Music
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Meek Mill is never one to mince words on X. He shared his thoughts on Wednesday (Dec. 11) regarding the rampant gun violence in America while pressing the media for being hung up on the murder of UnitedHealthcare CEO Brian Thompson, who was shot and killed in New York City earlier this month. Explore Explore […]
If you didn’t get a chance to catch Charli xcx and Troye Sivan‘s SWEAT tour in person, you can still “feel the rush” and soak up the Brat Summer vibes at home. The superstar duo’s tour is making its way to virtual reality, Billboard can exclusively reveal, thanks to iHeartMedia and Meta and produced alongside OBB Media.
Charli xcx & Troye Sivan Present SWEAT in VR will be available exclusively on Meta Quest devices starting Dec. 27 at 8 p.m. ET/5 p.m. PT. The show was filmed during one of Charli and Troye’s performances at the KIA Forum in Los Angeles in October.
“The LA shows were incredible because of the energy in the crowd — it was especially good on night 2,” Sivan tells Billboard exclusively. “Having friends and family in the audience made it more special, too. It felt like a celebration with everyone I love and admire right there in the room.”
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He continues: “The SWEAT tour was one of the best experiences of my life, and I wanted to immortalize it in a way that felt as immersive and special as it was for me. iHeart, Meta and OBB have been able to make this come to life in VR and it’s the perfect medium to capture the intimacy, the energy, and the joy of those nights so that people at home could truly feel like they were there, or relive it.”
“Performing with Troye every night on the SWEAT tour was truly iconic and I’m so excited for fans to now be able to experience it at home,” Charli xcx added in a release announcing the news.
The 22-date nationwide tour wrapped in October and featured both artists taking turns performing high-energy hits, including Charli’s Brat hits like “360,” “Von Dutch” and “Girl, So Confusing,” as well as Troye’s fan-favorite jams including “My My My,” “Rush” and “One of Your Girls.” The concert, which is available for free in Meta Horizon Worlds Music Valley, will give fans a front-row seat to all the fun with 180-degree views of the show.
“She brings such an insane energy to the stage, and those performances felt like pure magic,” Sivan shares of his onstage partner. “I can’t wait for fans to relive or experience those moments for the first time.”
Charli xcx & Troye Sivan Present SWEAT in VR is executive produced by iHeartMedia’s John Sykes, president of entertainment enterprises, and Bart Peters, senior vice president of production and development; as well as Michael D. Ratner, Scott Ratner, Anthony Anchelowitz, Simone Spira and Kfir Goldberg for OBB Pictures, the Film & TV division of OBB Media; with Glenn Stickley, co-executive producing for OBB Media.
“Charli xcx, Troye Sivan and their teams have built something electric and singular with this show,” Ratner said of the SWEAT tour. “I’m grateful for the opportunity to partner with Meta and iHeartMedia to share this experience with fans around the world.”
Sykes agreed, saying in a statement: “Partnering with Charli xcx and Troye Sivan and with Meta gives us a unique opportunity to offer our millions of listeners the chance to experience two of the most talented artists in music performing on the most exciting new visual platform today.”
Sarah Malkin, director of Metaverse Entertainment at Meta, added, “The SWEAT Tour is the latest in a long lineup of incredible performances that we’ve brought to Music Valley. “Connecting fans to their favorite artists in a totally unique way through virtual reality extends the joy and excitement of concerts to even more people – and we couldn’t be more thrilled to partner with iHeart, Charli xcx and Troye Sivan to do that with this show.”
After the show, fans can catch free concerts from more artists in Music Valley, or experience the thousands of apps available in the Meta Horizon Store. Meta Quest 3S retails for $299, and features 128GB of storage, but you can upgrade to the 256GB device for $399.99. Meta Quest 3S is available at major retailers such as Amazon, Target, Walmart, Best Buy and Meta.com.
The 2024 Billboard Music Awards are right on the horizon, with several of music’s biggest names set to perform some of the year’s most essential hits at the ceremony taking place Thursday (Dec. 12). The latest act to be added to the lineup is Linkin Park, with the band’s recently announced performance at the BBMAs […]
For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard will be counting down our editorial staff picks for the top 10 pop stars of 2024 all next week. Before that, we revealed our Honorable Mentions for 2024 on Tuesday — and now, we present a salute to the artist with the most impressive comeback this year: Irish singer-songwriter Hozier, who took his slowly built cult stardom back overground with one of the year’s defining pop hits and his biggest year of touring and live appearances yet.
Hozier — yes, the guy that sent a soulful rock ballad about a romantic relationship thriving in the face of religious discrimination to No. 2 on the Hot 100 back in 2014 — could have made 2024 a well-deserved victory lap after dropping a chart-topping album and embarking on a packed arena tour in 2023. Instead, he spent 2024 securing a commercial re-peak that he earned by spending the past decade growing his cult fanbase, even without further post-“Church” crossover success.
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At the top of the year, all was well with Hozier and his fans. Unreal Unearth was a smashing success — topping three genre charts (folk, rock and alternative), reaching No. 3 on the Billboard 200 and spawning his first Hot 100 entry in nearly a decade (“Eat Your Young,” No. 67) — but there was the pesky issue of the Grammys. He’s never been a Recording Academy darling (his sole nod was in song of the year for “Take Me to Church” back in 2015), but a complete shutout for Unreal Unearth and its singles despite formidable commercial success and critical acclaim felt particularly painful.
Nonetheless, Hozier & Co. barreled onwards. After spending most of 2023 touring the U.S. and Europe, Hozier added over 50 new shows across North America, alongside headlining slots at several music festivals, including Boston Calling, Hinterland, and Railbird. From the intimacy of his most heart-wrenching ballads (“Cherry Wine”) to the arena-rocking riffs of his most vibrant bangers (both parts of “De Selby”), Hozier’s engaging stage show reminded longtime fans why they first fell in love with him and converted legions of new fans to his kingdom.
As his tour captivated multiple continents, footage from his shows helped Hozier pick up a devoted TikTok fan base who turned him into something of a heartthrob. They were enamored by his vulnerability, long flowing hair and signature “growl”; Hozier had entered his “Forest Daddy” era, and the world was thirsty for whatever that entailed. His newer TikTok audience was also drawn to his brand of folksy alt-rock that had a resurgence over the pandemic and the years immediately following, perhaps best exemplified by the breakout success of Noah Kahan. At the end of 2023, Hozier and Kahan joined forces for a duet version of the latter’s “Northern Attitude,” earning the Irish rocker his first top 40 appearance since “Church” and setting the stage for his 2024 commercial comeback. That level of fanbase-priming all helped result in the eye-popping streaming and sales debut of “Too Sweet,” the song that cemented Hozier’s mainstream commercial resurgence.
Hozier first teased Unheard as a standalone EP comprised of songs that did not make the final Unreal Unearth tracklist. In his TikTok announcing the project, the Irish singer-songwriter used a snippet of “Too Sweet,” setting the stage for the song’s official TikTok sound to collect over 42,000 posts on the platform. “Too Sweet” debuted at No. 5 on the Hot 100 (dated April 6), marking both Hozier’s first song to debut in the top 10 and his first top 10 hit since “Take Me to Church.” Three weeks later — thanks to over 35.6 million official on-demand U.S. streams, according to Luminate – the sultry pop-rock tune reached No. 1 on the Hot 100 (dated April 27), marking his first U.S. chart-topper. Though “Too Sweet” only topped the Hot 100 for one frame, it managed to do so in a week where he was competing with singles from longtime stars Beyoncé and Ariana Grande, as well as historic pop breakthroughs for Chappell Roan and Sabrina Carpenter, and Shaboozey’s “A Bar Song.”
Hozier’s “Sweet” success wasn’t just a well-deserved celebratory moment following his robust 2023, it was also a feat that culturally positioned him as one of the sonic forefathers of Top 40’s larger alt-rock resurgence in 2024. Notes of Hozier’s brand of big-voiced, guitar-backed rock anthems with a pop edge can be found in a number of 2024 Hot 100 hits, including Teddy Swims’ “Lose Control” (No. 1), Benson Boone’s “Beautiful Things” (No. 2), Myles Smith’s “Stargazing” (No. 20) and Michael Marcagi’s “Scared to Start” (No. 54), and, of course, Kahan’s “Stick Season” (No. 9). All of those artists made their Hot 100 debuts this decade, but Hozier has been riding this formula to hits for a decade now – it was only right he finally got a chart-topper of his own.
Now his longest-running Hot 100 hit behind “Church” (37 weeks), “Too Sweet” topped three Billboard airplay rankings (pop, rock and adult pop) and became his first song to top Streaming Songs and the all-genre Radio Songs chart. What’s most remarkable about “Too Sweet,” is how little in-your-face promotion the song required to connect with consumers: All Hozier really needed was a good song and a TikTok post – no dance trend or star-studded remix or virality-seeking music video necessary.
A few months after “Too Sweet” hit the Hot 100’s summit, Hozier headlined the first night of Lollapalooza 2024 (Aug. 1). During his set – in which he debuted “Nobody’s Soldier” – the routinely outspoken artist called for “peace and safety and security for everybody in the Middle East… which of course would mean seeing Palestine free from occupation and free from violence.” In an era where many of music’s biggest stars have seemingly forgotten or undervalue the edifying, unifying and liberating aspects of the artform, it was incredibly refreshing to hear Hozier wax poetic about the innate interconnectedness of global liberation movements at his shows around the world.
Unaired arrived a little over two weeks after Hozier’s headlining set (Aug. 16), with “Nobody’s Soldier” serving as the focus track. Following the uptempo blueprint of “Too Sweet,” “Soldier” missed the Hot 100 entirely, but still managed to become Hozier’s fifth consecutive No. 1 single at Adult Alternative Airplay (AAA). With “Soldier,” “Sweet” and his Kahan-assisted “Northern Attitude,” Hozier became the first soloist in history to score three new AAA No. 1s in a single year – and he’s just one song away from tying U2 for the all-time record of most consecutive AAA chart-toppers (six).
By the end of the year, Hozier combined his two new EPs into one sprawling deluxe album titled Unreal Unearth: Unending. To cap off his 2024, Hozier will perform as the musical guest for the upcoming Dec. 21 episode of Saturday Night Live – his first appearance on the show since post-“Church” in 2014.
It’s not often that an undeniable commercial resurgence occurs alongside a revival in cultural prominence, but Hozier pulled it off this year. With “Too Sweet” Hozier placed himself at the center of one 2024’s defining musical styles and returned to the awards conversation, picking up his first two MTV Video Music Awards nods in 10 years – though that Grammy remains out of reach, as he was shut out again in the 2025 nominations. Not only did he top the pop charts with new solo music, but he also re-established himself as a bona fide superstar. Whether he was flexing onstage banter or speaking truth to power, people hung on to his every word – especially the non-musical ones.
Few could have predicted that Hozier would score a No. 1 single a decade after his “Take Me to Church” breakthrough, but, then again, few expected “Church” to be as massive as it was a decade ago. If ever there was a shining contemporary example of a mainstream musician consistently serving and nurturing their fan base, and reaping handsome (if long-delayed) returns for those efforts, it’s Hozier.
Check Billboard later today for the reveal of our 2024 Rookie of the Year, and come back next week as we start the countdown of our top 10 Greatest Pop Stars of 2024!
Billie Eilish is currently touring through arenas and stadiums, but she’s also making time for smaller venues — tiny ones, you might say. On Thursday (Dec. 12), the 22-year-old superstar’s appearance on NPR’s Tiny Desk web series went live on YouTube, showing Eilish, her brother and producer Finneas and a few band members cramming into […]
Sky Rompiendo secures his first entry, and top 10, on a Billboard albums chart with his Feid collaborative set, Los 9 de Ferxxo y Sky Rompiendo, which debuts at No. 6 on the Latin Rhythm Albums chart dated Dec. 14. Feid rounds up his fourth top 10 project. Explore See latest videos, charts and news […]
In addition to hanging those stockings with care, Post Malone is going to have to make more room on his mantle for new hardware from the RIAA. The Recording Industry Association announced on Thursday (Dec. 12) that Malone’s star-packed debut country album, F-1 Trillion, has been certified Platinum (one million). Explore Explore See latest videos, […]
During a recent conversation, John Mayer and Shawn Mendes opened up about an experience not many others can relate to: having a high-profile ex write a hit song about you.
On the latest episode of the “Daughters” singer’s How’s Life With John Mayer program on SiriusXM, the two men — who, between the two of them, are believed to have inspired bangers by artists such as Taylor Swift, Katy Perry, Camila Cabello and Sabrina Carpenter — got real about the “psychological toll,” as Mayer called it, of those songs opening up their personal lives to public scrutiny.
“No one’s gonna understand,” Mayer began, conceding that he and his friend are “handsomely rewarded for the stuff we have to deal with.” “You and I are both talking as people who’ve heard songs that — at least other people are saying — are references to us.”
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Agreeing, Mendes shared, “It sucks to feel like … It’s a funny feeling to feel like you’re being written about, and maybe the whole picture’s not being expressed.”
As Mayer pointed out, it’s also not exactly like the two musicians can talk about these issues to a professional who relates to the pressures of celebrity life. “You talk to a therapist and go, ‘You ever seen your ex-girlfriend on a billboard before?’” the “Your Body Is a Wonderland” artist said, laughing. “‘Let me tell you, it’s a weird two weeks.’”
Even so, the Lyle, Lyle, Crocodile star said he wouldn’t let that prevent him from falling in love with another songwriter. “The suffering that is from hearing a song talking about you in a way you don’t want to be talked about is not even close to the beauty of falling in love with someone for the first time,” he told Mayer.
Neither of the artists named names, but both have been in public relationships with very famous women in music. Between 2012 and 2015, Mayer dated the “Teenage Dream” singer — whom he bumped into at a recent Carpenter concert — and before that, he had a relationship with a certain Eras Tour headliner, whose scathing 2010 ballad “Dear John” is widely believed to be about the guitarist.
Speaking of the “Espresso” singer, Mendes is the long-rumored center of a love triangle with his “Señorita” duet partner and Carpenter. Cabello’s “June Gloom” and the Girl Meets World alum’s “Sharpest Tool” and “Taste” detail a love interest who’s still not over his ex, seemingly mirroring how Mendes was spotted with Carpenter several times in 2023 right before rekindling things with Cabello.
Without getting into details, Mendes did appear to touch on the situation with Mayer. “The biggest lesson I’ve learned is no one gets out of this life without getting hurt, and no one gets out of this life without hurting someone,” the “Mercy” singer said.
Watch Mayer and Mendes talk about being the inspiration for songs below.
12/12/2024
See which is the No. 1 track of the year, according to Billboard Latin and Billboard Español editors.
12/12/2024
Today (Dec. 12), Daft Punk’s 2004 anime film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem is screening in more than 800 theaters in 40 countries. While some of these theaters will host additional screenings over the weekend, this cinematic event is largely a one night only affair.
And in the numerology-centric Daft Punk universe — the group announced its breakup on 2/22/21 and livestreamed Interstella 5555 on Twitch exactly a year later, 2/22/22 — this screening happening on 12/12/24 is obviously not accidental.
“I think it’s a just a fun way to find a date to release something,” says Pedro Winter, who managed Daft Punk from 1996 to 2008. “Most of the time we do things for fun.”
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A quarter-century ago, creating an animated companion piece to the duo’s 2001 Discovery seemed like one such fun idea. The project would, however, also become an expensive, multi-year process that was a huge undertaking in an era when animation was still done by hand and resulted in a film that was only seen in full by a select few.
“I let you imagine the face of the accountant when you tell him you want to produce 14 videos that cost hundreds of thousands of dollars each,” says Winter.
Animated by legendary Japanese anime artist Leiji Matsumoto in collaboration with Japan’s Toei Animation studio and scored by Discovery, Interstella 5555 was created as a series of music videos set to each of the album’s 14 perfect songs. (See an exclusive clip of the remastered film’s “Harder, Better, Faster, Stronger” section below.)
Daft Punk’s Thomas Bangalter and Guy-Manuel de Homem-Christo conceived of the idea for the project, which tells the story of an evil music industry tycoon who kidnaps and brainwashes an alien rock group, transforms them into cookie cutter pop stars, brings them back to Earth and weasels them to the top of the charts. (The film “was written 25 years ago…. and it’s so relevant in 2025,” says Winter.)
While his memories of the creation process are reasonably hazy 25 years on, Winter says he’s pretty sure Bangalter and de Homem-Christo “produced the music first and then wrote the film around it. They needed the sound as a skeleton.” Once they had the script, they had to get Matsumoto onboard, knowing the artist – whose manga series Space Pirate Captain Harlock had been turned into an animated show the Daft Punk members watched as kids – might get their vision.
“While on a promo trip in Japan they met with Leiji Matsumoto, the legendary creator of the Space Pirate Captain Harlock anime to discuss their project with him,” says Emmanuel de Buretel, the founder of Because Music and former head of Virgin Records who signed Daft Punk to the latter label. “He was excited and quickly agreed to work with them on a manga movie inspired by Discovery.”
Daft Punk – Interstella 5555
Courtesy of Trafalgar Releasing
The project would be expensive, but Bangalter and de Homem-Christo had the will to make it happen and “pitched the concept themselves to Virgin Records,” recalls Winter. “Luckily the head of Virgin at the time was de Buretel, the only major label’s CEO who could understand Daft Punk’s vision… He was the one who fought and managed to get the approval from the whole EMI group.”
Ordering 14 custom-made anime music videos from one of the world’s great masters of the style may have seemed like a flight of fancy to the accounting department — but then again, at one point the idea of two guys playing electronic music while dressed as robots probably did too.
“Great artists are rare,” says de Buretel. “Great, hardworking and humble artists are even rarer. Visionaries like these are few and far between, and you can’t help but be inspired and motivated by their vision and work ethic.”
Bangalter and de Homem-Christo initially planned to finance the film themselves, although Virgin ended up fronting the money for a project that de Buretel says “very quickly became highly complex and costly, since they had to fly to Japan every month to finish editing, while also promoting the project. We, at Virgin, decided to help them finance it to finish quickly — that was a result of really believing in the project and their vision.” (Winter says “Virgin records was putting up the money, but at the end it was Daft Punk who paid the bill.”)
There was also one major benefit to Virgin helping with the financing: “They also made a very nice concession to do another album,” says de Buretel. (2005’s Human After All would complete Daft Punk’s three-album run on Virgin.)
Once financing was sorted, work on Interstella began in Japan, where Matsumoto worked in collaboration with animation studio Toei Animation. “We all went to Tokyo in early 2000,” recalls Winter. “We met Leiji Matsumoto at his place. It was magical, for real. He was a living legend. We grew up with his characters on French TV. He loved the robot characters of Daft Punk. They were speaking the same language; it was just amazing to see the band and Leiji getting along so well.”
A group of creators who may have seemed worlds apart found they actually had a lot in common. De Buretel calls the film “a blend of two cultural movements exploding at the same time, electronic music and anime. The modernity of the concept: using science fiction to explore themes of artists’ exploitation, could only have been done by such powerhouse thinkers as Leiji and Daft Punk.”
Daft Punk – Interstella 5555
Courtesy of Trafalgar Releasing
Daft Punk creative director Cédric Hervet soon joined the team to help develop the screenplay and the characters. While the idea was to launch the film at the same time as the album, that was not to be, with the film ultimately released two years after Discovery came out in February of 2001. (The album spent 30 weeks on the Billboard 200 across spans in 2001 and 2015.)
“Animation is such a long-term process,” says Winter, who recalls “receiving faxes from Toei Animation every week” with updates. “I loved the way the characters evolved, how the whole story took life,” he says.
Clips for the album singles “One More Time,” “Aerodynamic,” “Digital Love,” and “Harder Better Faster Stronger” were released first, and the complete film screened at the 2003 Cannes Film Festival, along with a limited run in approximately 30 French theaters. A DVD of the full project them came out in late 2003. (“The animated House Musical,” the DVD’s cover reads.)
Daft Punk – Interstella 5555
Courtesy of Trafalgar Releasing
But until now, Interstella 5555 has never had a wide cinematic release in its full, hour-long form. The screenings are happening in partnership with Trafalgar Releasing, which specializes in special event cinema distribution and also worked on the 2023 cinematic releases of Taylor Swift‘s The Eras Tour concert film and Renaissance: A Film by Beyoncé.
The remastered version showing globally today has been, de Buretel says, “upgraded to fit current standards and give all fans the opportunity to engage in it.” He adds that this global event is an opportunity for fans to “discover and re-discover the group’s magic artistically and sonically,” to celebrate Matsumoto, who passed away last year at age of 85, and to stir up some fun and celebrate a work that, like so much of Daft Punk’s output, was ahead of its time.
“The project seemed difficult 24 years ago,” says de Buretel. “It probably seems straightforward today, but it was very risky and hard to wrap your head around at the time. I think that’s why it is a cult movie now.”