Music

Lenny Kravitz Talks Rock Hall Nomination: ‘It’s a Beautiful Thing’

If form is a guide, Lenny Kravitz ought to be a shoo-in for the Rock Hall class of 2024.

With a new album out in May, the veteran rocker has been soaking up the plaudits on the awards trail, including a star on the Hollywood Walk of Fame, presented earlier this month (with a savage roasting by his daughter Zoë Kravitz), and the Music Icon Award at the 2024 People’s Choice Awards, held last month in Santa Monica, Calif.

The most-coveted music award of them all potentially awaits, a spot in the Rock And Roll Hall of Fame, for which Kravitz is nominated alongside the likes of Mary J. Blige, Oasis, Dave Matthews Band, Cher, Mariah Carey, Kool & the Gang and more.

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Nothing is certain. Though Kravitz is taking the time to smell the flowers.

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“It’s a beautiful thing. It’s lovely to receive flowers,” he explained when he stopped by The Tonight Show Starring Jimmy Fallon, for an interview which aired Wednesday night, March 20.

The “Fly Away” singer’s recording career took off in the early ‘90s, following a bidding war among the-then five major labels. He decided on Virgin, and the label’s promise that the multi-hyphenate would have total creative control.

“I promised myself,” he told host Jimmy Fallon, “when I was coming up I never took the time to enjoy those kinds of things. I was always moving forward, not thinking about the past or what was happening. So, I said when this stuff starts happening again, I’m going to take the time, and I’m going to enjoy the moments because it’s beautiful.”

Awards are a bonus for Kravitz, who is readying the May 24 release of Blue Electric Light, his 12th studio album. The collection, he remarked, is about “celebration, life, humanity, sexuality, sensuality, spirituality.”

Its title track came to Kravitz in a dream during the final stretch of recording sessions in the Bahamas. He cut it the next day, and guitarist Craig Ross persuaded Lenny to dump his previously planned album title.

Blue Electric Light is “just that vibration of love, of god, of spirit,” he explained to Fallon.

Kravitz will support the album with a summer European arena and festival tour, kicking off June 23 at Sporthalle in Hamburg, Germany. But first, the rock star and his band gave a taste of things to come with a late-night performance of album track “Human,” a song about us “spiritual beings having a human existence, the journey, man.”

Watch the late-night interview and performance below.





Norah Jones’ ‘Visions’ Debuts Top 10 on Album Sales, No. 1 on Jazz Charts

Norah JonesVisions bows at No. 9 on Billboard’s Top Album Sales chart (dated March 23) and at No. 1 on both the overall Jazz Albums and Contemporary Jazz Albums rankings. It’s the eighth top 10 on the Album Sales tally for Jones, and her fourth leader on both Jazz Albums and Contemporary Jazz Albums.

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Visions also enters at No. 40 on the Top Rock & Alternative Albums chart, her first debut on the list since Dec. 2013, when Foreverly, her collaborative album with Billie Joe Armstrong, opened at No. 7 on its way to a No. 4 peak in Jan. 2014.

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Visions was preceded by the radio-promoted single “Running,” which has so-far peaked at No. 7 on the Adult Alternative Airplay chart – marking her eighth top 10 and highest-charting song on the list in over a decade, since “Happy Pills” hit No. 4 in 2012.

Also in the top 10 of the new Top Album Sales chart: the latest releases from Ariana Grande, Judas Priest, xikers and Bleachers arrive.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

In the tracking week ending March 14 (which is reflected on the March 23-dated Top Album Sales chart), Visions sold 7,000 copies in the U.S., according to Luminate. Of that sum, physical sales comprise 5,500 (3,500 on CD and 2,000 on vinyl) and digital download sales comprise 1,500. The album was available in four vinyl variants (including exclusive iterations for Barnes & Noble, indie retailers and Spotify), a standard CD, a Target-exclusive CD (with a bonus track and a poster) and a signed CD (available in Jones’ webstore).

At No. 1 on Top Album Sales, Ariana Grande’s Eternal Sunshine starts with 77,000 copies sold – earning Grande her sixth chart-topper. The set was available in a dozen physical configurations and two digital download offerings.

Veteran rock band Judas Priest starts at No. 2 with Invincible Shield (23,000 sold), scoring the group its third top 10-charting set on Top Album Sales. (The list began in 1991, well after Judas Priest began its overall Billboard chart career in 1978 on the Billboard 200 with Stained Class.) The new album’s first-week sales were bolstered by its availability across six vinyl variants, a standard CD and a Target-exclusive CD with a lenticular cover.

South Korean pop group xikers nabs its highest-charting effort on Top Album Sales, and second top 10-charting set, as House of Tricky: Trial and Error debuts at No. 3 with 12,500 copies sold (the act’s best sales week). The set’s sales were almost entirely from CDs, with a minimal number of sales from digital downloads. The album was issued in 10 collectible CD editions, all including branded paper merchandise (some randomized).

TWICE’s With YOU-th falls 1-4 in its third week on the chart, selling 10,500 copies (down 37%).

Bleachers’ new self-titled album opens at No. 5 with 9,500 copies sold. It’s the second top 10-charting effort the for the act, led by Jack Antonoff. The album was available in a standard 14-track edition on digital download, CD and cassette. It was also available on 10 vinyl editions, all boasting bonus tracks and most pressed on colored vinyl.

Rounding out the rest of the top 10 on the new Top Album Sales chart: Taylor Swift’s chart-topping 1989 (Taylor’s Version) falls 3-6 (9,000; up 2%), Swift’s former leader Lover is steady at No. 7 (8,000; up 8%), LE SSERAFIM’s Easy falls 2-8 (7,000; down 30%) and Swift’s chart-topping Folklore dips 8-10 (6,000; up 4%).

In the week ending March 14, there were 1.196 million albums sold in the U.S. (up 3.7% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 909,000 (up 7%) and digital albums comprised 287,000 (down 5.5%).

There were 474,000 CD albums sold in the week ending March 14 (up 7.3% week-over-week) and 430,000 vinyl albums sold (up 6.7%). Year-to-date CD album sales stand at 4.792 million (down 30.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 5.031 million (down 48%).

Overall year-to-date album sales total 13.132 million (down 36.3% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 9.872 million (down 40.9%) and digital album sales total 3.260 million (down 16.5%).

Justin Timberlake Gets in the Studio With His ‘Brothers’ *NSYNC for ‘Paradise’ Recording

Justin Timberlake is feeling nostalgic with *NSYNC.

Following the release of his sixth studio album, Everything I Thought It Was, on Friday (March 15), the star took to Instagram to share a behind-the-scenes clip of the making of “Paradise,” his collaboration with former boy band *NSYNC. In the video, the five-piece group are seen recording vocals on the unifying track, where the band comes together on the chorus to sing, “Everything is happening/ And it’s just what I imagined/ I imagine it would feel like paradise.”

“In the studio with my brothers. Thank you all for the PARADISE love,” he captioned the post. Watch the clip here.

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Timberlake had already hinted at more *NSYNC music last month, following the release of “Better Place” for the Trolls Band Together soundtrack in September. During an appearance on The Kelly Clarkson Show, the star strongly hinted that he and bandmates JC Chasez, Lance Bass, Joey Fatone and Kirkpatrick are cooking up a follow-up to their comeback single. “That was fun,” he began, recalling how the guys reunited for “Better Place.” “It’s kind of crazy — there’s so much that picks up right where it left off as far as chemistry.” 

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In support of his new LP, Timberlake is set to embark on a headlining North American arena tour. The tour will kick off April 29 at Rogers Arena in Vancouver, B.C., and visit major cities such as Las Vegas (May 10-11), New York (Jun. 25-26) and Atlanta (Nov. 16), before concluding Nov. 20 at KFC Yum Center in Louisville, Ky.

Machine Gun Kelly & Trippie Redd Announce ‘Genre: Sadboy’ Joint Project

Machine Gun Kelly and Trippie Redd are no strangers to collaborating, but they’ve decided to flesh out their thoughts into a full-length joint project.

MGK revealed on Wednesday (March 23) that he’s teaming up with his fellow Ohio native for Genre:Sadboy. The collab effort is slated to arrive next Friday (March 29), which is already a busy release day with Beyoncé unleashing Cowboy Carter.

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Kells and Trip took to Instagram when announcing the project with accompanying footage of the genre-blending duo dishing out emo-raps in the studio. “genre:sadboy 3/29 a project by us,” MGK wrote.

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“People won’t say how they feel about you until you die,” Kelly bluntly states over guitar-laden production.

Diplo was hyped up to hear about MGK and Trippie connecting as he chimed in under the comment section: “This is going to [be] f—–g good!”

Genre:Sadboy will serve as the first project offering of 2024 for both Machine Gun Kelly and Redd. The pair released solo singles earlier in March. They’ve proven to be a formidable duo in the past while collaborating over the years on tracks like Hotel Diablo‘s “Candy,” Tickets to My Downfall‘s “All I Know” as well as “Red Sky” and “Pill Breaker.”

The Cleveland native’s last rap album came in 2019 with Hotel Diablo following MGK’s lucrative two-album rock pivot. 2022’s Mainstream Sellout debuted at No. 1 atop the Billboard 200 with 93,000 album units sold.

Trippie had a busy 2023 feeding fans’ appetites with essentially three different projects between Mansion Musik, A Love Letter to You 5 and the Saint Michael V2 deluxe.

Find the Genre:Sadboy announcement below. Look for the project next Friday (March 29).

Azealia Banks Takes Aim at Beyoncé’s ‘Cowboy Carter’ Album Cover & Title

The cover art for Beyoncé‘s upcoming album Cowboy Carter has stirred up some interesting discussions, most recently and notably from Harlem rapper Azealia Banks. The opinionated MC took to Instagram Stories on Tuesday to give us all a little lesson in cultural criticism.

First, Banks takes aim at the album’s title, writing, “Wow we didn’t even try to put even a little effort into a more artistic title?” Now, to be fair, we don’t know what Beyonce‘s thinking is as it pertains to the title. Some fans believe it’s a play on words. Obviously, Carter is her last name through marriage to rapper/businessman Sean Carter, aka Jay-Z, but it’s also the last name of the family widely seen as the first family of country music. It could be anything or nothing at all. The only person who knows is Cowboy Carter herself.

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Banks then takes issue with the cover’s overall aesthetic, asking, “how u switch from baobab trees and black parade to this literal pick me stuff,” referring to the Grammy Award-winning single from The Lion King: The Gift soundtrack Beyoncé executive produced back in 2019. It seems all the Americana imagery is too on the nose for Banks and misses the mark, as she accuses Beyonce of being in “white woman cosplay” and “reinforcing the false rhetoric that country music is a post civil war white art form. And subsequently reinforcing the idea that there is no racism, segregation, slavery, violence, theft, massacres, plagues, manifest destiny craziness that form the bedrock of epithets like ‘proud to be an American,’ or ‘god bless the usa.’”

As if that weren’t enough, Banks also brought up the 2016 CMA Awards performance Beyoncé did with The Chicks (then called The Dixie Chicks), writing, “u do lame stuff like bring out some black listed white women (Dixie Chicks) at the country music awards and they would never ever do the same for you.”

It’s all…a lot. You can check out all of what she wrote below. But it’s interesting to see Banks read so much into the album title and cover when Beyoncé herself took to Instagram on Tuesday to explain to fans why she decided to make Cowboy Carter.

Beyoncé didn’t mention the 2016 CMA Awards specifically, but she did write that the album “was born out of an experience that I had years ago where I did not feel welcomed.” And while Banks believes Beyoncé is unaware of the genre’s history, Bey explained that after the experience of not feeling welcomed she did “a deeper dive into the history of Country music and studied our rich musical archive.” Similar to 2022’s Renaissance, on which she worked to reclaim Dance music, many feel she will be doing the same with country on this project. But hey, like she said in her IG post, “This ain’t a Country album. This is a ‘Beyoncé’ album.”

Ariana Grande Rules Hot 100 Songwriters & Producers Charts for First Time

Ariana Grande is having a massive week on Billboard’s charts. Along with claiming the No. 1 album on the Billboard 200, the No. 1 song on the Billboard Hot 100 and reigning as the No. 1 act on the Billboard Artist 100, she also rules the Hot 100 Songwriters and Hot 100 Producers charts for the first time.

As such, Grande becomes just the fourth artist to top all five of those surveys simultaneously, a feat achieved just 10 times since Billboard launched the songwriter and producer charts in 2019. Here’s a look at every such week.

Chart Date, Artist, Billboard 200 No. 1 album, Hot 100 No. 1 song
March 23, 2024: Ariana Grande, Eternal Sunshine, “We Can’t Be Friends (Wait for Your Love)”
Nov. 18, 2023: Taylor Swift, 1989 (Taylor’s Version), “Cruel Summer”
Nov. 11, 2023: Taylor Swift, 1989 (Taylor’s Version), “Is It Over Now? (Taylor’s Version) [From the Vault]”
Sept. 9, 2023: Zach Bryan, Zach Bryan, “I Remember Everything” ft. Kacey Musgraves
Dec. 3, 2022: Taylor Swift, Midnights, “Anti-Hero”
Nov. 26, 2022: Taylor Swift, Midnights, “Anti-Hero”
Nov. 12, 2022: Taylor Swift, Midnights, “Anti-Hero”
Nov. 5, 2022: Taylor Swift, Midnights, “Anti-Hero”
Nov. 27, 2021: Taylor Swift, Red (Taylor’s Version), “All Too Well (Taylor’s Version)”
April 4, 2020: The Weeknd, After Hours, “Blinding Lights”

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Taylor Swift has led all five charts simultaneously a record seven times, and via three albums: Red (Taylor’s Version), Midnights and 1989 (Taylor’s Version). The Weeknd and Zach Bryan have both achieved the feat once, thanks to their LPs After Hours and Zach Bryan, respectively.



Grande tops the latest Hot 100 Songwriters and Hot 100 Producers charts thanks to her credits on all 12 of her charting songs on the Hot 100, all from Eternal Sunshine. Notably, she’s the only co-songwriter and co-producer on all 12 songs. Here’s a recap.

Rank, Title
No. 1, “We Can’t Be Friends (Wait for Your Love)”
No. 10, “Yes, And?” (up from No. 31; debuted at No. 1 on Jan. 27)
No. 16, “The Boy Is Mine”
No. 17, “Supernatural”
No. 23, “Eternal Sunshine”
No. 25, “Bye”
No. 28, “Don’t Wanna Break Up Again”
No. 30, “True Story”
No. 37, “Imperfect for You”
No. 38, “Intro (End of the World)”
No. 39, “I Wish I Hated You”
No. 55, “Ordinary Things,” feat. Nonna

Eternal Sunshine is Grande’s first album cycle in which she’s credited as a co-producer. She logged her first career Hot 100 entry as a credited producer on “Yes, And?,” with Max Martin and ILYA. Of the 12 charting songs from the set, Martin is a co-producer on all but “Intro (End of the World)” and “I Wish I Hated You.” ILYA co-produced all except “Intro,” “Supernatural” and “Ordinary Things.” Martin and ILYA rank at Nos. 2 and 3, respectively, on Hot 100 Producers.

Martin has an unprecedented history on Billboard’s charts, having produced a record 25 No. 1 songs on the Hot 100. He tallied his record-breaking 24th leader in January with “Yes, And?” (passing late Beatles mastermind George Martin). He tallies his 25th with “We Can’t Be Friends (Wait for Your Love).”

As for ILYA, 26 of Grande’s Hot 100-charting entries have been produced or co-produced by the hitmaker, including her two most recent No. 1s, as well as her first top five hit, “Problem,” featuring Iggy Azalea, in 2014. He also co-produced Sam Smith and Kim Petras’ 2022 No. 1 “Unholy,” along with songs by Justin Bieber, Jonas Brothers, Lizzo and Normani.

Billboard’s weekly Hot 100 Songwriters and Hot 100 Producers charts are based on total points accrued by a songwriter and producer, respectively, for each attributed song that appears on the Hot 100. As with Billboard’s yearly recaps, multiple writers or producers split points for each song equally (and the dividing of points will lead to occasional ties on rankings). Billboard launched its Hot 100 Songwriters and Hot 100 Producers charts, as well as genre-specific rankings for country, rock & alternative, R&B/hip-hop, R&B, rap, Latin, Christian, gospel and dance/electronic in June 2019. Alternative and hard rock joined in 2020, along with seasonal holiday rankings in 2022.

Quavo Launches Program to Award $100,000 for Gun Violence Prevention in Atlanta

Quavo is looking to give back to his local Atlanta community through The Rocket Foundation. Huncho announced the launch of the Spark Grants initiative on Wednesday (March 20), which will award 10 different organizations with $10,000 to help minimize gun violence and spread awareness around the ATL.

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The grants will be handed out to recipients on June 18, which is also the birthday of Quavo’s late nephew and Migos bandmate Takeoff and lands in National Gun Violence Awareness Month.

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Takeoff (born Kirshnik Khari Ball), 28, was shot and killed early in the morning of Nov. 1, 2022 while attending a private party with Quavo at 810 Billiards & Bowling in downtown Houston.

Last year, Quavo headed to Washington, D.C., to meet with Vice President Kamala Harris to discuss gun violence and what could be done to help reduce the amount of weapons on the streets. Twenty-four hours later, the White House revealed plans for the Office of Gun Violence Prevention.

“I am honored to launch this grant program to honor Take and the countless families that have been affected by gun violence,” said Quavo in a statement. “The Rocket Foundation will be giving out $100,000 in Spark grants to local organizations dedicated to reducing community violence in Atlanta.”

He continued: “There is a lot of important work going on in ATL right now, and part of our mission is to uplift these organizations and support them to help save more lives.”

Applications from nonprofit organizations are due by April 21 and then the $100,000 in total will be awarded on June 18. The 10th winner will be selected by the public with voting taking place on The Rocket Foundation’s website.

Investigators said shots rang out during the an afterparty attended by several dozen people, with TakeOff pronounced dead at the scene of what the Harris County coroner’s office said was “penetrating gunshot wounds of head and torso into arm.”

Less than a month before TakeOff’s murder, Quavo and Take teamed up to form the Unc & Phew duo (TakeOff is Quavo’s nephew) and unleash their Only Built For Infinity Links album. The LP debuted at No. 7 on the Billboard 200.

Ally Brooke Says She Was the ‘Glue’ of Fifth Harmony

Ally Brooke is opening up about her time in Fifth Harmony, which was formed on The X Factor in 2012.

In a wide ranging interview with Keke Palmer for the Baby, This Is Keke Palmer podcast this week, the 30-year-old star revealed a compliment that the show’s judge Simon Cowell told her while she was on the singing competition. “After we were formed, Simon pulled me to the side and he said, ‘You are the glue who holds the group together,” she recalled. “And I was like, ‘Oh my God, what?’… It was like a crown that he was giving me.”

The interview comes years after Fifth Harmony — which was reduced to Ally Brooke, Normani, Lauren Jauregui and Dinah Jane after Camila Cabello left — disbanded in 2018. Since then, Ally has released a number of singles as a solo artist, starting with “Low Key” in 2019.

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As for a 5H reunion, Ally told Billboard last year that it’s entirely possible. “We’re women now and we have grown so much and we have done our own thing, gone our own ways and gone our own path. And now we’re together in a different light,” she explained, while hinting at more reunions with the other members in the future. “I’m trying to reunite with them, so I think some sort of reunion may happen.”

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She also promised that an album is on the horizon for 2024: “There is 100 percent an album, but that will be for next year,” she said. “Fingers crossed, but it’s really true. We’re just beginning to work on it and we have a lot that’s in store.”

Watch the full episode of Baby, This Is Keke Palmer with Ally Brooke below.

Erv Woolsey, Longtime Manager for George Strait, Dies at 80

Artist manager and record promotion executive Eugene Ervine “Erv” Woolsey, 80, died Wednesday (Mar. 20) in Clearwater, Florida, following surgery complications.

Woolsey was best known as the longtime manager for and champion of country music superstar and Country Music Hall of Fame member George Strait, as well as for managing and championing artists including Lee Ann Womack, Dierks Bentley, Clay Walker and Ronnie Milsap.

“My manager for around 45 years and most importantly my friend for even longer, Erv Woolsey, passed away this morning,” Strait said in a statement. “He had complications from a surgery and just couldn’t overcome it. He was a very tough man, and fought hard, but sadly it was just too much. We will miss him so very much and will never forget all the time we had together. Won’t ever be the same without him.”

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Woolsey was born on Feb. 15, 1944, in Houston. After graduating from Southwest Texas State University in 1969 with a BBA degree in business, Woolsey began working in Decca Records’ promotion department. He spent time working at several labels before relocating to Nashville in 1973, when he began serving as the head of promotions for ABC Records’ newly-launched country division. There, he helped guide the careers of Johnny Rodriguez, Jimmy Buffett, Billy “Crash” Craddock, Donna Fargo, Freddy Fender and the Amazing Rhythm Aces. Simultaneously, Woolsey and his then-wife Connie owned the San Marcos, Tex., club The Prairie Rose, where Woolsey first saw and became acquainted with Strait. He immediately recognized Strait’s talent and booked him at the venue as a regular performer.

Woolsey followed his success at ABC Records with an unprecedented run at MCA during the 1980s, bringing radio success for artists including Barbara Mandrell, Don Williams, Loretta Lynn, Tanya Tucker, Conway Twitty and the Oak Ridge Boys, all of whom would become members of the Country Music Hall of Fame.

Erv Woolsey and George Strait

Erv Woolsey and George Strait

Courtesy of The Erv Woolsey Co.

In 1981, following the success of the John Travolta film Urban Cowboy and on the cusp of a new traditionalist movement, Woolsey convinced MCA Records head Jim Fogelsong to sign Strait to the label, where Strait remains to this day. On MCA, Strait released his debut single, “Unwound,” which had an undercurrent of Texas swing; the song reached No. 6 on Billboard‘s Hot Country Songs chart and launched Strait’s juggernaut career. In 1984, Woolsey left MCA and devoted himself to managing Strait’s career full-time.

Since then, Strait has earned entertainer of the year accolades spanning four decades and won a Grammy. Strait and Woolsey broke ground with the 1992 Jerry Weintraub-produced film Pure Country, as well as the stadium-sized George Strait Country Festival Tours, which began in 1995 and featured artists including Alan Jackson, The Chicks, Tim McGraw, Faith Hill, Kenny Chesney, Womack and Western swing band Asleep at the Wheel.

Though Strait has retired from traditional touring, he still plays a handful of stadium dates each year, most recently sharing his stage and audience with Chris Stapleton and Little Big Town.

Along the way, Woolsey also found success as a songwriter, co-writing “In Too Deep” on Strait’s 1985 project Something Special, as well as the Hot Country Songs chart-topper “I Can Still Make Cheyenne,” which earned a BMI Million-Air award for garnering more than 1 million spins on terrestrial radio. Woolsey also developed a series of clubs and bars, including opening Nashville clubs The Trap with business partner Steve Ford and the Music Row-area mainstay Losers, which was designed as a hole-in-the-wall establishment for publishers, producers and songwriters. Losers’ success led to Winners right next door, as well as the Dawg House. Woolsey also served on the Country Music Association’s board of directors as well as the board of directors for the Tennessee Museum of History.

Late into his career, Woolsey continued his passion for developing new talent, signing artists including Ian Munsick, Davisson Brothers Band, Kylie Frey, Triston Marez, Nick Davisson, Zach Neil, Stone Senate and Vince Herman over just the past few years.

A longtime fan and passionate member of the horse racing community, Woolsey is a lifetime member of the Texas Thoroughbred Association and was a regular at Kentucky’s Churchill Downs and Keeneland, including Super Stock’s run in the Kentucky Derby Grade 1 in 2021 and Jordan’s Henny in the Kentucky Oaks Grade 1 in 2017.

Universal Music Group Nashville Chair/CEO Cindy Mabe told Billboard in a statement, “Erv Woolsey was a really special human. God broke the mold with this character who is as much a part of the fabric of country music as George Strait. He was a legendary manager, a promotion man at heart, and an entrepreneur who loved music and built his career and businesses around serving the creative community and enjoying life, a good laugh, horse races, and country music. I am honored to have known this iconic country music hero and benefit from so many of the decisions and deals he brokered on behalf of both MCA Nashville and country music in general. He will be sorely missed.”

“Without the savvy and determination of Erv Woolsey, we may never have heard of George Strait,” said Kyle Young, CEO of the Country Music Hall of Fame and Museum, in a statement. He added, “When execs urged Strait to change his image and his sound, Erv as his manager backed Strait’s determination to stay true to himself. You know the rest. Strait became a superstar who filled stadiums, and together Strait and Erv helped lead country music back to its traditions. All of us owe Erv Woolsey an enormous debt of gratitude for leading with his convictions and always supporting artists and new talent.”
 
Woolsey is survived by his son Clint, ex-wife Connie, brother David and sister Beth. He was preceded in death by his parents, John and Mavis Woolsey, and brother Johnny Woolsey.

Details on funeral arrangements will be shared at a future date.  

Olivia Rodrigo Teases Pageant-Themed ‘Obsessed’ Music Video

We’re “Obsessed” with Olivia Rodrigo’s album era, and now fans are getting a new music video.

The 21-year-old pop star took to Instagram on Wednesday (March 20) to tease the music video for her fan-favorite track, “Obsessed,” which is set to appear on the upcoming deluxe version of her sophomore studio album, Guts. In the preview clip, Rodrigo enters a hall full of women wearing beauty pageant sashes, each representing one of “his exes,” including “Miss Thought She Was the One,” “Miss Also Thought She Was the One,” “Miss 2 Summers Ago” and more. Rodrigo herself is sporting a “Miss Right Now” sash.

The theme matches perfectly with the jealousy-fueled lyrics, as Rodrigo chants in the chorus, “I’m so obsessed with your ex/ I know she’s been asleep on my side of your bed/ And I can feel it.” See the music video preview here. The full visual is set to arrive at midnight ET on Friday (March 22), the same day as the expanded Guts.

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Rodrigo announced the news of Guts (Spilled) during the first night of her two-show stand at the United Center in Chicago on Tuesday night (March 19), surprising the crowd by unfolding a sign that read “Guts Deluxe Out Friday.” The expanded version of the 2023 collection will feature five more songs, including a new one, “So American,” which was recorded after the original album dropped last year. The other four songs on the expanded version were the “secret” tracks that appeared on a variety of GUTS vinyl releases: “Obsessed,” “Scared of My Guitar,” “Stranger” and “Girl I’ve Always Been.”

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