Music
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The Roots are taking it all the way back to ’95. The legendary hip-hop crew and Tonight Show house band announced the line-up for their 2024 Roots Picnic Experience, which will take place at the Hollywood Bowl in Los Angeles on June 8, 2025.
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The show, “A Roots Picnic Experience: The Class of ’95,” highlighting a roster of classic acts from the mid-1990s will feature a set from the hosts, as well as performances from Lil’ Kim, Redman & Method Man, Bone Thugs-N-Harmony, DJ Quik, Raekwon, E-40, Goodie Mob, Havoc (of Mobb Deep) and others. The group brought their annual event to Los Angeles for the first time this June, where they were joined by Nas, Jill Scott, Lil Wayne, Trombone Shorty, J. Period, Fantasia and many more for a show titled “Hip-Hop Is the Love of My Life.”
Tickets for the 2025 Hollywood Bowl show will go on sale on Wednesday (Dec. 11) at 10 a.m. PT. In the announcement, the group also promised their hometown fans that they shouldn’t fret, they’ll be back home next year for the event that launched in 2007. “DON’T WORRY PHILLY, WE’LL BE BACK FOR YOU IN 2025.”
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In a statement, drummer Ahmir “Questlove” Thompson said, “Well: 1995 was our true arrival. Nineteen eighty-seven was the Year of the Creative Adhesive, the year that tied together Tariq’s world and my world in high school, and 1991 was the Year of the Green Light, the year we gave ourselves permission to take our resources and passion and pursue our dream. But 1995? That was the Year It All Came Together, the year when our first major release, Do You Want More?!!!??! was sent into the world. Hip-hop was an entirely new ballgame back then, on an entirely new playing field. Those were the days when there were still things like mainstream terrestrial radio, bloated video budgets, and creativity at both the regional and the global levels. Those were the days that produced classic album after classic album, unleashing countless new ideas about art. Those were the days when the world was our oyster. This is the story of those days.”
Jack White has shared details of a new U.K. and European tour, set to kick off in Feb. 2025. Find a full list of dates below.
The run of shows follow the soloist and former White Stripes member’s surprise sixth studio LP No Name, which hit No. 33 on the Official U.K. Albums Chart and No. 108 on the Billboard 200 upon release in August.
The tour will commence at Paris’ La Cigale theatre on Feb. 21, before taking moving on to venues in Utrecht, London, Birmingham and Glasgow over the following two weeks. The dates will wrap up with a show at the latter’s Barrowland Ballroom on March 3.
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Details of a special fan presale will be shared with those signed up for White’s newsletter, while remaining tickets will go live at 10 a.m (GMT) on Thursday (Dec. 12). Further ticket sale information can be found via the 49-year-old’s official website.
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Shortly after No Name was unveiled, White played a string of surprise club and bar show in southern U.S. states. Taking to social media on Aug. 13, the songwriter and guitarist posted a statement about how these intimate shows were part of a wider unconventional campaign in support of the album.
“People keep saying that these are ‘Pop up shows’ we’ve been playing, well, you can call them whatever you want, but we are on tour right now,” he said at the time. “Lots of love and rock and roll to you all and you are blessed for giving that love to others, we hope that we see you out on the road soon, if not let’s get coffee and a slice of pie sometime? Music is sacred.”
The newly announced U.K. and European gigs will form part of a larger world tour through spring 2025 that includes more U.S. dates as well as concerts in Australia, New Zealand and Japan.
Jack White U.K. and European 2025 tour dates:Feb. 21 – Paris, France @ La CigaleFeb. 22 – Paris, France @ Le TrianonFeb. 23 – Paris, France @ Le TrianonFeb. 25 – Utrecht, the Netherlands @ TivoliVredenburg (Ronda)Feb. 26 – Utrecht, the Netherlands @ TivoliVredenburg (Ronda)Feb. 28 – London, England @ TroxyMarch 1 – London, England @ TroxyMarch 2 – Birmingham, England @ O2 AcademyMarch 3 – Glasgow, Scotland @ Barrowland Ballroom
Limitless Live has announced its return to London’s Roundhouse for its fourth consecutive year on May 4, 2025.
The event — billed as the U.K.’s largest free live music show with social purpose at its core — seeks to inspire young people from underrepresented backgrounds across the capital. All tickets will be free of charge and will be distributed through youth charities and community organizations. Further details can be found via the Roundhouse website.
Limitless Live 2025 will be headlined by grime MC and rapper Ghetts, who released his fourth studio album On Purpose, With Purpose, through Warner Records in February. The record peaked at No. 29 on the Official U.K. Albums Chart, and went on to receive a nomination for the prestigious Mercury Prize in September.
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Also on the line-up are hip-hop duo Young T & Bugsey, and singer/songwriter Nafe Smallz, with further acts to be announced next year. Limitless Live will partner with KFC and Viagogo to provide free transport for young attendees wishing to travel to the event from other cities across the U.K., including Manchester, Birmingham, Liverpool and Leeds.
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Previous iterations of Limitless Live have included six-time BRIT Award winner RAYE, as well as Stefflon Don, Krept & Konan, Unknown T, and Ms Banks. Over the years, its founder, Tolu Farinto, has offered 12-month internships to a portion of attendees, alongside helping other ticket-holders to secure work placements at Universal Music’s London office.Speaking in a press release earlier this year, Farinto said: “Limitless Live continues to be a beacon of light representing a continued commitment to supporting the aspirations and wellbeing of young people, ensuring that as we navigate a cost of living crisis, underrepresented young people still have access to live music and the best acts in the U.K.”
James Taylor is hitting the road next summer with his all-star band for an extensive 2025 North American tour. The 23-date outing will feature support from vocal harmony trio Tiny Habits, with a presale for the show slated to open today (Dec. 10) at 10 a.m. local time; a JamesTaylor.com account is required in order to participate in the presale.
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The tour is slated to kick off on May 5 with a show at the Footprint Center in Phoenix, AZ, followed by amphitheater gigs in San Diego, Santa Barbara, Milwaukee, Cincinnati and Toronto before winding down at the BankNH Pavilion in Gilford, N.H. on July 1. The outing will feature a few double-downs, including a pair of nights at the Rady Shell at Jacobs Park in San Diego, a pair at the Santa Barbara Bowl in Santa Barbara, CA, two at the Chateau St. Michelle Winery in Seattle, WA and a double-night run at Red Rocks Amphitheatre in Morrison, CO.
A Live Nation presale for select dates will kick off on Wednesday (Dec. 11) at 10 a.m. local time here (use code JOY). The general onsale will begin on Friday (Dec. 13) at 10 a.m. local time through Ticketmaster. According to Taylor’s announcement, more dates will be announced soon.
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The 76-year-old James is headed back on the road after a busy 2024, which found him hitting amphitheaters across the U.S. and playing a benefit Concert for Carolina in October to raise funds for North Carolinians impacted by Hurricane Helene, as well as performing at the DNC and at a Kamala Harris/Tim Walz rally in October.
See James Taylor’s 2025 U.S. summer tour dates below:
May 5 — Phoenix, AZ @ Footprint CenterMay 7 — Palm Desert, CA @ Acrisure ArenaMay 8 — Highland, CA @ Yaamava TheaterMay 10 — San Diego, CA @ Rady ShellMay 11 — San Diego, CA @ Rady ShellMay 13 — Santa Barbara, CA @ Santa Barbara BowlMay 14 — Santa Barbara, CA @ Santa Barbara BowlMay 16 — Stanford, CA @ Frost AmphitheaterMay 17 — Lincoln, CA @ The Venue at Thunder ValleyMay 19 — Bend, OR @ Hayden Homes AmphitheatreMay 21 — Nampa, ID @ Ford AmphitheaterMay 23 — Ridgefield, WA @ RV Inn Style Resorts AmphitheatreMay 25 — Seattle, WA @ Chateau St. Michelle WineryMay 26 — Seattle, WA @ Chateau St. Michelle WineryJune 13 — Morrison, CO @ Red RocksJune 14 — Morrison, CO @ Red RocksJune 17 — St. Paul, MN @ Xcel CenterJune 19 — Highland Park, IL @ RaviniaJune 21 — Milwaukee, WI @ SummerfestJune 23 — Cincinnati, OH @ Riverbend AmphitheaterJune 24 — Cuyahoga Falls, OH @ Blossom Music CenterJune 27 — Toronto, ON @ Budweiser StageJune 29 — Canandaigua, NY @ CMACJuly 1 — Gilford, NH @ BankNH Pavilion
Paul McCartney’s ambitious yet ultimately abandoned collaboration with legendary sci-fi author Isaac Asimov has been unveiled in vivid detail through a new book, The McCartney Legacy, Volume 2: 1974–80, by Adrian Sinclair and Allan Kozinn.
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Released Tuesday (Dec. 10) via HarperCollins, the book dives into a little-known chapter of McCartney’s post-Beatles career, shedding light on the surreal project that never came to fruition.
The proposed film, tentatively titled Five and Five and One, featured an eccentric plot that intertwined aliens, McCartney’s band Wings — consisting of his wife Linda and ex-Moody Blues guitarist Denny Laine — and their efforts to take Earth by storm. McCartney’s original treatment for the story was brief, about 400 words long, but Asimov expanded it into a more detailed 1,800-word version. A fragment of McCartney’s treatment reveals the unique premise:
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“A ‘flying saucer’ lands. Out of it get five creatures. They transmute before your very eyes into ‘us’ [Wings]. They are here to take over Earth by taking America by storm and they proceed to do this supergroup style. Meanwhile — back in the sticks of Britain — lives the original group, whose personalities are being used by the aliens…”
McCartney personally approached Asimov in 1974 to collaborate on the script, meeting in New York since Asimov had an aversion to flying. He quipped about the author’s reluctance: “He can imagine himself into far-off galaxies, but he wouldn’t get on a plane.”
Asimov expanded on the story, evolving the alien invaders into “energy-beings” from a dying planet who sought to occupy the Wings members rather than clone them. However, the beings were unable to comprehend human emotions like love, adding a philosophical layer to the narrative.
Despite the intriguing concept, the project stalled. By early 1975, the collaboration was shelved, with Asimov reportedly leaving a pointed critique scrawled on the first page of his treatment: “Nothing ever came of this because McCartney couldn’t recognize good stuff.”
The new book, part of a larger series chronicling McCartney’s career, follows the first volume covering 1969–1973, which was published in 2022.
To capture the full scope of this era, authors Sinclair and Kozinn interviewed former Wings members, producers, and recording engineers, offering readers an in-depth exploration of McCartney’s post-Beatles years.
Paul McCartney’s Billboard achievements are nothing short of extraordinary. He has written or co-written a record-breaking 32 songs that have topped the Billboard Hot 100 chart. This includes not only his work with the Beatles but also his solo hits and collaborations with Wings, Linda McCartney, and other artists.
McCartney achieved the remarkable feat of having the No. 1 song of the entire year on Billboard three times: “I Want to Hold Your Hand” in 1964, “Hey Jude” in 1968, and “Silly Love Songs” in 1976—an accomplishment unmatched by any other artist in the chart’s history.
The Used are marking their 25th anniversary with a global tour that will see the band performing their first three albums—The Used (2002), In Love and Death (2004), and Lies for the Liars (2007)—in full across three consecutive nights in each city.
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The tour will span North America, the U.K., and Australia, giving fans a chance to relive the early 2000s post-hardcore anthems that shaped a generation.
Frontman Bert McCracken, who recently debuted his first solo album under robbietheused, said of the milestone moment for the band and their fans: “Overwhelmed! These first three records are what put The Used on the map.”
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“I can’t wait to experience the joy in playing all three records from front to back. I know it will be an amazing time. I wouldn’t miss it for the world. Sending love to you all and I hope to see you there!”.
Bassist Jepha echoed the sentiment, expressing gratitude for fans who have supported the band over the years. “We feel extremely lucky and humbled to have been a part of something way bigger than ourselves for the past 25 years. To everyone that has been there from the beginning or is just starting out your adventure with us thank you. Here’s to the next 25!”.
Drummer Dan Whitesides shared: “We can’t wait to play all of these songs from the first three albums, they mean so much to us as we know they do to so many people.”
The Used’s career has been defined by both commercial and critical success. Their debut album The Used reached No. 63 on the Billboard 200 in 2002, while its follow-up, In Love and Death, climbed to No. 6 in 2004, featuring hits like “Take It Away” (which reached No. 13 on the US Alternative chart) and “All That I’ve Got” (peaking at No. 19 on the US Alternative chart and No. 35 in Australia).
In 2007, Lies for the Liars debuted at No. 5, propelled by tracks such as “Pretty Handsome Awkward” (which reached No. 37 on the US Alternative chart). The debut album has since achieved platinum certification.
The rockers band will hit nine cities across North America—Detroit, Boston, Sayreville, New York, Chicago, Denver, Salt Lake City, Los Angeles, and San Diego—starting in April, performing three consecutive nights in each location.
The Australian leg of the tour will then kick off on Aug. 13, 2025, in Brisbane, before moving to Sydney, Melbourne, Adelaide, and Perth. The band will perform 15 shows across these five Australian cities, with each city hosting three consecutive nights. Tickets will go on pre-sale on Dec. 11 at 8:30 a.m. local time, with general sales beginning on Dec. 13, at 8:30 a.m. local time. Tickets for the Australian leg will be available at destroyalllines.com.
During each three-night run, The Used will perform one of their first three albums in full each night, allowing fans to experience these iconic records in their entirety.
The Used’s 2025 Tour Dates:
AprilApril 3 – Detroit, MI @ The Fillmore*April 5 – Detroit, MI @ The Fillmore^April 6 – Detroit, MI @ The Fillmore+April 9 – Boston, MA @ House Of Blues*April 11 – Boston, MA @ House Of Blues^April 12 – Boston, MA @ House Of Blues+April 15 – Sayreville, NJ @ The Starland Ballroom*April 16 – Sayreville, NJ @ The Starland Ballroom^April 18 – Sayreville, NJ @ The Starland Ballroom+April 19 – New York, NY @ Irving Plaza*April 21 – New York, NY @ Irving Plaza^April 22 – New York, NY @ Irving Plaza+April 25 – Chicago, IL @ House Of Blues*April 26 – Chicago, IL @ House Of Blues^April 27 – Chicago, IL @ House Of Blues+April 29 – Denver, CO @ Odgen Theatre*April 30 – Denver, CO @ Odgen Theatre^
MayMay 2 – Denver, CO @ Odgen Theatre+May 3 – Salt Lake City, UT @ The Union*May 5 – Salt Lake City, UT @ The Union^May 6 – Salt Lake City, UT @ The Union+May 8 – Los Angeles, CA @ The Wiltern*May 10 – Los Angeles, CA @ The Wiltern^May 11 – Los Angeles, CA @ The Wiltern+May 13 – San Diego, CA @ House Of Blues*May 15 – San Diego, CA @ House Of Blues^May 16 – San Diego, CA @ House Of Blues+May 22 – London, UK @ The Dome+May 24 – Hatfield, UK @ Slam Dunk Festival^May 25 – Leeds, UK @ Slam Dunk Festival*
AugustAugust 13 – Brisbane, QLD @ The Tivoli*August 14 – Brisbane, QLD @ The Tivoli^August 16 – Brisbane, QLD @ The Tivoli+August 17 – Sydney, NSW @ Liberty Hall*August 19 – Sydney, NSW @ Liberty Hall^August 20 – Sydney, NSW @ Liberty Hall+August 22 – Melbourne, VIC @ Northcote Theatre*August 23 – Melbourne, VIC @ Northcote Theatre^August 25 – Melbourne, VIC @ Northcote Theatre+August 26 – Adelaide, SA @ The Gov*August 28 – Adelaide, SA @ The Gov^August 29 – Adelaide, SA @ The Gov+August 31 – Perth, WA @ Magnet House*
SeptemberSeptember 1 – Perth, WA @ Magnet House^September 3 – Perth, WA @ Magnet House+
Key:
Playing The Used^ Playing In Love and Death
Playing Lies for the Liars
SZA is giving fans something to look forward to with a teaser for her new SOS deluxe release.
Arriving on Monday, Dec. 9, two years to the day since the original release of SOS, SZA shared a video to social media accompanied by an as-yet-unnamed song which samples the Isley Brothers’ “Voyage to Atlantis”.
The clip itself shows SZA in the woods as she squats by a stream to pee. It closes with overlaid text which sees “Lana” appearing above the words “SOS Deluxe”. The video is captioned with the words, “Clock starts now. Happy anniversary.”
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The mysterious nature of the clip has already sent fans of SZA into overdrive as they attempt to decipher a number of unanswered questions. Firstly, despite telling her followers that the “clock starts now”, it’s unclear when the countdown ends and the project ostensibly arrives.
Some fans have pointed out on Reddit that SZA’s shirt features the number five, while a dark section of dirt also appears to highlight the same number. Speculation has therefore seen a potential release date of Dec. 13 entering the conversation, though no official announcement has been made.
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Secondly, confusion is also reigning in regards to whether SZA’s long-awaited Lana project is now arriving as the previously-announced deluxe edition of her SOS album. Previously, Lana had been confirmed as such before being detailed as an entirely separate project, including in a recent interview with British Vogue.
In the same interview, SZA explained that the music she had recorded for Lana was something of a “welcome shift”.
“I think I am making music from a more beautiful place. From a more possible place versus a more angsty place,” she explained. “I’m not identifying with my brokenness. It’s not my identity. It’s shit that happened to me. Yeah, I experienced cruelty. I have to put it down at some point. Piece by piece, my music is shifting because of that, the lighter I get.”
In late November, SZA appeared on Kai Cenat’s livestream where she claimed a “whole new project” was up her sleeve, admitting it “will be out before the year is over”.
More recently, SZA and Kendrick Lamar announced the co-headlining Grand National tour, which will see the pair performing 21 dates over two months.
The Grand National Tour is slated to kick off in Minnesota on April 19, and then rumbles through Houston, Atlanta, Charlotte, Philly, the New York area, Seattle, Los Angeles, San Francisco, Las Vegas, Detroit, Chicago and Toronto before wrapping up in Washington, D.C., on June 18.
It’s been a very long time since The Cure were considered prolific, but frontman Robert Smith appears to be making up for lost time.
Fresh from the release of their first album in 16 years, Songs of a Lost World, The Cure followed up with the announcement of a new live album just last week. Fittingly titled Songs of a Live World, the record captures the release-day concert of their latest album, which saw the band performing the record in full alongside a career-spanning set.
Now in a teaser clip of Smith’s upcoming interview with Absolute Radio’s Danielle Perry, the veteran musician can be heard detailing upcoming records from The Cure.
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“There is another album which is pretty much ready to go. It’s sort of its companion piece,” Smith began. “And then there’s a third one which is completely different. It’s really kind of random stuff, it’s like late-night studio stuff. But some of it is really, really good actually, it’s just very, very different.”
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“This Songs of a Lost World album is a really emotional piece of work and the companion piece, it’s not quite as dark but it explores other subjects a little bit more. The third one is very odd, actually. I haven’t finished the words to that one because my headspace has been much more focused on performing these songs.
“I don’t really want it to end because it’s been so good,” he concluded. “The reaction to the new music has been so, so great. It’s been really lovely to feel people giving us all the love.”
The release of The Cure‘s Songs of a Lost World has been a massively successful undertaking for the band. In addition to giving the band their first U.K. No. 1 since 1992’s Wish, the record also made a return to the top of U.S. charts as well.
It became the band’s first No. 1 on the 33-year-old Top Album Sales chart and the act’s highest-charting effort on the Billboard 200 (No. 4) since 1992. It also managed to hit No. 1 on Top Rock & Alternative Albums, Top Rock Albums, Top Alternative Albums, Vinyl Albums and Indie Store Album Sales.
Beyoncé and Jay-Z made a very rare red carpet appearance on Monday night at the Los Angeles premiere of Mufasa: The Lion King, posing for photos with daughter Blue Ivy Carter and Beyoncé’s mother, Tina Knowles.
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The 12-year-old plays a major part in the film, voicing lion Kiara, the daughter of Simba (voiced by Donald Glover) and Nala (Beyoncé) — who reprise the roles they played in 2019’s live-action The Lion King.
Blue Ivy and Beyoncé both appeared in gold dresses at the Hollywood Boulevard event, with the young star first taking solo shots before she was joined by her parents. Beyoncé famously avoids most red carpets, often doing her own photoshoots at events like the Grammys or the premiere of her concert film Renaissance: A Film by Beyoncé.
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None of the three family members were previously announced to the press as attending the event, despite their involvement.
The appearance comes just a day after Jay-Z was accused of raping a 13-year-old girl in 2000 in a lawsuit that also alleges Sean “Diddy” Combs took part in the act, according to NBC News. The rapper responded with a forceful statement that the claims are “idiotic” and part of a “blackmail attempt.”
In the lawsuit, the accuser, identified only as “Jane Doe,” alleges Carter and Combs raped her at a house party after the 2000 MTV Video Music Awards, which took place in New York. The lawsuit, which was first filed in October in the Southern District of New York, originally listed Combs as a defendant and was refiled Sunday to include Carter. Attorney Tony Buzbee, who filed the suit, has also filed numerous suits against Combs in the past several months.
Jay-Z responded via his company Roc Nation’s X (formerly Twitter) account on Sunday, saying that what the lawyer “had calculated was the nature of these allegations and the public scrutiny would make me want to settle. No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”
He also added, “My only heartbreak is for my family. My wife and I will have to sit our children down, one of whom is at the age where her friends will surely see the press and ask questions about the nature of these claims, and explain the cruelty and greed of people. I mourn yet another loss of innocence. Children should not have to endure such at their young age. It is unfair to have to try to understand inexplicable degrees of malice meant to destroy families and human spirit.”
The legendary Bing Crosby is back in the top 10 on the Billboard 200 albums chart for the first time in nearly 64 years, as his new holiday compilation Ultimate Christmas climbs 18-9 on the chart dated Dec. 14.
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The entertainer, who died in 1977, was last in the top 10 on the Billboard 200 with his classic Merry Christmas album, which ranked at No. 9 on the Dec. 31, 1960-dated chart. It had previously spent a week at No. 1 on Jan. 6, 1958-dated chart.
Merry Christmas became the second holiday album to top the Billboard 200, following its launch as a regularly published weekly chart in March 1956. Elvis Presley’s Elvis’ Christmas Album was the first chart-topping holiday set, as it topped the chart for three weeks in December 1957, moved aside for Crosby for a week and then returned to No. 1 for one more week in January 1958.
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Ultimate Christmas is available as 14-song standard album, an expanded 28-song edition, and a deluxe 58-song version. All versions of the album contain such classic Holiday 100-charting tunes from Crosby as “White Christmas” (featuring The Ken Darby Singers and John Scott Trotter and His Orchestra), “It’s Beginning To Look a Lot Like Christmas,” “Do You Hear What I Hear?,” “Mele Kalikimaka” (with The Andrews Sisters) and “Silent Night” (featuring John Scott Trotter and His Orchestra and Max Terr’s Mixed Chorus).
In the tracking week ending Dec. 5, as reflected on the Dec. 14-dated Billboard 200 chart, Ultimate Christmas earned 50,000 equivalent album units in the week ending (up 59%). Of that sum, SEA units comprise 46,000 (up 62%; equaling 61.37 million on-demand official streams of the set’s tracks; it jumps 16-6 on Top Streaming Albums).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 14, 2024-dated chart will be posted in full on Billboard’s website on Tuesday, Dec. 10. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.