State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

8:00 pm 12:00 am

Current show
blank

State Champ Radio Mix

8:00 pm 12:00 am


Music

Page: 193

As early as 2019, the word “BABYMONSTER” percolated among K-pop circles once news surfaced of legendary label YG Entertainment filing a trademark for a new girl group name. But only five years later — as of April 1, 2024, to be precise — would the act say they’ve been revealed in their full, complete form.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

As YG prepared its follow-up female outfit to follow the chart-topping BLACKPINK, the seven members competing for a place in BABYMONSTER — Ruka, Pharita, Rami, Ahyeon, Rora, Asa and Chiquita — battled on the digital series Last Evaluation. Mentored and critiqued by YG founder and CEO Yang Hyun-suk plus future label mates like Jennie and Lisa of BLACKPINK, Kang Seung-yoon and Lee Seung-hoon of WINNER, and Lee Su-hyun of AKMU, the series spotlighted the septet’s monstrous talents through solo, unit and group performances that helped them quickly garner millions of YouTube subscribers and fans — including Charlie Puth, who would go on to gift a pop track for BABYMONSTER after catching Ahyeon’s take on his 2016 single “Dangerous” in a standout moment from the show.

“‘BABY’ describes our unlimited possibilities, youth, and that we’re bringing something new to the scene,” power vocalist Rami tells Billboard during a sitdown chat in Seoul. “And ‘MONSTER’ describes our monster-like skills.”

Trending on Billboard

[embedded content]

BABYMONSTER began releasing music in late 2023 with the playful trap banger “Batter Up,” co-written by Asa, but the group was only recording as six while Ahyeon was absent over reported health issues. Yet the “pre-debut” buzz single still managed to score a Top 5 debut on Billboard‘s U.S.-based World Digital Song Sales chart while also peaking at No. 101 on the Billboard Global 200.

But when all-rounder Ahyeon returned for BABYMONSTER’s “official” debut on April 1 with the BABYMONS7ER album and its explosive, hip-hop/dance single “Sheesh,” the group soared to No. 33 on the Global 200 as the EP landed on the World Albums chart solely from a digital release. Not only did “Sheesh” mark a breakout moment for the group musically, but the septet also reimagined the hit into a “band version” to deliver a full-fledged, rock-star rendition of the track across several TV shows to share their whole, live experience — a stark difference from K-pop acts who will sometimes rely more heavily on backing tracks to prioritize choreography, fashion and visuals.

[embedded content]

Now, in their final “BABYMONS7ER” form, the girls are proving just how ready they are to share their skills and personalities with the world.

Just days after releasing the sophisticated synth-pop single “Forever” (which also scored them another Top 10 entry on World Digital Song Sales with less than a week to chart — a delightful surprise to the girls), a similar attitude is present at BABYMONSTER’s Billboard interview at the YG Entertainment offices.

Stretched around a long boardroom meeting table, the septet has a cool calmness about them as the members make faces at the table across one another or will give each other a thumbs up for her answer. The girls aren’t shy to make their thoughts known or get comfortable during the chat — the youngest member, Chiquita, even pulls out her tiny, personalized, and bedazzled aromatic bottle at one point and shares how she recommends it to help with headaches.

During one pause in the conversation, when the multilingual, Thailand-born Pharita looks tongue-tied and resigned over the message she’s asked to deliver to international fans, the 18-year-old apologizes as the group leaves the room. “Sorry about that,” she says in her sweet, soft tone. “I just wish I could say more of what I want to say.”

Indeed, BABYMONSTER seems to have a lot to say as they lead YG Entertainment into its next era and, perhaps, with the bold displays both on and off stage, will also usher in a more open and honest generation of K-pop. Get to know Billboard‘s latest K-Pop Rookie of the Month better below as BAEMON detailing their journey from pre-debut to standing as seven and previewing what’s to come next.

[embedded content]

Starting at the beginning, I remember hearing the name BABYMONSTER for a few years. Did you know this would be your group name before debuting?

RORA: Ever since Last Evaluation, we knew. We came into the project knowing that the group name was going to be BABYMONSTER. We really liked the name because we thought it was perfect for us; it describes us the best.

BABYMONSTER: Yeah, we all had good reactions.

Can everyone share their favorite BABYMONSTER song so far, to give us a sense of your personalities and music tastes?

RUKA: Up until now, we really showcased the side of us where it’s this really intense hip-hop side. And with “Forever,” we’re able to show our refreshing charms, so I’m really looking forward to [fans seeing] that.

RORA: Personally, I like “Stuck in the Middle (Remix).” We’ve been in the midst of a fan-meeting tour, so we were able to perform the song for our finale encore stage. It’s just really fun performing because it shows a lot of our vibrant and pop-y sides.

CHIQUITA: I like “Dream.” I like the song as well as the meaning of the song that starting from our training period. I always get emotional when I listen to “Dream.”

ASA: I really enjoy “Sheesh.” It was the first song that we released with all seven members and I really just like hearing the public and fans sing along to the song. It’s really fun performing it as well. That “sheesh” part is so catchy. It’s addictive.

RAMI: “Batter Up (Remix).” Out of our tracklist, I think that it’s one of the best songs to really jump around and interact with fans. We’ve been performing it during their fan meetings.

PHARITA: I like “Like That.” It’s good, easy to listen to, and quite unique for us. I don’t really know; I just love it. [Laughs]

AHYEON: I think the only song that hasn’t been mentioned yet is my favorite song, “MONSTERS (Intro).” That’s the song that can really show our potential and it makes the crowds hyped up. It makes me feel like, “Oh, I can do this. Let’s have a great stage today.”

[embedded content]

It’s been great watching the transition from pre-debut to your official debut with “Sheesh.” Before moving forward, what has been the difference between that period as six members and now?

PHARITA: Well, before, it was just six, and we were worried, thinking, “Oh, is this going to go well?” because everyone matters. And when she came back for “Sheesh,” we just had a huge blowup. Everyone loved the song and everyone got to see more sides of us — it just felt more complete.

Let’s also discuss your latest single, “Forever.” You announced it as a “pre-release” single. Is this a taste of an upcoming album?

RORA: It’s a retro synth song, but also a very hot and exciting song. So, I think it’s a fun song to listen to in the hot summer. And we’re having fun because we’re all running around together while performing on stage. I think you can tell from our facial expressions on stage that we’re having fun every time we perform. It also contrasts a lot with the performances of “Sheesh.”

ASA: It was really fun filming the music video too.

CHIQUITA: It’s actually a pre-release single moving towards our album. So, it’s kind of the start of a new chapter for us. So, you should also look forward to our new album which will be released, maybe, this fall?

RORA: It’s quite hard to say because nothing’s really set into stone yet, but BABYMONSTER will continue to work hard to make great music, showcase great performances and meet all of their fans all across the world. We just really want our fans and the public to stay tuned for our future music. But we’re really thankful about all the buzz regarding “Forever” so we’ll continue working really hard. We really want to bring a new concept for the next album.

BABYMONSTER is the latest group under a legendary label like YG Entertainment. Before joining, what was your knowledge or experience with YG or its artists? How was it getting advice from them on Last Evaluation?

ASA: As everyone knows, we really respect and look up to our sunbaenim [seniors]. So, we watch their performances and concerts a lot — especially with BLACKPINK. Before joining the label, some of us went to some of their concerts. As for 2NE1 and BIGBANG, we grew up listening to their songs, looking at their performances. And it’s because of YG’s distinct hip-hop vibe, that I think that’s part of the reason why we wanted to join the label.

RAMI: We frequently meet our seniors going about [the YG building] and, especially during Last Evaluation, we were able to get a lot of advice from BLACKPINK’s Lisa and Jennie, as well as WINNER and AKMU. They just tried to tell us what we need to look out for and how it is [as a performer].

RUKA: Chan-hyuk sunbaenim, from AKMU, said that when you’re performing onstage, you have to get used to making everything your own — “Make every stage your own.”

AHYEON: Also, when we meet senior artists in the practice rooms or in the building, they tell us that they’re rooting for us and to continue working hard.

[embedded content]

With the company’s long history, BABYMONSTER is also the first group to regularly release music in English, such as “Stuck in the Middle” and “Like That.” Was that always part of your plans?

RORA: So, rather than having a set specific plan, we just really wanted to showcase our music and the music’s messages so that they can resonate with a wider, global audience. That’s why we kind of are regularly releasing songs in English. The plan is to convey the meaning of the song to the fans around the world and make sure they know we want to communicate with our fans.

BABYMONSTER is also quite a diverse group with members representing Korea, Japan and Thailand. How did you find ways to connect? Does it feel like you’re representing a new generation of K-pop as a multicultural group?

RUKA: Especially during our trainee days, we were all very homesick — the members from Japan, Thailand, and even members here in Korea because they’re apart from their families. And as much as the whole process was difficult, we were really able to lean on each otherl, and find the support and motivation to work really hard.

RORA: It’s hard to say that we’re sort of “representing” the next generation, but we’re very thankful that people might think so. And not just in Korea, but we really want to reach everyone all across the world, all our global fans, and grow from the energy we receive from the fans as well.

Last evaluation seems difficult when cameras film such a personal experience. How were your experiences needing to go through the debut process and have it filmed?

RORA: So as much as it was a “survival program,” I think the most difficult part was the fact that we had to compete with our friends that we had trained with together for so long all running towards the same dream. But when it comes to the performances, I think we’re actually on the other side in that we were happy that everything was filmed and we could go back and reminisce to the times when we had to prepare for the stage and watch us performing.

Another great memory, I’m sure, was AHYEON’s cover of “Dangerously,” which got the attention of Charlie Puth, who eventually gifted you guys “Like That.” What was your reaction to that experience?

AHYEON: I was like so surprised that he commented on my video. I just [screen] captured it and I sent it to my family, like “That’s crazy. He commented on me.” [Laughs] And a few months later, our boss told us we were going to have a new demo from him and we all screamed like, “What?!? He gave us a demo?!?” When I told my family, they said, “Well, you’ve got to work hard now.”

But back to your music, ASA co-write and composed “Batter Up.” Will we get to see more contributions from you and the members?

ASA: I hope we can do a variety of things through music. Moving forward, we’re all planning to work hard when it comes to songwriting and producing music so that we can showcase a wider variety of our skills.

Do you have a message you’d like to share with international fans who are waiting to see you?

PHARITA: We haven’t had a chance to meet everyone yet that we want to so BABYMONSTER’s going to keep on making more music that we love and we just hope that fans can also love it. We’ll show our best side and I just hope that everyone will love it.

RORA: And I think the ultimate goal is to really just produce a lot of music and meet our global fans all across the world.

As legendary K-pop label YG Entertainment prepared its female act to follow its chart-topping girl group BLACKPINK, the seven members being considered for a place in the new act BABYMONSTER – Ruka, Pharita, Rami, Ahyeon, Rora, Asa and Chiquita — competed against each other on the digital series Last Evaluation. Mentored and critiqued by YG […]

Back in June, Druski posted behind the scenes footage of what looked like a skit of himself playing a UK drill rapper. However, it turns out that he was filming a music video.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Today, the social media comedian dropped “No More Social Media” featuring UK rapper Kairo Keyz. Druski directed the video himself and he provides some humorous bars like, “Spank the opp like a baby’s bottom/That’s naughty, naughty,” delivered with a funky British accent. Kairo comes through with some funny bars, as well and references Druski’s Coulda Been Records and the Ugliest Rapper Alive from the Atlanta comedian’s Coulda Been House YouTube series.

There’s also the fact that Druski is wearing a white t-shirt sleeve as a Shiesty mask. The video and song are ridiculous in the best way possible and the beat — provided by producer Muddy — kinda bangs. Hopefully, we get more parody songs from Druski. This is his second parody song of the year, so far. He dropped “Standin on Bihness” featuring Snoop & DJ Drama in February. He put out a call to action for Coulda Been Records London auditions, as well, but that sure to be classic footage hasn’t been released yet.

Trending on Billboard

Later this year he’ll be putting on the inaugural comedy and music festival Coulda Fest on September 7 at Atlanta’s State Farm Arena. DC Young Fly, 21 Savage, Lil Baby, Kai Cenat, Soulja Boy, Waka Flocka Flame, Young Dro, Roscoe Dash, Travis Porter, Yung Joc, among others and special guests are all set to make appearances.

Check out his statement explaining the festival below:

“Coulda Fest won’t be a traditional music and comedy festival. It’s going to be a celebration of Atlanta’s culture and a night full of hilarious sketches that bring us back to the special times in our city’s music history. This concept has never been done before, so I’m looking forward to bringing this vision to life.”

You can cop tickets here.

Rihanna got a break from the camera flashes that usually follow her around when a clueless young soccer fan asked her to get behind the lens recently. In a newly surfaced video from Manchester City’s match against AC Milan at Yankee Stadium over the weekend, the Fenty mogul poses alongside soccer pros Christian Pulisic, Jack […]

Charli xcx is really your favorite reference, baby. Aminé is getting into the Brat Summer hype by dropping his “360.5” freestyle Tuesday. His 2-minute, 11-second video features a sublime Euro summer backdrop, with the sun setting behind the rapper, who’s wearing neon-green swim trunks and holding a glass of wine, in Ischia, Italy. “Yeah, 360, […]

Ivan Cornejo achieves his first No. 1 on Billboard’s Top Latin Albums chart with Mirada, his third studio album, which debuts atop the Aug. 3-dated ranking. The 12-track effort follows two other top 10 albums for Cornejo, both within a year, between 2021-22.
Mirada starts at the summit on Top Latin Albums with 34,000 equivalent album units earned in the U.S. during the July 19-25 tracking week, according to Luminate. The set was released July 19, the first day of the tracking period, on Zaragoza/Insterscope/ICLG.

Of Mirada’s 34,000 units in its coronation week, 25,000 of those derive from streaming activity, which represent 35 million official on-demand U.S. streams of the album’s songs. Album sales comprise 9,000, while the remainder negligible amount stem from track sales. On Top Latin Albums, one unit equals one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.

Trending on Billboard

Third Regional Mexican Act to Debut at No. 1 on Top Latin Albums in the 2020s: 20-year-old Cornejo joins an elite group of regional Mexican acts whose projects launched at the summit on Top Latin Albums in the 20s decade. Alejandro Fernández’s Hecho En México debuted at No. 1 in Feb. 2020, while Eslabon Armado enlisted two No. 1 debuts, through Vibras de Noche and Desvelado in Aug. 2020 and May 2023, respectively.

Further, Cornejo captures his third top 10 on Top Latin Albums with a third appearance. The singer-songwriter visited the chart with the No. 7-peaking set Alma Vacía (Oct. 2021) and Dañado which peaked at No. 2 (Dec. 2022) and earned him a first Billboard Latin Music Award for regional Mexican album of the year in 2023.

Largest Debut Sales Week for a Regional Mexican Album Since 2020: Adding to Cornejo’s triumphs this week, the Riverside, Calif.-born artist likewise scores the largest debut sales week for a regional Mexican album since 2020, with 9,000 sold. The last regional Mexican album to start with a bigger sales figure was Fernández’s Hecho En México, which debuted at No. 1 on the Feb. 29, 2020-dated Top Latin Albums chart with 10,000 sold. Mirada‘s first-week sales were supported by a signed CD exclusive to his webstore, and a standard CD.

Second Regional Mexican Album to Debut in The Top 10 on Top Album Sales: Mirada is just the second regional Mexican album to debut within the top 10 on the all-genre Top Album Sales chart, which began in 1991. In total, 33 Latin albums have opened in the top 10. The only other regional Mexican album to debut in the top 10 was Fernández’s Hecho En México, with a No. 8 debut in 2020.

11 cuts from Mirada have landed on the multi-metric Hot Latin Songs chart, led by “Baby Please,” which bowed and reached a No. 8 high last March. Here’s a look at the album tracks on Hot Latin Songs, including two already ranked songs, a reentry, plus seven debuts on the current survey:

No. 7, “Intercambio Injusto”No. 9, “Sale Para Ser Feliz”No. 14, “Mirada”No. 19, “Baby Please”No. 21, “Herida Abierta”No. 23, “Vuelve”No. 27, “Donde Estás”No. 29, “Atención”No. 31, “Aquí Te Espero”No. 41, “Interlude”

Adding to Mirada’s breakthrough week, Cornejo reaches the top 20 for the first time on the overall Billboard 200, as the new album debuts at No. 17. He previously peaked at No. 28 with his last album, Dañado, in 2022. Plus, Mirada also debuts at No. 1 on Regional Mexican Albums, for Cornejo’s second No. 1 there.

Country music superstar Carrie Underwood seems primed to return to the show that set her career in motion nearly two decades ago, according to reports from multiple outlets. The multi-Grammy-winning country singer is expected to replace Katy Perry as the new judge of American Idol. Underwood was the winner of American Idol‘s fourth season in […]

He’s done rap, he’s done rock, and now Machine Gun Kelly is doing country.
After the 34-year-old artist covered The Chicks’ “There’s Your Trouble” at CMA Fest last month, a Spotify Singsles recording of the track has arrived — and you’re gonna want to grab your cowboy hat before pressing “play.”

On the song, the artist born Colson Baker adapts his voice to a twangy country croon, jamming out to a mix of guitar, drums and some good ol’-fashioned fiddle. “Should’ve all worked out but it didn’t/ She should be here now but she isn’t,” he belts. “There’s your trouble, there’s your trouble/ Keep seein’ double with the wrong one.”

The Cleveland artist performed the song on the Spotify House stage in June, where he also performed “My Ex’s Best Friend” and duetted with Jelly Roll on “Need a Favor” as part of this year’s CMA Fest. Baker and the country star later teamed up for a collaboration titled “Lonely Road,” borrowing its hook from John Denver’s classic hit “Take Me Home, Country Roads.”

The pair also shot a music video together, co-starring their real-life partners: Megan Fox, who was at one point MGK’s fiancée, and Bunnie XO, who is married to Jelly. In the cinematic visual, the two musicians struggle to provide for their spouses, leading the “I Think I’m Okay” artist to rob a bank in a scheme that gets him sent to jail. (Don’t worry, Fox and their fictional baby are free to visit him behind glass.)

Trending on Billboard

Though it looks like he could be headed for a rootsier era soon, Baker’s most recent album, 2022’s Mainstream Sellout, was distinctly pop-punk. It debuted at No. 1 on the Billboard 200 chart dated April 9 of that year.

“There’s Your Trouble,” the second single from The Chicks’ 1998 blockbuster album Wide Open Spaces, topped the Hot Country Songs chart and was a top 40 hit on the all-genre Billboard Hot 100 too.

Listen to MGK’s cover of “There’s Your Trouble” below.

Rema‘s rebelliousness and deep reverence for Afrobeats take center stage on his boundary-pushing sophomore album HEIS, stemming from his social media handle @heisrema and meaning the one in Greek. It reached No. 7 on Billboard‘s World Albums chart. Alté pioneer Boj delivers one of the season’s brightest LPs — while recruiting an international array of featured artists — on 12 Summers, which represents the dozen years he’s spent making music.
Tyla hops on her first song since releasing her eponymous debut album in March with Spinall’s “One Call” (also featuring Omah Lay), and it debuted at No. 12 on Billboard’s U.S. Afrobeats Songs chart this week (dated Aug. 3). And ODUMODUBLVCK flexes his chart success when he raps “22 weeks on the Billboard charts” on his braggadocious single “Not All That.”

Trending on Billboard

We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and find your new summer soundtrack with our Spotify playlist below.

Odeal, “Soh-Soh” 

[embedded content]

Odeal heats things up on “Soh-Soh,” the scintillating dancefloor highlight from his four-track EP Sunday At Zuri’s that’s influenced by Zuri Awela, an individual of Nigerian and South African descent he shouts out on X, and “represents parts of our Sunday at her beach house: noon (arrival), afternoon, evening, and night,” he wrote. While Odeal reminisces about last summer’s turnt vibes on “Soh-Soh,” he’s creating new memories this summer with a shorty he’s mesmerized by and willing to “spend one milli’ on” to win her heart. It’s impossible not to groove to the song’s sexy saxophone and crisp shakers – even Ciara can’t get enough of it. 

Rema, “HEHEHE”  

[embedded content]

“Monday morning, talking about me while I’m making money,” Rema boasts before bursting into his maniacal, cartoonish laugh that’s at the heart of his “HEHEHE” single from HEIS. The 24-year-old star guffaws at his haters with mischievous staccato chords punctuating each “HE,” the only time Rema catches his breath from his hoarse flow. His self-confidence reaches a fever pitch when he asserts himself in Afrobeats’ upper echelon alongside Wizkid, Burna Boy and Davido and doubles down on his three-month-old X statement: “No more big three, there’s now a big four.” But given Rema’s track record, and his latest LP being heralded for breathing new life into Afrobeats, it’s not a far-fetched statement.  

Tay Iwar, Le Mav & GOLD, “Rock Steady” 

[embedded content]

Five years after their first GOLD album, Tay Iwar and Le Mav (who are collectively known as GOLD) reunite on its glistening sequel EP GOLD II. On the highlight “Rock Steady,” Iwar muses about morning sex and his lover’s golden body, while Le Mav’s sultry production makes them want to linger in bed for just a little longer. But the tempo switch in the track’s final minute, where Iwar revs up the “These days, I’m feeling like I’ve been chosen” hook and Le Mav builds tension with the bridge’s piano chords before setting off the kaleidoscopic synth outro, ends “Rock Steady” on a highly spirited note.  

Gabzy, JayO & Odeal, “Too Fine” 

[embedded content]

UK R&B/Afrobeats artists Gabzy, JayO and Odeal aren’t letting a girl that’s “Too Fine” out of their sights in their latest collaboration. The trio combines swoon-worthy melodies, soulful guitar licks and saccharine lyrics to not just take a girl home for the night but to make her their wife, with Gabzy, whose alter ego is Mr. Malone, claiming she could be “Mrs. Malone” in the chorus. It’s hard not to succumb to their individual, irresistible charm, and their Vevo DSCVR performance is further proof.  

Boj & Sainté, “Koshi”  

[embedded content]

Boj taps fellow UK artist Sainté on the breezy opener “Koshi” from the former’s latest album 12 Summers. Tropical guitar melodies complement the DRB LasGidi member’s effortless swagger (“Rock best drip on legendary, fresh to death to cemetery,” he sings in the first verse), while Sainté raps about impressing a girl with the kind of money her previous man never had. But no amount of money or level of drip could make anyone compare to these two.  

ODUMODUBLVCK, “Not All That”

[embedded content]

Few MCs have a more distinctive aesthetic as ODUMODUBLVCK, and in this latest single he ramps the energy up to the maximum, delivering a relentless series of verses that overflow with self-confidence, both listing his co-signs — Burna Boy, Skepta, Wizkid, Davido, Stormzy and Olamide all get name checked — and comparing himself to a reincarnated Tupac, while celebrating his wins over the past few years since he exploded on to the scene, like his two Headies Awards and “22 weeks on the Billboard charts.” If he’s talking about his breakout hit “DECLAN RICE,” it was actually 27 weeks on U.S. Afrobeats Songs, but after a while, it’s got to be hard to keep track. This song is a deserved victory lap.

Olamide, Fireboy DML & Asake, “Uptown Disco”

[embedded content]

The YBNL boys join forces again for this posse cut off label boss Olamide’s latest EP, Ikigai / (生き甲斐), Vol. 1, which, while certainly not a disco groove, pulses with electricity regardless. Fireboy sets the tone and helms the first verse and trades on and off with Olamide for the hook, before deferring to the latter for the second verse, as the two effortlessly slip in and out of languages and sports references. Asake brings the track home, putting an exclamation point on one of the only songs that features all three artists

Spinall feat. Tyla & Omah Lay, “One Call”

[embedded content]

Spinall has been one of the most consistently great DJs/producers in West Africa over the past several years, and here he brings together stalwart Omah Lay with one of the brightest lights of the past 18 months in Tyla for an infectious and sultry track, with Tyla in particular providing an irresistible contribution. The production grows along with the song, bringing it to a collaborative finale, and making it one of the best tracks of the month.

Rema, “YAYO”

[embedded content]

Rema’s HEIS album represents a step forward in the young singer’s career as he continues to progress beyond the astronomical success of “Calm Down.” With “YAYO,” he delivers a frenetic track that ripples with energy, with a blistering hook that provides the only half-second break in the whole song — and a burst of melody that feels at once surprising and infectious.

Boj feat. Victony, “Pressure”

[embedded content]

This silky cut from Boj’s excellent new album 12 Summers represents another palette on which crooner Victony can paint, as he comes through with his distinctive voice to take over the track with a verse that brings his mind to the gutter. Which is not to say that Boj himself is lacking on the track, a standout on his collab-filled project — his vocal is the steady counterpoint, the tamer side of the human spirit that helps make the song whole, a great late-night single.

BOJ ’12 Summers’

Courtesy Photo

Megan Moroney is clearing the air about the longtime rumors that she dated Morgan Wallen. The country star is the latest guest on the Call Her Daddy podcast, where host Alex Cooper directly asked her if she dated the “Last Night” singer. “Never exclusively,” Moroney replied. “I have tried to avoid that in every single […]