Music

Nicki Minaj Charts 14 Songs From ‘Pink Friday 2’ on the Hot 100

Nicki Minaj has a big week on Billboard’s charts thanks to the arrival of her new LP, Pink Friday 2.

The set, released Dec. 8 via Young Money/Cash Money/Republic Records, debuts at No. 1 on the Billboard 200 (dated Dec. 23) with 228,000 equivalent album units earned in its opening week, according to Luminate. It’s the rapper’s third leader, after 2011’s Pink Friday and 2012’s Pink Friday: Roman Reloaded.

As the new album opens at No. 1, Minaj also debuts 14 songs from the set on the Billboard Hot 100. Here’s a recap:

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Hot 100 Rank, Title:

  • No. 26, “Everybody,” feat. Lil Uzi Vert
  • No. 34, “Needle,” feat. Drake
  • No. 42, “FTCU”
  • No. 58, “Barbie Dangerous”
  • No. 60, “Are You Gone Already”
  • No. 63, “Let Me Calm Down,” feat. J. Cole
  • No. 64, “Beep Beep”
  • No. 73, “Big Difference”
  • No. 74, “Fallin 4 U”
  • No. 80, “RNB,” feat. Lil Wayne & Tate Kobang
  • No. 82, “Pink Friday Girls”
  • No. 87, “Cowgirl,” feat. Lourdiz
  • No. 89, “Pink Birthday”
  • No. 95, “Bahm Bahm”

(Three other tracks on Pink Friday 2 previously charted on the Hot 100: “Super Freaky Girl,” which debuted atop the chart in August 2022, becoming Minaj’s third No. 1, and first in a lead role; “Red Ruby Da Sleeze,” which was No. 13, this March; and “Last Time I Saw You” at No. 23 in September.)

The 14 debuts bring Minaj’s total to 147 career Hot 100 entries — the most ever among female rappers. She passes Lil Baby and Kanye West for the sixth-most overall in the chart’s 65-year history, after Drake (up to 328, thanks to his feature on “Needle”), Taylor Swift (232), the Glee cast (207), Lil Wayne (186) and Future (168).

Minaj also lifts her career count to 73 top 40 Hot 100 hits, the fifth-most after Drake (202), Taylor Swift (138), Lil Wayne (88) and Elvis Presley (81).

Thanks to their featured appearances on the album, Tate Kobang and Lourdiz also score their first Hot 100 hits.

As Pink Friday 2 includes prominent samples on nine of its 22 tracks, several former Hot 100 hits are reintroduced to the chart in a new form, including Billie Eilish’s “When the Party’s Over,” a No. 29 hit in 2019, via “Are You Gone Already,” and Cyndi Lauper’s “Girls Just Want to Have Fun” (No. 2, 1984; “Pink Friday Girls”). Other samples include Notorious B.I.G. and Bone Thugs-N-Harmony’s “Notorious Thugs” (on “Barbie Dangerous”), Junior Senior’s “Move Your Feet” (on “Everybody”) and Blondie’s “Heart of Glass” (on “My Life”).

Keith Richards Wishes Wife Patti Hansen a Happy 40th Anniversary With Throwback Wedding Photo

Keith Richards and wife Patti Hansen have cracked four decades of marriage together, and to celebrate, the Rolling Stones musician took to Instagram on Monday (Dec. 18) to share a sweet throwback photo from their wedding to commemorate their 40th anniversary.

“For Patricia, Happy 40th Anniversary! I love you. Keith,” Richards captioned the post, which featured a photo of him and Hansen dressed in their wedding attire on the beach and cutting into their cake. Richards adding a black heart emoji to the caption.

The annual anniversary posts are nothing new for the Rolling Stones member. Last year, the rocker — who also turned 80 Monday — shared another throwback wedding photo on their anniversary, with the snap showing him serenading Hansen during their Cabo nuptials with a guitar while she was in her gown.

The pair’s daughter Theodora also participated in the anniversary festivities and made a post that revealed Richards and Hansen recreated their wedding kiss to commemorate their 39th year of marriage.

“A jubilee happened yesterday,” she captioned the photos at the time. “My parents had a party where we celebrated my dad being another year older and that my parents have been married for 39 years (really it’s 43yrs of togetherness but we’ll go off the legitimacy of their 1983 Cabo wedding) I am so proud of this family. We’ve been through a lot but the love is so strong and powerful that it carries us forever forward on a cloud of compassion and courage. I love you mom and dad. You guys are my inspiration. And HAPPIEST BIRTHDAY dear Daddio.”

Fantasia Barrino Accuses Airbnb Host of ‘Racial Profiling’ Against Her & Her Kids

Fantasia Barrino is speaking out after an alleged incident at an Airbnb.

The American Idol winner took to X (previously known as Twitter) to share details on what she claims was “racial profiling” at the hands of her Airbnb host. “My stomach is so uneasy this morning as I’m riding back to my home in the cold and rain,” she wrote. “I don’t say much when people do me wrong, but I can’t stay quiet on how my family and I were just treated from a host with @Airbnb @airbnbhelp trying to kick my kids and I out at 12:00 midnight.”

She claimed that the host “accused” Fantasia of having a party “because they saw balloons being dropped off and a game truck with no generator in the early part of the day.” The singer and actress continued, “The amount of guests we reserved for are the amount of guests who stayed the night. They never said we weren’t allowed to have any company over!

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Fantasia said that the house was clearly designed for parties, as there was a game room, poker table and even equipment leftover from a previous event. “It’s evident to me this was racial profiling and the treatment we received was due to the color of our skin,” she claimed. “I wanted my son to enjoy his friends and make him feel special as I have been traveling for the last 35+ days promoting a movie I starred in. This time, I dare not stay quiet.”

Billboard has reached out to Airbnb for comment. See Barrino’s tweets below.

Mariah Carey’s ‘All I Want for Christmas Is You’ Scores Record-Breaking 16th Week at No. 1 on Billboard Global 200 Chart

Mariah Carey’s “All I Want for Christmas Is You” adds a record-breaking 16th week at No. 1 on the Billboard Global 200 chart (dated Dec. 16).

The modern holiday classic also tops the Billboard Global Excl. U.S. chart for an 11th frame.

Plus, Sia’s “Snowman” reaches the Global Excl. U.S. top five for the first time, rising to No. 5.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



Carey’s ‘Christmas’ Rewrites Global 200 No. 1 Record

Carey’s “All I Want for Christmas Is You” leads the Global 200 for a third consecutive week with 102.5 million streams (up 1%) and 12,000 sold (up 32%) worldwide Dec. 8-14. The song, originally released in 1994, has now spent a record-breaking 16 weeks at No. 1, following four weeks in both the 2020 and 2021 holiday seasons and five frames over last year’s holidays. It surpasses the 15-week command of Harry Styles’ “As It Was” in 2022.

Wham!’s “Last Christmas” holds at its No. 2 high on the Global 200; Brenda Lee’s “Rockin’ Around the Christmas Tree” keeps at No. 3, after reaching No. 2 last holiday season; Bobby Helms’ “Jingle Bell Rock” again rings in at No. 4, its best rank; and Tate McRae’s “Greedy” rebounds 9-5, following two weeks at No. 1 beginning in November.

Carey’s ‘Christmas’ Tops Global Excl. U.S., Sia’s ‘Snowman’ Hits Top 5

Carey’s “All I Want for Christmas Is You” concurrently tops the Billboard Global Excl. U.S. chart for a third week in a row, with 64.8 million streams (down 4%) and 5,000 sold (down 2%) outside the U.S. Dec. 8-14. The song tallies an 11th total week at No. 1, following one in the 2020 holiday season, three weeks the next year and four last season.

Wham!’s “Last Christmas” repeats at its No. 2 Global Excl. U.S. high; Tate McRae’s “Greedy” rebounds 4-3, three weeks after it hit No. 1; and Brenda Lee’s “Rockin’ Around the Christmas Tree” dips to No. 4 from its No. 3 best.



Rounding out the Global Excl. U.S. top five, Sia’s “Snowman” makes a festive 8-5 flight, marking its, and Sia’s, first week in the region. The song, from 2017, with its profile boosted by TikTok, drew 34 million streams (up 2%) and sold 2,000 (up 18%) outside the U.S. Dec. 8-14.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Dec. 23, 2023) will update on Billboard.com tomorrow (Dec. 19). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Mariah Carey’s ‘All I Want for Christmas Is You’ Jingles Back to No. 1 on Billboard Hot 100

Mariah Carey‘s “All I Want for Christmas Is You” returns to No. 1 on the Billboard Hot 100, as it adds a 13th total week at the chart’s highest bough.

The carol reigns in a record-extending fifth holiday season. It was originally released on Carey’s album Merry Christmas in November 1994 and, as streaming has grown and holiday music has become more prominent on streaming services’ playlists, it hit the Hot 100’s top 10 for the first time in December 2017 and the top five for the first time in the 2018 holiday season. It led at last, prior to this week, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three) and 2022 (four).

“When I wrote [it], I had absolutely no idea the impact the song would eventually have worldwide,” Carey marveled of “Christmas” in 2021. “I’m so full of gratitude that so many people enjoy it with me every year.”

The song tops the Hot 100 after Brenda Lee’s “Rockin’ Around the Christmas Tree” spent the last two weeks at No. 1, having led for the first time 65 years after its release.

Plus, two fellow holiday classics return to the Hot 100’s top 10: The Ronettes’ “Sleigh Ride” (14-8) and Dean Martin’s “Let It Snow, Let It Snow, Let It Snow!” (12-10).

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Dec. 23, 2023) will update on Billboard.com tomorrow (Dec. 19). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.



Streams, airplay & sales: Carey’s “Christmas,” on Columbia Records/Legacy Recordings, rises 2-1 on the Hot 100. It drew 42.2 million streams (up 10%, boosted by the Dec. 8 premiere of its “Festive Lambs Edition” video, which features the song’s original audio) and 26.1 million radio airplay audience impressions (up 8%) and sold 8,000 downloads (up 68%, aided by the iTunes Store’s 69-cent sale-pricing, for multiple holiday titles) in the U.S. Dec. 8-14, according to Luminate.

Also during the tracking week, Carey continued her Merry Christmas One and All! tour, including her Dec. 9 show at New York’s Madison Square Garden.

The single holds at No. 2 on the Streaming Songs chart, following 18 weeks at No. 1; jumps 7-3 on Digital Song Sales, following four frames at the summit; and pushes 29-22 on Radio Songs, where it hit a No. 11 best last season.

Holiday hits atop the Hot 100: Now up to 13 weeks, Carey’s “Christmas” extends its mark as the holiday song with the most time tallied atop the Hot 100, among three such No. 1s. “The Chipmunk Song,” by The Chipmunks with David Seville, spent four weeks on top beginning in December 1958, followed by Lee’s two weeks on top with “Rockin’.”

Thanks to Carey’s and Lee’s No. 1s, two holiday songs have led the Hot 100 in the same holiday season for the first time.

No. 1 in a fifth season: Carey’s “Christmas” is the first song to top the Hot 100 in five distinct runs on the chart, its latest coronation following its commands in the 2019, 2020, 2021 and 2022 holiday seasons. (Just one other song has led in each of even two stays: Chubby Checker’s “The Twist,” in in 1960 and 1962.)

Plus, “Christmas” makes its record-breaking sixth nonconsecutive ascent to No. 1 on the Hot 100, having previously led for three straight weeks in the 2019 holiday season; two nonconsecutive weeks over the 2020 holidays; three weeks in a row during the 2021 holidays; and four straight weeks last season. With its sixth distinct rise to No. 1, it surpasses Morgan Wallen’s “Last Night” and Harry Styles’ “As It Was,” both of which made five separate climbs to the top, this year and in 2022, respectively.

No. 1 in 63rd week: Carey’s “Christmas” rules the Hot 100 in its 63rd week on the chart. It ties Glass Animals’ seasonally-opposite “Heat Waves” for the latest, by total chart weeks, that a song has led the list. The latter completed a record 59-week trip to No. 1 in March 2022 and reigned for five consecutive weeks, through its 63rd frame; it went on to log a record 91 weeks on the chart.

Carey’s third No. 1 of 13 weeks or more: Carey ties Boyz II Men as the only artists with three songs that have topped the Hot 100 for 13 or more weeks each. Notably, Carey and the group teamed for one smash that contributes to the feat: “One Sweet Day.”

Mariah Carey:

  • 16 weeks, “One Sweet Day,” with Boyz II Men, 1995-96
  • 14 weeks, “We Belong Together,” 2005
  • 13 weeks (to-date), “All I Want for Christmas Is You,” 2019-23

Boyz II Men:

  • 16 weeks, “One Sweet Day,” with Carey, 1995-96
  • 14 weeks, “I’ll Make Love to You,” 1994
  • 13 weeks, “End of the Road,” 1992

Carey’s record 92nd week atop Hot 100: With “Christmas,” Carey adds her record-extending 92nd week at No. 1 on the Hot 100, dating to the chart’s Aug. 4, 1958, inception.

Most Weeks at No. 1 on Hot 100:

  • 92, Mariah Carey
  • 60, Rihanna
  • 59, The Beatles
  • 56, Drake
  • 50, Boyz II Men
  • 47, Usher
  • 43, Beyoncé
  • 37, Michael Jackson
  • 34, Adele
  • 34, Elton John
  • 34, Bruno Mars
  • 34, Taylor Swift

“Christmas” became Carey’s 19th Hot 100 No. 1, the most among soloists and one away from The Beatles’ overall record 20. It also made Carey the first artist to have ranked at No. 1 on the chart in four distinct decades, dating to her first week on top in August 1990 with her debut hit, “Vision of Love.”

No. 1 on Holiday 100: Carey’s “Christmas” concurrently rebounds to No. 1 on the multi-metric Holiday 100 chart, which uses the same methodology as the Hot 100, for a 59th week at the apex, of the chart’s 66 total weeks since the it originated in 2011. It also rules as the top title on the Greatest of All Time Holiday 100 Songs chart.

At No. 2 on the Hot 100, Lee’s “Rockin’ ” adds a fourth week atop Streaming Songs (42.4 million streams, up 3%).

Rounding out a fully festive top five on the Hot 100, Bobby Helms’ “Jingle Bell Rock,” released in 1957, holds at its No. 3 high; Wham!’s “Last Christmas,” from 1984, keeps at its No. 4 best; and Burl Ives’ “A Holly Jolly Christmas,” from 1964, climbs 7-5, having hit No. 4.

Jack Harlow’s “Lovin On Me” dips 5-6 on the Hot 100, three weeks after it became his third No. 1. The chart’s top nonholiday title becomes Harlow’s fourth leader on Digital Song Sales (2-1; 8,000 sold) and notches a fifth week each atop the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts.

Andy Williams’ “It’s the Most Wonderful Time of the Year,” from 1963, lifts 8-7 on the Hot 100, having reached No. 5. The late singer now sports a record span of 64 years, two months and two weeks from his first week in the top 10 with “Lonely Street” in October 1959 through his latest week in the region.



The Ronettes’ “Sleigh Ride” dashes 14-8 on the Hot 100, hitting a new high, led by 23.7 million streams (up 16%). Originally released in 1963, the same year that the act posted its lone other top 10 – the iconic No. 2-peaking “Be My Baby” – “Sleigh Ride” previously ranked in the top 10, at No. 10, for a week over the 2021 holidays (shortly before the passing of group co-founder Ronnie Spector). The Ronettes now boast a span of 60 years and three months in the Hot 100’s top 10 – the longest among groups. (Excluding holiday fare, The Beatles broke the record for the longest top 10 span among all acts last month: 59 years, nine months and three weeks, from “I Want To Hold Your Hand” in 1964 to the debut of their newly-released single “Now and Then.”)

Tate McRae’s “Greedy” rebounds 16-9 on the Hot 100, after reaching No. 7, as her new album Think Later debuts at No. 4 on the Billboard 200, marking her first top 10 set.



Wrapping the Hot 100’s top 10, Dean Martin’s “Let It Snow, Let It Snow, Let It Snow!,” from 1959, rises 12-10 (22.3 million streams, up 5%). The song hit a No. 8 best in the 2020 holiday season, having become the fourth top 10 for the late legendary singer. He posted his first three top 10s in 1964-65: “Everybody Loves Somebody” (No. 1, one week), “The Door Is Still Open to My Heart” (No. 6) and “I Will” (No. 10).

Again, for all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated Dec. 23), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Dec. 19).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Rita Ora Gets Cheeky in Racy Bikini Pic: ‘You’re Welcome’

Rita Ora is relaxing ahead of the holiday season. On Sunday (Dec. 17), the “I Will Never Let You Down” singer shared a series of photos from her recent vacation to New Zealand on Instagram, one of which was a cheeky bikini photo posted on her Instagram Stories.

The first set of bikini pictures came through Ora’s carousel Instagram post, in which she showed off a simple black two-piece swimsuit that she accessorized with two sets of gold hoop earrings and a gold chain to match. The subsequent photos feature the 33-year-old enjoying the hilly landscape, a look at her daytime meal and moments spent in nature. Ora’s husband, Taika Waititi — a New Zealand native — also makes an appearance in one of the images.

“I can’t begin to explain the weekend I have had. Thank you for these memories @piwakawakapoint,” Ora captioned the series of images.

In the singer’s Stories, she gave fans a flash of what the backside of her bikini looked like, sharing an image of her cheeks that was simply captioned, “You’re welcome.”

Ora’s vacation puts a cap on an eventful 2023 for the star. She released her third studio album, You & I, filled in for Nicole Scherzinger as a judge for The Masked Singer back in September, and is gearing up to co-host Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2024 in New York City on Dec. 31.

See Ora’s latest Instagram post below, and her cheeky photo on her Instagram Story before it disappears.

R&B/Hip-Hop Fresh Picks of the Week: Fantasia, Fivio Foreign and 41, Bas, A$AP Twelvyy & More

As per usual, it’s been a busy week in the world of hip-hop and R&B. With exactly one week to go before Christmas, the worlds of hip-hop and R&B extended their stay in Gag City. Nicki Minaj — who recently clinched her historic third Billboard 200 chart-topper — dropped off another version of Pink Friday 2, this time featuring collaborations with 50 Cent (“Beep Beep”) and Monica and Keyshia Cole (“Love Me Enough”).

The “Super Freaky Girl” rapper also dominated the news cycle with a pair of iHeartRadio Jingle Ball performances, a record-breaking stream with Kai Cenat, and her decision to brush off Kanye West‘s request to clear her beloved “New Body” verse for his and Ty Dolla $ign’s imminent Vultures album. Speaking of Vultures, that album never arrived. Nonetheless, we were treated to new LPs from Bas and YTB Fatt, as well as the highly-anticipated Color Purple soundtrack, which features new original songs by Halle Bailey, Fantasia, Jennifer Hudson, Mary J. Blige, Usher, Coco Jones, H.E.R., Megan Thee Stallion, Missy Elliott, Shenseea and more.

With Fresh PicksBillboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop. From A$AP Twelvyy’s heart-warming A$AP Mob reunion to Madison Ryann Ward’s gorgeous amalgamation of gospel and acoustic R&B, get into these six new picks and be sure to check out the rest of our recs in the Spotify playlist below.

Freshest Find: Fantasia, “Superpower (I)”



There was simply no way to bring The Color Purple from Broadway to the silver screen without a show-stopping new end-credits song. Leave it to Fantasia and The-Dream to deliver that and then some with their rousing “Superpower (I).” Anchored by ethereal strings and the driving melodies of Negro spirituals, Fantasia croons lyrics that beautifully capture the arc and triumph of both Celie and herself. “I pray you see past my scars/ And assumе all the joy inside/ We all got our own mountains to climb/ Wе’ll take our time goin’ down the sweeter side,” she sings. Known and beloved for her powerhouse vocals, Fantasia plays with her dynamics here, carefully oscillating between soft coos and levee-breaking belts that add new layers of intention and storytelling to The-Dream’s lyrics.

A$AP Twelvyy feat. A$AP ANT, A$AP Rocky & A$AP Ferg, “Yams Day”



For this loving tribute to A$AP Yams — the late New York rapper who formed A$AP Mob — four of the collective’s brightest stars team up for three minutes of tender nostalgia. Built around a sample of DJ Zirk’s “Ana 4 Ya Hoez,” “Yams Day” draws from the same Southern hip-hop influences that inform Rocky’s sound. The track is the first of five new tracks on the deluxe version of Twelvyy’s Kid$ Gotta Eat and it aptly functions as both a memorial and a victory lap. Between Rocky’s refrain and Ferg’s hook — not to mention the strong verses from Ant and Twelvyy — “Yams Day” captures the beautiful synergy of A$AP Mob, one that feels renewed after some time to heal from Yams’ passing.

Fivio Foreign & 41, “Get Deady”



Brooklyn rap trio 41 has enjoyed a breakout year in 2023, and they’ve capped off their run with a new Fivio Foriegn collaboration. Steeped in both acts’ Brooklyn drill sound, each rapper delivers a high-octane, punchline-ridden verse over a skittering beat courtesy of AyoAA, Lawyered Beats & Verbxse. “Like, okay, who tryna cyph’?/ Who tryna smoke on a body tonight?” Kyle Richh quips. The chemistry among 41’s members remains palpable (just check out the gusto that namedropping TaTa brings to the end of Jenn’s verse), but their ability to showcase their idiosyncrasies while holding space for Fivio’s dynamism is what really makes this track such a winner.

X4, “Call My Bluff”



For his latest release of the year, LA rapper X4 opts for ominous synths and laid-back finger snaps to provide the foundation for “X4,” a brooding invitation for his opps to, well, call his bluff. The texture of X4’s voice is what elevates the track, equal parts whispery and hoarse, his tone is a stark contrast to gruff growling that’s currently dominating hip-hop on the other side of the country. He sounds unfazed on “Call My Bluff,” almost purposely monotone. In a way, his delivery underscores the mundanity of the scenes he raps about, and who are we to call his bluff?

Madison Ryann Ward, “Calling My Name”



With a delicate timbre that recalls Yebba’s, Madison Ryann Ward unleashes an unbelievably tender amalgam of acoustic R&B, gospel, and pop. Her saccharine melodies immediately lodge themselves in your ear, but it’s her fluttery harmonies — ones that find her warping her malleable head voice — that add some intricacies to the melody’s broad strokes. Of course, there are also the lyrics: heartfelt couplets that exalt God and thank Him for being a constant presence in her life. The chorus interpolates portions of “Amazing Grace,” which pairs nicely with the apprehension and self-doubt that courses through her verses: “Help me with my unbelief/ This gonna preach, say I’m forgiven and free/ This is another degree, who, me?/ You really talkin’ to me?” she croons.

Bas feat. Blxckie & A$AP Ferg, “U-Turn”



The late-night driving crowd is a silent but mighty segment of music listeners, and Bas may have just gifted them their newest anthem. Assisted by South African rapper Blxckie and A$AP Ferg in his second appearance in this week’s column, Bas coasts over ​mOma+Guy’s luscious production with inimitable sensual swagger. The smooth Afrobeats-inflected beat soundtracks his ode to spinning the block on a lover that you just can’t get out of your head and heart. While he’s present throughout the track, Bas doesn’t have a verse of his own, making “U-Turn” not just an enjoyable song, but also a deft showcase of his curatorial abilities.

Watch Maren Morris Sing Tammy Wynette’s Classic Divorce Anthem Amid Split From Ryan Hurd

Maren Morris had the perfect response to a recent viral video of a groom making inappropriate comments about his bride in the middle of his wedding ceremony — and the country singer may have even hinted at an update about her divorce from Ryan Hurd.

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The video of the disrespectful groom has been making its rounds on social media over the past few days, with viewers generally appalled by the man in question’s comments. In a snippet of the video shared by Morris on TikTok, he tells his soon-to-be wife mid-wedding vows, “I will smack that a– every chance I get.”

The “The Middle” artist stitched the video with a clip of herself, strumming a guitar while belting out the hook of Tammy Wynette’s iconic anthem “D-I-V-O-R-C-E.” “Our D-I-V-O-R-C-E becomes final today,” Morris sings in the TikTok.

Billboard has reached out to both Morris’ and Hurd’s reps for comment.

The Grammy winner’s take on the 1968 classic — which reached No. 63 on the Billboard Hot 100 and topped the Hot Country Songs chart — feels especially poignant amid her recent split from Hurd, with the Billboard Pride cover star filing for divorce after five years of marriage earlier this year. The pair shares a 3-year-old son.

Last week, Morris told Howard Stern that her divorce was “ongoing,” noting that she was waiting for the breakup to “wrap up” before she even considers dating again. “I think this year has — for a lot of people, not just me — a lot of people that are close to me have gone through it,” she added. “I’ve known so many people that have gone through breakups or divorces.”

Watch Morris’ TikTok below:

Ryan Tedder Promises New OneRepublic Music Is Right Around the Corner: ‘Quietly Gathering Loads of Songs’

Add new music from OneRepublic to things you can look forward to next year. The group’s Grammy-winning singer and songwriter, Ryan Tedder, broke the good news to fans on Sunday (Dec. 17), tweeting that he is “working on New @OneRepublic,” tracks and noting that he’s been “quietly gathering loads of songs for 2024.”

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Even better, the prolific producer/writer added, “think we have the next single picked ? (praying hands, raising hands and heart emoji).”

Tedder has written and produced hits for everyone from Beyoncé, Ed Sheeran, Miley Cyrus and Lady Gaga to Taylor Swift, Lil Nas X, Adele, Paul McCartney and, most recently, Tate McRae (“Greedy). He has also been the mastermind behind his own band’s Billboard Hot 100 No. 2 hits “Counting Stars” and “Apologize.” The group that also includes guitarist Zach Filkins, multi-instrumentalist Drew Brown, drummer Eddie Fisher, keyboardist Brent Kutzle and keyboardist Brian Willett released their most recent album, Human, in 2021; the LP topped out at No. 11 on the Billboard 200 albums charts.

In the period since, OneRepublic released the single “I Ain’t Worried” from the Top Gun: Maverick soundtrack in May 2022, followed by this May’s “Runaway” single and September’s “Mirage” from the Assassin’s Creed Mirage video game.

OneRepublic was one of the headliners for this summer’s inaugural Bud Light Backyard Tour summer concert series, a four-city tour that also included sets from Midland, Dashboard Confessional, Bush and Lindsay Ell. In September, OneRepublic released a majestic, re-recorded version of their breakthrough hit, “Counting Stars,” the song that Tedder said in an Instagram post “changed the trajectory of our band.”

See Tedder’s tweet about the new music for 2024 below.

Harry Styles’ 8th Madame Tussauds Wax Figure This Year Has Arrived

Human Harry Styles will continue to age with time, but his new wax figure will stay the same as it was forever.

The Madame Tussauds location in Orlando, Fla., unveiled its model of the 29-year-old pop star Monday (Dec. 18), with the life-size duplicate featuring detailed replications of everything from Styles’ dark curls and freckles to the tattoos inked on his chest. Wax Harry sports a replica of the cream suit jacket, brown pants and sparkly top Real Harry wore to the 2023 Grammys, where the former boyband star took home album of the year for his 2022 record, Harry’s House.

“Harry Styles is one of the most impactful and celebrated artists in the world, so it’s only fitting that fans in Orlando now have the opportunity to meet his newest wax figure up close and personally,” said Paul Gould, general manager of Madame Tussauds Orlando, in a statement. “We’re honored to welcome Harry’s fans and music fans alike to come sing and dance with his figure at our attraction.”

Orlando’s take on the “Late Night Talking” singer is far from Styles’ first wax figure. Earlier this year, seven wax versions of him were unveiled in Madame Tussauds museums across London, New York, Hollywood, Amsterdam, Berlin, Singapore and Sydney. Prior to that, his likeness was built into an installment at Madame Tussauds London alongside his One Direction bandmates Zayn Malik, Niall Horan, Louis Tomlinson and Liam Payne — which became a popular mourning site for Directioners following Malik’s departure from the boy band in 2015.

See photos of the new Harry Styles figure, now available to visit at Madame Tussauds Orlando, below:

Madame Tussauds Orlando, Harry Styles

Harry Styles Takes Over Madame Tussauds Orlando With Latest Wax Figure Reveal.

Madame Tussauds Orlando

Madame Tussauds Orlando, Harry Styles

Harry Styles Takes Over Madame Tussauds Orlando With Latest Wax Figure Reveal.

Madame Tussauds Orlando