Music

Taylor Swift-Inspired Menu Items to Be Sold at Chiefs-Bills Playoff Game

Taylor Swift fans attending the Kansas City Chiefs-Buffalo Bills playoff game are in for a tasty treat.

The 34-year-old pop superstar is expected to attend the matchup in support of her NFL star boyfriend Travis Kelce, 34, whose Chiefs will take on the Bills at Highmark Stadium in Orchard Park, New York, on Sunday (Jan. 21).

Hungry Swifties looking for a bite to eat at the game will be pleased to find menu items inspired by the singer, provided by the Bills’ food service partner, Delaware North, People reports. The unique food options will include “Bad Blood” Waffle Fries and the “Karma” Quesadilla.

The “Bad Blood” fries are a “2-foot display of spiced waffle fries featuring each city’s culinary specialty,” according to a description from Delaware North, according to People. The “Karma” Quesadilla is billed as “chicken tenders, bacon and cilantro ranch in a triple-stacked quesadilla, topped with pork-belly chaser.”

“Our culinary team has again designed a great menu for the Divisional playoff game this weekend, with several new items for fans as they cheer on the Bills,” Andy Altomare, Delaware North’s GM at Highmark Stadium, said in a statement. “We had a lot of fun with this week’s menu — adding a few new options that celebrate this incredible rivalry with the Chiefs and their star-studded fans.”

Swift has attended numerous NFL games to cheer on her tight end beau, most recently showing off matching Chiefs jackets with Brittany Mahomes at the KC team’s game against the Miami Dolphins on Jan. 13. The “Cruel Summer” singer also spent New Year’s Eve cheering on Kelce as the Chiefs took home a victory against the Cincinnati Bengals. She was also spotted at the Chiefs’ Christmas face off against the Las Vegas Raiders.

Renée Rapp Joins Jacob Elordi in Hilarious Celebrity Lip-Reading Sketch on ‘SNL’: Watch

Reneé Rapp is taking a little break from music to brush on her lip-reading skills.

The 24-year-old Mean Girls star, who made her musical guest debut during Saturday Night Live on Jan. 20, joined host and Saltburn star Jacob Elordi in a hilarious sketch about “professional lip-readers” who attempt to decipher secret conversations between celebrity couples like Taylor Swift and Travis Kelce.

“We pick up on extremely subtle lip movements and body language to decipher exactly what someone might be saying,” Elordi explains to a pair of Entertainment Tonight hosts, played by SNL cast members Heidi Gardner and Ego Nwodim.

After Elordi and his sharply dressed parter Bowen Yang attempt — and fail — to accurately read the lips of celebs like Timothée Chalamet, Kylie Jenner and Jennifer Lawrence from recent awards ceremonies, the ET hosts skeptically question their skills.

“Our lip readings hold up in court — we’ve had people put away for life!” Elordi says defensively. Yang’s character adds, “We’ll show you. We just need assistance from our little lesbian intern Reneé.”

Rapp, dressed in a black blazer and white shirt with matching tie, steps out to inform viewers that she’s been assigned “40 hours of court-ordered media training” because she’s been “going absolutely off in every single interview lately.”

The Broadway vet proceeds to show off her lip-reading skills by reading the lips of attorny Kristin VanOrman and Gwyneth Paltrow from the actress’ 2023 ski collision trial.

Watch the “Entertainment Tonight Lip-Readers” SNL sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.



Renée Rapp Introduced by Rachel McAdams, Performs ‘Mean Girls’ Song With Megan Thee Stallion on ‘SNL’: Watch

Renée Rapp‘s Saturday Night Live debut was full of surprises.

The 24-year-old singer and actress, who reprises her Broadway role as Regina George in the new box office-topping Mean Girls movie musical, showed off her powerful pipes and threw in some unexpected moments while appearing as musical guest during the iconic sketch comedy show’s first episode of 2024 on Jan. 20.

With an introduction from SNL host and Saltburn star Jacob Elordi, Rapp opened with a memorable delivery of “Snow Angel,” the title track from her 2023 debut album, which peaked at No. 44 on the Billboard 200. Sporting a white corset with a matching blazer and dress, she opened the musical number by impressively singing while lying flat on her back. She eventually rose up and finished the powerful track with the aid of a full backing band.

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Later in the show, Rapp returned with a surprise intro from Rachel McAdams, who played Regina George in the original Mean Girls from 2004. The singer then launched into an upbeat performance of “Not My Fault,” her collaboration with Megan Thee Stallion, which appears on the soundtrack of the new Mean Girls movie musical adaptation. Halfway through, the superstar rapper made a cameo from a large-sized pink cake in the middle of the stage.

Earlier in the week, Rapp was announced as a performer at this year’s Coachella, billed just under headliners Lana Del Rey, Tyler, the Creator and Doja Cat.

Elordi’s SNL hosting gig, meanwhile, follows his starring turns in Sofia Coppola’s Priscilla and Emerald Fennell’s Saltburn, which recently earned him a pair of BAFTA Film Award nods for best actor in a supporting role and rising star.

Next up, Justin Timberlake will make his SNL return on Jan. 27. He’ll be the musical guest for the fifth time as a solo artist. Dakota Johnson will be returning to host that evening for a second time.

Watch Rapp’s SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.


https://youtube.com/watch?v=h_9kjzTwkos&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent


https://youtube.com/watch?v=vSEuUelaaks&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Marlena Shaw, ‘California Soul’ Singer, Dies at 81

Marlena Shaw, the jazz and soul singer best known for her 1969 recording of “California Soul,” has died. She was 81.

Shaw’s daughter, Marla Bradshaw, confirmed her death in a video posted on Facebook on Friday (Jan. 19).

“It’s with a very heavy heart that for myself and our family, I announce that our beloved mother, your beloved icon and artist, Marlena Shaw, has passed away today at 12:03,” she said.

“She was peaceful,” she continued. “We were at peace. I know that you just saw posts of [a] birthday celebration just as soon as yesterday, and my twin sister and I were very grateful — and our family — that she was here in celebration for that.”

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No cause of death was given at the time of publication.

“Right now, she’s at peace. She’s in Heaven. I do know that,” Shaw’s daughter added. She shared that “she went listening to some of her favorite songs.”

Born on Sept. 22, 1939, as Marlina Burgess in New Rochelle, New York, the singer has said her uncle Jimmy Burgess got her into music. Burgess was a jazz trumpet player.

Shaw (which became her stage name) is known for her release of “California Soul,” which was written by Ashford & Simpson and made available in 1969 under Cadet Records, a subsidiary of Chess Records. There, she released the albums Out of Different Bags (1967) and The Spice of Life (1969), the latter of which featured the oft-sampled songs “California Soul” and “Woman of the Ghetto.”

“California Soul” has been sampled by a number of artists, including Gang Starr and Stereo MC, and Diplo released a remix of the song in 2008. The track has also been licensed for use in several commercials, including ads for Dodge, KFC and Dockers.

“I think it’s great,” she said in a 2009 interview of hearing her music sampled. “I really do. Number one, I love the surprise of it and like to hear what somebody else’s idea is.”

“But this kinda makes me feel like I’m the sun, you know, and I shine on all kinds of things,” she added with a laugh.

Shaw also released several recordings under Blue Note Records, and music on labels including Columbia and Verve. Verve shared in a statement, “We are saddened by the passing of Marlena Shaw, a wonderful singer whose ‘California Soul’ is as popular today as it ever was and whose album It Is Love: Recorded Live at Vine St. helped relaunch the Verve label in 1987.”

Shaw has said that performing live “has been my saving grace.” She explained, “I really consistently worked live. All kinds of venues, the big bands, the small bands — because I love it.”

The singer’s family has shared an address for those who wish to send condolences:

Ms. Marlena Shaw & Family
P.O. Box 335774
N. Las Vegas, NV 89033



Mary Weiss, Lead Singer of The Shangri-Las, Dies at 75

Mary Weiss, the lead vocalist of The Shangri-Las — the 1960s pop girl group behind the No. 1 hit “Leader of the Pack” — has died. She was 75.

A representative for Weiss’ record label, Norton Records, confirmed the news of her death to The Hollywood Reporter on Saturday (Jan. 20). Norton released Weiss’ only solo album, Dangerous Game, in 2007.

No cause of death has been reported.

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“I think you’re born with music in you,” Weiss said at a Rock and Roll Hall of Fame and Museum event in 2007. “I sang from the time I could speak. I was always into music, always. My brother was a lot older than me and had an extensive record collection, and I listened to everything.”

In sixth grade, Weiss saw The Everly Brothers perform at a theme park and was inspired by their harmonies. “I always thought they were so underrated as far as what they provided for music and harmony,” she said.

With her older sister Elizabeth “Betty” Weiss, and friends Marguerite “Marge” and Mary Ann Ganser, twins whom the Weiss sisters met in grammar school, the group got together in the Cambria Heights neighborhood of Queens, New York. “We used to sing harmony on the street corner, in bathrooms, in tunnels — Central Park has some great tunnels if you want to sing harmony — and that’s pretty much how we started,” Weiss said during her interview with the Rock and Roll Hall of Fame and Museum. Together they performed at local talent shows and school events, being too young to appear in clubs.

In 1964, when Weiss was just 14, the group met producer and songwriter George “Shadow” Morton. Working with him, they broke through with their recording of “Remember (Walking in the Sand),” released in 1964 via Red Bird Records, followed by singles like the chart-topping “Leader of the Pack” and “Give Him a Great Big Kiss” the same year, and “I Can Never Go Home Anymore” in 1965.

As Weiss was a minor, her mother signed her contracts. The group released only two studio albums before shifting to Mercury Records and disbanding in 1968 amid litigation.

In 2007, Weiss recalled of the group’s busy years in the mid-’60s, “My entire life was a whirlwind … For four or five years, I would go to sleep and not remember what state I was in when I woke up because I would do a TV show in the morning and a radio thing in the afternoon, and be on a plane and be some place else. That was my life.”

“Initially, I loved the music. I didn’t like a lot of the things that came with it. I think it was very, very hard in 1964 to be a woman in the music business,” she said.

Weiss admitted that her “tough image kept a lot of people away, which was really important for survival.”

“It was very difficult back then because I truly believe that a lot of men were considered ‘artists’ whether or not other people wrote for them. Women were considered products,” Weiss explained. “I always found that difficult to accept.”

The Shangri-Las shared concert bills with The Beatles, The Rolling Stones, James Brown and more famed acts. Weiss recalled the time Brown booked the group for a show in Texas in a 2007 interview with Rolling Stone, saying, “When I walked out onstage, I thought he was going to have a coronary. He didn’t realize I was white.”

The Rock and Roll Hall of Fame honored “Leader of the Pack” in its singles category in 2019.

After her time performing with The Shangri-Las, Weiss went on to pursue a career as a commercial interior designer and consultant in New York City.

Weiss is survived by her husband, Ed, and sister, Liz, who is the last living member of The Shangri-Las.



Zayn Malik Checks in After His Foot Was Apparently Run Over at Paris Fashion Week

Zayn Malik appeared to have an unfortunate run-in with a car while making his way through a swarming crowd at Paris Fashion Week.

The former One Direction singer — who was attending Kenzo’s Fall/Winter 2024-2025 menswear show, which can be viewed in full here — was filmed and photographed being escorted through a large gathering of people on Friday (Jan. 19). Fans noticed in one clip posted on social media that as Zayn walked alongside bodyguards, it appeared that his foot possibly got caught by a car driving by.

“Whoa, be careful! Be careful!” someone can be heard saying in the clip circulating online. Zayn only momentarily paused, then kept on walking.

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On Saturday, Zayn checked in with fans and shared a few new photos from Paris on Instagram.

“@kenzo @nigo Thanks for a great show!” he wrote, adding: “My foot is fine !! Thanks to my incredibly well made shoes.”

Zayn ended his comment with a crying-laughing emoji and a thumbs up.

In a three-picture gallery, Zayn offered a side-profile selfie, a snapshot from inside the Kenzo show and a closeup of his right foot, the foot in question.

Zayn’s white Kenzo sneaker wasn’t as pristine as it probably was at the start of the night. The right side of the shoe was covered in dark skid marks. Fortunately, his footwear apparently protected him from injury.

The Kenzo show took place at France’s Bibliothèque Nationale Richelieu Friday night. Zayn was also spotted interacting kindly with fans, posing for several selfies with them.

The solo star recently joined a remake of “Tu Hai Kahan,” the 2023 hit from Pakistani trio AUR. The song was re-released on Friday (Jan. 12) and featured additional Urdu-language vocals from Zayn on the chorus.

The release came from U.S.-based D36 & Sony Music Entertainment, Middle East. It’s Zayn’s first new music since last summer’s “Love Like This.”

See the incident and Zayn’s post from Paris below. The third image shows his slightly damaged shoe.

Justin Timberlake Unveils New Song ‘Selfish’ at Memphis Concert & Drops ‘Everything I Thought It Was’ Album Trailer

At a concert in his hometown of Memphis on Friday night (Jan. 19), Justin Timberlake live-debuted the new song “Selfish” — his first new solo material since his fifth studio album, 2018’s Man of the Woods.

“So if I get jealous, I can’t help it/ I want every bit of you, I guess I’m selfish,” JT sings on the silky-smooth R&B track (listen to a snippet in the TikTok video below). “It’s bad for my mental, but I can’t fight it.”

And that’s not all: Also on Friday night, Timberlake unveiled a trailer for his sixth album along with the project’s official title: Everything I Thought It Was. This comes after the pop star’s Instagram teaser on Wednesday was captioned “EITIW,” leading fans on an Easter egg hunt to decode the acronym.

The album trailer has a sort of Wes Anderson, Asteroid City vibe about it, with a model car driving toward a desert gas station. It also has an A-list narrator in Benicio Del Toro.

“What do we have here?” Del Toro says as the video opens. “Ooh, that’s a nice car! Wait, it’s a model. Did that say JT? OK, that sunset is definitely not real. Oh, there’s Justin! Why won’t he turn around? What the f— is he staring at?”

The trailer — which you can watch below — ends with yellow words against a black screen that read: “Justin Timberlake Presents: Everything I Thought It Was.”



A series of clues had hinted at new Timberlake solo music, starting with the star wiping his Instagram clean in early January. In addition to the mid-week Instagram teaser, Timberlake was also announced as a guest on The Tonight Show Starring Jimmy Fallon on Thursday next week and the musical guest on Saturday Night Live (alongside host Dakota Johnson) on Jan. 27. While we don’t have an official release date for “Selfish” yet, you can pre-save the song on Spotify now.

In September, Timberlake reunited with *NSYNC to release “Better Place” for the Trolls Band Together soundtrack, marking the group’s first musical release since 2002 (when the Neptunes remix of “Girlfriend,” featuring Nelly, arrived). That same month, Timberlake reunited with longtime collaborators Timbaland and Nelly Furtado on the song “Keep Going Up!”

Julia Michaels Talks ‘Surreal’ Experience Writing Music for Disney’s ‘Wish’

Julia Michaels is the youngest female songwriter for a Disney film, and to celebrate, the artist sat down with Billboard’s Rania Aniftos to discuss the process of making the film.

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“It was such an honor. I grew up watching Disney and listening to Disney,” she said of working on the project, before adding, “The first time I saw Wish as a movie with all the songs in it, I was like, oh my gosh, this is going to live longer than me. This exists now and there’s going to be littles all over the world that are going to feel connected to these songs and they’re going to grow up with these songs like I grew up with my Disney songs. Wrapping my head around that has been so deeply surreal.”

As for what her younger self would think of her accomplishments as a songwriter, artist and beyond, Michaels noted, “Little me wouldn’t even understand that. I come from a very chaotic, broken family. I didn’t come from money. I didn’t come from anything.”

Lastly, the star teased working on music in the upcoming year. “I’ve been writing with a lot of people again, which has been really good for the soul,” she noted.

Watch Billboard’s full interview above.

Trace Adkins Defends Morgan Wallen & Jason Aldean Against ‘Grievance Junkies’ on Bill Maher Podcast: ‘They’re Not Racist’

Trace Adkins appeared on Bill Maher’s Club Random podcast this week for a wide-ranging interview, one in which the four-time Billboard Country Airplay chart-topper offered up his opinions on topics including music, how his voice has improved over the years, his smoking habit, his past struggles with drinking, Elvis Presley’s death and his desire to make an album of classic “crooner” songs made famous by artists such as Frank Sinatra.

Louisiana native Adkins, who has never been shy about offering his views on hot topics and who previously released the 2007 book A Personal Stand: Observations and Opinions from a Freethinking Roughneck, also gave his perspectives on the backlash Morgan Wallen and Jason Aldean both faced in recent years. Maher brought up the controversy that surrounded Aldean’s song “Try That in a Small Town” and its music video, which included scenes filmed at Tennessee’s Maury County Courthouse, where a Black man named Henry Choate was lynched in 1927.

Maher said Aldean likely did not know the history of the music video location when filming the video there.

“He had no idea,” Adkins agreed, later adding, “The grievance junkies turn on somebody and they try to cancel them, and all it’s going to do, he’s going to sell more records than he ever has and it’s going to make him bigger than he’s ever been. … He had no idea, man. Do you know how many music videos I’ve done that I’ve called up the director and went, ‘Hey, man, now what about this location where we’re shooting this thing?’ And if I did do that, it’s only because I didn’t know where I was going. He [Aldean] had no idea. That director picked that location because it had the look they wanted. It was just a small-town courthouse, that’s all it was. And it happened to be close.”

Maher also brought up Wallen, who garnered backlash after he was filmed using a racial slur outside his Nashville home in 2021. Though Wallen was dropped by his booking agency at the time and briefly suspended from his label and had his music pulled from radio and streaming platforms, he has since seen his music dominate music charts and his tours swell from arenas to stadium dates.

“He sold out two nights in a row, 55,000-plus tickets each night,” Adkins said. “God…cancel me,” he added with a laugh. When Maher stated that he didn’t feel that either Wallen nor Aldean was racist, Adkins answered, “I’ve been around both of those guys. They’re good guys. There’s no… they’re not racist.”

Earlier in the conversation, Adkins also recalled that his mother beat COVID “three times, and she’s 81. … The first time she got it was pretty rough, but then the next two times it wasn’t very bad. She had built up a natural immunity, I suppose.”

Adkins noted that he got COVID-19 twice, but added that he did receive the COVID-19 vaccine.

“So you didn’t think the vaccine had a chip in it to track you?” Maher asked, addressing a conspiracy theory, with Adkins replying, “You know what? I just, I don’t buy all of that crap, you know? I’m like, give me a vaccine for everything that you’ve got one for. I’ll take them. I’m not scared of that. … I don’t think they’re trying to put something in the vaccines to control us.”

Adkins also noted his love of comedy and his respect for comedians, given that that each night, a comedian’s success or failure onstage relies solely on themselves.

“I’ve got such respect for what you guys do, because you’re working without a net. I’ve got those five or six guys standing up there onstage with me. I got my gang, I got my muscle. You don’t like what I’m doing? You’re gonna have to deal with these guys. But you’re up there by yourself. I’ve got just crazy respect for what you guys do.”

Watch the full podcast interview below:



Celebrating Saudi Creativity: Swizz Beatz on His Deep Connection to the Kingdom

Billboard Arabia sat down for an exclusive one-on-one with Grammy-winning producer, rapper, songwriter and DJ Kasseem Daoud Dean — known professionally as Swizz Beatz — for an interview about his work in Saudi Arabia. These days, the 45-year-old musician-turned-businessman spends his time hyping up one place in particular, and that’s the Kingdom of Saudi Arabia.

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“Why Saudi?” seems to be the question on everyone’s mind. “Why not Saudi?” Swizz Beatz answers assertively. “It’s so amazing and has so much heritage.” Speaking with the same passion you would find in locals of Jeddah and Riyadh arguing over which city they think is cooler, Swizz Beatz’s advocacy for Saudi creativity runs deep and started way before the kingdom decided to leverage celebrity influence as part of its global tourism campaign.

“It’s amazing to see where everything is going, from when I started coming to Saudi, to what I see today,” explains Swizz Beatz, who has been visiting the country since 2006 and supporting its talents even before that, such as in early 2000, when he crossed paths with a young kid from Jeddah who had big dreams of rapping about his homeland internationally.

“Skinny was the first Saudi artist I produced. His last album, I executive produced. I got him his deal, I structured his deal, and to see him on [the MDLBEAST] stage in front of all of those people, singing those songs that we were sitting in the studio with, it just shows you that Saudi is not far off at all!”

In March 2022, Skinny released the bass-laden track “Saudi’s Most Wanted,” produced by Swizz Beatz, accompanied by a three-minute video set to a montage of scenes throughout the kingdom.

“I think the creative community here is thriving! I have a compilation with some local artists called MOYA, including Jeed, Shaolin and Ntitled. All of those guys are family to me. When I came here and was listening to their music and their stories, I said to myself, ‘You know what? I want to give everybody music.’” A few months later, those same artists debuted at the region’s biggest music festival, Soundstorm.

Having worked with legends such as DMX, Jay-Z, Kanye West, Drake, Mary J. Blige and his wife, Grammy-winning singer/songwriter Alicia Keys, Swizz Beatz has always had an eye for creative talent. Much like an unofficial brand ambassador for the kingdom, Swizz Beatz can often be seen publicly commenting on his celebrity friends’ Instagram posts with Saudi flag and red heart emojis. “I’ve been telling them for years! I’ve been saying, ‘You have to come to AlUla! You have to see the development of The Line and NEOM. Go visit JAX!’” In the time since, Saudi Arabia has continued to boom with artists visiting through performance opportunities, or on their own accord. In the 2023 edition of Soundstorm, major headliners from the global hip-hop community came through including Will Smith, 50 Cent and Travis Scott, to name a few.

“See, I’m kind of biased about Saudi. For me, it’s like being home. It’s like asking me about my own home when you speak about Saudi. I feel like it’s going to be the number one place in the world, period. Especially when you look at all the new places being built, the energy the region has in general.

“I just recently went to the Noor Festival [in Riyadh] and there were a lot of amazing artists in that particular show,” he says. “There’s Ahmed Mater, who is a great friend.”

An avid collector of art, Swizz Beatz admits he’s constantly inspired by the many talents he meets in the kingdom. “I’m getting them [Saudi artists] into my museum show in New York at the Brooklyn Museum. That’s coming soon insha’Allah, so their work can be seen abroad as well. But the art scene [in Saudi] is super booming. There’s a lot of talent here on all sides of art — fashion, music and visual photography. To see all of these doors open has been amazing to watch.”

Swizz Beatz is much more than a spectator. His latest endeavor, the new headquarters of his Riyadh-based company, Good Intentions, is less office space and more incubator-like venue that can easily be transformed into an interchangeable setting, ideal for all facets of creativity.

“I’ve seen so many styles in Saudi already now. It’s not just one particular style,” he explains. Swizz Beatz admits Saudi is a melting pot of influences and aesthetics, and exporting its culture is just as important as the country opening up to the rest of the world.

When closing out the interview, Swizz Beatz gave a final testament to his excitement about the progress in Saudi, stating, “The thing that I like is that everybody’s in their own vibe and everybody’s supporting each other.”