Music

Friday Music Guide: Ariana Grande, Lil Nas X, 21 Savage & More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Ariana Grande tries her hand at improv, Lil Nas X tempts blasphemy (again), 21 Savage celebrates his permanent stateside citizenship and more. Check out all of this week’s picks below:

Ariana Grande, “Yes, And?”



Likely the most anticipated new song of the young year, Ariana Grande’s “Yes, And?” announces the return of one of pop’s great stars of the past decade-plus with authority. Rumors that the single would interpolate Madonna’s “Vogue” turned out to be unfounded, but it does flash back to the house-pop sound of the early ’90s, maybe a little closer to George Michael’s “Too Funky” than Madge’s celebratory classic. In any event, it’s a triumphant-sounding, attitude-spitting comeback — like a half-decade-later “No Tears Left to Cry,” with Grande no longer in a state of total crisis and really learning to live life in full again.

Lil Nas X, “J Christ”



Three years after first baiting fundamentalists with his devil-lapdancing video for “Montero (Call Me By Your Name),” Lil Nas X is back to poke the bear again with new single and visual “J Christ” (as in, “b–ch, I’m back like J Christ”). The song features LNX talking his s–t over a Tay-Keith-like pounding-piano beat from go-to producers Blake Slatkin and Omer Fedi (as well as edgy EDM producer Gesaffelstein), while the clip sees him playing Jesus on the cross and an angel hooping against the devil, among other things. “Is he ’bout to give ’em something viral?” he asks rhetorically on the chorus. Seems likely!

21 Savage, American Dream



After sending the internet into a fury this week with an apparent trailer for an upcoming biopic — with Donald Glover and Stranger Things‘ Caleb McLauhglin splitting the lead role — 21 Savage has returned, not with a new movie as thought, but with the new album American Dream. The 15-track set is both his first solo LP since 2018’s I Am > I Was and his first since officially becoming an American citizen in 2023. It feels appropriately exultant as a result, with big-name guests like Doja Cat, Travis Scott, Summer Walker and of course longtime producer collaborator Metro Boomin helping an in-control Savage commemorate his living the titular aspiration over sun-baked and soulful beats.

Jeymes Samuel, Jay-Z & D’Angelo, “I Want You Forever”



We’re pretty lucky to get one song a year from either Jay-Z or D’Angelo at this point, so to get one with both of them feels like Halley’s Comet. Their new teamup “I Want You Forever” is also a collab with musician and filmmaker Jeymes Samuel, recorded for the soundtrack to his new movie The Book of Clarence. The nine-plus-minute psych-funk groove is one of the least-pop things either artist has ever been involved with — Andre 3000 will undoubtedly tip his flute to the duo if and when he listens — but there’s something undeniably hypnotic about the way the song builds over its extensive runtime, sending D’Angelo in particular into orbit with his rapturous layered vocals.

Jennifer Lopez, “Can’t Get Enough”



Sorta crazy to believe, but it’s actually been longer since we got a proper solo album from Jennifer Lopez than from D’Angelo. Her upcoming This Is Me… Now LP — spiritual sequel to 2002’s This Is Me… Then — will be her first since 2014’s A.K.A., and is led by the blissed-out dancefloor bump of lead single “Can’t Get Enough.” “You got my engine runnin’/ You got the keys to turn me on and on,” J. Lo testifies over Rick James-worthy bass and flute, before dipping into the chorus hook of Alton Ellis’ ’60s reggae classic “I’m Still in Love With You” — borrowed dozens of times before in pop history (from Althea & Donna to Sean Paul & Sasha) and still a winner every time.

Kali Uchis, ORQUÍDEAS



It’s been quite a week for Kali Uchis, as the release of her fourth album ORQUÍDEAS is only the second-biggest headline for her early January: the alt-R&B star also announced that she was expecting her first child with hip-hop hitmaker Don Toliver. The LP alone should be more than enough reason for Uchis’ name to be on everyone’s lips this week, however. Her second predominantly Spanish-language set is an enthralling collection that proves the signer-songwriter to be at the vanguard of forward-thinking (and forward-moving) pop and R&B, with valuable assists from big-name guests like Rauw Alejandro, Karol G and even a thrillingly out-of-his-element Peso Pluma on discofied likely smash “Igual Que Un Ángel.”

Yeah! Usher Rewinds It Back, Gets Support From LeBron, J Balvin, Jung Kook in Apple Music Super Bowl LVIII Halftime Show Teaser

Take that, rewind it back, Usher is about to make the Super Bowl go smack! This year’s Apple Music Super Bowl LVIII Halftime Show star dropped the trailer for what promises to be a super-hype game break on Friday morning (Jan. 12).

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The first look at what Usher has in store came via a one-minute hype video taking viewers on a kaleidoscopic trip through 30 years of Ush. It opens with a gospel choir singing “Peace Up,” as various other fans second that emotion over a church organ and the choir adds “A-town down” in a tribute to the clip’s soundtrack song: 2004’s smash with Lil Jon and Ludacris, “Yeah!”

After a woman says “take that and rewind it back,” the camera rolls into the past to 1998, after Usher’s second album, 1997’s My Way, blew the singer up into a global superstar thanks to such hits as “You Make Me Wanna…” and “Nice & Slow.” The clip even includes some old video of a pre-fame, teenage, babyfaced Usher smiling in the studio as a group of double-dutching girls reveal that “Yeah!” is their favorite song.

The song that topped the Billboard Hot 100 for 12 consecutive weeks in 2004 bubbles up and gets reworked by a marching band, subway flutist, teenage string quartet, late night diner beatbox crew, pianist and pal J Balvin — who recreates the famous oven door meme — amid footage of Ush killing it on stage. Another friend, BTS singer and “Standing Next To You” collaborator Jung Kook makes a brief cameo, along with NBA superstar LeBron James, who also can’t help singing along to the hit’s indelible chorus.

The clip ends with Usher, 45, standing against a red background wearing shades and an open-to-the-navel shirt black shirt and matching gloves as he swings his signature U pendant around his neck framed by the words “One performance. 30 years in the making.”

Usher announced he was taking on the iconic gig in September, saying in a statement, “It’s an honor of a lifetime to finally check a Super Bowl performance off my bucket list. I can’t wait to bring the world a show unlike anything else they’ve seen from me before. Thank you to the fans and everyone who made this opportunity happen. I’ll see you real soon.”

The inaugural Apple Music-sponsored Super Bowl Halftime Show took place last year with Rihanna setting new viewership records as she unveiled her second pregnancy during a performance. Usher will bring his hits to the stage in Las Vegas’ Allegiant Stadium for this year’s game on Feb. 11 as he gets ready to release his upcoming ninth studio album, Coming Home, on Feb. 9. The big game will air live on CBS and stream live on Paramount+, NFL+ and Vix.

Watch the Apple Music Super Bowl LVIII Halftime Show preview below.


https://youtube.com/watch?v=QcRLTbQxgcI&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

‘Saltburn’ Sends ‘Murder On The Dancefloor’ Into Australia’s Top 40

Sophie Ellis-Bextor is murdering Australia’s singles chart, too.

The British pop veteran’s 2021 hit “Murder On The Dancefloor” (Universal) returns to the top 40 on the ARIA Singles Chart, published Friday, Jan. 12, powered by the dark-energy of Saltburn.

“Murder On The Dancefloor” shuffles to No. 25 on the latest tally, still some way off its peak of No. 3, achieved more than 22 years ago.

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The song is enjoying fresh life thanks to its appearance late in the hit Amazon Prime film, which stars Australian newcomer Jacob Elordi, and is separately making climbs up the Billboard Hot 100 and Official U.K. Singles Chart.

“Murder” is platinum certified in Australia and is one of Ellis-Bextor’s three top five hits in these parts, including Spiller’s 2000 leader “Groovejet (If This Ain’t Love),” for which she was the uncredited vocalist.

At the pointy end of the ARIA Single Chart is Jack Harlow’s “Lovin On Me” (Atlantic/Warner), which enters an eighth non-consecutive week at No. 1. “Lovin On Me” was bounced from the summit when the Christmas songs chimed in, then returned to the top when the fest season came to a close.

Tate McRae’s “Greedy” (RCA/Sony) is unmoved at No. 2 while U.S. singer and songwriter Noah Kahan continues his ascent with “Stick Season” (Universal), up 6-3. That’s easily Kahan’s best-performing single in Australia, eclipsing the No. 14 peak for 2017’s “Hurt Somebody” and the No. 45 peak for 2023’s “Dial Drunk.” “Stick Season” is the current No. 1 in the U.K., his first leader there.

Taylor Swift has just been crowned queen of Australia’s year-end 2023 albums chart, with 1989 (Taylor’s Version) (via Universal), having dominated the previous year’s ARIA tally with Midnights. Some things never change. 1989 (Taylor’s Version) holds at No. 1 on the ARIA Albums Chart for its 11th straight week, while Midnights is unchanged at No. 3. Swift, whose The Eras Tour winds its way to Australia next month, has five of the top 10 titles on the latest weekly tally.

21 Savage Is Living the ‘American Dream’: Stream It Now

21 Savage turns the dream into reality by unleashing American Dream (via Slaughter Gang and Epic Records), his first solo studio album in nearly six years.

Dropping at the stroke of midnight, Savage’s third set features a dreamy lineup of collaborators, including Brent Faiyaz, Summer Walker, Travis Scott, Young Thug, Lil Durk and Mariah the Scientist.

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In a novel campaign for the LP, the Atlanta, GA-based British-American rapper revealed his guest artists ahead of release by sharing their baby pictures on his Instagram.

Fifteen tracks in total, American Dream was announced earlier in the week, and is said to serve as the soundtrack for 21 Savage’s debut film American Dream: The 21 Savage Story, for which he unveiled a trailer on Monday (Jan. 8).

American Dream is the followup to his 2018 sophomore album I Am > I Was, which earned the hip-hop artist his first Billboard 200 No. 1 album and was nominated for best rap album at the 2020 Grammy Awards. Its hit single “A Lot,” featuring J. Cole, won the Grammy that year for best rap song.

Then, in 2020, Savage Mode II with Metro Boomin went to No. 1 on the Billboard 200.

Another collaborative project, Her Loss, recorded with Drake, bowed at No. 1 on the Billboard 200 chart in 2022, for his third leader. In December of that year, the state of Georgia recognized Dec. 21 as 21 Savage Day in recognition of his philanthropic efforts, which include his foundation Leading by Example, established in 2018 to provide financial literacy education to underserved youth nationwide providing thousands of scholarships, access to bank accounts and job placement for youths and more.

Directed by Donald Glover, American Dream: The 21 Savage Story rolls out in theaters on Independence Day 2024. Savage’s live commitments this year include spots on the U.K.’s Reading and Leeds Festivals.

Stream American Dream in full below.

Taylor Swift and Miley Cyrus Reign Over Australia’s End Of Year Charts

All hail Taylor Swift. That’s how Australians reacted to TayTay in 2023, as the pop superstar dominated the year-end charts.

Swift reigned supreme on the 2023 ARIA End Of Year Albums Chart, published Friday, Jan. 1, with 1989 (Taylor’s Version) taking out top spot.

The fourth re-recorded album from Swift’s repertoire, 1989 (Taylor’s Version) logged nine weeks at No. 1 on the national chart last year, the longest consecutive streak of any LP.

That’s just the start of Swift’s sweep. The “Shake It Off” singer bagged five of the top 10 albums in the land Down Under, including the runner-up spot with Midnights, ARIA confirms, and 10 of the top 50.

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Following a two-week stay at No. 1 in 2023, Speak Now (Taylor’s Version) finishes the year at No. 7 overall; Lover is at No. 8; and the original version of 1989 is at No. 9. Also impacting the tally is Reputation (No. 11), Folklore (No. 12), Red (Taylor’s Version) (No. 29), Evermore (No.36) and Fearless (Taylor’s Version) (No. 46).

Swift is accustomed to the high life. Midnights was No. 1 album of 2022, meaning Swift has had the best-selling album in Australia for two-straight years. A third isn’t out of the question. Swift has two more re-recorded albums in the works (though release dates haven’t been announced), and her The Eras Tour will storm into Australia in February for seven stadium shows across Sydney and Melbourne.

Canadian R&B star The Weeknd’s The Highlights completes the annual albums podium with his career retrospective, The Highlights, ahead of Morgan Wallen’s One Thing At A Time and SZA’s SOS, respectively.

The country comeback is in full swing as Luke Combs lands three titles in the top 25: This One’s For You at No. 14, Gettin’ Old at No. 17 and What You See Ain’t Always What You Get at No. 24.

Meanwhile, U.S. artists lock-up the four best-selling singles of 2023, a list led by Miley Cyrus’ “Flowers,” a single that stood tall atop the ARIA Singles Chart for 12 weeks during the calendar year. Just eight songs have spent more than time at No. 1, ARIA reports. Tones and I’s “Dance Monkey” remains the all-time leader, notching 24 weeks at the top in 2019-20.

Slotting in at No. 2 on the 2023 ARIA End Of Year Singles Chart is country star Morgan Wallen with “Last Night,” ahead of SZA’s “Kill Bill” and Swift’s “Anti-Hero,” respectively, while English artist PinkPantheress finishes the year at No. 5 with “Boy’s A Liar.”

“Congratulations to all the artists who dominated 2023, but particularly to Taylor, who has completely reset the narrative for what a solo artist can accomplish,” comments ARIA CEO Annabelle Herd. “She is a truly once-in-a-lifetime artist, storyteller, performer and businessperson. Similarly, Miley Cyrus’ incredible achievement on the Singles Chart over the past year – solidified at No. 1 on the 2023 Singles Chart – is cause for celebration… as is women at the top of both the Singles and Albums Charts for 2023.”

The dearth of homegrown artists on both lists, however, is no cause to celebrate. Just four Australian albums cracked the top 100 this year, led by INXS hits collection The Very Best (at No. 58), and just three Australian-made singles impacted the top 100, none of which were released in 2023. The best-placed Australian recording was The Kid Laroi’s 15-times platinum 2021 collaboration with Justin Bieber, “Stay.”

“It’s frustrating, but the data provided by these charts is an unbiased view of how Australian audiences consume music, and we need to use this data to understand we have a very urgent, very complex problem to solve,” adds Herd. “We need to address the damaging lack of data about contemporary music.

Help is on the way. With renewed support for Ausmusic from the federal government and various state governments, the establishment of Music Australia, Sound NSW, and the Centre for Creative Workplaces, notes Herd, the industry is optimistic that “we can change the narrative this time next year.”

Check out ARIA’s year-end singles and charts.

Lil Nas X Resurrects Himself on New Single ‘J CHRIST’: Stream It Now

After going to hell and back (literally) during his last album cycle, rapper and pop provocateur Lil Nas X is ready to walk through the Pearly Gates.

On Friday (Jan. 12), the singer unveiled his long-awaited new single “J CHRIST,” a pounding pop-rap track that sees the “Call Me By Your Name” singer reveling in his own comeback — much like the “MAN WHO HAD THE GREATEST COMEBACK OF ALL TIME” Jesus Christ, as Lil Nas X described him.

Lil Nas X wrote and directed the official music video, which arrived at midnight and features the artist in various roles — playing hoops, as a cheerleader, in the gladiatorial ring, and strapped to the cross.

“Is he up to somethin’ only I-I know?/ Is he ’bout to hit ’em with the high-igh note/ Is he ’bout to give ’em something vi-iral,” he sings on the slick chorus, before later declaring that “B—h, I’m back like J Christ.”

“J CHRIST” marks Lil Nas X’s first official release in over a year — his last release, the League of Legends collaborative anthem “Star Walkin’,” released in September 2022.

The release comes on the heels of a major marketing push from the “Industry Baby” singer, who spent much of the week promoting the single through a series of viral posts. In one string of TikToks, Lil Nas X joked that he was releasing new gospel music independently, while threatening to “expose y’all favorite artists” with his new song. An Instagram post, meanwhile, saw the singer post a fake acceptance letter to Christian college Liberty University, telling his followers that “not everything is a troll” (representatives for the university have since said that they did not admit Lil Nas X for the fall 2024 semester).

The rapper drew intense criticism in the run-up to releasing “J CHRIST” for his use of religious iconography, with commentators claiming that he was “mocking” and “disrespecting” Christianity.

Lil Nas shut down the claims in a tweet, saying “Jesus’s image is used throughout history in people’s art all over the world. I’m not making fun of shit. yall just gotta stop trying to gatekeep a religion that was here before any of us were even born. stfu.”

Watch Lil Nas X’s “J CHRIST” below:



Here Are the Lyrics to Ariana Grande’s ‘Yes, And?’

On Friday (Jan. 12), Ariana Grande made her return with the late-’80s-inspired single “Yes, And?”

Dripping with confidence, the upbeat song serves as the lead track for Grande’s anticipated seventh album, which she started teasing online in late December.

The single is built upon the cheeky title, as Grande sings of healing and being done with caring for other people’s projections. “Yes, and?” she asks repeatedly, begging listeners to question why they care so much to comment on her life — and, hopefully, reducing such actions in the future.

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Here are the lyrics to Ariana Grande’s “Yes, And?”

in case you haven’t noticed
well, everybody’s tired
and healing from somebody
or something we don’t see just right
boy come on put your lipstick on
(no one can tell you nothing)
come on and walk this way through the fire (don’t care what’s on their mind)
and if you find yourself in a dark situation just turn on your light and be like

“yes, and?”
say that sh– with your chest
and be your own f—in’ best
friend say that sh– with your chest
keep moving like “what’s next?”
“yes, and?”

now i’m so done with caring what you think
no i won’t hide underneath your own projections or change my most authentic life
boy come on put your lipstick on
(no one can tell you nothing)
come on and walk this way through the fire (don’t care what’s on their mind)
and if you find yourself in a dark situation just turn on your light and be like

“yes, and?”
say that sh– with your chest
and be your own f—in’ best
friend say that sh– with your chest
keep moving like “what’s next?”
“yes, and?”

my tongue is sacred
i speak upon what i like
protected, sexy, discerning with my time
your energy is yours and mine is mine
what’s mine is mine
my face is sitting i don’t need no disguise
don’t comment on my body, do not reply
your business is yours and mine is mine
do you care so much whose ! i ride

“yes, and?”
why
why?
say that sh– with your chest
and be your own f—in’ best
friend say that shit with your chest
keep moving like “what’s next?”
“yes, and?”



Ariana Grande’s ‘Yes, And?’ Single Is Here: Stream It Now

Ariana Grande is back — and she has some things to say.

On Friday, Jan. 12, the pop star returned with her inquisitive and gleaming new single “Yes, And?” The song serves as the first taste of Grande’s forthcoming seventh album.

Inspired by late ’80s dance-pop production, the catchy track is made all the better by Grande’s unshakeable confidence and comfort in her own skin. “Yes, and? Say that s— with your chest, and, be your own f—ing best friend,” she instructs, seeming to lead by example.

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The overall message is loud and clear: she’s seen the comments, and she’s not taking s— from anybody.

“I’m so done with caring what you think, no I won’t hide underneath your own projections or change my most authentic life,” she sings in a soft and syrupy sweet tone, evoking a “kill ’em with kindness” energy.

And later, during a spoken word interlude, Ari even declares: “Your energy is yours and mine is mine…don’t comment on my body, do not reply.”

And while her message is firm, the upbeat and retro production is less so, helping drive home Grande’s laid back, carefree attitude. Written and produced by the pop star alongside Max Martin and Ilya Salmanzadeh, the thumping and rallying chorus is prime for a dancefloor — there are even elements that call back to Madonna’s “Vogue,” which could very well be a tease to the album’s overall sound).

Yesterday, on Thursday, Jan. 11, Grande released a teaser clip to the song’s visual. It opened with a hand holding a red card that read “AG7.” The other side of the card read: “Your presence has been exclusively requested.”

The clip then cuts to various voices saying things like: “You know, I think I liked her better when her ponytail was a few centimeters higher”; “I mean, who cares if she’s happy? I don’t want happy. I want Ari.”; and ““Well, I read it on the Internet, so it must be true!”

“Yes, And?” is a direct response to such critiques. And in typical Ariana fashion, she leans into one of her greatest strengths: being oh so sweet.

Stream “Yes, And?” and view the single art and below.





Ariana Grande

Katia Temkin

Pentagon Denies Fox News Conspiracy Theory That Taylor Swift Is a Political ‘Asset’

The Pentagon is shutting down one of Fox News’ more bizarre conspiracy theories.

After Fox News host Jesse Watters suggested this week that Taylor Swift could be “a front for a covert political agenda,” the Department of Defense shared a statement on Wednesday (Jan. 9) refuting the claims, according to Politico.

“It’s real. The Pentagon psy-op unit pitched NATO on turning Taylor Swift into an asset for combating misinformation online,” Watters said during the show, sharing a video from a 2019 conference organized by the NATO Cooperative Cyber Defense Center of Excellence, during which a presenter names Swift as an example of a powerful influencer.

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In response, Pentagon spokesperson Sabrina Singh referencing Swift’s 1989 hit “Shake It Off” in a statement by noting, “as for this conspiracy theory, we are going to shake it off.”

Singh continued with the reference-filled statement, “But that does highlight that we still need Congress to approve our supplemental budget request as Swift-ly as possible so we can be out of the woods with potential fiscal concerns.” 

While Swift is not a political “asset,” she does important work in encouraging her fans to vote. “Voters gonna vote!” she wrote on her Instagram Story on Election Day. “If you are registered to vote in Colorado, Kentucky, Maine, Mississippi, New Jersey, New York, Ohio, Pennsylvania, Texas or Virginia, it’s time to use your voice.”

She also encouraged voters to be informed before arriving. “Find out what’s on your ballot before you arrive to the polls by visiting Vote.org.” Her link takes followers to Vote.org’s See What’s on Your Ballot tool, which gives voters a preview of what will be on their ballots.

The 12-time Grammy winner’s latest Instagram Story is part of an ongoing partnership she has with Vote.org, a non-profit, non-partisan voter registration organization that aims to increase voting behavior and reach underserved and underrepresented voters.

Watch Jelly Roll’s Passionate & Personal Testimony Before U.S. Senate on the Fentanyl Crisis

Jelly Roll found himself in front of a different audience on Thursday (Jan. 11), as the country star, born Jason DeFord, testified in front of the U.S. Senate Banking, Housing and Urban Affairs committee on the fentanyl crisis.

He spoke on behalf of the FEND Off Fentanyl Act, bipartisan legislation which would implement sanctions to reduce the flow of the drug into communities by enforcing penalties on the bank accounts of cartels and drug suppliers.

Jelly Roll arrived at Washington, D.C.’s Dirksen Senate Office Building with wife Bunnie XO for the hearing titled “Stopping the Flow of Fentanyl: Public Awareness and Legislative Solutions.” 

“I’m guessing most of you didn’t have ‘Jelly Roll testifies at Senate Banking hearing’ on your 2024 bingo cards,” Senator Sherrod Brown (D-Ohio) said in his opening comments. “But few speak – and sing – as eloquently, as openly, as, shall we say, viscerally about addiction as he does. There is a reason why Americans flock to his music and his concerts. He has a connection with people based on shared pain, shared challenges, shared hope.”

Jelly Roll, who served time in jail for selling drugs and whose songs, such as “She,” address the toll of addiction, spoke passionately about the devastating effects fentanyl has had nationally and in his community. 

“I’ve attended more funerals than I care to share with you all on this committee. I could sit here and cry for days about the caskets I’ve carried of people I loved dearly, deeply in my soul, good people, not just drug addicts,” he said. “Uncles, friends, cousins, normal people, some people that just got in a car wreck and started taking a pain pill to manage it.”

Jelly Roll, noting that 190 people die daily in the U.S. from drug addiction, then got even more personal, bringing committee members into his home. “Now I have a 15-year old daughter whose mother is a drug addict,” he said. “Every day I get to look in the eyes of a victim in my household of the effects of drugs, every single day. And every single day I have to wonder if me and my wife, if today will be the day that I have to tell my daughter that her mother became a part of the national statistic.”

He also addressed his criminal past, adding that he didn’t believe he was hurting people. “I was the uneducated man in the kitchen playing chemist with drugs I knew absolutely nothing about, just like these drug dealers are doing right now when they’re mixing every drug on the market with fentanyl and they’re killing the people we love,” he said. “I believed when I sold drugs genuinely that selling drugs was a victimless crime. I truly believed that.”

He implored the committee to pass the legislation, but to go further and work on the issues that cause addition, not just the dealers, saying, “I truly believe in my heart that this bill, that this bill will stop the supply and can help stop the supply of fentanyl. But in part of being proactive, gentlemen and women and ladies, I have to be frank and tell you all that if we don’t talk to the other side of Capitol Hill and stop the demand, we are going to spin our tires in the mud.”

Also testifying were Patrick Yoes, national president of the Fraternal Order of Police,  and Christopher J. Urben, managing director, Nardello & Co, and assistant special agent in charge (retired), Special Operations Division, U.S. Drug Enforcement Administration.

Watch Jelly Roll’s testimony below: