Music

Podcasts by Chuck D, Questlove and More Nominated for 2024 Ambie Awards

Three hip-hop-connected podcasts50 Years of Hip-Hop, Can You Dig It?: A Hip-Hop Origin Story with Chuck D and Questlove Supreme – are nominated for podcast of the year at the 2024 Ambie Awards.

The other nominees in that category are Embedded: Taking Cover, Exposed: Cover-Up at Columbia University, Ghost Story, Next Year in Moscow, Post Reports: The Empty Grave of Comrade Bishop, Slow Burn: Becoming Justice Thomas and The Very Worst Thing that Could Possibly Happen. The latter podcast led all nominees with five nominations.

Questlove Supreme is also nominated for best music podcast at the 2024 iHeartPodcast Awards. Those nominations were announced on Feb. 7.

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The fourth annual Awards for Excellence in Audio (The Ambies) will take place on Tuesday, March 26 at the JW Marriott LA Live Los Angeles.

The ceremony will highlight 192 nominees across 27 categories with winners to be selected by voting members of The Podcast Academy (TPA), a not-for-profit professional membership organization that celebrates excellence in podcasting.

A Governors Award and an Impact Award will also be presented at the March 26 event. Eligible new members will be able to vote to determine this year’s winners if applications are submitted by Feb. 19. For more information about joining, go here.

“On behalf of The Podcast Academy, we congratulate all of this year’s remarkable nominees that have graced the podcasting world,” Donald Albright, chairperson of TPA said in a statement. “They embody the essence of excellence in audio storytelling, captivating audiences with their creativity, passion, and dedication.”

Here are the nominees in selected categories at the 2024 Ambie Awards.

Podcast of the year

50 Years of Hip-Hop

Can You Dig It?: A Hip-Hop Origin Story with Chuck D

Embedded: Taking Cover

Exposed: Cover-Up at Columbia University

Ghost Story

Next Year in Moscow

Questlove Supreme

Post Reports: The Empty Grave of Comrade Bishop

Slow Burn: Becoming Justice Thomas

The Very Worst Thing that Could Possibly Happen

Best entertainment podcast (sponsored by The Hollywood Reporter)

50 Years of Hip-Hop

Creative Control

Films to Be Buried With Brett Goldstein

HBO’s The Last of Us Podcast

Movies vs. Capitalism

MUBI Podcast

Women of Marvel

Best interview podcast

Alexi Lalas’ State of the Union Podcast

Apple News in Conversation

On Purpose with Jay Shetty

Questlove Supreme

The Skinny Confidential

Wiser Than Me with Julia Louis-Dreyfus

Your Mama’s Kitchen

Best society and culture podcast

Can You Dig It?: A Hip-Hop Origin Story with Chuck D

Dear Alana,

Dynamite Doug

Exposed: Cover-Up at Columbia University

ROS Presents: Roughhousing

The Story Exchange

Weight For It

Best original score and music supervision

Calm it Down – Chad Lawson

Can You Dig It?: A Hip-Hop Origin Story with Chuck D – Bryan Master

Louder Than a Riot – Suzi Analogue, Kassa Overall, and Ramtin Arablouei

Next Year in Moscow

Othello – Lindsay Jones

The Cat in the Hat Cast – Jack Mitchell

The Very Worst Thing That Could Possibly Happen – Alex Kemp

Kanye West and Ty Dolla $ign’s ‘Vultures 1’ Swoops In at No. 1 In Australia

Kanye West and Ty Dolla $ign land at No. 1 in Australia with Vultures 1.

The result, which answers a question on how international audiences would respond to Ye’s recent controversies, is his fifth ARIA Chart leader, following Yeezus (June 2013), Ye (June 2018), Jesus Is King (Nov. 2019) and Donda (March 2021), an album from which a record-setting 19 tracks flooded the singles tally.

The independently-released effort is a career best for Ty Dolla $ign (Universal), beating the No. 37 peak of Beach House 3 in 2017.

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Also new to the ARIA Albums Chart, published Friday, Feb. 16, is Jessica Mauboy‘s Yours Forever, new at No. 10 for the homegrown pop star’s eighth top 10 album.

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Yours Forever is Mauboy’s first LP for Warner Music, and is the followup to 2019’s Hilda, her second ARIA No. 1 album.

A trio of leading ladies from the United States are in the market, or on the way. And the excitement around their live appearances are impacting the national charts.

Taylor Swift kicks off the Australia leg of her The Eras Tour tonight, with the first of three consecutive nights at the Melbourne Cricket Ground. Currently, half of the top 10 titles on the ARIA Chart, and eight of the top 20, belong to TayTay. Produced by Frontier Touring, Swift’s tour of these parts wraps next week with a four-night stand at Sydney’s Accor Stadium.

Pink, meanwhile, is touring stadiums for Live Nation, a trek that sees her former leader Trustfall (RCA/Sony) return to the top 10, up 36-9.

And SZA’s SOS (RCA/Sony) spikes, following the announcement of an arena tour of these parts, also produced by LN. SOS lifts 10-5.

Over on the ARIA Singles Chart, published today, Noah Kahan’s “Stick Season” (Universal) logs a third week at No. 1. “Stick Season” leads a podium ahead of Benson Boone’s “Beautiful Things” (Warner) and Jack Harlow’s “Lovin On Me” (Atlantic/Warner), respectively.

Ariana Grande & Mariah Carey Deliver A Diva’s Dream With New ‘Yes, And?’ Remix: Stream It Now

With less than a month to go before Eternal Sunshine takes over the world (Mar. 8), Ariana Grande is keeping her attention on “Yes, And?” — and she’s tapped a certifiable legend to breathe new life into the song. Marking their second official collaboration, Ariana Grande and Mariah Carey have teamed up for a new “Yes, And?” remix.

Released to digital streaming platforms on Friday (Feb. 16), the new version of Grande’s latest Billboard Hot 100 chart-topper arrives after a few days of teasing via her official Instagram page, Carey’s official Instagram page, and the @sweetener account Grande has been relaying album-related news on since 2018.

After teasing a special announcement via her Instagram Story earlier this week (Feb. 13), Grande confirmed Carey’s appearance on the “Yes, And?” remix with a Feb. 14 post captioned, “Thank you from the bottom of my heart for this dream come true and for sprinkling your brilliance and magic on my little song @mariahcarey. [It] means more to me than [I] could ever possibly articulate and [I] cannot wait for everyone to hear this! [I] love you eternally!!!!!!!”

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Mariah returned the love in Grande’s comment section, writing, “Darling angel, I am so effing excited to be joining you on the yes, and? remix!! This is such a magical moment!! Love you ❤️ MC.”

The two vocal powerhouses first team up for a track back in 2020. Alongside EGOT winner Jennifer Hudson, Carey and Grande updated “Oh Santa!” — a single from Carey’s Merry Christmas II You (2010). That track, which delighted fans in its union of two artists (Carey and Grande) than have been unfairly pit against each other in the past, came complete with a glitzy music video. The three divas delivered the first joint live performance at the song last month (Dec. 9) at Madison Square Garden during the New York stop on Carey’s Merry Christmas One & All! tour.

In January (chart dated Jan. 27), “Yes, And?” debuted atop the Hot 100, marking Grande’s eighth career No. 1 single. The house-indebted bop serves as the lead single from Eternal Sunshine, her forthcoming seventh solo studio album, which serves as her first LP since 2020’s Billboard 200-topping Positions.

Stream Ariana Grande and Mariah Carey’s “Yes, And?” remix now!



Jennifer Lopez Unveils ‘This Is Me… Now’: Stream It Now

Jennifer Lopez is reflecting on her growth. The multi-hyphenate superstar unveiled her ninth studio album, This Is Me… Now, on Friday (Feb. 16).

This Is Me…Now is the sister album to 2002’s This Is Me…Then, which was dedicated to her partner at the time, Ben Affleck. Lopez and Affleck have since rekindled their romance, and the couple married in 2022. It’s also Lopez’s first full-length solo release in nearly a decade. Her last album, 2014’s A.K.A., reached No. 8 on the Billboard 200.

This Is Me…Then was something that I wrote at that point in time that wound up capturing a moment where I fell deeply in love for the first time in that way, and I didn’t know that I would look back and I think. ‘What a kind of poetic thing to say,’” Lopez told Billboard in a recent interview.

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She continued, “Then to have this kind of crazy, strange, magical, surrealistic plot twist where I wound up back with that person, it was insane and it was also very inspiring. So I went back in the studio, and in the way that This Is Me… Then captured that first moment in time, I wanted to capture this moment in time. It’s even more beautiful and inspiring than the first time. I have something to say about love now that I’ve been looking for which is — I’m sure people wonder because I did — does true love exist? Is that type of love real? Does anything last forever? When I felt like I had the answers to that, I wanted to share that with all the people who’ve been on this journey with me, who watched me get up and fall down, in and out of relationships. It may not be a straight road, but the love is there.”

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Listen to This Is Me… Now in full below.

Madonna Announces Collaboration With The Weeknd & Playboi Carti

Madonna has another collaboration up her sleeves, this time with The Weeknd and Playboi Carti.

The Queen of Pop took to Instagram on Thursday (Feb. 15) to share a preview of the “Popular” music video, featuring the trio trading lines and singing the chorus in unison. “I did song with @theweeknd and @playboicarti -called – Popular Duh !” she captioned the post, which you can see here.

The song’s music video will be debuting exclusively in Fortnite Festival, to wrap up The Weeknd’s takeover of the event’s Season 1. According to Fortnite’s official website, fans can watch the clip in a new dedicated viewing area in Jam Stage, where the “Popular” video will repeat from February 15 at 7 p.m. ET until February 18 at 7 p.m. ET. The “Popular” Jam Track will also be available in the Fortnite Shop starting February 15 at 7 p.m. ET.

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Earlier this week, The Weeknd teased that he’s back in the studio on Instagram. His teaser comes a month after he posted the album covers from his 2020 album After Hours and 2022’s Dawn FM, and a third, black slide with a white question mark in the middle and a parental advisory warning label. “3,” he wrote as the caption, indicating that a third installment of the album trilogy is on the way.

Don Toliver Earns First Top 10 as Lead Act on Hot Rap Songs Chart

Don Toliver snatches his first top 10 hit as a lead artist on Billboard’s Hot Rap Songs chart as “Bandit” opens at No. 9 on the list dated Feb. 17. The track, released on Cactus Jack/Atlantic Records, also starts at No. 38 on the all-genre Billboard Hot 100, the week’s highest debut.

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In the tracking week of Feb. 2 – 8, “Bandit” recorded 10.9 million official U.S. streams, according to Luminate. The sum sparks the song’s No. 5 entrance on the Rap Streaming Songs chart and No. 18 start on the corresponding, all-genre Streaming Songs list. Streams drive almost all the “Bandit” activity for the week; the song sold a negligible number of sales downloads and registered 145,000 airplay audience impressions.

Although “Bandit” gives Toliver his first top 10 as a lead artist on Hot Rap Songs, the Houston-based rapper/singer has two prior visits in featured roles, which both peaked at No. 3. He and NAV had supporting spots on Internet Money and Gunna’s “Lemonade,” in 2020, while he and Future were guests on Metro Boomin’s “Too Many Nights,” in 2022.

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Elsewhere, “Bandit” begins at No. 13 on the Hot R&B/Hip-Hop Songs chart and becomes Toliver’s best showing as a lead act, overtaking the No. 15 peak of “Flocky Flocky,” featuring Travis Scott, in 2021. On the all-genre Hot 100, “Bandit” arrives at No. 38 and gives the artist his third top 40 hit. “Too Many Nights” reached No. 22 in December 2022 and SZA’s “Used,” which features Toliver, earned a No. 30 high the same month.

Toliver’s new track also yields a win for Kevin Parker, best known as the chief figure of Tame Impala, who claims a songwriting credit from “Bandit” sampling the act’s “One More Hour.” Thanks to the lift, Parker picks up his first top 10 as a writer on Hot Rap Songs after three previous entries: Kanye West’s “Violent Crimes” (No. 14) in 2017, Travis Scott’s “Skeletons” (No. 24) in 2018 and Kid Cudi’s “Dive” (No. 20) in 2020.

2024 Grammy Performance Videos Are Now Rolling Out on YouTube & More After 10 Days of Limited Availability

Grammy telecast performance videos are rolling out on YouTube and other sites following a 10-day window in which most were available for viewing only on select sites.

All cleared Grammy performances were previously approved for posting on Grammy.com and CBS.com as well as on The Recording Academy, CBS and artists’ and labels’ Instagram and Facebook accounts for 10 days, according to the Academy. After this 10-day run, they are approved to also post on other platforms including YouTube. This is the third year the Academy has had a “first-dibs” deal with Meta, which owns and operates Facebook and Instagram.

The Recording Academy posted the vast majority of Grammy-night performances on Grammy.com on Feb. 6, two days after the ceremony at Crypto.com Arena in L.A. The videos are featured in a post headlined “Watch All the Performances From The 2024 GRAMMYs: Tracy Chapman & Luke Combs, Billie Eilish, Olivia Rodrigo & More.”

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That post included all but three performances from the three-and-a-half-hour Grammy telecast. Missing are Travis Scott’s “My Eyes,” “I Know?” and “So Fe!n” (the latter song featuring Playboi Carti); Billy Joel’s “You May Be Right” (featuring Laufey); and Stevie Wonder and Tony Bennett’s “For Once in My Life” and “The Best Is Yet to Come” from the extended In Memoriam segment.

“We get permission from artists and their teams prior to posting any post-show performances,” says an Academy spokesperson. “We do not obligate these [permissions as a condition for] performing on the telecast. Approvals are all secured following the live telecast for individual performances.”

Another Joel performance (his new single “Turn the Lights Back On”) is in the bundle of videos that went up on Grammy.com. Additionally, three other tributes from the extended In Memoriam segment are included: Annie Lennox’s “Nothing Compares 2 U” (featuring Wendy & Lisa), Fantasia Barrino’s “Proud Mary” and Jon Batiste’s “Ain’t No Sunshine,” “Lean on Me” and “Optimistic.” Missing completely is Scott, who was nominated for best rap album for Utopia, but lost, in an upset, to Killer Mike’s Michael. Scott’s track record at the Grammys currently stands at 0-10.

Two songs that were performed at this year’s Premiere Ceremony, the event preceding the Grammy telecast where the vast majority of awards are presented, are also in the bundle of clips available on Grammy.com. They are “Luna de Xelajú” by Gaby Moreno & El David Aguilar and a cover of Prince & the Revolution’s “Let’s Go Crazy” by Pentatonix, J. Ivy, Larkin Poe, Jordin Sparks and Sheila E.

In addition to the videos already mentioned, the bundle also includes Tracy Chapman & Luke Combs’ “Fast Car” (which Chapman previously performed at the close of the 1989 Grammy telecast), Joni Mitchell’s “Both Sides, Now” (which, remarkably, was her first performance ever on the Grammys), U2’s “Atomic Bomb” (live from the Sphere in Las Vegas) and Billie Eilish’s “What Was I Made For?” (which she is expected to perform again at the Oscars on Mar. 10).

Also in the bundle are Dua Lipa’s “Training Season” and “Houdini”; Miley Cyrus’ “Flowers”; SZA’s “Snooze” and “Kill Bill”; Olivia Rodrigo’s “vampire”; and a three-song set from Burna Boy, 21 Savage and Brandy: “On Form,” “City Boys” and “Sittin’ on Top of the World.”

Grammy telecast performances weren’t widely available after Music’s Biggest Night until 1994, when the Recording Academy released 47 of them on a four-CD set entitled Grammy’s Greatest Moments through Atlantic Records. There were corresponding videotapes released (through A*Vision Entertainment) for the first two CDs in the set. I wrote the liner notes for those four CDs, which included such prized performances as Aretha Franklin’s “Bridge Over Troubled Water” (from the first live Grammy telecast in 1971), Barbra Streisand & Neil Diamond’s “You Don’t Bring Me Flowers” (1980) and Tina Turner’s “What’s Love Got to Do With It” (1985).

In 1996, a live performance from that year’s Grammy telecast was released as a single that became a top 10 hit on the Billboard Hot 100. Alanis Morissette’s “You Oughta Know,” recorded live on Feb. 28 at the 38th annual Grammy Awards at the Shrine Auditorium in Los Angeles, was released as a double-A-sided single with “You Learn.” The single debuted and peaked at No. 6 that July 27.

Dua Lipa’s ‘Training Season’ Is in Session: Stream It Now

Dua Lipa doesn’t have time for anything below her standards for a partner. The pop superstar unveiled her new single, “Training Season,” on Thursday (Feb. 15).

Lipa announced the single last month in a clip posted to her TikTok, declaring that she’s very tired of mediocre men. “I need someone to hold me close, deeper than I’ve ever known/ Whose love feels like a rodeo, knows just how to take control,” she sings over a pounding beat.

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The singer also shared a statement, revealing that the song was inspired by a series of unimpressive dates. “The last one was the final straw,” she wrote. “The next morning I arrived to the studio to Caroline [Ailin] and Tobias [Jesso Jr.] asking me how it all went and I immediately declared ‘TRAINING SEASON IS OVER,’ and like the best ‘day after’ debriefs with your mates, we had a lot of laughs and it all quickly came together from there.” 

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She continued, “While it is obviously about that feeling when you are just absolutely done telling people … men specifically in this case, how to date you right; it is also about my training season being over and me growing with every experience,” she wrote. “I have never felt more confident, clear or empowered. And while it may be that training season is never over for any of us, you start to see the beauty in finding that person to experience it with.”

She went on to premiere the single at the 2024 Grammy Awards earlier this month.

Lipa’s last album was 2020’s Future Nostalgia, which peaked at No. 3 on the Billboard 200. The nostalgic pop and disco set was nominated for album of the year and won best pop vocal album at the 2021 Grammy Awards. Its lead single “Don’t Start Now” was nominated for record and song of the year as well as best pop solo performance.

Listen to “Training Season” below.

Which of Megan Thee Stallion’s Billboard Hot 100 Hits is Your Favorite? Vote!

Since February began, Megan Thee Stallion scored a No. 1 hit on the Billboard Hot 100, unveiled a partnership with Nike, inked a distribution deal with Warner Music and celebrated her birthday — that’s some serious hot girl s–t right there.

And in honor of the Houston rapper turning 29 Thursday (Feb. 15), Billboard wants to know: of all the entries Meg has scored on the Hot 100, which one has been your favorite?

There’s certainly a lot to choose from. In total, the Dicks: The Musical star has landed 32 songs on the chart to date — 17 of which made it to the top 40, four of which landed in the top 10 and three of which reached the summit. She made her first appearance on the Hot 100 in April 2019 with “Big Ole Freak,” which peaked at No. 65 that May. Almost exactly one year later, she went No. 1 for the first time ever thanks to her viral single-turned-Grammy-winning Beyoncé duet “Savage.”

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Later that year, her larger-than-life collaboration with Cardi B, “WAP,” became her second track to peak atop the Hot 100. And flash forward to present day, the birthday girl’s latest single “Hiss” has conquered the ranking.

“Thank you thank you thank you !” she tweeted earlier this month after discovering that the snake-themed song had gone No. 1. “Thank you GOD, Thank you MAMA HOLLY, Thank you to EVERYONEEEEE that took the time out of their week to go hard and make this happen.”

Which of Meg’s entries on the Hot 100 is your favorite? Tell us by voting below.

Benson Boone Reaches No. 1 on Streaming Songs Chart With ‘Beautiful Things’

Benson Boone reaches No. 1 for the first time on Billboard’s Streaming Songs chart, as “Beautiful Things” lifts 5-1 on the Feb. 17-dated ranking.

In the Feb. 2-8 tracking week, “Beautiful Things” earned 22.8 million official U.S. streams, according to Luminate. That’s up 23% from the previous frame (Jan. 26-Feb. 1), when the song accumulated 18.5 million streams.

The song premiered at No. 5 on the Feb. 3-dated survey via 15.7 million streams, meaning the song has gained by at least 18% in streams in every week since its release so far (it debuted on streaming platforms on Jan. 18 following a multi-week tease on TikTok).

Boone’s No. 1 on Streaming Songs makes him the first act to snag their first ruler on the chart as a lead artist since Doja Cat, whose “Paint the Town Red” reigned in October 2023.

As Doja Cat had a multi-song history on Streaming Songs prior to her first No. 1, unlike Boone, Boone becomes the first to top the list in their first appearance as a lead act since Oliver Anthony Music, with “Rich Men North of Richmond,” in September 2023.

The other claim to fame for Boone is that “Beautiful Things” is the first song of 2024 to rise to No. 1 for its first reign on Streaming Songs rather than debuting there. The last song to do that was Jack Harlow’s “Lovin on Me,” which reached the top in its second week (Dec. 2, 2023) after debuting at No. 2 the week before.

Concurrently, as previously reported, “Beautiful Things” jumps 8-3 on the multi-metric Billboard Hot 100. In addition to its streams, the song earned 3.4 million radio audience impressions, (up 321%) and 9,000 downloads (up 15%). Early airplay success has been courtesy of the Adult Pop Airplay (No. 28) and Pop Airplay (No. 32) charts.

The tune also tops the Global 200 for the first time.

“Beautiful Things” is currently a standalone single for Boone, who’s released two EPs, Walk Me Home… (2022) and Pulse (2023).