Music

Ed Sheeran Speaks Punjabi on New Song ‘Sapphire,’ His ‘Favorite’ Track on Upcoming Album ‘Play’

Ed Sheeran‘s love for India sparkles on his new song “Sapphire,” which dropped alongside an adventurous music video Thursday (June 5).

On the effervescent dance track, the British pop star mixes percussion elements of traditional Indian music with his signature absurdly catchy melodies, singing about never wanting to stop dancing with a lover whose aura shimmers just like the blue diamond for which the song is named.

“We are surrounded but I can only see/ The lights, your face, your eyes/ Exploding like fireworks in the sky,” Sheeran sings on the song.

Adding flair to the recording are vocals and sitar provided by Indian artist Arijit Singh, who also appears with the four-time Grammy winner in the “Sapphire” music video. Filmed across various locations in India during Sheeran’s tour through the country earlier this year, the visual keeps the English musician in the center of the frame as he walks through bustling streets, explores beaches, visits tourist spots, hangs out with locals and sings with a team of youth soccer players.

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His companion in those sites is often Singh, with whom Sheeran sings in Punjabi, “ਚਮ-ਚਮ ਚਮਕੇ ਸਿਤਾਰੇ ਵਰਗੀ” — which translates to “They sparkle just like stars,” according to YouTube’s captions.

“‘Sapphire’ was the first song I finished for Play that made me know where the album was heading,” wrote the “A Team” singer in a statement, referring to his September-slated LP. “It’s why I finished the recording process in Goa surrounded by some of the best musicians in India.”

“The final jigsaw piece for me was getting Arijit on the record,” he continued. “Me and him have done a full Punjabi version of the song that will come out in the next few weeks, which has a lot more of him on it. This is the album version of the song, and my favorite song on the album. Hope you guys love it.”

“Sapphire” follows previous Play singles “Azizam” and “Old Phone,” the latter of which dropped at the beginning of May. Arriving Sept. 12, the new album will serve as the first in Sheeran’s next series of LPs, marking a departure from his yearslong mathematics-themed saga.

“Play was an album that was made as a direct response to the darkest period of my life,” he recently wrote on Instagram. “Coming out of all of that I just wanted to create joy and technicolor, and explore cultures in the countries I was touring. It’s a real rollercoaster of emotions from start to finish, it encapsulates everything that I love about music, and the fun in it, but also where I am in life as a human, a partner, a father.”

Watch the “Sapphire” music video above.

aespa Shares Lava-Hot Teaser for New Single ‘Dirty Work’

aespa unleashed a molten teaser for their upcoming single “Dirty Work” on Wednesday (June 4).

The 28-second clip keeps the actual sound of the song a secret until its release on June 27 at midnight EST/1 p.m. KST, but its animation promises that fans can expect whatever the K-pop girl group is cooking up with their new release will be red-hot.

The video opens with a pile of metallic objects — chains, gears, cogs and other chunks of chrome — spontaneously beginning to glow with heat before melting down into a golden liquid. The molten mass then pours downwards to reveal the title of the single, hardening into a glinting ornate script made of diamonds and lined in gold.

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According to a release, the single album for “Dirty Work” will include both English-language and instrumental versions on top of the original title track. To precipitate the release, aespa have also revamped their official website with a landing page featuring the song’s logo.

“Dirty Work” will mark aespa’s first single since the quartet were honored as Group of the Year at Billboard Women in Music 2025. During the March 31 ceremony, the idols performed their 2024 hit “Whiplash,” which became their first top ten entry on the Billboard Global 200 when it peaked at No. 8 on the chart dated Nov. 9, 2024.

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Later this summer, aespa are set to hit the stage at KCON LA2025 along with fellow K-pop superstars like NCT 127, RIIZE, KISS OF LIFE, MEOVV, NOWADAYS, MONSTA X, KEY, HWASA, YUQI and CHOIHOJUNG, the recent winner the Mnet dance competition STAGE FIGHTER.

Check out aespa’s metallic “Dirty Work” teaser below.

May Reggae/Dancehall Fresh Picks of the Month: Bayka, Asa Bantan, Original Koffee, DJ Cheem & More

After several false starts, summer finally seems to have settled in. That means music festivals, various carnival celebrations, and the search for a song of the summer are in full effect.

May featured album releases from dancehall stars like Valiant (Prove Them Wrong) and Ding Dong (From Ding Dong to World Ding), but the month’s buzziest news story arrived in its very last weekend. Vybz Kartel, who recently announced his first world tour in over 20 years, and Moliy, whose global Afro-dancehall smash “Shake It to the Max” recently entered the Billboard Hot 100, were both set to play Trinidad’s One Caribbean Music Festival on May 31. However, due to “non-fullfilment of contractual obligations,” as per Kartel’s management, the King of Dancehall pulled out of the festival just hours before he was set to hit the stage. According to Kartel’s team, the dancehall titan did not receive his full payment before the festival took place.

“Vybz Kartel was formally contracted to perform at [One Caribbean Music Festival] 2025 for a total sum of $1.35 million. To date, $950,000 has been paid directly to the [artist], while an additional $150,000 was disbursed to his legal representative,” the promoter explained. “The remaining balance due was made available in full; however, due to legal and financial regulations in Trinidad and Tobago, the organisers were unable to disburse the final amount in cash.”

As for Moliy, the Ghanaian-American singer pulled out of the event, citing the promoter’s failures to meet “key contractual obligations.”

“Moliy arrived in Trinidad ready and excited to perform, but since landing, her team has not received any communication from the festival organizers,” her management team explained in a press release. “Combined with their failure to meet key contractual obligations, this has made it impossible for the performance to proceed.”

Nonetheless, One Caribbean Music Festival continued as planned, with performances from artists such as Chronic Law, Rvssian and Sizzla Kalonji.

Outside of that festival kerfuffle, Caribbean artists are enjoying a particularly notable moment in the live entertainment space. Beenie Man headlined a blockbuster show at Long Island’s UBS Arena on May 24, and Bounty Killer will headline Brooklyn’s Barclays Center next month (July 5), underscoring Caribbean music’s transition to arena-headlining status in the 2020s.

Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:

Disclosure Will Launch Their Next North American Tour This Fall: See the Dates

Disclosure will perform a run of North American live shows this fall, the duo announced Thursday (June 5.)

The newly announced shows piggyback a run of previously announced DJ sets from the Lawrence brothers. The newly announced shows include dates at both indoor and outdoor venues, including Forest Hills in New York, the Santa Barbara Bowl and the Greek Theatre in Berkeley, Calif.

The run also includes festival sets at Nescafé Vaivén Festival in Mexico City, Oregon’s Cascade Equinox Festival and southern Nevada’s RISE Festival, which is relaunching in October after a few fallow years.

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Disclosure will be supported on the fall tour by Fcukers, Bullet Tooth and Villager. See the complete upcoming tour dates below.

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Disclosure has been quiet on the release front thus far in 2025, with their output limited to a pair of remixes by Interplanetary Criminal and Desiree of their 2024 single “King Steps.”

Check out the full list of Disclosure tour dates below:

Disclosure Tour Dates

  • June 6, Miami, FL, Club Space (DJ Set)
  • June 7, Charleston, SC, High Tide Festival (DJ Set)
  • June 12, Ogden, UT, Ogden Amphitheatre (DJ Set)
  • June 13, Denver, CO, Reelworks (DJ Set)
  • June 21, Rothbury, MI, Electric Forest (DJ Set)
  • June 22, Ottawa, ON, Escapade Music Festival, (DJ Set)
  • June 27, Chicago, IL, All of Us Festival, (DJ Set)
  • June 28, Toronto, ON, Electric Island, (DJ Set)
  • July 4, Calgary, AB, Badlands Festival, (DJ Set)
  • July 5, Surrey, CA, FVDED in the Park (DJ Set)
  • September 19, Seattle, WA, WAMU Theater (Live)
  • September 21   Redmond, OR Cascade Equinox Festival
  • September 23, Santa Barbara, CA, Santa Barbara Bowl (Live)
  • September 25, San Diego, CA, The Rady Shell at Jacobs Park (Live)
  • September 27, Berkeley, CA, The Greek Theatre (Live)
  • September 28,   Stanford, CA, Frost Amphitheater (Live)
  • October 2, Houston, TX, Bayou Music Center (Live)
  • October 4, Jean, NV, RISE Festival
  • October 7,  Dallas, TX, South Side Ballroom (Live)
  • October 11, Mexico City, MX, Nescafé Vaivén Festival (Live)
  • October 15, Boston, MA, Roadrunner (Live)
  • October 17, Washington, DC, The Anthem (Live)
  • October 18, Forest Hills, NY, Forest Hills Stadium (Live)

Timbaland Announces New AI Entertainment Company, Reveals TaTa As First Artist

Timbaland has launched his own AI entertainment company called Stage Zero and its first signee is the artist TaTa.

Co-founded with Rocky Mudaliar and Zayd Portillo, Stage Zero’s first signee is an AI pop artist called TaTa, driven by Suno AI. The pop artist, along with a bevy of AI-driven creative tools will all be under Timbo’s new company. The Grammy-award winning producer will be handling the majority of the production for this new artificial intelligence venture, which he dubbed as a new genre entirely called “A-Pop.”

“I’m not just producing tracks anymore,” Timbaland said in a statement. “I’m producing systems, stories, and stars from scratch. [TaTa] is not an avatar. She is not a character. TaTa is a living, learning, autonomous music artist built with AI. TaTa is the start of something bigger. She’s the first artist of a new generation. A-Pop is the next cultural evolution, and TaTa is its first icon.”

Mudaliar added, “The artists of tomorrow won’t just be human, they’ll be IP, code and robotics that are fully autonomous. That’s what we’re building at Stage Zero.”

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Timbaland has remained a prevalent advocate for AI in music. In an April interview with Billboard, Timbo said AI is in an exciting new place compared to where it was just a few years ago.

“The technology of today is perfect for what this is,” Timbaland told Billboard. “What used to take me three months only takes me two days. In the beginning, it was like a toy. It was like going to a toy store. You gotta go through gluttony, because you can’t believe that it’s here.”

Here’s Our Dream Setlist for Nine Inch Nails’ Peel It Back Tour

Hey, pigs! All of our dreams practically came true when Nine Inch Nails announced in January that the band was hitting the road for the Peel It Back world tour in 2025. (“Practically,” because some of us are still awaiting that new album announcement.)

It didn’t take long after the news arrived for fans to start speculating as to who might open for the Grammy-winning band, who hasn’t released a proper NIN album since March 2020’s surprise drops of the instrumentals Ghosts V: Together and Ghosts VI: Locusts — and going farther back, to 2018’s Bad Witch, if we’re talking music with lyrics. Potential openers that were floated on forums such as Reddit have ranged from the industrial (Health, Youth Code) to synth-pop(Gary Numan) to dance/electronic (Boy Harsher). But it was electro-house veteran Boys Noize — Trent Reznor and Atticus Ross’ Challengers soundtrack collaborator — who NIN revealed in March had landed the coveted gig.

But what discussion of the Peel It Back Tour ahead of its June 15 launch in Dublin would be complete without a massive “Wish” list of tracks fans are hoping to hear live? With an impressive catalogue that includes 10 studio albums (plus three EPs, a live set and multiple film soundtracks) since 1989’s Pretty Hate Machine, that’s a heck of a lot of hits and fan-favorite deep cuts to consider fitting into a set.

That said, NIN might’ve offered some not-so-subtle hints about where the focus may be. After all, the critically lauded The Downward Spiral marked its 30th anniversary last year, and the name of this tour comes from the lyrics off the album’s lead single, “March of the Pigs,” so it wouldn’t be a surprise if the setlist was TDS heavy. (Perhaps the 14-track album will even be played front to back? It’s not exactly a pie-in-the-sky wish, since NIN performed the Broken EP from beginning to end at several shows during its 2018 tour, a year after the 1992 release marked its 25th anniversary.) Or maybe given Reznor’s harsh criticisms during the first Trump Administration, things will take a political bent, with a heavier-than-expected focus on 2007’s Year Zero. With the band’s penchant for regularly changing up the setlist from night to night, who knows what fans will be treated to!

But for the sake of discussion, let’s assume TDS will not be played in full. So what will make it to the stage while other worthy songs are set aside to fit into the allotted time for what could be a best-of trek? With the tour kickoff quickly approaching, nothing can stop us now from coming up with our dream setlist.

Travis Scott’s First-Ever Barcelona Performance Is Now a Streamable Concert Film

A day ahead of El Clásico, Travis Scott made his debut in Barcelona with a thrilling concert on May 10, which Spotify has now turned into a short film.

Spotify Presents: Travis Scott Live From Barcelona arrived on the streaming service’s platform on Thursday (June 5) about a month after Scott hit the Spanish stage at Parc de les Tres Xemeneies.

La Flame brought the rage to the intimate show, which saw him perform a pair of unreleased JACKBOYS 2 tracks as well as catalog staples such as “FE!N,” “Goosebumps,” “Highest in the Room,” “4×4,” “Butterfly Effect” and “SICKO MODE.”

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“This film is a piece of the energy we created in Barcelona,” Scott said in a statement. “The fans showed up for my first performance there and it was a wild, real moment. Now fans around the world can tap in and feel that same vibe.”

The 18-minute performance film will remain a Spotify exclusive until Friday (June 6) when it comes to YouTube.

Scott and Spotify have enjoyed a lucrative partnership, as they previously teamed up for the 10th anniversary show of Days Before Rodeo in August 2024 in Atlanta.

“This partnership with Travis is a perfect example of how Spotify is deepening the connection between artists and fans,” said Marc Hazan, who serves as the vice president of partnerships and marketing at Spotify, in a statement. “Bringing a global icon like Travis Scott to perform in Barcelona created a once-in-a-lifetime moment for fans on the ground — and capturing it on film, exclusively for Spotify, allows us to share that with fans around the world. It’s about offering new ways to experience video, and to feel closer to the artists they love.”

The Houston native designed Cactus Jack jerseys for Barcelona’s soccer team to wear at El Clásico, which Barce won 4-3 over rival Real Madrid on May 11. The rare jersey collaboration saw a public release and sold out within minutes.

Watch Spotify Presents: Travis Scott Live From Barcelona on Spotify.

One Direction’s ‘Night Changes’ Music Video Hits 1 Billion Views on YouTube

1D has hit 1B — again. More than a decade after its release, the music video for One Direction‘s “Night Changes” has surpassed a billion views on YouTube, marking the band’s fourth visual to reach the milestone.

Directed by Ben Winston and posted in November 2014, the “Night Changes” music video gave fans the chance to experience what it would be like to do something many of them had long dreamed of: go on a date with one (or all) of the members of the band. Shot in a first-person POV, viewers were made to feel like they were sitting down at a fancy restaurant with Zayn Malik, ice skating with Harry Styles, riding shotgun next to Louis Tomlinson, sitting by a cozy fire with Niall Horan and walking around a carnival with Liam Payne.

As the guys sing the mellow lyrics to the hit song in the video, things hilariously start to go wrong on each of their “dates.” A disgruntled ex dumps spaghetti on Malik’s head, Styles injures himself and his love interest in a misguided move on the ice, Tomlinson is pulled over and arrested by a road cop, Horan accidentally sets his sweater sleeve on fire and Payne vomits in his date’s hat after getting too dizzy on a spinning fair ride.

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“We’re only gettin’ older, baby/ And I’ve been thinking about it lately/ Does it ever drive you crazy/ Just how fast the night changes?” the quintet sings in unison as the video’s vibes quickly turn from romantic to catastrophic.

Released as a single from 1D’s fourth studio album, Four, “Night Changes” is considered a staple in the boy band’s catalog. The track reached No. 31 on the Billboard Hot 100, one of numerous top 40 hits One Direction achieved between the group’s debut in 2010 and dissolution in 2016.

Following Payne’s death last October, many of the guys’ songs experienced a streaming boost as grieving Directioners revisited their discography while processing the news — but “Night Changes” was the song fans flocked to the most. The track’s playback saw a 416% increase in the days that followed the “Strip That Down” singer’s fatal fall from a hotel balcony in Buenos Aires, re-entering both the Billboard Global Excl. U.S. chart at No. 95 and the Billboard Global 200 at No. 117.

Add your view to more than a billion others by watching the “Night Changes” music video above.

Billboard’s Country Power Players Event Honors Little Big Town, Goldenvoice’s Stacy Vee

It’s not every day that a roomful of music industry executives keeps quiet during a party.

But Billboard’s annual Country Power Players Party celebrating the leaders in the genre, hosted June 4 at Category 10 in Downtown Nashville at Category 10, yielded respectful silence as a series of emotional moments highlighted the importance of health initiatives in the business.

Music Health Alliance founder Tatum Allsep challenged the industry to help financially in meeting the increasing mental health needs of the creative community as she accepted the Impact award from Brothers OsborneBillboard country chart manager Jim Asker announced plans to step down from his position on Aug. 15, citing health issues, as Christian artist Lauren Daigle presented him with a farewell commemorative Billboard cover. And Little Big Town applied precision harmony to the poignant “Rich Man” as the band picked up the inaugural Ben Vaughn Song Champion award from songwriter Liz Rose (“Girl Crush,” “You Belong With Me”). The Song Champion hardware is named for the former Warner Music Nashville president/CEO, who died in January at only 49.

Vaughn “has left an indelible mark on our hearts,” LBT’s Karen Fairchild said, acknowledging his daughter, who attended the event. “I don’t feel at all worthy to talk about your dad, other than to just say that we miss him, and I know you do, and we’re here for you. You have a community of people here that will stand by you forever. All you do is just reach out and you tell us what you need, because that’s what your dad always did for us.”

Following a welcome by Melinda Newman, Billboard‘s executive editor of West Coast and Nashville, rising country artist Reyna Roberts hosted the Power Players Party, which included a surprise appearance by Garth Brooks, who handed the prestigious country executive of the year trophy to AEG/Goldenvoice executive vp Stacy Vee, recognizing her contributions to the high-profile Stagecoach Country Music Festival in Indio, Calif.

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Brooks portrayed Vee as an underdog in a male-dominated industry.

“In this business, like so many businesses, a female needs to work 1000 times harder than a male to get a tenth as much as the male gets,” Brooks said. “That’s just how it always has been. The blessing on that – I think that’s what makes Dolly Parton, Dolly Parton. I think that’s what – and I was firsthand watching this – makes Reba McEntire, Reba McEntire. You can’t outwork her, right? I’m married to one of the greatest singers of any format (Trisha Yearwood). I watch her every day work 1000 times harder than me to get a 10th as much as they give me. So with that, I think that kind of describes Stacy.”

BigXThaPlug scored the Innovator award, presented by Shaboozey just weeks after topping the Hot Country Songs chart dated April 19 with “All The Way,” a rap-and-country hybrid featuring guest Bailey Zimmerman from his forthcoming collaborations project.

“X is someone who didn’t just break the mold,” Shaboozey enthused. “He melted it down and made it his own.”

Ella Langley snagged the trailblazer award, presented by Lainey Wilson, while Riley Green – who collaborated on Langley’s “you look like you love me” – was handed the groundbreaker award by Ronnie Dunn, one-half of the duo Brooks & Dunn.

“Any wisdom that has been passed along to me from the women in the business, I’ve tried to share it with Ella, and Ella seems like she’s all ears,” Wilson told the crowd. “She wants to listen. She wants to know more and do more and be more, and that’s what makes her just a superstar. I’m proud of Ella, not just for being the trailblazing artist that she is, but for the heart that she’s got to go with it.”

Asker announced his intention to pass the torch on the influential Billboard country chart position while recounting challenges he’s faced as a stage IV non-Hodgkins cancer survivor.

“They didn’t think I’d make it through the first two weeks in the hospital,” Asker recalled.

He beat those odds and subsequently ran 15 26.2-mile marathons, raising money for the Leukemia & Lymphoma Society. He expects to continue teaching writing classes at Columbia State Community College in Tennessee, and to study for another degree.

Music Health Alliance, meanwhile, has made assisting cancer patients and other members of the music community its non-profit mission. In the 12 years since its inception, the organization has reportedly benefited more than 32,000 people and saved the industry more than $145 million in health care costs. That’s particularly noteworthy; the majority of music-industry workers are independently contracted and historically face greater difficulty accessing insurance than corporate-employed staff.

T.J. Osborne hailed Allsep as “Nashville’s very own Mother Teresa.” Allsep, in turn, sought to motivate the movers and shakers in the room to step up their game in an increasingly difficult emotional period.

“In the last few months, MHA has seen a 250% increase in requests for mental health support,” she noted. “Y’all, that’s not a statistic. That’s a screaming flare. It is a fucking S.O.S. call, and we have got to do better.”

“We’ve got to have a plan for the long haul,” she continued, noting the MHA’s new mental health initiative in partnership with Universal Music Group. We know that music heals, but even the healers need healing. So here’s the ask to every label, to every publisher, to every platform, to every artist, everybody who makes a living in this industry: please don’t just admire the mission and the impact. Feel it. Fuel it. Fund it. We so desperately need you to stand with us, to nurture the noise, and then we can truly heal the music.”

Erykah Badu to Release New Music Independently on Her Own Label Control FREAQ Records

Erykah Badu has announced that she’ll be dropping music later this summer on her own record label, Control FREAQ Records.

Having been with Motown since at least 2007, this newly independent venture is a huge deal for Badu. The neo-soul pioneer established Control FREAQ Records in 2005, representing her “desire to foster creativity and innovation in the music industry,” according to a press release.

Erykah Badu hasn’t dropped new music since her 2015 mixtape But You Can’t Use My Phone, and while there’s no confirmed date for Badu’s return, she previously told Billboard her next album would be entirely produced by The Alchemist. She also spoke about the birth of Control FREAQ back in 2005, saying it was built as a “profitable home for artists, with fair contracts that will return ownership of the music to the artists after a period of time.” The label’s first signee was Jay Electronica, the father of Badu’s third child.

“I didn’t develop him at all. I just wanted to be near his greatness,” Badu told Billboard. “He needed to be heard and I had a platform. I wasn’t interested in building an artist from scratch. I was interested in artists who were building their own platforms.”

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The crooner said in a press release that she’d return with her new music sometime this summer, though no specific date is listed. The album would be Badu’s first official album in 15 years.

“I tour eight months out of the year for the past 25 years,” she told Billboard of the delay. “That’s what I do. I am a performance artist. I am not a recording artist. I come from the theater. It’s the immediate reaction between you and the audience and the immediate feeling. The point where you become one living, breathing organism with people. That’s what I live for. It’s my therapy. And theirs, too. We’re in it together. And I like the idea that it happens only once.”