Music

Selena Gomez’s 20 Biggest Hot 100 Hits, From ‘Love Song’ to ‘Lose You to Love Me’

From singing to acting, producing, beauty and philanthropy, Selena Gomez keeps an extremely busy schedule. The multi-hyphenate has done almost everything there is to do in and around the entertainment industry, picking up a number of awards and chart accolades along the way.

One place where the Texas native has thrived since making her musical debut in 2008 is on the Billboard Hot 100. She scored her first entry on the chart with “Tell Me Something I Don’t Know” from starring vehicle Another Cinderella Story, peaking at No. 58 in ’09. The track would eventually find a new home on Gomez’s first album with her band, The Scene: Kiss & Tell, which also spawned such hits as “Falling Down” and “Naturally.”

After her breakthrough Disney Channel series Wizards of Waverly Place wrapped, the Rare Beauty founder moved on to a solo music career. She dropped her debut album Stars Dance in 2013, and one of its singles, “Come & Get It,” reached No. 6 on the Hot 100 that May, marking Gomez’s first top 10 hit. Six years later, she’d score her first No. 1 on the chart with “Lose You to Love Me,” a heart-wrenching ode to self love, released in the aftermath of her breakup from Justin Bieber.

From her days as a rock frontwoman to her more mature pop hits, Gomez has become a chart staple of the late 2000s and 2010s. Keep reading to see her 20 biggest Hot 100 hits — so far, at least — below.

Selena Gomez’s Biggest Billboard Hot 100 Hits ranking is based on weekly performance on the Hot 100 through the charts dated March 16, 2024. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower spots earning the least. Due to changes in chart methodology over the years, eras are weighted differently to account for chart turnover rates during various periods.

High ‘Praise’: Elevation Worship, Brandon Lake, Chris Brown & Chandler Moore Hit No. 1 on Hot Christian Songs

Elevation Worship’s “Praise” — featuring Brandon Lake, Chris Brown and Chandler Moore — rises to No. 1 in its 42nd week on Billboard’s streaming-, airplay- and sales-based Hot Christian Songs chart dated March 16.

During the March 1-7 tracking week, the song surged by 30% to 3.3 million official U.S. streams and 27% to 1,000 downloads sold, according to Luminate. On Christian Airplay, it rises 21-20 for a new high, up 49% to 1.6 million audience impressions.

Elevation Worship frontman Brown co-wrote the song with Lake and Moore, as well as Pat Barrett, Cody Carnes and Steven Furtick.

“It is such an honor to be No. 1 again,” Brown tells Billboard. “We’re blown away by what God has done with ‘Praise,’ and we’re thankful for everyone who has streamed, tuned in and shared the song. We hope it is a great reminder of all the reasons to praise God not just for what He’s done, but for who He is.”



The latest gains for “Praise” were sparked by the March 1 release of the five-song Praise EP featuring five different renditions of the song, including its rootsy “Carolina Version,” the Spanish-language “Alaba” take and the dance-driven “Alastair Remix.”

“Praise” marks the third Hot Christian Songs No. 1 for the Charlotte, N.C.-based Elevation Worship, the fourth chart-topping billing for Lake and the first each for Brown and Moore.

Meanwhile, “Praise” dethrones Lake’s solo hit “Gratitude” after a 28-week reign.

Gavin Leads ‘Again’

Kelontae Gavin banks his third total and consecutive No. 1 on the Gospel Airplay chart with “Live Again” (up 2% in plays).

Jekalyn Carr, who has notched seven Gospel Airplay No. 1s as a recording artist, solely wrote the song.

The 24-year-old Gavin, from Charleston, S.C., previously led the list with “Great” for a week in December 2021, and “Hold Me Close” for one week, that February. His first of four chart entries, “No Ordinary Worship,” became his first top 10, reaching No. 5 in February 2019.

Eminem Causes Havoc in the Office for Cole Bennett-Directed ‘Doomsday 2’ Video: Watch

Imagine Eminem is your boss, but he’s causing more havoc around the office than Jeremy Piven’s Ari Gold character in Entourage.

That’s the case here as Slim Shady stars in the “Doomsday 2” video directed by Lyrical Lemonade‘s Cole Bennett, which fittingly arrived on Wednesday, March 13, known as 313 Day in Detroit.

In the visual, Em emerges from the curtains and walks through the chaotic office scene with papers flying around him and the walls nearly caving in. Still, the Rap God isn’t phased as he peppers the beat like a mini Uzi.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Dressed for the occasion, Eminem rocks his version of business-casual attire with black slacks and a button-down shirt, but made sure to have his Air Jordan “Thunder” Retro 4s matching his yellow tie.

Trending on Billboard

There’s plenty of star power helping Em amplify his message, with younger artists such as Big Sean, Swae Lee, JID, Cordae, Babytron, Denzel Curry and more making cameos.

“And that’s why I’m back with Cole Bennett/ And I been at the level J. Cole been at/ It’s Aftermath that I ride for ’til I die,” Em raps to close out his verse.

“Doomsday Pt. 2” landed on Cole and Lyrical Lemonade‘s All Is Yellow album in January. The project arrived via a partnership with Def Jam Records and it peaked at No. 43 on the Billboard 200.

“It was really about breaking down that door and bringing people together,” Bennett told Billboard about the album in February. “When there’s someone who can act as the glue within it all, people really put their egos down. I want rap music to be more unified, I want there to be more collaboration. Growing up, this is what I was into — I loved posse cuts, I loved left-field features that you wouldn’t expect, I loved seeing my favorite artists from two completely different sides of the spectrum in a photo together. These are all things that fed me, so I wanted to create a world where that was the theme.”

Before hopping on “Doomsday” to kick off the year, Eminem closed out 2023 on a high note when he connected with Benny Blanco for “Lace It” — which also features the late Juice WRLD — in December.

Watch the “Doomsday 2” video below.



Zayn Announces New Album ‘Room Under the Stairs’

Zayn is finally back! The star revealed on Wednesday (March 13) that he will be unveiling his fourth solo album, Room Under the Stairs, on May 17.

He shared the news alongside a photo of the album’s cover art, featuring a silhouette of the 31-year-old singer’s face with a depiction of the space beneath the stairs of a home within his face.

See the announcement here.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Last year, Zayn dropped the new single “Love Like This,” from his upcoming fourth album, his first release of new music since 2021’s Nobody Is Listening.

It’s a busy year for the former One Direction singer, who is pulling triple-duty in the upcoming animated feature 10 Lives, for which he will write new music and perform a duet with Bridgerton star Simone Ashley. Variety reported that Zayn and Ashley will both star in the film, in which the singer will play play “tough-guy twins Cameron and Kirk,” with Ashley voicing a student named Rose.

Trending on Billboard

Zayn will also serve as the executive music producer on the movie, overseeing its musical creative direction. According to a description of director Chris Jenkins’ (Surf’s Up) movie, it tells the story of a “pampered and selfish cat who takes his many lives for granted. After carelessly losing his ninth live he begs for a second chance — and an opportunity to prove he can learn from his mistakes. When his wish is finally granted, however, he learns that it comes with some caveats.”

Megan Thee Stallion Announces 2024 Hot Girl Summer Tour

Megan Thee Stallion is hitting the road. The Houston rapper announced plans for the Hot Girl Summer Tour on Wednesday (March 13).

Meg will be connecting with her Hotties across the globe. Following a North American leg — which kicks off in May — she’ll be heading across the pond for a handful of dates in Europe.

“HOTTIESSS GET READY TO COME HAVE SOME FUN WITH ME AT THEE HOT GIRL SUMMER TOUR Get your outfits ready nowww,” she wrote to social media. “We getting started this MAY I told you what cities today to get yall prepared! Check back in on thee 20th for official dates im so exciteddddd.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

She’ll be making stops in Minneapolis, New York City, Chicago, Philadelphia, Baltimore, Atlanta, Dallas, Phoenix, Los Angeles, Las Vegas and more. Look for the full schedule — including dates and venues — to be released next week (March 20).

Megan Thee Stallion is coming off earning her first solo No. 1 hit on the Billboard Hot 100 with “Hiss” in February. The scathing track caused quite the uproar, appearing to take shots at Nicki Minaj (who responded with a “Big Foot” diss of her own), as well as Pardison Fontaine, Drake, Tory Lanez and more.

Trending on Billboard

“Hiss” is still holding on to the elusive chart, where it sits at No. 94 this week. An album may still be on the way before she hits the road for tour, which would be her first LP since 2022’s Traumazine.

Megan is now independent from her deal with 1501 Ent. and 300, but revealed in February she inked a partnership for distribution with Warner Music Group.

Within the structure of the unique deal, the Houston Hottie will have access to WMG’s global services ranging from music promotion to distribution and worldwide marketing, while maintaining ownership of her masters and publishing.

“This is the beginning of an exciting new chapter of my life and career,” Megan said in a statement. “I’m really focused on building an empire and growing as an entrepreneur, so I’m proud to take this next step in my journey and work with Max Lousada and the entire Warner Music Group team in this new capacity. I know we’re going to create history together.”

Find out if Megan is coming to a city near you this summer in her announcement below.

Chicago’s ARC Music Festival Announces 2024 Lineup: Honey Dijon, Disclosure, Charlotte de Witte & More

Chicago’s ARC Music Festival has announced the lineup for its 2024 event.

Happening Aug. 30-Sept. 1 in the city’s Union Park, the festival will feature a slate of house and techno legends and rising stars, with the bill including U.K. brother duo Disclosure, Belgian techno leader Charlotte de Witte, Chicago-born star Honey Dijon, genre icons Carl Cox playing b2b with Green Velvet, German techno pioneer Sven Väth, New York legend Armand van Helden, a redux set from Kaskade, current phenom Dom Dolla, grime veteran Skepta and many more.

Produced by Chicago’s Auris Presents, ARC launched in 2021 as a festival meant to pay homage to the city’s history as the home of house music. As such, the event always features a collection of genre founders and pioneers, an esteemed group that this year includes Moodymann playing b2b with Carl Craig as Detroit Love, Derrick Carter playing b2b with Mark Farina, Marshall Jefferson b2b Gene Ferris and more. See the complete lineup below.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“You see a lot of festivals that incorporate legends and innovators of a scene, and they’re sometimes relegated to side stages or lower parts of a lineup — places where their impact in the culture of music is not properly reflected,” Auris Presents co-founder Stuart Hackley told Billboard in 2021. “That has to do with many things — artist billing, ticket sales, artist’s profile size — but part of our mission was to take all the artists that are part of the Chicago house music community through the years, people without whom this sound would not be around, and put them right next to the larger artists that are playing this music nowadays.”

Trending on Billboard

ARC 2024 tickets go on sale Friday (March 15), with festival pass holders also getting access to a run of 30 after parties that will happen in 13 venues throughout the city.

ARC 2024 Lineup

Courtesy Photo

Ariana Grande’s ‘Focus’ Music Video Surpasses 1 Billion Views on YouTube

Ariana Grande‘s “Focus” music video has now captured people’s undivided attention more than a billion times.

The 2015 visual has joined YouTube’s billion views club, as confirmed by the platform. It marks her eighth time reaching the milestone, following “Into You,” “No Tears Left to Cry,” “Break Free,” “Side to Side” with Nicki Minaj and more.

In the video, a platinum-haired Grande models several crop top/miniskirt combos, and nails high-energy choreography with a group of backup dancers, at one point pretending to play a silver trumpet. In some scenes, she appears alone in a spinning, circular tube, the lighting showing only the shape of her silhouette.

“Let’s find a light inside our universe now/ Where ain’t nobody keep on holding us down,” she sings on the track. “Just come and get it let them say what they say/ ‘Cause I’m about to put them all away.”

Released in 2015, “Focus” was originally believed to be the lead single off Grande’s third studio album Dangerous Woman, although Republic Records later confirmed it had been cut from the tracklist. It peaked at its debut spot of No. 7 on the Billboard Hot 100.

Trending on Billboard

The news comes as Grande’s most recent music video, “We Can’t Be Friends (Wait for Your Love)” from her new album Eternal Sunshine, rules at the top of YouTube’s U.S. Trending Music Videos chart. The emotional video stars Evan Peters and finds the Grammy winner recreating the premise of Jim Carrey and Kate Winslet’s 2004 film Eternal Sunshine of the Spotless Mind — also a huge inspiration for the singer’s new LP — getting brain surgery to erase her every memory of a lost love.

Revisit Grande’s “Focus” music video above.

Watch Drake Join Bun B’s RodeoHouston Set

More than 75,000 fans laced up their cowboy boots and attended Bun B’s 2024 RodeoHouston set at NRG Stadium on Tuesday (March 12).

Drake joined the headlining performer for the night as the UGK rapper welcomed Houston’s “newest resident” to the stage. Riding in style, the 6 God entered with more protection than the governor of Texas with a cavalcade of black SUVs while Chino Pacas tunes boomed throughout the stadium.

“And to thank you for all that you’ve done for me and my family, I present to you, The Boy,” Bun said. “This is our newest resident, please make some noise for Drizzy Drake.”

Drake emerged from the SUV rocking a Bun B Trill album T-shirt and orange jacket to kick off his set, taking fans down memory lane with his So Far Gone “November 18th” throwback ode to Houston while paying homage to the late DJ Screw. “The first time I did this song in Houston, Texas [I] was at Warehouse Live,” Drake recalled.

Trending on Billboard

The OVO boss kept the crowd’s energy on 100, running through an array of hits in his decorated discography including “SICKO MODE,” “Nonstop,” “Energy,” “Hotline Bling” and wrapped up with For All The Dogs‘ “Rich Baby Daddy.”

Outside of Drake’s performance, there was plenty of star power in the building, as Rick Ross, Lil Jon, Nelly, Ying-Yang Twins, Eve, E-40, Too Short, That Mexican OT and more performed.

The stop in H-Town made sense for Drake while he’s still on the road, as the It’s All a Blur – Big as the What? Tour will be heading to nearby San Antonio for a pair of shows at the Frost Bank Center on Thursday (March 14) and Friday (March 15).

Watch some highlights from Drake’s performance below.

How BossMan Dlow Created a Hit Co-Signed By Lil Baby, Ciara, Quavo and Millions of Listeners

Initially, BossMan Dlow didn’t think he crafted a breakout hit in “Get In With Me” — after recording the track last year, he quickly discarded it into his dossier of files and got back to working on his next hopeful street anthem. But he’s happy to be wrong: the song become his debut entry on the Billboard Hot 100 in mid-February and has since reached a No. 49 high in five weeks on the chart. In the March 1-7 tracking week, “Get In With Me” earned 9.6 million official U.S. streams, according to Luminate. 

The 25-year-old credits the slick rhymes on the trunk-rattling single to the alcohol flowing through him during a November studio session in Fort Lauderdale, Florida. “Patrón was talking to me,” he tells Billboard. “That beat came on and I think I had just spent $1250 on some shoes — so that was in my brain, ‘Pair of shoes $1250.’ It just came to me on some drunk s–t to be real.”

Trending on Billboard

Dlow motivates listeners with his work hard, play hard mentality stacking paper and getting fly to floss on the competition. (“You wanna be a boss, you gotta pay the price,” he raps on “Get In With Me.”) And he isn’t apologizing for his making recent waves in the industry, either, breaking through after pounding on rap’s door seeking entry since 2019 (“I’m trying to step on they throat — ya hear me”).

He signed a record deal with Alamo Records last summer, and he’s the latest integral piece to an already-loaded R&B/hip-hop roster that boasts stars Rod Wave and Lil Durk. And with a label team in tow, life is moving faster than ever for the burgeoning Florida native. He’ll look to stay hot with the release of his gritty Mr. Beat the Road mixtape on Friday (March 15). The 17-track project boasts features from Sexyy Red, Rob49 and more. 

Below, Dlow tells Billboard about the success of “Get In With Me,” manifesting a Future collab and his entrepreneurial plans outside of music.

Did you know “Get In With Me” was a hit when you first recorded it?

Hell nah. I had just ran through it. I heard the beat and that probably took me 45 minutes to an hour and then I was like, “You know what? F–k it, next song.” Type of s–t. That’s just another song. [I’m] punching in freestyling. I used to write. Now I don’t be having no time like that. I just go in that b—h and speak my mind, which is a little better. 

Where were you eating hibachi on the 50th floor?

That’s boss activity. Get you a bad b—h and take her to the 50th floor and order the most expensive s–t you can. You know, just living life. Doing s–t to talk about doing s–t. 

When did you know it was a hit outside your fanbase?

When I first did the freestyle, the s–t went up to like 200,000 likes. I ain’t never had that many likes. Then it was people reposting it. Rod Wave, Moneybagg Yo, even Ciara posted it, DaBaby wanted to get on it. He posted it. A lot of reaction from big rappers too so it’s really crazy.

I saw Quavo using your lyrics in an Instagram caption. What do you think about seeing that?

That s–t crazy. From playing these dudes’ [songs] to now they playing my music. I never talked to him, he just did that.

What was your reaction to making the Hot 100?

The s–t just keep getting crazier and crazier. That’s hard as f–k to do, bro. Especially rap music. It’s unbelievable. 

Do you ever have the mentality of “I’m trying to make the Hot 100” when making music?

Nah, I was really in the streets. This is new to me. So my manager telling me, “You at No. 52 on Billboard [Hot 100].” Like damn, Billboard?! I don’t really know what it mean but you know that s–t is hard. 

What do you think about “Get In With Me” taking off on TikTok and helping promote it?

Yeah, I seen Lil Baby posted it. It’s crazy. I really didn’t know that song was gonna do all that. That’s what I learned. It be the songs you don’t like. That’s just how it goes. I’m not saying like I thought it was trash, I’m saying more I put it to the [side] like this ain’t one of ‘em. This ain’t my main focus.



How’d you link up with the producer Dxntemadeit?

Yeah, I f–k with bro. Bro was in the studio with us and we got a couple beats off him. I f–k with his selection and how he make his beats. We started working and we gonna keep it going. We got us some [more] s–t coming for sure. 

How did you end up signing with Alamo last year? The label is loaded with you, Lil Durk and Rod Wave to name a few.

Real street. My music started off in Tallahassee and started swinging its way up north and down south in Florida. Couple rappers were reposting my music from the start, and it ended up having me to keep going. [I signed with Alamo during] Last year around August or September. Yeah, we finna crush. We got no time to play.

What was your childhood like growing up? I know you were a hoops fan.

Yeah, Port Salerno. Small hood running around doing kid s–t. Riding dirt bikes and s–t. Couple of streets to ride on, couple of dirt path roads to ride on. Play a little basketball and it’s really just the streets after that. You’ll catch the streets young where I’m from. It’s all around. You end up doing street s–t and then you end up in trouble and then you end up all in now. Just some small city. 

Who were some of your early music inspirations?

My people used to play old-school music. I used to play Lil Wayne, Wiz Khalifa. That was my s–t. 

What did you find so appealing about Future’s music?

He’s been going for a long time and he can drop a hit whenever he wants to. It speaks for itself. I want to be long-lasting like that. He’s probably looking at 20 years right now. 

We’re gonna get that Dlow and Future collab?

We definitely gon’ get it.

I read you wanted to change your name from BossMan Dlow. What was it gonna be?

Yeah, in 2019 I was BossMan Dlow and I got locked up and had some s–t to deal with. I didn’t want to get back out and rap with the same name I got locked up in. I was gonna just be Big Za. I had a little music, and I had my listeners knowing me as BossMan Dlow. I didn’t wanna throw them off so I just kept it. 

What about “Slide” by H.E.R. helped you get through being locked up?

When I heard it, I just had to go by myself and zone out. I picture me just seat laid back, foreign car, I’m on [Interstate] 95 talking to this b—h and good za. I’m just sliding and handling business. That song put me in that mode for real. I used to play a lot of Roddy Ricch too. 



What are some of your 2024 goals? [Is there] Another project on the way? 

We’re trying to go on tour, bro. We trying to get this tour right. We trying to get to the arenas and sell out arenas and make better music. We gon’ stay consistent. We gon’ keep it rolling. Another tape and we gon’ have an album this year too.

Bossing up, what other ventures do you have lined up to create avenues for income outside of music?

I want a trucking business. We gon’ rent and sell cars. We gon’ buy property houses. We gon’ build houses. We gon’ own car washes and restaurants. We gonna do it all. I want every store you pass to be Dlow’s establishment. You could come work for Too Slippery Entertainment.

A version of this story originally appeared in the March 9, 2024, issue of Billboard.

Travis Kelce Recaps Singapore Trip With Taylor Swift & ‘Amazing’ Eras Tour Shows: ‘It Was Cool As F–k’

Travis Kelce is becoming quite the global jet-setter thanks to his relationship with Taylor Swift. Most recently, the Kansas City Chiefs tight end flew across the world to be with his superstar girlfriend during her six-night run of Eras Tour shows in Singapore, a trip he opened up about in the latest episode of his New Heights podcast Wednesday (March 13).

“I got to see two amazing shows of the Eras tour,” he told his older brother and co-host Jason Kelce, who recently retired from the Philadelphia Eagles. “The last of the leg that Taylor has until she’s back at it here in a couple of months.”

“But yeah outside of that, I got to get some lovely Singapore food and just catch the views,” he added.

Trending on Billboard

The highlight of his trip, he revealed, was visiting the world’s largest glass greenhouse: the Flower Dome, located at Gardens by the Bay in Singapore. “How about that?” Travis said excitedly. “It was cool as f–k. They had the world’s, like, biggest waterfall in a greenhouse too. It was awesome, man.”

In clips from the “Anti-Hero” singer’s March 8 show at Singapore’s National Stadium, the Ohio native happily dances along to Swift’s performance of “Look What You Made Me Do” with friends. After the concert, fans spotted him kissing the pop star before walking with her backstage.

A couple weeks prior, he caught a show in Australia and visited the Sydney Zoo with the 14-time Grammy winner. When asked by Jason on the podcast which city he preferred, Travis replied, “I absolutely love them both.”

“I want to see more of Australia, I feel like I got to see a little bit more of Singapore,” he added. “I’m gonna say Singapore was more interesting.”

Watch the latest episode of New Heights above.