Music
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A new production of Shakespeare’s Hamlet will be soundtracked by Radiohead’s 2003 album Hail to the Thief.
Hamlet Hail to the Thief will see “Shakespeare’s words and Radiohead’s album illuminate oneanother in thrilling new ways as the music becomes a critical part of the narrative” a press release reveals. The production will include a cast of 20 musicians and actors performing the album live onstage during the play.
Radiohead frontman Thom Yorke has collaborated with Tony and Olivier award-winner Christine Jones and Olivier award-winner Steven Hoggett for the production.
Hamlet Hail to the Thief will premiere at Manchester’s Aviva Studios, home of Factory International, in Manchester on Apr 27 and will run there until May 18, 2025. The production then transfers to the Royal Shakespeare Theatre in Stratford Upon Avon, England from June 4 – 28, 2025. Tickets for the production go on sale on October 2; more details can be found here.
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Speaking about the new arrangements of Hail To The Thief, Yorke said in a statement that it was an “interesting and intimidating challenge”. He added: “Adapting the original music of Hail To The Thief for live performance with the actors on stage to tell this story that is forever being told, using its familiarity and sounds, pulling them into and out of context, seeing what chimes with the underlying grief and paranoia of Hamlet, using the music as a ‘presence’ in the room, watching how it collides with the action and the text. Ghosting one against the other.”
Hail To The Thief was released in 2003 by the British band amidst the fallout of the invasion of Iraq and was critical of President George W. Bush’s ‘war on terror’ following 9/11. The album landed at No.3 on the Billboard 200 and at No.1 on the U.K.’s Official Album Charts and its artwork, which is incorporated in the play’s promotional poster, was created by frequent collaborator Stanley Donwood.
Speaking in 2003, Yorke said that the album’s lyrical content was influenced by “the rise of doublethink and the rise of general intolerance and madness, and feeling very much like individuals were totally out of control of the situation” and that “the force of the music gave me licence I think to explore all these things, really”. It spawned three singles, “2+2=5”, “Go To Sleep” and “There, There”.
Jones, who has previously collaborated with Hoggett on Harry Potter and the Cursed Child, and the stage adaptation of Green Day’s American Idiot said that William Shakespeare’s play, written between 1599 and 1601, aligned with their love of Radiohead’s record.
“Paying attention to the lyrics, I became aware of how many songs from Hail to the Thief speak to the themes of the play,” Jones says. “There are uncanny reverberances between the text and the album. For years I’ve wanted to see the play and album collide in a piece of theatre; eventually I shared the idea with Thom, who was intrigued.
Radiohead released their most recent album A Moon Shaped Pool in 2016 and the band members have worked on new projects ever since. Yorke and Jonny Greenwood’s The Smile will release their third studio album Cutouts on XL Recordings on Oct 4.
The band’s bassist Colin Greenwood recently revealed that the band had recently reconvened to rehearse but shared no news of imminent music.
Katy Perry had the support of the Queen of Pop from day one. The “Lifetimes” superstar joined Australian talk show The Project this week, where she opened up about getting love from Madonna early in her career. “Madonna was really nice to me, well it took a minute because she was testing me and then […]
Fifty-eight artists and 29 DJs took the stage at a special outdoor venue in Odaiba, Tokyo, over the weekend (Sept. 21 & 22) for the hip-hop festival THE HOPE. Day 2 headliner Awich performed a blistering nine-track set, including her latest single “Are you serious?” being featured as the theme song for the Netflix series […]
Hinatazaka46’s “Zettaiteki Dairokkan” blast in at No. 1 on the Billboard Japan Hot 100, dated Sept. 25.
The J-pop girl group’s 12th single sold 546,483 copies in its first week to rule sales, while coming in at No. 16 for downloads, No. 98 for radio airplay, and No. 82 for video views to take the top spot on the Japan Hot 100 by a narrow margin. The single is Hinatazaka46’s seventh No. 1 hit and the first since “Bokunanka,” which topped the tally in June, 2022.
Mrs. GREEN APPLE’s “Lilac” rises a notch to No. 2 this week. Streams for the former No. 1 hit are up 104% from the week before, while downloads are up 124%, video up 108%, and karaoke up 110%. The track has been cruising along at No. 1 for streaming for 14 consecutive weeks, and also tops video for the fourth. Total streams for the track is currently at 249,797,859, and is expected to sail past the 250 million mark next week.
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The three-man pop band released the film Mrs. GREEN APPLE // The White Lounge in CINEMA in theaters on Sept. 13, which may be why the group’s catalog has climbed the chart this week. 15 songs are charting on the Japan Hot 100, with 13 including “Que Sera Sera,” “Ao to Natsu,” and “Dance Hall” increasing in points from the previous week.
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Last week’s No. 1 song, back number’s “to new lovers,” drops to No. 3 this week. While points for sales are down following the CD release week, streams have shown only a slight decrease (97%), and karaoke is on the rise (117%).
Three songs including this week’s chart-topper debuted in the top 10 this week. Pandadragon’s major label debut single “Night Before A Dance” bows at No. 5 and FRUITS ZIPPER’s “NEW KAWAII” at No. 10.
Outside the top 10, Kenshi Yonezu’s “Sayonara, Mata Itsuka!” jumps four rungs this week, probably because the highly acclaimed historical legal drama it serves as the theme — Tora ni Tsubasa — is ending this week and a special program focusing on the series and the hitmaker’s songwriting (Tora ni Tsubasa x Kenshi Yonezu Special) recently aired. Downloads for the former No. 2 hit nearly doubled (1.9 times) compared to the week before.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Sept. 16 to 22, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
Suge Knight and Diddy have been rivals and enemies since the ’90s, when their respective labels — Death Row and Bad Boy — fought for rap supremacy in a feud that culminated in the tragic murders of both 2Pac and The Notorious B.I.G.
Knight, who is currently serving 28 years in California for voluntary manslaughter, caught up with Chris Cuomo on NewsNation to talk about Diddy’s arrest. Suge started the conversation with a disclaimer, saying that he doesn’t “jump up and cheer for no Black man going to prison or any other human being going to prison.”
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However, he suggested that Diddy may be in for a tough time behind bars because of his fame. “I mean, one of the things is this: I don’t care who you are, prison and jail is a negative environment,” Knight said. “Somebody can do something to him and get a name for themself, they gonna actually do it. Or if they can do whatever they feel they gotta do to prove themself.” He added: “But we also gotta learn… We gotta learn from our mistakes. Everything don’t have to be a mistake, you gotta better yourself. But we all know what we signed up for in life.”
Cuomo also asked the founder of Death Row Records if he felt like Diddy was in danger and if he had any advice for him. “I don’t wanna say he’s in danger and neither should he say that,” he advised. “Because once he gets to the point where they feel he’s gonna be suicidal… you don’t have the rights to nothing: no sock, no drawers, no T-shirt, no blanket, no sheets. You’re naked in a cell as a crazy man, so he definitely don’t wanna do that.”
His other words of wisdom were to ask for kosher meals because they’re difficult to be tampered with. “Maybe he should get on the Jewish diet because the kosher meals is way better than the food somebody else is making for you,” he said. “At least they gonna come hot. They gonna come sealed and you’re gonna be the one to open them. That’s very important.”
Diddy is currently being held in Metropolitan Detention Center in Brooklyn, a jail notorious for its violence and subpar living conditions. MDC Brooklyn has housed high-profile prisoners like R. Kelly and Ghislaine Maxwell, and some judges have even refused to send people there, according to The Associated Press. He’s been placed on “procedural” suicide watch, something that is common when it comes to detainees of his stature. A spokesperson has maintained that he’s “strong, healthy and focused on his defense.”
You can watch the full interview here.
Veteran Christian hard rock group Stryper adds its 13th top 10 on Billboard’s Top Christian Albums chart as When We Were Kings enters the list (dated Sept. 28) at No. 2. During its launch week (Sept. 13-19), the set earned 6,000 equivalent album units in the United States, with 5,000 in album sales, according to Luminate.
“We love what we do and the fans love it even more,” Stryper frontman Michael Sweet tells Billboard. “My mentality is to always outdo the last album. Whether we do or not, we’ll go into a project certainly trying our best to do just that. We’re so happy with how Kings turned out, and the Stryper army worldwide seems to agree. We are blessed!”
The new set from the four-piece unit, which formed in 1983 and is based in La Mirada, Calif., follows The Final Battle, which arrived at its No. 3 Top Christian Albums best in November 2022, and Even the Devil Believes, which in September 2020 became the band’s first No. 1. Stryper first reached the chart with The Yellow and Black Attack, which entered in November 1984 and reached No. 10 the following June.
After over 40 years together, three of the four members of Stryper are originals, including brothers Michael and Robert Sweet, along with Oz Fox. The newest rocker in the foursome is Perry Richardson, who replaced Tim Gaines in 2000. Richardson formerly played bass for country artists Trace Adkins and Craig Morgan before joining the faith-based bangers.
Adams’ Sunny Days Shines
Yolanda Adams banks her 17th top 10 on Top Gospel Albums as Sunny Days bursts in at No. 9 (1,000 units).
The set is the Houston native’s first entry on the chart since May 2011, when Becoming started at its No. 3 best. Before that, What a Wonderful Time hit No. 2 in December 2007, after The Best of Me became her fifth No. 1 that May.
Last year was a banner year for live events, with grosses from the top 100 tours up 53% from 2019, the last full year before the pandemic, according to figures reported to Billboard Boxscore. In March, Billboard and Luminate collaborated to dig deeper, and published The Shared Impact of Touring and Streaming. On Wednesday (Sept. […]
Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip.
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This week: Ryan Murphy’s new FX series about the Menendez Brothers inspires streaming gains for a heavily featured late-’80s act, dance crazes help a new viral hit by Odetari and an old one by Freak Nasty, and can you believe it’s Sept. 21 again already?
‘Menendez Story’ Drives Streaming Gains for Milli Vanilli’s Catalog
The Lyle and Erik Menendez Story – the latest installment in Ryan Murphy’s Monsters anthology series – has unsurprisingly inspired loads of controversy and discourse, but it’s also inspired some new interest in Milli Vanilli’s catalog.
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The vocal duo, best known for their three 1989 Hot 100 chart-toppers and the infamous revocation of their best new artist Grammy after being exposed for lip-syncing,also plays a key musical role in the first few episodes of Menendez Story. The opening episode features three of their biggest hits — “Girl You Know It’s True,” “Girl I’m Gonna Miss You” and “Blame It on the Rain” — even earning its title from the latter. Though the events of Menendez story take place several years after Milli Vanilli’s reign, the duo’s music is used to help set the scene and explore the two brothers’ friendship.
“Blame It On the Rain,” the most prominently featured Milli Vanilli track in the series, posted at 68% increase in streaming activity, going from 75,000 official on-demand U.S. streams during the period of Sept. 13-16 to over 125,000 streams in the four-day period following the series premiere on Netflix (Sept. 20-23). Similarly, “Girl You Know It’s True” jumped 32.5% in streaming activity to nearly 135,000 streams (Sept. 20-23). “Girl I’m Gonna Miss You” earned the biggest streaming increase out of all three tracks, exploding a whopping 258% from 28,000 streams (Sept. 13-16) to 103,000 streams (Sept. 20-23). Overall, streams for Milli Vanilli’s entire catalog leapt 114% after the release of Menendez Story, crossing 552,000 official on-demand U.S. streams during the period of Sept. 20-23. – KYLE DENIS
‘Perfect Couple,’ Perfect Synch: Nicole Kidman Helps Meghan Trainor Dance Up in Streams
The Perfect Couple, the latest bestselling book-turned streaming series starring Nicole Kidman, has been a smash hit for Netflix since premiering earlier this month — and while the mystery involves a murder taking place at a posh wedding, the opening of each episode showcases a much lighter mood than the high-stakes family drama. Kidman, along with costars like Liev Schreiber and Meghann Fahy, spend the theme performing a full-cast, choreographed dance routine on a beach, turning in slow motion and clapping as a voice sings, “Anything that feels this good / Well, it must be illegal, it must be illegal.”
That voice belongs to Meghan Trainor, whose track “Criminals” serves as the theme song for The Perfect Couple after being featured on the deluxe edition of her June album Timeless. And the streaming synch has already helped “Criminals” triple up in streams compared to its pre-Perfect Couple numbers: after earning 263,000 U.S. on-demand streams the week prior to the show’s Sept. 5 premiere, according to Luminate, the song earned 972,000 streams during the week ending Sept. 19, along with 2,400 in weekly digital sales.
While “Criminals” has yet to hit the Hot 100, the song’s rise is arriving at an enjoyable moment for Trainor, who’s celebrating the 10-year anniversary of “All About That Bass,” and performing at New York’s Madison Square Garden tonight. – JASON LIPSHUTZ
Fraternity Rush Season Revives Freak Nasty’s “Da’ Dip”
It’s still early in the school year, which means that rush season is in full effect. In a natural progression of the undergraduate fraternity rush process, many pledges now document their journeys to brotherhood on TikTok. Part of that process now includes filming adorably dorky TikTok dance trends – including the latest viral choreography to Freak Nasty’s 1997 smash “Da’ Dip.”
The dominant choreography template was originated by user @varsnikk earlier this year (Aug. 14), but as is the case with most TikTok dance trends, the moves have become more simplified as the trend became more viral. That original clip boasts over 700,000 views, while the official “Da’ Dip” TikTok sound now plays in nearly 350,000 posts. Several major stars have hopped on the trend – including Matthew Morrison and Ice Spice – but the recent uptick in engagement has been spurred in large part by “#pledgetok” videos. Essentially, pledges (prospective members of a fraternity) execute the dance trend while commenters around the world cheer on their awkward moves and laud their favorite “divas.” Normally, the young men are dressed in some combination of a navy sports jacket and khakis, and they execute the dance with fellow members of their pledge class.
According to Luminate, “Da’ Dip” earned over 320,000 official on-demand U.S. streams during the week of Sept. 13-19. That marks a 95% increase in streaming activity from three weeks prior (Aug. 23-29), when the beloved Miami bass track pulled in just over 165,000 streams. “Da’ Dip” has ballooned in streams for each of the past few weeks, helping the track notch a No. 16 debut on the Billboard TikTok Top 50 (chart dated Sept. 21). Should “Da’ Dip” continue its streaming revival, Freak Nasty could add a few more chart accolades to the No. 15 Hot 100 peak the track earned back in 1997. – KD
Numbers Going Strong: Odetari Manages to ‘Keep Up’ Momentum With New Viral Hit
In January, Billboard Dance editor Katie Bain wrote a digital cover story about Odetari (along with frequent collaborator 6arelyhuman) asking if they were the future of dance music; eight months later, the former is providing further evidence that he just might be. His adrenalized new single “Keep Up” – which sounds like the perfect gamer soundtrack, down to its verses even lifting a bit of the melody from the classic Sonic the Hedgehog Green Hill Zone theme – has been steadily taking off since its July release.
Sonic edits have actually played a big part in the song’s viral success on TikTok – including a couple posted by the producer himself – to the point where a Change.org petition to get the song included in the third Sonic the Hedgehog movie is just a few hundred signatures away from its 5,000 goal. An associated dance has also played a major part in the song’s social media proliferation, with the song’s rapid pace making it a particular degree-of-difficulty challenge.
It’s all added up to help “Keep Up” increase by millions of streams over the past few weeks. The song racked up 4.2 million official on-demand U.S. streams for the week ending Sept. 19, which is up 91% from where it was three weeks earlier, according to Luminate. It’s already on No. 21 on the Bubbling Under chart – so if it keeps it up, Odetari might not be too far away from his first-ever Hot 100 hit. – ANDREW UNTERBERGER
Season’s Gainings: “September,” Remembered Once More
If you missed observing September Day this year, you’d probably be forgiven – it came over the weekend, and once again with no Demi Adejuyigbe celebratory viral video, with the writer/comedian having retired from his once-annual duties in 2021. But fear not, plenty still remembered the 21st night of September: Earth, Wind & Fire‘s signature 1979 smash racked up a little over 1.7 million official on-demand U.S. streams on Saturday, a 144% gain from the previous week. That is down just a little from the nearly 1.8 mil the song pulled on Sept. 21, 2023, though – so if anyone wants to pick up the torch from Adejuyigbe before the song really starts to reverse momentum and risk losing its perennial status, you’ve got a year to figure out how. – AU
Is this your card? Halsey just unveiled the latest piece of the puzzle for her upcoming album The Great Impersonator, sharing the track list with a clever video posted to the singer/songwriter’s socials Wednesday (Sept. 25). The clip shows a set of hands holding a deck of cards, deftly holding them up one by one […]
Fashion Week is taking over France, and so is a wave of Latin artists. Paris Fashion Week — running from Sept. 23 to Oct. 1 — is hosting its annual event where a number of designer brands are presenting Womenswear Spring/Summer 2025 collections. Music stars have been spotted all over during the coveted week, either […]