Music

Steve Lawrence, Grammy-Winning Steve & Eydie Singer, Dies at 88

Steve Lawrence, the charismatic Grammy- and Emmy-winning crooner who delighted audiences for decades in nightclubs, on concert stages and in film and television appearances, died Thursday (March 7). He was 88.

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Lawrence died in Los Angeles of complications from Alzheimer’s disease, publicist Susan DuBow announced. He partnered with the late Eydie Gormé, his wife of 55 years, in the very popular act Steve & Eydie.

With his boyish good looks, silky voice and breezy personality, Lawrence broke into show business when he won a talent competition on Arthur Godfrey’s CBS show and signed with King Records as a teenager. The singer chose to stay old school and resist the allure of rock ‘n’ roll.

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“It didn’t attract me as much,” Lawrence once said. “I grew up in a time period when music was written by Irving Berlin and Cole Porter and George and Ira Gershwin and Jerome Kern and Oscar Hammerstein and Richard Rodgers and Lorenz Hart and Sammy Cahn and Julie Stein. Those people, I related to — what they were writing — because it was much more melodic.”

Lawrence’s smooth stylings were heard on dozens of solo albums, starting in 1953 with an eponymous LP. In 1963, he topped the Billboard Hot 100 for two weeks with the Gerry Goffin-Carole King pop ballad “Go Away Little Girl.” The single became the first in history to reach No. 1 by two different artists, after Donny Osmond recorded his chart-topping version in 1971.

Lawrence also made the top 10 with 1959’s “Pretty Blue Eyes” (No. 9), 1960’s “Footsteps” (No. 7) and 1961’s “Portrait of My Love” (No. 9).

On Broadway, Lawrence starred as Sammy Glick in the long-running What Makes Sammy Run?, a musical adaptation of Budd Schulberg’s novel, and received a best actor Tony nomination in 1964. A year later, he hosted a short-lived CBS variety program, and in the 1970s, he was a semi-regular on The Carol Burnett Show, appearing on more than 2 dozen episodes.

Many will remember Lawrence for his portrayal of manager Maury Sline in The Blues Brothers (1980). When Jake (John Belushi) and Elwood (Dan Aykroyd) need to quickly raise money to save their childhood orphanage, they turn to Maury to book a gig. Lawrence utters one of the film’s most memorable lines when he hears how much they’re looking for. “Five-thousand dollars?” he sputters. “Who do you think you are, The Beatles?”

He reprised the character in the 1998 sequel Blues Brothers 2000.

Lawrence also played a pal of Steve Martin‘s greeting card writer in The Lonely Guy (1984); was Morty Fine, the father of Fran Drescher‘s character on CBS’ The Nanny; and guest-starred on other series including Night GallerySanford and SonMurder, She WroteFrasierHot in Cleveland and Two and a Half Men.

At the height of their popularity in the 1960s and ’70s, Lawrence and Gormé were one of show business’ hottest couples. If a variety show was on TV, it was only a matter of time before Steve & Eydie would be booked for it.

They won an Emmy in 1979 for their NBC special Steve & Eydie Celebrate Irving Berlin and had fun on game shows, appearing on What’s My Line?I’ve Got a Secret and Password All-Stars, to name a few.

When they weren’t shining on the small screen, they were wowing fans in concert and at top nightclubs throughout the country. They were a staple in Las Vegas, headlining Caesars Palace, the Sands, the Sahara and the Desert Inn, and the Las Vegas Entertainment Awards honored them four times as Musical Variety Act of the Year.

In 1981, Lawrence realized a lifelong dream when he and his wife performed a series of sold-out concerts at Carnegie Hall.  

“They are both confident, full-throated singers who show the kind of assured stage presence that can come from years of playing to Las Vegas audiences,” John S. Wilson wrote in his review for The New York Times. “Mr. Lawrence, like so many singers who work in that milieu, uses singing mannerisms that owe a great deal to Frank Sinatra; Miss Gormé has a smoky voice with a powerful projection that enables her to belt out torch songs with a figure that brings such legendary singers as Sophie Tucker up to date.”

Steve Lawrence was born Sidney Liebowitz in Brooklyn on July 8, 1935. The son of a cantor, he grew up singing in synagogue choirs. Music was always a part of his life, but he didn’t know what direction it would take him until the day he listened to his first Frank Sinatra record.

“I must’ve been 15 years old when I heard him. I think I knew [then] what I wanted to do with the rest of my musical life,” he said. “His influence — not only on me, but everyone who came after him — was so indelible, so powerful.”

(Lawrence would hang around with Sinatra and the rest of the Rat Pack, and later, Steve & Eydie opened for Ol’ Blue Eyes on his Diamond Jubilee World Tour. For almost a year starting in 1990, they visited 13 countries for 41 sold-out performances that culminated with a concert at New York’s Madison Square Garden.)

Lawrence attended Thomas Jefferson High School, but books weren’t a priority. He would skip classes to spend his days in Manhattan at the Brill Building, hustling to make connections and pick up some cash singing demos. It was at the songwriting mecca that he first met Gormé; he was entering the building as singer Bob Manning, an acquaintance, was leaving with her. 

“Bob said, ‘I want you to meet Eydie Gormé,’” Lawrence recalled in a 2014 interview with the Los Angeles Times. “She had her hair in a ponytail, and her ponytail hit me in my face.”

In 1953, they met again when they were each booked to sing on the Steve Allen-hosted Tonight!, a forerunner of The Tonight Show. They started doing duets and two years later collaborated on their first single together: “(Close Your Eyes) Take a Deep Breath”/ “Besame Mucho.”

Lawrence and Gormé were wed at the El Rancho Vegas hotel in December 1957. A few months later, they filled in for Allen with a summer replacement variety series that ran for eight weeks on NBC.

After he spent two years in the U.S. Army, they released three albums in 1960, including Steve & Eydie We Got Us, which won them a Grammy for best performance by a vocal group.

In 1968, they headed to Broadway to star in the original musical Golden Rainbow, and that played for more than 380 performances. (Lawrence closed the first act by singing “I’ve Gotta Be Me,” later made popular by Sammy Davis Jr.)

Though they each enjoyed success as a solo act, audiences seemed to prefer Steve & Eydie together. And they did so until Gormé died of an undisclosed illness in August 2013. “Eydie has been my partner on stage and in life for more than 55 years,” Lawrence said then. “I fell in love with her the moment I saw her and even more the first time I heard her sing. While my personal loss is unimaginable, the world has lost one of the greatest pop vocalists of all time.”

A year after Gormé’s death, Lawrence released the solo album When You Come Back to Me Again. He had recorded it when she was ill and put it on hold when she died. When it came time to turn his attention back to music, Lawrence thought it only appropriate to dedicate the album to his wife and release it on Valentine’s Day.

“Eydie heard that album, and she thought it was terrific,” Lawrence said. “We were attached at the hip — Steve-and-Eydie. It was like we were one person, to be married that long.”

It was more than two years before Lawrence would return to the stage. On Valentine’s Day in 2016, he performed a selection of Sinatra tunes at the McCallum Theatre in Palm Desert.

Survivors include his son, David, a film and television composer whose credits include the High School Musical films; daughter-in-law Faye; granddaughter Mabel; and brother Bernie. Another son, Michael, died of heart failure in 1986 at age 23.

Donations in his memory can be made to Alzheimer’s Los Angeles here.

This article was originally published by The Hollywood Reporter.

Every Ariana Grande Album Cover, Ranked

Ariana Grande is one of pop’s biggest trend-setters, in music and beyond. From her sky-high ponytail — which has been dyed a rainbow of different hues over the years — to her long sweatshirt sleeves and thigh-scraping boots, the singer has carved out a style that’s just as singular as her R&B-infused pop anthems or her physics-defying vocals. 

The Boca Raton native’s unique ability to make a statement is evident across her album covers, too. From her 2013 debut with Yours Truly to her 2024 concept album Eternal Sunshine, inspired in part by the Jim Carrey- and Kate Winslet-starring 2004 sci-fi romance of the same name, Grande and her team have honed the art of capturing the essence of a body of music and translating it into visual artwork, which stands out in any given record store or Target CD section.  

But like almost everything else in life, some works are better than others. And while each of Grande’s millions of fans surely has their own favorite of the Grammy winner’s collection of LPs, a few of her covers rule supreme over the rest.  

Many different aspects can make or break an album cover, be it choosing just the right photograph, using colors that visually represent the contents of the project or employing props and graphic design pieces that add, not detract from, the overall vibe. The same goes for Grande’s, which over the course of her career have boasted a diverse selection of hairstyles, palettes and poses, and (of course) the occasional bunny mask. 

Below, see Billboard’s ranking of Grande’s album covers from worst to best. And to those who say that judging artwork is subjective and therefore pointless, our response: Yes, and? 

The Do Lab’s Coachella 2024 Lineup Features Alesso, Anna Lunoe, Chase & Status & More

The Do Lab, organizers of its flagship festival Lightning In a Bottle and producers of its own stage at Coachella since 2004, dropped its 2024 Coachella lineup on Thursday (March 7).

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On weekend one of the festival, The Do Lab will host artists including U.K. drum ‘n’ bass heroes Chase & Status; a DJ set from L.A. star Channel Tres; experimental electronic heroes Hudson Mohawke b2b Nikki Nair; bass producer Hamdi; Alesso playing one of his deep house BODY HI sets; Mia Moretti, whose played other events including the Met Gala afterparty and the Barbie movie premiere; and house mainstay Anna Lunoe.

One weekend two, the Do Lab bill includes DJ Tennis, rising house star HoneyLuv, experimental producers CocoRosie, artists selected by U.K. party series HE.SHE.THEY. and sets by more than 20 other DJs.

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This crew of artists joins the already robust electronic lineup at Coachella in April, with artists including Justice, Gesaffelstein, Orbital, Peggy Gou, John Summit, Dom Dolla, Anyma, Jungle, Charlotte de Witte, Grimes and DJ Snake all playing. In total, more than 60 dance acts are on the Coachella lineup, with the Do Lab artists bringing another heavy dose of the genre. Coachella 2024 happens over two weekends, April 12-14 and 19-21.

For The Do Lab, Coachella is part of the run-up to its own flagship festival, Lightning In a Bottle, which returns to Southern California’s Buena Vista Lake this Memorial Day weekend. The very buzzy lineup for that event includes James Blake, M.I.A., Fatboy Slim, CloZee and the summer’s only U.S. festival date from Skrillex.

See The Do Lab’s complete Coachella weekend one and two lineups below.

Do LaB

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Tyla Cancels Tour, Coachella Set Due to Injury That ‘Tragically Worsened’: ‘I Am Absolutely Heartbroken’

Tyla was gearing up for her first world tour later this month, which included stops at festivals such as Coachella, but those bucket list accomplishments will be put on hold for now.

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The “Water” hitmaker announced on Thursday (March 7) that she’s canceling her North American and Europe tour dates and pulling out a handful of festivals.

Tyla penned a heartfelt letter to fan on Instagram, revealing that she’s been privately battling a health issue.

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She shared that her injury had “tragically worsened,” which forced her to cancel the trek altogether. The tour was slated to kick off in Oslow, Norway, on March 21, and then eventually make its way stateside in April, and wrapping up in May.

“As much as this is something I would rather have dealt with privately, it’s important that I share what I have to share with you today,” she wrote. “For the past year I’ve been silently suffering with an injury that has tragically worsened. I’ve seen doctors and specialists with high hopes but the pain has only become more agonizing as has the severity of the situation.

“I am absolutely heartbroken to have to say this but as of right now I won’t be able to proceed with the tour. In consulting with medical professionals it’s become increasingly clear that continuing any festival or tour dates would jeopardize my long-term health and safety.”

Tyla asked her Tygers not to “worry too much,” as they’ll still be seeing plenty of her around. “Just know when I’m back to performing pain free, I’m gonna be even more of a problem,” the Grammy-winning singer added in the caption. “It’s hard having to turn down opportunities you’ve been waiting your whole life for but God has his plan.”

While the amapiano-R&B sensation won’t be hitting the stage soon, that hasn’t slowed down Tyla’s album rollout, as her highly anticipated debut LP is slated to arrive on March 22.

Named one of Billboard‘s R&B/Hip-Hop Artists to Watch in 2024, the 22-year-old’s eponymous album will feature 14 tracks, including “Water” and the anthem’s Travis Scott-assisted remix.

Read Tyla’s post about her tour cancellation below:

Billboard’s 2024 Women in Music Global Force Honorees

In addition to the many female artists and executives honored at the Billboard Women in Music Awards this year, several women have been selected by Billboard outlets around the world to receive recognition as Global Forces in the industry.

Spanning Argentina, Brazil, China, Georgia, Italy and the Philippines, these visionaries are singers, songwriters, instrumentalists and producers making groundbreaking contributions to the music industry. Each of them will be spotlighted at the Thursday (March 7) Women in Music ceremony, presented by Marriott Bonvoy and hosted by Tracee Ellis Ross at the YouTube Theatre in Los Angeles.

The event’s billing also includes Karol G, Billboard’s 2024 Woman of the Year as well as this year’s Powerhouse honoree, Charli XCX, Hitmaker prizewinner Ice Spice and Icon titleholder Kylie Minogue. Maren Morris will accept the Visionary award, NewJeans will take home Group of the Year presented by Coke Studio, PinkPantheress is Producer of the Year presented by Bose and Tems is 2024’s Breakthrough star.

Plus, Victoria Monet will be honored with the Rising Star title presented by Honda, and Young Miko will receive the Impact Award from American Express.

Fans can watch the show at 5pm PT/8pm ET March 7 at billboardwomeninmusic.com.

Ready to meet the seven women who are Billboard’s 2024 Global Force honorees? Keep reading to learn more about Sherine Abdel-Wahab, Annalisa, Maria Becerra, Sarah Geronimo, Nini Nutsubidze, Tia Ray and Luísa Sonza below. You can see photos of all the stars on the 2024 Billboard Women in Music red carpet here.

NewJeans Hints at New Music: ‘We’re Preparing & We’re Practicing Hard’

NewJeans brought the fun to Billboard’s Women in Music event on Wednesday night (March 6), where they took the stage to perform a high-energy mash-up of “OMG” and their viral hit, “Super Shy,” before accepting the Group of the Year award.

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Earlier in the night, the group stopped by to chat with Billboard on the red carpet, where they were asked about touring and new music plans. “We can’t spoil too much, but I’m just going to say that we’re preparing and we’re practicing hard,” Danielle subtly revealed. “We can’t wait to share new music with everyone. We’re really looking forward to it.”

On whether or not they knew “Super Shy” was going to be a hit, the girls agreed that they loved the song from the start. “When we first heard it, we were all like, ‘This is so catchy,’” Danielle said, before Hanni added, “It was stuck in our heads when we were making it.”

Danielle continued, “It’s really the choreography and the feel of everyone dancing together and having fun, that really makes it a song that’s like, ‘We’re together. We can do this together.’”

In 2023, Get Up — the group’s sophomore EP — debuted at No. 1 on the Billboard 200 (chart dated Aug. 5, 2023), edging out the star-studded Barbie soundtrack by just 500 units. Get Up also hit No. 1 on Top Album Sales, Tastemaker Albums and World Albums (10 weeks).

Watch Billboard‘s full red carpet interview with NewJeans at Billboard Women in Music above.

Lainey Wilson Talks Future of Women in Country Music: ‘I See a Big Change Happening and It’s About Damn Time’

Lainey Wilson got to relax a bit at Wednesday night’s (March 6) Billboard Women in Music 2024 event. After performing and taking home the Rulebreaker award in 2023, the “Heart Like a Truck” singer was happy to present and talk about where she sees the future of country music going.

“That’s an easy one for me,” said Wilson. “I will say I do feel a shift in the genre and I feel like I’m a part of that shift and I’m very proud to be. At the end of the day us girls we got a lot to say and I think it’s really important to hear our side of the story and I’m excited to see the direction it’s going in. And I think it’s only up from here. I see a big change happening [and] it’s about damn time!”

Wilson promised “we still breaking rules,” as she talked about how women in the industry simply have to run riot over the system. “You have no choice,” she said. “Honestly, everybody here is a rule-breaker in their own kind of way… at the end of the day we’re going against the grain in a way that is hard to explain. You gotta be half-way crazy and hard-headed everything else and I am all of those things.”

The singer was also excited to present the Group of the Year award to K-pop stars NewJeans. “It’s awesome. Any opportunity I get to just be in a room from people from so many different walks of life,” she said of expanding her musical horizons while noting that she’s from Baskin, Louisiana, a northeastern town of just under 300. “To be in a room with such incredible talented women from all different walks of life, it’s kind of hard for me to wrap my head around.”

Asked who she was fangirling over at the awards, Wilson admitted that the K-pop quintet has got her on a “NewJeans kick,” while hoping that she would get to officially meet Hanni, Danielle, Minji, Hyein and Haerin.

Fans can stream the Billboard Women in Music 2024 Awards at 8 p.m. ET here tonight (March 7).

Watch Selena Gomez Get Moral Support From Steve Martin While Sharing How to Get Over a Crush

Selena Gomez can turn her love on, but trust that she can also turn it right off.

In a funny video shared to TikTok on Thursday (March 7), the 31-year-old singer/actress passed along some advice on how to get over a crush, featuring some moral support from her Only Murders in the Building co-star Steve Martin.

In the clip, Gomez mouths along to a hilarious audio on set while adjusting her hair in the view finder, while the Pink Panther actor watches her curiously from his seat in the background. “If you have a crush on a guy, don’t worry,” the Rare Beauty founder lip-syncs as Martin smiles behind her. “Just get to know him and it’ll go away.”

Gomez then turns around and walks out of the room while the 78-year-old grins at the camera.

“Feat. Steve Martin lol,” she wrote in her caption.

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The fourth season of Only Murders — starring Gomez and Martin, along with Martin Short — is currently in production, with Hulu recently announcing that Kumail Nanjiani is joining the cast. The Wizards of Waverly Place alum’s new TikTok appears to have been filmed while the main trio was shooting season 3, based on the fact that the gold dress she wears in the clip was featured in the 10th episode of the show’s latest installment.

Gomez and Martin previously hung out together in January at the 2024 Emmys, where Only Murders was nominated for best comedy series (the award ended up going to FX’s The Bear). The “Single Soon” singer brought her boyfriend, producer Benny Blanco, as her date to the ceremony, marking one of the couple’s first major public outings.

On the music side of things, the multi-hyphenate is fresh off the release of her new single “Love On,” which debuted at No. 56 on the Billboard Hot 100 on the chart dated March 9.

“I try not to read too much into things, but I think the whole idea was to make a song that felt good,” she recently told Billboard of the track. “I feel like I’m in such a light and happy place, and that’s reflected in the song.”

See Gomez’s TikTok with Martin below.

Country Music Association Reveals Recipients for 14th Triple Play Awards

The Country Music Association has revealed the recipients of the 14th annual CMA Triple Play Awards, which celebrate songwriters who write three No. 1 songs within a 12-month period, based on Billboard‘s Country Airplay and Hot Country Songs charts, as well as the Country Aircheck chart.

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This year features seven honorees: Ashley Gorley (a three-time recipient this year, for contributing to nine No. 1 hits over the 12-month period), Charlie Handsome, Jelly Roll, Chase McGill, Hunter Phelps, Jordan Schmidt and Thomas Rhett. Celebrating their first CMA Triple Play Award wins this year are Jelly Roll and Schmidt. Gorley remains the most decorated recipient, receiving his 21st, 22nd and 23rd CMA Triple Play Awards. 

Chairman/CEO of Universal Music Publishing Group Nashville, and CMA Board member Troy Tomlinson will be feted with the CMA songwriter advocate award, which honors an individual who has made significant contributions and dedicated their life to supporting and advancing the careers of songwriters and the art of songwriting. Among the artists Tomlinson has championed are Kelsea Ballerini, Casey Beathard, Luke Bryan, Kenny Chesney, Eric Church, Dean Dillon, Tom Douglas, Miranda Lambert, Willie Nelson, Dolly Parton, Blake Shelton, Taylor Swift, Thomas Rhett, Hank Williams and others. Tomlinson has also served organizations including Nashville Songwriters Association International, the Country Music Hall of Fame and Museum Board of Officers and Trustees, and Belmont University. 

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“Since I was about six years old, songs have painted pictures that helped me both escape and embrace life,” Tomlinson said in a statement. “To have spent the past four decades supporting and advocating for the world’s greatest songwriters has been nothing less than an honor and a privilege. Being honored by CMA at this point in my life is extraordinarily rewarding and humbling.” 

The CMA Triple Play Awards will be held Monday, April 15, in Nashville, and hosted by songwriter and CMA Board member Jim Beavers.

See this year’s CMA Triple Play Award honorees, as well as the songs they are being celebrated for, below:

Jelly Roll 
“Son of a Sinner,” recorded by Jelly Roll 
“Need a Favor,” recorded by Jelly Roll 
“Save Me,” recorded by Jelly Roll featuring Lainey Wilson 

Ashley Gorley 
“She Had Me at Heads Carolina,” recorded by Cole Swindell 
“You Proof,” recorded by Morgan Wallen 
“Last Night,” recorded by Morgan Wallen 
“What He Didn’t Do,” recorded by Carly Pearce 
“Gold,” recorded by Dierks Bentley 
“Girl in Mine,” recorded by Parmalee 
“Thinkin’ Bout Me,” recorded by Morgan Wallen 
“God Gave Me a Girl,” recorded by Russell Dickerson 
“World on Fire,” recorded by Nate Smith   

Charlie Handsome 
“Wasted on You,” recorded by Morgan Wallen 
“You Proof,” recorded by Morgan Wallen 
“Last Night,” recorded by Morgan Wallen 

Chase McGill 
“With a Woman You Love,” recorded by Justin Moore 
“5 Foot 9,” recorded by Tyler Hubbard 
“Next Thing You Know,” recorded by Jordan Davis 

Hunter Phelps 
“Best Thing Since Backroads,” recorded by Jake Owen 
“New Truck,” recorded by Dylan Scott 
“Wait in the Truck,” recorded by HARDY featuring Lainey Wilson 

Jordan Schmidt 
“Wait in the Truck,” recorded by HARDY featuring Lainey Wilson 
“Bury Me in Georgia,” recorded by Kane Brown 
“Watermelon Moonshine,” recorded by Lainey Wilson 

Thomas Rhett 
“Half of Me,” recorded by Thomas Rhett featuring Riley Green 
“Angels (Don’t Always Have Wings),” recorded by Thomas Rhett 
“Stars Like Confetti,” recorded by Dustin Lynch 

How Logic1000’s ‘Transformation During Motherhood’ Influenced New Album ‘Mother’

Samantha Poulter had her first child, a daughter named Genie, in October of 2022. In a way, the Australia-born, Berlin-based electronic music producer is about to again give birth. Due March 22 through Because Music, her debut album, Mother, is 11-tracks of cerebral, underground-leaning house music that contains elements of the many facets of femininity. The music is no doubt a product of Poulter’s transition into the album’s titular role.

“Since becoming a mother, I feel this overwhelming sense of womanhood and sisterhood,” she says. It makes sense then that her album is populated by female collaborators including Rochelle Jordan, whose velvet vocals are featured on the lush “Promises” and Miami-based singer MJ Nebreda, who brings an alluring heat to “Every lil.”

“If hearing the story about my transformation during motherhood inspires someone to look deep within themselves and think about how they want to grow and transform,” Poulter says of her vision for the project, “that will make this album successful to me.”

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Foundation

Samantha Poulter took piano lessons as a child but “didn’t like that formal type of training,” she says. Yet she dreamed of being a performer, taking inspiration from Michael Jackson and 1990s-era British pop star Peter Andre. She had a keen ear from a young age, too: “I’d be like, ‘I would do this differently,’ and have ideas about how music should sound without the training to communicate that or create it myself.” That changed when she started producing electronic music in her early 20s, weaving high school-era influences like Destiny’s Child and Aaliyah into her cerebral productions.

Discovery

Poulter and her husband, DJ-producer Tom McAlister, started producing electronic music together in 2016 when she “felt there was a lull” in what she was listening to. She asked him if they could “have a go at making something together that reflects what I want to hear,” and in 2019, she released her self-titled debut EP as Logic1000. It included “DJ Logic Please Forgive Me,” which Four Tet played in his 2019 Coachella set, instantly raising her profile. “That was a huge moment for me,” she recalls, “and it snowballed from there.” She was soon enlisted to officially remix Flume, Christine and the Queens, Major Lazer and Caribou, leading to her own Coachella set in 2022. Come March 22, Logic1000 will release her debut album, Mother, which was supported by a recent Boiler Room set filmed in Melbourne, Australia.



Future

Now based in Berlin, Poulter gave birth to her daughter, Genie, in 2022. The experience of pregnancy and parenting deeply influenced the lush, intimate Mother. Poulter, who has always been candid about her mental health, found the early postpartum period challenging: “I was up and down and so hormonal, but also had this insane energy to achieve things and create this album,” she says. She ended up in a period of burnout, taking 10 months off touring, but feels prepared to dive back in. “Once I realized that this is actually my dream job, it gave me the drive, energy and courage to just do it,” she says, “but with that practical advice of it being on my own terms.”

A version of this story originally appeared in the March 9, 2024, issue of Billboard.