Music

Travis Scott Teases More Music Coming: ‘We Will Be Back’

Travis Scott is feeling inspired after the arrival of last year’s Utopia and the Grammy-nominated album’s subsequent tour.

La Flame took to his Instagram Stories on Tuesday (Feb. 20), letting fans know he’ll be back with new tunes and how much he’s still in love with the grind that comes with creating music.

“I love music so f–king much,” he wrote. And for the record. We will be backkkkkk. I gotta kick a new gear since they think it’s play time.” Previous posts to his Story include him bumping Rodeo tracks such as “Wasted” and “Nightcrawler” with Swae Lee.

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It’s unclear who Scott is referencing as “they,” but one of his fan pages believes it to be a shot at the Recording Academy for snubbing him at the Grammy Awards. La Flame’s Utopia lost in the best rap album category to Killer Mike’s Michael project at the Feb. 4 ceremony.

When it was revealed during the Grammys pre-show that Mike had won, Scott headed to X and tweeted out a raised-eyebrow emoji.

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In 2018, Scott was visibly upset after his cinematic Astroworld lost in the same category to Cardi B’s Invasion of Privacy. In his Netflix documentary, Look Mom I Can Fly, the “SICKO MODE” rapper walked off upon learning the news and was cursing to himself. 

As far as what’s ahead, Scott could have another Cactus Jack compilation on his mind as he saluted his Cactus Jack signee Don Toliver: “Bring that s–t down, DT. What we doing?” he added in another IG Story. “Whole cactus gang are snapppers.”

Following Astroworld, the Houston rager turned to his JACKBOYS label compilation project in 2019, which featured standouts such as the Pop Smoke-assisted “GATTI” among the seven tracks.

A turbulent five-year journey — which included Scott’s tragic 2021 Astroworld Festival, during which 10 people died — then led Trav to his Utopia project in August 2023.

The highly anticipated LP earned him another No. 1 atop the Billboard 200 with 496,000 total units sold in the first week, the most of any hip-hop album released last year. All 19 tracks debuted on the Billboard Hot 100 as well.

See Scott’s posts to his Instagram Story below.

Which of Drake’s Hot 100 Hits Is Your Favorite? Vote!

From his 2009 chart debut with “Best I Ever Had” to his 2023 No. 1 smash “First Person Shooter,” Drake has notched a great many hits on the Billboard Hot 100. In fact, the artist — born Aubrey Graham — has scored the most entries on the 60-plus-year-old tally of any artist in history, with a total of 328 to date.

And with 76 top 10 hits — 13 of which have reached the chart’s summit — the Hot 100 has seen Drizzy through several seasons of life and artistry. He’s released more than a dozen albums since he first made passage on the ranking, many of which were so hugely successful, their deep cuts charted right alongside the singles toward the top of the heap. He’s also famous for his collaborations, and his Hot 100 prowess reflects that; oftentimes, his name in the credits either precedes or is directly followed by fellow hip-hop titans such as J. Cole, Nicki Minaj, Lil Wayne, 21 Savage and more.

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So, in celebration of the superstar’s incredible career — which only seems to reach new heights, 15 years in — Billboard recently ranked every single one of Drake’s entries so far. And while there are almost too many to choose from, we want to know which of those are your favorites.

From the So Far Gone days to “One Dance” to “God’s Plan” to his ongoing For All the Dogs era, tell us which of Drake’s Hot 100 hits is No. 1 in your book by voting in the poll below.

Solange Teases a Creative Pivot for Her New Music: ‘I Can Only Imagine the Eye Rolls From People’

Solange Knowles hasn’t released an album since 2019’s When I Get Home, but her next creative body of work might take her fans by surprise.

Knowles graces the latest cover of Harper’s Bazaar, and in the cover story published Tuesday (Feb. 20), she opened up about her fascination with the tuba and how she’s been writing music for the brass instrument.

“I love it. I’ve started writing music for the tuba, and I am trying to talk myself into releasing it, but I can only imagine the eye rolls from people being like, this b—h hasn’t made an album,” she said.

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Solange explained that the tuba’s raspiness connects with her soul. “It sounds like what the gut feels like to me,” she described. “There’s a way that it takes up space that you can’t deny, and it also just feels very Black to me.”

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The “Almeda” singer has been apprehensive about releasing her tuba tones, as she doesn’t know how fans will react to the creative pivot, but she’s not closing the door on the opportunity.

Solange’s last album, When I Get Home, arrived in March 2019 and saw contributions from an array of collaborators including Gucci Mane, Playboi Carti, Metro Boomin and Tyler, the Creator.

The project debuted at No. 3 on the Billboard 200 with 43,000 album units sold in the first week and ended up being ranked at No. 27 on our Best 50 Albums of 2019 list.

Tyler described the organic process of collaborating with Solange on the Gucci Mane-assisted “My Skin My Logo,” on which the Grammy-winning rapper is a producer.

“It’s such a pure feeling that she’s really tapped into,” he told Harper’s Bazaar. “I think that’s why I liked her, because [her art] wasn’t based on chasing any zeitgeist, whether it was something political or like, yeah, I’m down like a f–king undercover cop.”

Tyler continued: “She’s not an undercover cop. She’s just her, and she makes whatever she wants. I feel like 80 percent of artists with these opportunities to put something out don’t do that because they’re chasing numbers. She got daughters  …  like, it’s a lot of them out there that’s not citing her.”

Gunna Announces 2024 Bittersweet Tour: Here Are the Dates

Gunna announced on Tuesday (Feb. 20) that he’ll be embarking on The Bittersweet Tour later this year with special guest Flo Milli.

Produced by Live Nation, the 16-date jaunt kicks off on May 4 at Columbus’ Schottenstein Center and includes stops in Chicago, Houston, Miami and more major U.S. cities before wrapping up at Atlanta’s State Farm Arena for a final hometown show. The rapper is also set to perform at the 2024 Roots Picnic Festival, which was recently announced. He’s also partnered with the Black Music Action Coalition (BMAC) and Live Nation to support his non-profit organization, Gunna’s Great Giveaway, on his Bittersweet Tour by allocating $1 from every ticket sold to support the inner cities of Atlanta.

The tour is named after Gunna’s latest track “Bittersweet,” which he released on Feb. 16 via YSL Records and 300 Entertainment. The single is his first new music offering of 2024, as well as his first since he released his fourth studio album, A Gift & a Curse, which topped Billboard‘s Top R&B/Hip-Hop Albums chart and peaked at No. 3 on the Billboard 200.

Tickets will first become available during the Citi presale, which runs from Wednesday, Feb. 21, at 10 a.m. local time to Friday, Feb. 23, at 9 a.m. local time. Additional presales will run throughout the week ahead of the general onsale, which begins Friday at 10 a.m. local time on LiveNation.com.

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See the full list of dates for Gunna’s 2024 Bittersweet Tour below:

  • May 4 — Columbus, OH @ Schottenstein Center
  • May 6 — Detroit, MI @ Fox Theatre
  • May 8 — Chicago, IL @ Byline Bank Aragon Ballroom
  • May 10 — Minneapolis, MN @ The Armory
  • May 12 — Denver, CO @ Fillmore Auditorium
  • May 16 — Seattle, WA @ WAMU Theater
  • May 18 — San Francisco, CA @ Bill Graham Civic Auditorium
  • May 21 — Phoenix, AZ @ Arizona Financial Theatre
  • May 24 — Irving, TX @ The Pavilion at Toyota Music Factory
  • May 25 — Houston, TX @ 713 Music Hall
  • May 28 — Nashville, TN @ Nashville Municipal Auditorium
  • May 29 — Charlotte, NC @ Bojangles’ Coliseum
  • June 1 — Boston, MA @ MGM Music Hall at Fenway
  • June 2 – Philadelphia, PA @ Roots Picnic Festival** 
  • June 6 — Miami, FL @ Kaseya Center
  • June 9 — Orlando, FL @ Kia Center
  • June 11 — Atlanta, GA @ State Farm Arena

** festival date (without Flo Milli)

Bono Pays Tribute to Late Russian Opposition Leader Alexei Navalny During U2 Sphere Show: ‘Freedom Is Not Just a Word’

U2 singer Bono paid tribute to late Russian opposition leader Alexei Navalny during the band’s residency show at Las Vegas’ Sphere on Saturday night, less than a day after the most prominent critic of Russian president Vladimir Putin was reported dead. “Alexei Navalny!” Bono said as the crowd repeated the Kremlin critic’s name back to him in full.

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“Next week it will be two years since Putin invaded. For these people, freedom is not just a word in a song,” Bono said about the Russian dictator’s unprovoked war on Ukraine in video captured by a fan. “For these people, freedom is the most important word in the world – so important that Ukrainians are fighting and dying for it. And so important that Alexey Navalny chose to give his up,” Bono added to cheers from the crowd.

Navalny’s death while in custody has drawn worldwide condemnation in light of the opposition leader’s history speaking out against Putin’s repressive rule. In 2020, anti-corruption crusader and lawyer Navalny, 47, was poisoned with a deadly nerve agent Novichok. Though he never confirmed Putin was behind the attempt on his life, Navalny blamed the Russian leader for the attempted assassination using a method preferred by Russia’s Federal Security Service.

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Despite the clear and present danger to his life, Navalny returned to Russia in 2021, where he was immediately arrested and accused of parole violations, leading to rare mass protests across the nation. He was then sentenced to more than 20 years in prison on embezzlement and contempt charges in what international observers dubbed a show trial. After going missing from the prison he was sent to for three weeks in Dec. 2023, Navalny popped up in a barren Arctic Circle penal colony earlier this year before his death was announced on Friday.

Officials at the Russian prison service said Navalny reportedly died after falling unconscious while taking a walk. “Apparently, Putin would never, ever say his name so I felt tonight, the free people from here – people who believe in freedom – we must say his name,” Bono said during Saturday’s show, according to CNN.

Former one-term president Donald Trump — the leading Republican candidate for the 2024 presidential election — has so far declined to publicly condemn Russia and Putin for Navalny’s death, which has still not been explained. In fact, Trump used it as a means to once again denigrate his political opponents and complain about his many legal issues in what he dubbed a “FAILING NATION!” in one of his all-caps social media missives over the weekend.

The White House on Tuesday (Feb. 20) announced plans for “major sanctions” on Russia in the wake of the incident, with National security communications advisor John Kirby saying the new sanctions are designed to “hold Russia accountable for what happened to Mr. Navalny,” according to USA Today.

U2, long known for their political activism, followed the Navalny shout-out with a cover of Crowded House’s 1986 ballad “Don’t Dream It’s Over,” a staple of their Vegas shows. Just months after Russia launched the war on Ukraine, Bono and U2 guitarist The Edge played a May 2022 show at the Khreschatyk metro station in Kyiv at the invitation of Ukrainian President Volodymyr Zelensky.

“Edge and I got to stand with some of the people in Ukraine as they stood in that train station, which was a converted bomb shelter,” Bono told the Sphere crowd of that underground gig. “We got to stand with some of the people of Ukraine as they waited for the train to arrive with the rest of the free world on it. They’re still waiting for some of that train to arrive. America, you’re so generous. But let’s get these people what they need.”

Here’s Why Ariana Grande Chose ‘Yes, And?’ as the Lead Single From ‘Eternal Sunshine’

After a four-year hiatus from music marked by persistent speculation surrounding her personal life, the stage was perfectly set for Ariana Grande to make an epic comeback earlier this year. She did just that by releasing “Yes, And?” in January, with the song debuting at No. 1 on the Billboard Hot 100.

And now, the 30-year-old star is giving fans a peek into all of the planning that made her comeback possible. In a newly shared behind-the-scenes video, which was filmed prior to the release of “Yes, And?,” Grande meets with her team and explains to them why she believes the house-inspired dance track should be the lead single off her upcoming album Eternal Sunshine, which, at that point, hadn’t been announced yet.

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“The reason why I liked it, it’s an all-encompassing, like, ‘What the f–k?’” the pop star says in the clip, which she shared to Instagram Reels. “Why aren’t we all thinking with the cap of, ‘Everyone’s tired, everyone is healing from someone or something you can’t see on the surface.’ That’s why I kind of liked [‘Yes, And?’] as a, ‘We’re coming back.’”

Then, before playing the track for her team, Grande sets the scene. “Pretend you don’t know the rest,” she said, laughing. “Pretend it’s been three years since Positions. Pretend this is, you’ve been seeing me in a f–king blonde wig on the Daily Mail for the past year.”

For context, the “POV” singer spent much of 2023 playing Glinda in Jon M. Chu’s upcoming live-action Wicked movies, a character for which she went blonde. While she was shooting the films over the summer, her personal life became fodder for celebrity gossip, with fans and tabloids alike meticulously dissecting the timeline of her divorce from Dalton Gomez and the beginning of her rumored relationship with Ethan Slater, one of her Wicked castmates.

Things reached a fever pitch when Slater’s estranged wife, Lilly Jay, told Page Six that their marriage had ended because of Grande. “[Ariana’s] the story, really. Not a girl’s girl,” she said in July. “My family is just collateral damage.”

Both TMZ and People, however, reported that Slater and the Victorious alum started dating after both of their previous relationships had ended.

Months later, Grande seemed to address the controversy with “Yes, And?” “Your business is yours and mine is mine,” she sings during the bridge. “Why do you care so much whose d— I ride?”

The “7 Rings” artist’s new video comes on the heels of her new “Yes, And?” remix, which co-stars Mariah Carey. Eternal Sunshine is set to arrive March 8.

Watch Grande meet with her team about “Yes, And?” below.

Benson Boone’s ‘Beautiful Things’ Tops Both Billboard Global Charts

Benson Boone’s “Beautiful Things” is the biggest song in the world, as it notches a second week at No. 1 on the Billboard Global 200 chart and ascends to the top of the Billboard Global Excl. U.S. survey.

Plus, Ye (formerly known as Kanye West) and Ty Dolla $ign’s “Carnival” debuts at No. 2 on the Global 200 and No. 10 on Global Excl. U.S., while Beyoncé’s “Texas Hold ‘Em” shuffles onto the Global 200 at No. 4.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



Boone No. 1 on Global 200; Ye, Ty Dolla $ign & Beyoncé New in Top 5

Benson Boone’s “Beautiful Things,” released on Night Street/Warner Records, logs a second week at No. 1 on the Billboard Global 200, with 57.8 million streams (up 10%) and 12,000 sold (down 11%) worldwide Feb. 9-15.

Ye and Ty Dolla $ign’s “Carnival” launches at No. 2 on the Global 200, with 46 million streams and 4,000 sold worldwide from its Feb. 10 release on the pair’s collaborative album Vultures 1 through Feb. 15. As previously reported, the album, Ye’s first since his string of hate speech and antisemitic remarks, which resulted in companies including Adidas and Def Jam Recordings distancing themselves from the rapper, opens at No. 1 on the U.S.-based Billboard 200 chart. Ye adds his fourth Global 200 top 10 and Ty Dolla $ign, his first.

“Carnival” by the pair, billed collaboratively as ¥$: Kanye West & Ty Dolla $ign, concurrently starts at No. 10 on Global Excl. U.S. with 22.5 million streams and 2,000 sold outside the U.S. Ye and Ty Dolla $ign each reach the chart’s top 10 for the first time.

Taylor Swift’s “Cruel Summer” climbs 5-3 on the Global 200 after a week at No. 1 in November.



Beyoncé’s “Texas Hold ‘Em” bounds onto the Global 200 at No. 4, with 31.9 million streams and 48,000 sold worldwide between its Feb. 11 release and Feb. 15. She lands her second and top-charting hit since the survey began, after “Break My Soul” reached No. 6 in 2022.

Plus, Xavi’s “La Diabla” rises 7-5 on the Global 200, after reaching No. 3.

‘Beautiful Things’ Hits No. 1 on Global Excl. U.S.

Benson Boone’s “Beautiful Things” bumps 2-1 on the Billboard Global Excl. U.S., with 36.1 million streams (up 16%) and 4,000 sold (up 10%) outside the U.S. Feb. 9-15. In his two prior visits to the chart, the 21-year-old singer-songwriter from Monroe, Wash., hit No. 59 in 2022 with “In the Stars” and No. 98 in 2021 with “Ghost Town.”

Creepy Nuts’ first Global Excl. U.S. top 10, “Bling-Bang-Bang-Born,” pushes 3-2; Tate McRae’s “Greedy” falls to No. 3 after five nonconsecutive weeks on top beginning in December; Xavi’s “La Diabla” holds at No. 4, after reaching No. 2; and Taylor Swift’s “Cruel Summer” is steady at No. 5, after hitting No. 3.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 24, 2024) will update on Billboard.com tomorrow, Feb. 21  (a day later than usual due to the Presidents’ Day holiday in the U.S. Feb. 19). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Ashlee Simpson Says 2004 ‘SNL’ Lip Synching Fiasco Taught Her About ‘The Power of No’

It was the performance heard ’round the world. Or rather, not heard, but played on tape. Almost 20 years after the second most-famous lip synch scandal in modern pop history — shout out to Milli VanilliAshlee Simpson dropped by the Broad Ideas with Rachel Bilson and Olivia Allen podcast this week to relive that moment in 2004 when her Saturday Night Live debut turned into a car-crash viral moment before such things even existed.

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“I’ve never talked about or said, but it’s like the other thing is, learning as a woman, when you say no, or as an artist or a human or whatever, that day I said ‘I will not go on, I don’t care. I can’t speak,’” Simpson, 39, told the hosts about the night in Oct. 2004 when she was the musical guest on SNL amid serious vocal issues that caused her to lose her voice before showtime.

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After rehearsing the day before, Simpson said she woke up and realized she “couldn’t speak,” because, her doctor told her, she had two nodules on her vocal cords that were “beating against each other.” She explained her dilemma to the SNL team in a handwritten note, but despite telling producers the show could not go on, Simpson said she was asked to perform to pre-recorded vocals. “My band has never practiced this, this is not going to go well,” she said she thought at the time. “I can’t do this.”

Simpson, of course, did perform that night, first coming out to sing the single “Pieces of Me,” which went well. But when she came back to play the title track from her Autobiography album, someone cued up the vocal track from “Pieces” by mistake. Simpson busted out some stilted dance moves and when she was caught with the mic by her side, she and the band looked around confused for several awkward seconds while the singer did a silly shuffle and then walked off stage as the group continued to play the instrumental track and the show cut to commercial. Simpson came back later for the closing credits and said, “My band started playing the wrong song, and I didn’t know what to do, so I thought I’d do a hoedown. I’m sorry. This is live TV. These things happen!”

The mortifying moment taught Simpson the “power of my no,” she told the podcast hosts, as well as “the power of me saying absolutely not… that’s what I would go back and say.” To be sure, Simpson said it was a “humbling” incident for her at a time when she had a No. 1 album on the Billboard 200 chart and a top five single with “Pieces of Me.”

“It was like everything was about to go somewhere and then it was just like, whoa, the humility of not even understanding what grown-ass people would say about you… awful, awful things,” Simpson said of the first, and only, time a musical guest had walked off SNL during a performance. Through that trial-by-fire, though, Simpson said she learned to tune all the noise out and find her strength and move on, while, luckily, also avoiding throat surgery thanks to a vocal coach who “saved my life.”

The clip went so viral at the time, though, that one of the friends who was with Simpson that night — and who joined her on the podcast — said when they visited a New York deli the next day in the midst of the Iraq war “everyone around us was talking about it… it was so surreal and such a ginormous moment.” Though she released two more albums, 2005’s I Am Me and 2008’s Bittersweet World, and starred as Roxie Hart in three different productions of the musical Chicago in 2006, 2009 and 2013, Simpson’s musical career never regained that initial peak following the SNL fiasco.

To this day, Simpson said people still ask her about it and she can’t forget the important lesson she learned that night. “I think having to find at a young age that strength to be like, ‘I am good at this and I will keep going, and I will keep fighting,’” she said, noting that she came back to SNL a second time a year later and she can’t find the video. “I’ve searched and searched for that performance. I was really nervous when I was on there and I can’t find it anywhere,” she said.

Though she’s been off the music radar for years, the singer recently told US that she’s starting to work on the re-release of her debut album and may fill it out with additional tracks. “I’m going to celebrate that album,” she said. “Maybe I’ll go in and redo some of the songs, but I’m definitely going to do a performance around the anniversary.”

Watch Simpson discuss her SNL incident below (beginning at 45:00 mark).



Travis Kelce Addresses ‘Tragic’ Shooting at Kansas City Super Bowl Parade in New Video

Travis Kelce is speaking out in the wake of the Feb. 14 Super Bowl parade shooting, which began as a celebration of the Kansas City Chiefs’ victory but ended in gunfire that killed one person and injured 22 others. 

The 34-year-old tight end addressed the events in a new video clip for his and brother Jason Kelce’s New Heights podcast posted on X Monday (Feb. 19), which was shared ahead of this week’s new episode. Noting that the Wednesday (Feb. 21) installment was recorded prior to the shooting, Travis said in the video, “After the tragic events of the Super Bowl parade in Kansas City, it didn’t feel right without you guys hearing from us first.” 

“Our hearts go out to all of the victims, their families, Chiefs Kingdom and really all of Kansas City that was really there on a day to try and celebrate the community,” added Jason, who plays center for the Philadelphia Eagles. “It’s unfortunate and deeply tragic, the events that occurred. We also want to thank the local law enforcement that sprang into action, the first responders on scene.”  

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“Kansas City and Chiefs Kingdom, we love you guys,” Travis concluded, noting they’d be sharing a link to a donation collection supporting those affected by the shooting. “We’re with you guys.” 

The offensive lineman was one of many who attended the parade celebrating his team’s second Super Bowl win in a row, three days after the big game on Feb. 11. Before the shooting broke out, he and his teammates — as well as his mom, Donna Kelce — road atop a float and waved at Chiefs fans lining the streets. The Associated Press previously reported that according to the police chief, a million people likely attended the celebratory parade. 

Shortly after the shooting, Travis shared a message to fans via X. “I am heartbroken over the tragedy that took place today,” he tweeted. “My heart is with all who came out to celebrate with us and have been affected. KC, you mean the world to me.” 

Taylor Swift, who is dating Travis, was not at the parade, although she did attend the Super Bowl in Las Vegas to cheer on Kansas City. She has donated $100,000 to the family of Lisa Lopez-Galvan, the radio DJ who was killed in the shooting. 

See Travis and Jason Kelce’s statement on the Super Bowl parade shooting below. 

Beyoncé’s ‘Texas Hold ‘Em’ Debuts at No. 1 on Billboard’s Hot Country Songs Chart

Pop and R&B/hip-hop superstar Beyoncé makes her debut on Billboard’s streaming-, airplay- and sales-based Hot Country Songs chart (dated Feb. 24) with her first two entries on the survey: “Texas Hold ‘Em” at No. 1 and “16 Carriages” at No. 9.

As previously reported, the songs start at Nos. 2 and 38, respectively, on the all-genre Billboard Hot 100.

Both tracks were released Feb. 11, as announced in a Verizon commercial that aired during CBS’ broadcast of Super Bowl LVIII, ahead of the March 29 arrival of Beyoncé’s album expected to be titled Act II, which follows her 2022 Renaissance LP.

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“Texas Hold ‘Em” drew 19.2 million official streams and 4.8 million in all-format airplay audience and sold 39,000 in the U.S. through Feb. 15, according to Luminate. “16 Carriages” rides in with 10.3 million streams, 90,000 in radio reach and 14,000 sold.

Notably, the Hot Country Songs coronation of “Texas Hold ‘Em” grants Beyoncé No. 1s on seven of Billboard’s multimetric song charts as a solo artist: the Hot 100, Hot Country Songs, Hot Dance/Electronic Songs, Hot Gospel Songs, Hot Latin Songs, Hot R&B Songs and Hot R&B/Hip-Hop Songs. She’s the only act to have notched No. 1s on that combination of rankings.

Only Justin Bieber has led more hybrid song charts – eight, among Billboard’s menu of 14 such surveys – having ruled the Hot 100, Hot Country Songs, Hot Dance/Electronic Songs, the Holiday 100, Hot Latin Songs, Hot Rap Songs, Hot R&B Songs and Hot R&B/Hip-Hop Songs.

Plus, Beyoncé makes history as the first woman to have topped both Hot Country Songs and Hot R&B/Hip-Hop Songs since the lists began as all-encompassing genre song charts in October 1958. Overall, she joins Morgan Wallen, Bieber, Billy Ray Cyrus and Ray Charles as the only acts to have led both charts.

Beyoncé first appeared on Billboard’s rankings in 1997 as a member of Destiny’s Child. The group notched four No. 1s on the Hot 100 and two on the Billboard 200, beginning in 1999. As a soloist, she has scored eight and seven leaders on the respective charts, starting in 2003.



“Texas Hold ‘Em” is officially being promoted to country radio, as announced in a Columbia Nashville email to stations Feb. 14 at 11 a.m. ET, among other formats, and bows as Beyoncé’s first entry on Billboard’s Country Airplay chart (dated Feb. 24), at No. 54 with 1.1 million audience impressions at the format.

“We put the Beyoncé directly into a strong rotation so it can be heard. I want the station to sound as interesting as possible, because the opposite is boring,” says Dave Parker, program director of Sinclair’s WUSH Norfolk, Va. “This song is sounding great and doesn’t sound like anything else. Plus, the feedback from listeners has been very positive.”

“Texas Hold ‘Em” also begins at No. 38 on the Pop Airplay chart, while additionally drawing play at adult pop, rhythmic, adult R&B and mainstream R&B/hip-hop formats.

The track concurrently begins at No. 1 on Country Digital Song Sales, where it’s Beyoncé’s first leader. It also crowns the all-genre Digital Song Sales survey, becoming her 11th chart-topper.

“Texas Hold ‘Em” is the 16th song to open in the Hot Country Songs penthouse and the first since Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, in September. The latter cedes the summit after 20 weeks at No. 1. Among solo women with no accompanying artists, only Beyoncé and Taylor Swift have launched atop the chart, with Swift having achieved the feat with “Love Story (Taylor’s Version)” and “All Too Well (Taylor’s Version)” in 2021.

Meanwhile, “Texas Hold ‘Em” is the first Hot Country Songs leader to name-check a state since Chris Stapleton’s “Tennessee Whiskey,” which led for two weeks in 2015. Among women, before Houston-born Beyoncé, Jamie O’Neal last shouted out a state in the title of a No. 1 song when “There Is No Arizona” led in 2001. As for the biggest state in the continental U.S., until this week it last appeared in the name of a leader on the list thanks to “Texas Tornado” by Tracy Lawrence in 1995.