billboard
“ALL ORDERS FULFILLED VULTURES 2 COMING AUGUST 2ND,” the website’s homepage reads. Other than that message regarding the project and clothing orders, the white background features only the current date and time.
Fans were sent into a frenzy as word began to spread about the imminent release date. Some on social media were buying the hype, while others said they would believe it when they see, it as Ye has made a habit out of missing targeted release dates.
“Not believing it until the 15th listen,” one fan tweeted, while another echoed the sentiment, saying, “We’ve been through this a million times man.”
One person even updated the meme to add the alternate Vultures cover art to the collection of mythical Ye projects that never found their way to an official release on streaming.
Once upon a time, Vultures 2 was supposed to arrive on March 8 before being pushed to May 3, and then the sequel project became delayed indefinitely.
However, Ty Dolla $ign revealed in his cover story with Billboard in June that V2 was pretty much done, but they were deciding how to properly roll out the album.
“We got all the songs. Basically, it’s just like, ‘How can we get it there? How can we go bigger than the first album?’” he said at the time. “Certain people will probably expect you to just do the same exact sound. But that sound’s already out.”
A pair of Vultures listening experiences are on the calendar for August, with Ye and Ty set to head to South Korea (Aug. 23) and Taiwan (Aug. 25) next month — and fans are hoping new music is coming with them.
Ye and Ty Dolla $ign haven’t made any statements regarding a potential Friday release date for Vultures 2.
Kehlani‘s been waiting for this moment for a long, long time. After easing the audience in with the smooth R&B of “Nights Like This” from their 2019 mixtape While We Wait, the Oakland-bred vocalist — backed by a full live band and three back-up singers — told the public radio audience crammed in around her […]
The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming charts dated Aug. 10, we look at two artists who have largely defined the summer in pop music so far, and who are experiencing new gains after Kamala Harris’ announced presidential candidacy.
Explore
See latest videos, charts and news
See latest videos, charts and news
Chappell Roan, The Rise and Fall of a Midwest Princess (KRA/Amusement/Island/Republic): Since climbing to a peak of No. 5 on the Billboard 200 dated July 13, Chappell Roan‘s Midwest Princess has hung around the top 10 of the chart, landing at No. 8 this week. Improbably, the album continues to grow in streams — most recently thanks in large part to a surge in interest and consumption after “Femininomenon,” the album’s anthemic lead track, was used in a promotional TikTok from the official Kamala Harris account just days after Harris became the frontrunner for the Democratic presidential nomination.
“Femininomenon” debuts at No. 96 on the Billboard Hot 100 this week, the lowest of an incredible five songs from Midwest Princess which have bowed on the chart in the past two months and are still working their way up its rankings. Each of the other four reaches a new peak position this week: “Hot to Go!” is the highest at No. 26, while “Red Wine Supernova” reaches No. 47, “Pink Pony Club” No. 50 and “Casual” No. 79. None of the songs has yet found a major foothold at radio, which would likely be the final step in them threatening for the chart’s top tier, but “Hot to Go!’ and “Red Wine Supernova” have both started to gather steam on the top 40 airwaves.
Trending on Billboard
In the meantime, with steady streaming and sales numbers, Midwest Princess could move back up on the Billboard 200 this upcoming week. There aren’t major new Friday releases currently threatening for a top debut, and with the sales-driven bows of Stray Kids’ ATE and Jimin’s MUSE likely to take a hit in their second week, there should be an opening for the album to return to the top five – and if it can continue to build on its recent momentum, it may even challenge for a new peak of No. 4. It will still have its work cut out to pass the 30-plus-track streaming behemoths from Taylor Swift and Morgan Wallen that have been lodged near the top of the Billboard 200 since their respective releases, but it should be in the mix for some time to come, and with another extra song boost or two – or perhaps a physical reissue – it wouldn’t be inconceivable that it could get to No. 1 before year’s end.
Chappell Roan, “Good Luck, Babe!” (KRA/Amusement/Island/Republic): Arguably the most impressive thing about the run that Midwest Princess has had on the Billboard 200 is that it’s making it without even getting any help from the song that’s actually Roan’s biggest of all of 2024. “Good Luck, Babe!” was released in April as a standalone single, unattached thus far to Midwest Princess or any other album of hers, and it has taken her further on the Hot 100 than any of that album’s breakout hits. This week, “Babe” returns to its peak of No. 10, which it originally reached on the chart dated July 13, while gaining on both the Streaming Songs (9-7) and Digital Song Sales (22-17) charts.
More important to its chart potential is that it has finally clicked the last piece of the puzzle into place: major radio support. Unlike the Midwest Princess hits, “Babe” has been fully (if somewhat belatedly) embraced by top 40 radio: It climbs 12-9 on Billboard’s Pop Airplay chart this week, and 25-21 on the all-format Radio Songs listing. As “Babe” continues to expand on the airwaves, and with no major new song releases expected to provide additional traffic in front of it on the Hot 100, it has a good chance of getting even higher on the chart next week. And with plenty of room for it still to grow – and streaming and sales support also strong – a run to the top five could certainly be in play for the song in the weeks to come.
Could it get to No. 1? It’s still well behind such four-quadrant smashes as Shaboozey’s “A Bar Song (Tipsy),” Post Malone and Morgan Wallen’s “I Had Some Help” and Kendrick Lamar’s “Not Like Us” at the top of the chart, so it would take some considerable growth across all metrics for “Babe” to really mount a challenge there. But it’s worth noting that as far as “Babe” has already come, it’s done so without some of the more traditional promotional tactics used to boost songs in its position – no official remixes, no major national performances of it beyond a Tonight Show Starring Jimmy Fallon appearance, not even a non-lyric music video. So if it gets close, there’s plenty of cards for Roan still to play to get it that final push over the top.
Charli XCX, Brat (Atlantic/AG): The season familiarly known as Brat Summer has mostly come with impressive, but not quite overwhelming chart returns. Brat did debut at No. 3 on the Billboard 200, which marked a career-best showing for Charli XCX, but three weeks later it was out of the top 10, and it’s been hanging around the chart’s teens ever since. Meanwhile, before this week, she’d only launched two tracks from it onto the Hot 100, and neither in the top half – lead cut “360” debuted at No. 73 the same week as the album’s bow and had hung around the chart’s bottom quadrant since, while “Girl, So Confusing” entered at a slightly higher No. 63 two weeks later following the release of its Lorde-featuring remix, and was off the chart altogether a couple weeks after that.
But three words might have turned around the entire chart momentum of Brat Summer. The Sunday (July 21) that President Joe Biden officially dropped his re-election campaign and endorsed Kamala Harris as his replacement, Charli tweeted “Kamala IS Brat” — unofficially making her exciting new album the soundtrack to the global moment. Harris’ campaign seized said moment by adapting Brat’s already-iconic cover design for the header on their HQ’s official Twitter page, and within days, CNN was airing discussions about Brat Summer and what kind of impact the coolest pop star in the world could have on this year’s presidential election.
Despite seeing respectable gains in both sales and streams following last week’s spike in interest, Brat actually slides 13-14 on the latest Billboard 200 – thanks to a glut of high-performing new albums released at the start of the tracking week, four of which debut ahead of it on the chart. But with the album continuing to grow in both sales and streams so far this week, next week it could be ticketed for a trip back to the top 10, its first time back in the region since the chart dated July 6, which was its third frame on the listing.
In the meantime, two songs from Brat are surging on the Hot 100. “360” hits a new peak of No. 55 this week, while the TikTok-approved “Apple” debuts at No. 81. A top 40 hit could be in Brat’s future, as both songs still have room to grow – the latter has major virality on its side, with everyone from Twisters star Glen Powell to Foo Fighters frontman Dave Grohl doing the dance challenge that helped it light up social media, while “360” is starting to make inroads at radio, up 56% in plays for the week, according to Luminate, and bubbling under the Pop Airplay chart. And the album might not be done spawning hits yet: “365,” the album’s meme-spawning closing complement to “360,” has been rising in streams and sales the past couple weeks, and re-enters Spotify’s Daily Top Songs USA chart today.
The album is still pretty far from being a major contender for the top spot on the Billboard 200. But who knows? With the twists and turns that Charli’s season has already taken, we’d be foolish to bet against her finding new ways to challenge for supremacy on the chart, and officially cement Brat Summer in the 2024 record books. (Perhaps a new remix to one of the album’s deluxe edition bonus tracks — widely believed to be co-starring alt-pop superstar Billie Eilish — will be one of them.)
It’s impossible to know for sure whether Selena Gomez and Benny Blanco ever would’ve gotten together a decade ago, but the pop star does have some thoughts on the matter. Responding to a recent fan TikTok claiming “she would never date benny blanco” back in her “IT GIRL era” in the 2010s, Gomez simply wrote, […]
Megan Thee Stallion is ready to be Kamala Harris’ body-ody-ody-ody-ody-ody-ody-ody guard. After performing at the politician’s campaign rally in Atlanta Tuesday (July 30), the rapper — dressed to impress in a blue pantsuit — posted a video backstage with her backup dancers doing the viral TikTok choreography to her song “Mamushi.” In her caption, she […]
50 Cent is a savant in the art of war. With the litany of feuds 50’s been engaged in throughout his decorated career, the G-Unit mogul knows how to shrewdly navigate in battle, and he’s just about seen it all in hip-hop.
As part of his The Hollywood Reporter cover story published on Wednesday (July 31), Fiddy dished on the dust settling on the Kendrick Lamar and Drake feud, which he doesn’t chalk up as a loss for the 6 God.
“This is hip-hop. I think it’s competitive to a degree, obviously. Even Drake, his position and the attitude and his choices, those are 50 Cent choices,” he began. “‘F–k it, everybody got to get it then.’ When it becomes Drake versus Kendrick, it’s because it’s the only thing you can put up against Drake’s success.”
Trending on Billboard
When an artist has a successful run as long and dominant as Drake’s, 50 believes other rappers are waiting to see him fall from the top so they could have a shot at the throne. The Queens legend thinks it came to the point that people were poking holes in Drake’s artistry that really weren’t there.
“Look, our culture loves to see you go up because it’s confirmation that they can go up,” he added. “But when you stay up — ‘I want this s–t forever, man’ — they go, ‘Well, goddamn. When you going to come down? If you don’t come down, I ain’t going to have my chance to go up.’ And then it’s these clouds that come over you, and that cloud is doubt, a shadow of doubt that doesn’t come from material or your work ethic.”
The “In Da Club” rapper continued: “It’s doubt from the artist community, where they say, ‘I don’t know, his new s–t is cool, but it’s not his first s–t.’ They do that to you and Drake’s just experiencing what you experience as a backlash from success, from the consistency he’s delivered over and over. I don’t see a loss for Drake. The people who bought Drake material are going to buy Drake material when his next song comes out.”
While 50 is confident Drake will bounce back, because of his own antics in battle, his enemies didn’t suffer the same fate. “Now, the s–t that I do, it ruins your whole f—ing career,” he gravely declared.
Kendrick and Drake’s back-and-forth came to a close in early May, and the fan consensus is that the winner was Lamar, with which Billboard agreed.K. Dot’s “Not Like Us” is still simmering and holding strong on the Billboard Hot 100 at No. 3 on the Aug. 3 dated tally.
50 and Drake actually linked up earlier in July, and the Power creator teased a collaboration on the TV side from the duo. He shared a photo of the two together on Instagram and wrote, “Brainstorming last night me and @champagnepapi gonna get the [camera emoji] rolling biggest ting on your TV.”
If you were born Austin Richard Post and you heard a song called “Austin” by one of your mom’s favorite country singers, and she said it was about you, chances are you’d believe her. At least that’s what Post Malone told Blake Shelton.
Speaking to American Songwriter, Shelton said that when the men were working on their new joint single “Pour Me a Drink” from Posty’s upcoming star-packed debut country album, F-1 Trillion, Malone told him that he thought Blake’s 2001 debut single was written in his honor.
“Post’s real name is Austin, and he told me that when he was a kid, his mom told him that that song was written about him,” Shelton said of the 29-year-old rapper-turned-country crooner who would have been a first grader when Blake released his self-titled debut album. “That’s what he told me, and he said he believed it. His mom was, I guess, the country music fan in the family, and his dad was the rock guy. So, I guess that’s how Post Malone was created.”
Trending on Billboard
In the chorus of the twangy ballad about a lost love who moves to the Texas town, Shelton sings in the voice of his former girlfriend, crooning, “And by the way, boy, this is no machine your talkin’ to/ Can’t you tell, this is Austin, and I still love you.”
Malone and Shelton seem like they’re having a blast on “Pour Me a Drink,” a party tune about tipping one (or four) up with your pals and forgetting about your mistakes. “Guess I really went and messed it up again Now, my baby’s goner than the Tulsa wind/ Judgin’ by the stone-sober state I’m in/ Need to crack one wide open,” Shelton sings, with Malone adding on the chorus: “Somebody pour me a drink, somebody bum me a smoke/ I’m ’bout to get on a buzz, I’m ’bout to get on a roll.”
Shelton said he had a great time recording the song with Texas-bred Malone and now that they’ve hung out he can understand why his new pal is such a mega-selling/streaming artist. “I didn’t because at the end of the day, I just, for whatever reason, he asked me to do it—I’m proud,” Shelton said. “I’m proud of that record. I’m proud to have worked with him. I think he’s an incredibly talented guy. Now that I’ve spent some time with him, it’s no mystery to me that he’s as huge as he is as an artist and successful as he is because he’s just somebody that you just love being around. He’s just so much fun.”
Malone’s F-1 Trillion (August 16) is slated to feature a number of other A-list collaborations, including songs with Dolly Parton (“Have the Heart”), Morgan Wallen (Billboard Hot 100 No. 1 smash “I Had Some Help”), Tim McGraw (“Wrong Ones”), Brad Paisley (“Goes Without Saying”), Lainey Wilson (“Nosedive”), ERNEST (“Devil I’ve Been”), Chris Stapleton (“California Sober”) and Billy Strings (“M-E-X-I-C-O”), as well as Hank Williams Jr., Luke Combs, Jelly Roll and Sierra Ferrell.
The singer recently previewed some of the songs at his Bud Light “A Night in Nashville” show at Music City’s Marathon Music Works, where he played his collaboration with HARDY (“Hide My Gun”) and with Ferrell (“Never Love Again”), as well as the previously-released “Pour Me a Drink” alongside Shelton.
Bill Maher made the bold choice of dissing Taylor Swift on his Club Random podcast this week, picking on everything from the 34-year-old pop star’s Eras Tour to her romance with Kansas City Chiefs tight end Travis Kelce.
While speaking to guest Haliey Welch — better known as the viral “Hawk Tuah” girl — on his Sunday (July 28) episode, the 68-year-old comedian was the first person to bring up Swift. “I liked her more when she was country,” he said. “I love ‘Sparks Fly.’ I love it.”
That was pretty much where the flattery stopped, though. “I’m sure she’s a lovely person, but the whole thing with the football player … it just felt like 35 is a little old to be like, ‘My boyfriend’s a football player, and I wear his jersey to the game with his number on it,’” Maher continued, referencing the 14-time Grammy winner’s high-profile visits to Arrowhead Stadium during the 2023-24 NFL season. “Right? I mean, come on.”
Trending on Billboard
The political commentator went on to say frankly that Kelce is “gonna dump her.” “With her, it’s like the Gatorade at the Super Bowl,” he added. “You know you’re gonna get dumped — you just don’t know when.”
Welch then remarked that Swift’s next album would be next-level if a Tayvis breakup did occur — “It won’t be f–k John Mayer no more, it’ll be f–k Travis” — to which Maher questioned, “Is she still singing about [Mayer]?”
“Her tour is the Eras Tour… it must’ve had the songs about all the people that she wrote songs about,” the Real Time host continued, agreeing with Welch that it’s “very tacky” for Swift to still be singing about her past exes. “You can’t control what the muse dictates to you — she’s a songwriter. I can’t fault her for that. But [her breakups] seem like such a recurrent theme.”
That’s when Maher ended the Swift discussion with a pretty outdated joke: “At some point, you just want to say, maybe you should write a song called, ‘Maybe It’s Me.’”
Billboard has reached out to Swift’s rep for comment.
Though Maher apparently dislikes that the musician performs her older music on the Eras Tour, millions of Swifties would probably beg to differ. In 2023, the Eras Tour generated approximately $900 million in ticket sales — a number that’s no doubt significantly higher when factoring in the four months she’s been touring in 2024 since it was calculated.
Swift has also been open about how quips about her dating life and songwriting topics affect her. When the Netflix series Ginny & Georgia included the line, “You go through men faster than Taylor Swift” in 2021, for instance, she was quick to put it on blast.
“Hey Ginny & Georgia, 2010 called and it wants its lazy, deeply sexist joke back,” she tweeted at the time. “How about we stop degrading hard working women by defining this horse s–t as FuNnY.”
As for the “Karma” singer’s relationship with Kelce, the couple appears to be doing just fine (although some of Maher’s comments do echo complaints from NFL fans who didn’t like seeing Swift on their TV screens during Chiefs games). Now going on a year of dating, they were most recently spotted at the star’s Eras show in Gelsenkirchen, Germany, July 18, cozying up next to each other as they exited the backstage area.
Watch Maher discuss Swift below.
[embedded content]