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“When I was a boy, just about every summer we’d take a vacation. And, you know, in 18 years, we never had fun.”
—
In 1983’s National Lampoon’s Vacation, Clark W. Griswold (Chevy Chase) ruminates about his childhood trips, as he takes his own family cross-country in their new metallic-pea Wagon Queen Family Truckster. (The blue Sports Wagon was much too small.)
Despite the Griswolds’ series of mishaps, the hit film introduced, upon its opening frames, a buoyant theme song: “Holiday Road,” written and performed by Lindsey Buckingham. The single spent five weeks on the Billboard Hot 100, reaching No. 82 in August 1983. It became the then-Fleetwood Mac member’s second of three career solo entries, in between “Trouble” (No. 9 peak, 1982) and “Go Insane” (No. 23, 1984).
Like the Griswolds finally witnessing Walley World, and Marty Moose (the moosiest moose we know), “Holiday Road” this week reaches the top 10 of a Billboard chart for the first time at last, as Kesha’s cover ascends 10 spots to No. 6 on the Hot Dance/Electronic Songs survey dated Dec. 14. It debuted on the list three weeks earlier, marking the first charted version of the song since Buckingham’s.
The update was released Oct. 15 as an exclusive on Spotify, along with four other holiday-themed songs.
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To date, Buckingham’s original “Holiday Road” has drawn 40.9 million official U.S. streams and 25.8 million in radio airplay audience and sold 133,000 downloads.
National Lampoon’s Vacation grossed a reported $60 million-plus in U.S. theaters. The film, directed by Harold Ramis, with its screenplay by John Hughes, is bookended by Buckingham’s music, closing with his likewise sprightly “Dancin’ Across the USA.” Along with Chase, its cast includes Beverly D’Angelo, Imogene Coca, Randy Quaid, John Candy and, in her first film role, Christie Brinkley.
Notably, Billy Joel’s “Uptown Girl” – his ode to Brinkley, his then-future wife – debuted on the Hot 100 three weeks after Buckingham’s version departed, on its way to a No. 3 peak.
Usher makes it a point to give back to the community and he’s investing in the youth once again with the launch of a Content Studio at the Whitehead Boys & Girls Club in Atlanta. The R&B legend made the initiative official with a ribbon-cutting ceremony for the Usher Raymond IV Spark Lap at the […]
It’s gift-shopping season, and Walker Hayes has the perfect products for the cozy or outdoorsy people in your life.
The country singer chatted with Billboard’s executive editor of West Coast and Nashville, Melinda Newman, on talkshoplive, an online livestream shopping platform, where he showed off products from his Duck Buck Co. brand. The line of activewear and loungewear features trucker hats, t-shirts, leggings, sweats and much more — all featuring the quirky half-duck, half-buck logo that Hayes drew himself.
“I’m a doodler, I wouldn’t call myself an artist but I’m constantly drawing,” he shared during the livestream. “It’s therapeutic to me. We had to draw a picture for each song back when NFTs were a thing. Each song needed an NFT following ‘Fancy Like,’ so for the song ‘Country Stuff,’ I drew this duck buck. And my team — nobody asked questions, they were like ‘That’s your logo.’”
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He added that the inspiration while designing clothing were items “that are comfy, that I know I’m going to look good in.”
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Since it’s the holiday season, Hayes discussed his fun, festive spin on his Billboard Hot 100 No. 3 hit “Fancy Like.” The track, “Fancy Like Christmas,” in which he switches up the lyrics to the chorus and sings, “Fancy like Christmas ’round a fake tree/ Nutcracker on the mantle and a candy cane candle/ Get your eggnog, with your fruit cake/ Go Jesus, it’s your birthday!”
“I honestly think the lyrics to the Christmas version are better,” Hayes admitted, adding with a laugh, “When we dropped ‘Fancy Like Christmas,’ the response was so amazing and continues to be, that I did start think, ‘I mean, do we need a Halloween version? Does this song need to take over holidays?’ Is it the next ‘Happy Birthday?’”
Watch the entire livestream and shop Walker Hayes’ Duck Buck Co. brand here.
To close out 2024, Sabrina Carpenter was on countless people’s year-end Spotify Wrapped lists — including her own.
That’s exactly why the 25-year-old pop star didn’t join many of the streaming service’s users in sharing her listening-habit summary on social media this year, she told Vogue Arabia in a new interview published Tuesday (Dec. 10). “When I first saw mine, my initial reaction was, ‘Oh, damn, I can’t post that, because I’m on my own [list],’” she told the publication. “‘It’s a bit conceited.’”
“But then I was like, I guess it’s a good thing that I’m on my list and listening to my own music, because it means I f–k with what I do,” Carpenter added.
The Girl Meets World alum definitely isn’t the only one. In 2024, her smash hit “Espresso” was streamed more than 1.6 billion times on Spotify, making it the app’s most-streamed song of any other upload. Plus, her Billboard 200-topping sixth studio LP Short n’ Sweet was the platform’s third-most popular album, bested only by Taylor Swift’s The Tortured Poets Department and Billie Eilish’s Hit Me Hard and Soft.
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While on the topic of Spotify Wrapped, Carpenter did reveal which other four artists made her top 5: Dolly Parton, ABBA, Kacey Musgraves and the Bee Gees.
Carpenter is currently on a break from her first-ever arena trek, with the North American leg of the Short n’ Sweet Tour closing in November. The “Please Please Please” singer will get back on the road for a run of European dates in March.
In the meantime, fans can enjoy her new holiday special A Nonsense Christmas, which premiered Dec. 6 on Netflix. Of the project, Carpenter told Vogue Arabia, “It was kind of a s–t show — but in the best possible way. A Christmas s–t show, which is way better than normal ones, because everyone’s festive and dressed up,” she said, revealing that her crew filmed the special in just two days. “You can’t really be mad when everyone is dressed like Christmas. And I’m so lucky that my friends were a part of it, that just made it all the more fun.”
The second iteration of the Top Gabb Music Songs chart features a new No. 1, as KSI‘s “Thick of It,” featuring Trippie Redd, rises to No. 1 as the most-played song on Gabb Wireless phones and tablets for November 2024.
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Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.
“Thick of It,” released Oct. 3, bowed at No. 3 on the inaugural Top Gabb Music Songs list as the most recently released song in the tally’s top 10. It retains that distinction on the November 2024 survey as well (though it isn’t the newest song on the 25-position chart – more on that later).
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The song has peaked so far at No. 64 on the multimetric Billboard Hot 100, achieving the feat on the Oct. 26-dated ranking.
Released by rapper and YouTube star KSI, “Thick of It” leads a hip-hop-dominated Top Gabb Music Songs top 10, with half of the region from rappers. Drake’s “God’s Plan,” No. 1 on the Hot 100 for 11 weeks in 2018, enters the survey at No. 4, while Travis Scott’s “Butterfly Effect” at No. 6 (No. 50 on the Hot 100 in 2018) and Juice WRLD’s “Face 2 Face” at No. 8 (No. 92 on the Hot 100 in 2022) also debut. The fifth, NF’s “Let You Down,” remains in the top 10 for a second straight month, falling 5-7.
Benson Boone’s “Beautiful Things,” which reigned atop the first Top Gabb Music Songs list, dips to No. 2 on the November tally, but Boone still boasts a new distinction: he’s the first act with two songs in the top three, as “Slow It Down” zooms 9-3 in its second month. The former peaked at No. 2 on the Hot 100 in March, while the latter reached No. 32 in September.
Olivia Rodrigo’s “Deja Vu” and Imagine Dragons’ “Bones” appear in the Top Gabb Music Songs chart’s top 10 for the first time; “Deja Vu” shoots 15-9, while “Bones” jumps 16-10. Three and two years old, respectively, the former reached No. 3 on the Hot 100 in 2021 and the latter peaked at No. 47 in 2022.
Top Gabb Music Songs’ top debut of the month by a song released in 2024 belongs to Maddox Batson, whose “X’s” starts at No. 14. It’s the second-highest-performing country song on the tally, following Luke Combs‘ “Ain’t No Love in Oklahoma” at No. 5. The 14-year-old Warner signee’s song was released in September.
Holiday music has officially come to Gabb as of November, as Mariah Carey’s “All I Want for Christmas Is You” bows at No. 15. And the newest song to grace the survey, ROSE and Bruno Mars’ “APT.” (released Oct. 18), starts at No. 24.
See the full top 25 below.
Top Gabb Music Songs, November 2024
1. “Thick of It,” KSI feat. Trippie Redd (+2)2. “Beautiful Things,” Benson Boone (-1)3. “Slow It Down,” Benson Boone (+6)4. “God’s Plan,” Drake (debut)5. “Ain’t No Love in Oklahoma,” Luke Combs (-3)6. “Butterfly Effect,” Travis Scott (debut)7. “Let You Down,” NF (-2)8. “Face 2 Face,” Juice WRLD (debut)9. “Deja Vu,” Olivia Rodrigo (+6)10. “Bones,” Imagine Dragons (+6)11. “Hope,” NF (-4)12. “Please Please Please,” Sabrina Carpenter (-4)13. “Motto,” NF (=)14. “X’s,” Maddox Batson (debut)15. “All I Want for Christmas Is You,” Mariah Carey (debut)16. “Mood,” 24KGoldn feat. Iann Dior (debut)17. “Love Somebody,” Morgan Wallen (debut)18. “Stargazing,” Myles Smith (-4)19. “Ghost,” Justin Bieber (debut)20. “Eyes Closed,” Imagine Dragons (-3)21. “Enemy,” Imagine Dragons & JID (-1)22. “Stressed Out,” Twenty One Pilots (-10)23. “Too Sweet,” Hozier (-19)24. “APT.,” ROSE & Bruno Mars (debut)25. “Radioactive,” Imagine Dragons (-6)
DROPS FROM OCTOBER 2024: JVKE, “Golden Hour”; NF, “The Search”; Glass Animals, “Heat Waves”; Zach Bryan, “Pink Skies”; Imagine Dragons, “Demons”; Tate McRae, “She’s All I Wanna Be”; Ariana Grande, “We Can’t Be Friends (Wait for Your Love)”; Jelly Roll, “I Am Not Okay”; Nicky Youre & Dazy, “Sunroof”
Drake and Latto connected for the 100 Gigs cut “Housekeeping Knows” earlier this year — now, the 6 God is tapping the Atlanta rapper to star in an ad for his Nike Nocta brand campaign. With the Nocta Nike Air Force 1 set to arrive as part of a larger apparel collection, Latto appeared in […]
It’s officially that time of year again — on the charts, anyway. The proper holidays may still be a couple weeks ago, but the Billboard Hot 100 is in full seasonal swing, with timely perennials absolutely taking over the chart’s top tier.
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As it has at some point in all of the last six years — although it had to split time a bit last year — Mariah Carey‘s “All I Want for Christmas Is You” rules the Hot 100 dated Dec. 14, followed by last year’s three-week champ, Brenda Lee‘s “All I Want for Christmas Is You.” And Wham!’s “Last Christmas,” celebrating its 40th anniversary this year, already hits a new all-time peak this week by jumping to No. 3.
What other seasonal staples might hit new peaks on the Hot 100 this year? And how long until “All I Want” starts to seriously threaten the all-time chart record? Billboard staffers discuss these questions and more below.
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1. Though Brenda Lee’s “Rockin’ Around the Christmas Tree” captured the Hot 100 No. 1 for the first three weeks of the holiday season in 2023, this year Mariah Carey’s “All I Want for Christmas Is You” is the first seasonal classic to claim the chart’s apex. Are you surprised at the changeover, or did you expect “All I Want” to reclaim its throne on the early side this year?
Katie Atkinson: I had no doubt that Carey would reclaim her Christmas crown; it was just a matter of at what point in the 2024 holiday season. That said, it also feels very likely that Brenda Lee could rock her way back to the top of the Hot 100 Christmas tree this year. What was exciting about “Rockin’ Around the Christmas Tree” hitting No. 1 for the first time last year was the idea that maybe a revolving door of holiday classics (or maybe even new seasonal songs) could jockey for that position each year, keeping the Christmas chart race interesting and festive — just like in Love, Actually (or in the real U.K.).
Kyle Denis: I’m not surprised at all. The Mariah Claus promotional machine has been in full swing since Oct. 2 – the date of her first Christmas-themed Instagram post of the year. Between her ongoing holiday tour and a new 30th-anniversary edition of Merry Christmas, both Carey and “All I Want” have been far more visible than Brenda Lee and “Rockin’” at this point in the season.
Jason Lipshutz: “Rockin’ Around the Christmas Tree” reaching the top of the Hot 100 for the first time last year represented a lovely chart tribute to Brenda Lee, a beloved performer in her late seventies who got to watch her song hit No. 1 decades after its release. That said, “All I Want for Christmas Is You” remains the dominant holiday pop smash of this era, and will exist as the safest bet for the No. 1 slot in December unless there’s a special circumstance (such as Lee releasing a music video for “Christmas Tree” last year). Maybe Lee notches more weeks atop the Hot 100 during this and future holiday seasons, but Carey’s hit will remain bigger for the foreseeable future.
Andrew Unterberger: Yeah, Brenda Lee had a deserved nice moment for the song’s 65th anniversary last year, but Mariah remains the Queen of Christmas — and in the 30th-anniversary year of her Merry Christmas Album and its signature hit, there was never any real chance of anyone besting her.
Christine Werthman: Am I surprised that the queen of Christmas has reclaimed her throne? No, and I suspect that she will sit there all season. I was much more shocked that Brenda Lee topped the chart in 2023 simply because Mariah has been so dominant.
2. Wham!’s “Last Christmas” ranking is perhaps the real headline news of this week’s Hot 100, as the ‘80s holiday staple reaches a brand-new peak of No. 3 this week. Why, after four decades, do you think the song continues to grow on the charts?
Katie Atkinson: It’s just such a perfect pop hit, in addition to being a great Christmas song. And it’s celebrating its 40th anniversary this year, so just like Brenda Lee pulled out all the stops last year for the song’s 65th anniversary – new music video, round-the-clock media appearances, etc. – we’re seeing Wham!’s Andrew Ridgeley hit the interview circuit to hype up the beloved song. It hit No. 1 in the U.K. for the first time in 2021 and has spent a total of seven weeks in the top spot. I would love if this were the year for it to climb to No. 1 in the U.S.
Kyle Denis: Outside of it being a near-perfect pop song that’s gotten tons of new lives over the past few decades thanks to some stunning covers, I think “Last Christmas” is benefitting from a new generation of queer audiences connecting with George Michael’s lyrics. Long considered a queer Christmas classic, these new listeners can hear and see themselves in “Last Christmas” — and it’s likely they were introduced to the song through covers from pop stars like Ariana Grande and Taylor Swift. I definitely expect “Last Christmas” to continue surging in the coming weeks, especially as some of 2024’s biggest stars – like Sabrina Carpenter, Chappell Roan and ROSÉ — deliver their own spins on it this holiday season.
Jason Lipshutz: “Last Christmas” has been a holiday staple for years now — but the top three of the current Hot 100 makes clear that Wham!’s classic is now considered precisely the third-biggest holiday staple, behind “All I Want for Christmas Is You” and “Rockin’ Around the Christmas Tree.” The song has slowly grown in stature over the years, and while reaching a new peak on the Hot 100 is an achievement worth commemorating, I do think that No. 3 high will remain for quite some time, since Lee’s smash still outpaces Wham! in streams and airplay, and Carey’s holiday hit towers above both. Maybe “Last Christmas” eventually climbs to No. 2 this year or in the near future, but it also might have hit its ceiling this week.
Andrew Unterberger: It’s all about anniversary years, isn’t it? “Last Christmas” grows in estimation every year because it’s one of the best holiday-themed songs ever written, but it’s specifically spiking this year likely due in no small part due to sentimentality over the song celebrating its 40th birthday this year — and will do so only more so once the physical single versions of its anniversary reissue ship this Friday.
Christine Werthman: Because…it’s a vibe? In all seriousness, the song is usually a less invasive option than many Christmas songs. While “All I Want for Christmas Is You” is a showstopper and “Rockin’ Around the Christmas Tree” kicks it back to the oldies, “Last Christmas” seamlessly slides into playlists that aren’t even entirely holiday themed. It’s an easy one to play on repeat.
3. Though both are now considered modern classics, neither Ariana Grande’s “Santa Tell Me” (No. 19) or Kelly Clarkson’s “Underneath the Tree” have yet hit the Hot 100’s top 10, both peaking thusfar at No. 11. Do you think this be the lucky year for Ariana, Kelly, both or neither?
Katie Atkinson: I’m going to wager that, on the strength of the good will around her performance in Wicked, this could be Ariana’s year. Anecdotally, it feels like I’ve heard “Santa Tell Me” more than ever this year – especially in Target, for what it’s worth – and this is obviously not scientific, but it just feels like the song has some serious tailwinds at the moment.
Kyle Denis: I’m going to give Ariana the edge; she’ll be incredibly visible this holiday season thanks to Wicked and the awards cycle for both film and music. She also has three physical 10th-anniversary editions of the “Santa Tell Me” single available on her website, and those will ship on Dec. 20.
Jason Lipshutz: I predict “Santa Tell Me” to hit the top 10 for the first time this year, once some long-running non-holiday hits like “A Bar Song (Tipsy)” and “Die With a Smile” (as well as Kendrick Lamar’s GNX material) naturally starts slipping. Along with the holiday season, we are currently in the Autumn of Ariana, thanks to Wicked dominating the box office and earning Grande raves (and a Golden Globe nod as of yesterday), in addition to hosting Saturday Night Live and seeing Eternal Sunshine pop up on year-end lists. “Santa Tell Me” will no doubt reach the top 10 of the Hot 100 someday — why not this season, during Grande’s red-hot streak? Other holiday songs may try to crowd it out and keep it down in the top 20, but I think “Santa Tell Me” will be… wait for it… apologies in advance… defying gravity.
Andrew Unterberger: Why not both? They’re the eighth- and ninth-highest-ranked holiday hits on the Hot 100 currently — so if they stay at their current trajectories, they’ll both have a pretty good shot at making the top 10 when Christmas music becomes all anyone is listening to in the next couple weeks to come. Unless Kendrick Lamar has a second 2024 album in the offing for late December; can’t totally rule out the possibility of course.
Christine Werthman: Unless there’s a cup of cheer and a sweet new sync in their future, neither of these songs are breaking into the top 10 this season. I know there’s a lot of Ari fever because of Wicked, but I don’t think it will drive more people to stream “Santa Tell Me.” Bah humbug!
4. Lower on the ranking, Laufey makes her Hot 100 debut with the new “Christmas Magic” from Red One. Does it feel like a future staple to you, or will most of its impact come this season?
Katie Atkinson: I could see it being a staple. It’s got that timeless, jazzy feel of a lot of holiday music, and Laufey taps into the same vibe that Zooey Deschanel mined with her She & Him Christmas project, which has become a mistletoe mainstay. Laufey and Christmas music go together like candy canes and cocoa.
Kyle Denis: No — then again, I don’t think anything attached to Red One will be a future staple. I also think Laufey can come a bit harder, though “Christmas Magic” is just fine. Regardless, it’s really great to see her on the Hot 100 for the very first time!
Jason Lipshutz: “Christmas Magic” may not sound like a typical holiday hit, but Laufey has a ton of goodwill at the moment, with a passionate fan base and a growing number of casual listeners latching onto her singular style. Seeing her score her first Hot 100 hit with an Amazon Music holiday track was not on my bingo card! But it’s a well-deserved debut, and will lead to bigger things in 2025.
Andrew Unterberger: I don’t think this is necessarily the song that’s gonna do it, but I have every confidence in Laufey eventually finding her way to a holiday perennial — she’s got just the right voice and temperament for it, not to mention the sizeable following. (You can already see her versions of “Winter Wonderland” and “Santa Baby” creeping up the Spotify charts as well.)
Christine Werthman: This is a pleasant, jazzy little bop, but I can’t even listen to the full thing because I don’t have Amazon Music. I would guess there are many others like me out there, so I think this will have a limited impact beyond this year. Also, Red One has a 31 percent on Rotten Tomatoes, and though I have not seen the movie, I am guessing it will not become the type of holiday classic that will help endear certain songs to listeners (like Home Alone for Brenda or Love Actually for Mariah).
5. This marks Mariah Carey’s 15th week atop the Hot 100 with “All I Want,” leaving the song just four weeks shy of tying the all-time record held by Lil Nas X’s Billy Ray Cyrus-featuring “Old Town Road” and recently matched by Shaboozey’s “A Bar Song (Tipsy).” Do you think it’ll claim the record in the next couple years?
Katie Atkinson: Yes. In fact, I feel confident in guessing that it will surpass the record next year. What will be most interesting is how many weeks it can sustain in the years to come after that. This unique way of piecing together weeks at No. 1 could create a truly untouchable all-time Hot 100 record. Long live the Queen of Christmas.
Kyle Denis: Barring any unforeseen rule changes, I think it’s safe to say “All I Want” will claim the title by the end of the 2025 holiday season. At least Lil Nas X can say his 19 weeks at No. 1 were consecutive!
Jason Lipshutz: Definitely. Unless “Rockin’ Around the Christmas Tree” makes a forceful push to become the top holiday hit, or something semi-recent like “Santa Tell Me” or “Underneath the Tree” explodes for some unforeseen reason, “All I Want for Christmas Is You” is going to keep logging weeks at No. 1, year after year, and eventually own the all-time record. My question is, how far can it go once that record is claimed? If Carey keeps spending a month at No. 1 every year for the next half-decade, could we see “All I Want” reach 30 total weeks at No. 1? How about 40? Because of this annual tradition, the sky is the limit for what Carey could achieve as a perennial chart behemoth.
Andrew Unterberger: Yep, hard to see anything short of a holiday-themed “We Are the World”-type gathering of superduperstars getting in its way.
Christine Werthman: Oh yes, she’ll get there. Slow and steady wins the race!
The late country artist and Country Music Hall of Fame member Keith Whitley will be the focus of an upcoming documentary film, thanks in part to his fellow country artist Blake Shelton. The Whitley-centered documentary will begin filming in January 2025.
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Shelton is co-producing the documentary with Lee Metzger of Lucky Horseshoe Productions. Also leading the project are Anomaly Content & Entertainment (ACE) partner and producer Evan Hayes (Free Solo), with ACE partner and CEO Justin Barocas serving as executive producer and Zach Heinzerling (Cutie and the Boxer, McCartney 3, 2, 1) serving as director.
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Whitley died in May 1989 at age 34, with only two full-length studio country albums having been released by the time of his passing (1985’s L.A. to Miami and 1988’s Don’t Close Your Eyes; his third album, 1989’s I Wonder Do You Think of Me, arrived three months after his death). However, the songwriting and vocal prowess displayed on those projects — and in his live shows — has been an indelible influence on generations of artists. Whitley’s “I’m No Stranger to the Rain” earned the CMA’s 1989 single of the year honor, while Whitley’s duet with wife Lorrie Morgan, “‘Til a Tear Becomes a Rose,” was named the CMA’s vocal event of the year in 1990.
The documentary will look at Whitley’s life and career, his struggles with addiction, his romance and marriage to fellow country artist Morgan, and his lasting impact on the music industry. The upcoming documentary will also feature archival footage from the Country Music Hall of Fame, as well as personal collections from Morgan. The film will also look at Whitley’s roots in Sandy Hook, Kentucky, and will highlight reflections from Morgan as she navigates her own career while honoring Whitley’s memory.
Shelton said in a statement, “Keith Whitley released only three albums during his life, but his music has influenced generations of country music artists and fans. Gwen [Stefani] and I love to watch music documentaries, and I looked for his doc one night and couldn’t believe that there wasn’t one. I’m proud and honored we get to bring his incredible story to film.”
“Thanks to Blake, we finally have the chance to uncover the truth behind the legend that is Keith Whitley: a layered and heartbreaking story of talent, hardship, and love that is long overdue,” Heinzerling added. “It’s an honor to bring Keith’s story to a wide audience,” Metzger said. “He’s the kind of singer everyone knows the songs when they hear them but doesn’t know the story of the singer who performed them.” Hayes said, “What drew me to this project was the idea of tapping into a pop culture story that lies slightly beneath the surface. Here is this guy who is so important in the country music world — he inspired the modern Star Is Born, Morgan Wallen wrote a song about him and his music — and a lot of people don’t know his name. To be able to explore this character and this love story that had permeated pop culture country music in such an impactful way and to introduce it to mainstream audiences is exciting.”
In 2023, Shelton and Metzger founded Lucky Horseshoe Productions, which helmed the USA Network series Barmageddon, and is in pre-production on the upcoming singing competition series The Road.
Billboard is revamping its dance charts offerings at the outset of the new year to better recognize the varied sounds of the genre.
While the metrics of Hot Dance/Electronic Songs will remain the same, the songs eligible to debut on the ranking will, as of the charts dated Jan. 18, 2025 (reflecting activity Jan. 3-9, the first full chart week of the year), be those primarily recorded by DJs or producers with an emphasis on electronic-based production.
Billboard’s weekly multimetric Hot Dance/Electronic Songs chart currently ranks the top 50 songs based on U.S. streaming (official audio and official video) and sales data, according to Luminate, the independent data provider to the Billboard charts, plus radio airplay audience impressions, as measured by Mediabase. The sales metric reflects purchases of physical singles and digital tracks from full-service digital music retailers.
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Billboard launched the Hot Dance/Electronic Songs chart in January 2013. It became the publication’s first multimetric chart to rank the most popular dance and electronic songs.
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Concurrently with the charts dated Jan. 18, Billboard is also launching the 25-position Hot Dance/Pop Songs chart, utilizing the same multimetric methodology as Hot Dance/Electronic Songs, featuring titles with dance-centric vocals, melody and hooks by artists not considered rooted in the dance/electronic genre. Songs co-billed to both a DJ/producer and a singer who extends beyond the dance genre may be eligible for both Hot Dance/Electronic Songs and Hot Dance/Pop Songs.
With the start of Hot Dance/Pop Songs, Billboard will also introduce corresponding Dance/Pop Songwriters and Dance/Pop Producers charts, based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on each respective chart.
Further, Billboard is also renaming the Top Dance/Electronic Albums chart to Top Dance Albums to better represent the cross-reference of dance titles that appear on the ranking. The chart ranks the most popular dance albums of the week, based on multimetric consumption, blending traditional album sales, streaming-equivalent albums and track-equivalent albums, as compiled by Luminate.
Catilin Clark is in her Swiftie era! The basketball superstar was named Time’s Athlete of the Year this week, and in the corresponding cover story published on Tuesday (Dec. 10), the WNBA athlete recalled attending “back-to-back” Eras Tour performances during Taylor Swift’s run at Lucas Oil Stadium in Indianapolis, Ind., back in early November. She […]