Music

Shakira Turns Tears Into Diamonds With ‘Las Mujeres Ya No Lloran’: Stream It Now

After seven years, Shakira has unleashed Las Mujeres Ya No Lloran (Women No Longer Cry), her first new album since the 2017 Grammy-winning set El Dorado.

Released to all digital streaming platforms on Friday (March 22), this new album is a catharsis for the Colombian hitmaker, who is vulnerable and raw in what could be described as her most personal LP to date. Coming from massive hits such as her Bizarrap-produced music session and the girl-anthem “TQG” with Karol G, Shakira takes fans on a healing journey with songs including “Última,” “Cómo Dónde y Cuándo” and “La Fuerte,” another team up with Bizarrap.

The set includes collaborations with other artists, such as Rauw Alejandro (“Cohete”), Cardi B (“Puntería”) and Grupo Frontera (“(Entre Parentésis)”). Previously released songs that are also part of the album are “Copa Vacía” with Manuel Turizo, “Monotonía” with Ozuna, “El Jefe” with Fuerza Regida and the sweet “Acróstico” with her sons Milan and Sasha.

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“Making this body of work has been an alchemical process,” Shakira previously said in a statement. “While writing each song, I was rebuilding myself. While singing them, my tears transformed into diamonds, and my vulnerability into strength.”

Las Mujeres Ya No Lloran follows El Dorado, which spent five weeks at No. 1 on Billboard‘s Top Latin Albums chart. Overall, the hitmaker has placed eight top 10 albums on the Top Latin Albums chart, six of those hit No. 1, including Dónde Están Los Ladrones? (1998), Fijación Oral: Vol. 1 (2005) and Sale El Sol (2010).

Stream Las Mujeres Ya No Lloran below:

Olivia Rodrigo Is Little Miss ‘Obsessed’ in New Music Video Ahead of ‘Guts’ Deluxe: Watch

If there was a contest for girls obsessed with their exes, Olivia Rodrigo would be a shoo-in for the crown. The 21-year-old pop star unveiled the music video for her new single “Obsessed” Thursday night (March 21) — just hours ahead of her Guts deluxe release — featuring the singer as the black sheep in a herd of picture-perfect pageant queens.

In the visual, Rodrigo rocks a black dress, jagged bangs and deep red lipstick, sticking out in a group of debutantes sporting delicate white gowns. While she wears a sash that reads “Miss Right Now,” the other girls boast the titles “Miss Thought She Was the One,” “Miss Also Thought She Was the One,” “Miss 2 Summers Ago” and more.

“I’m so obsessed with your ex/ I know she’s been asleep on my side of your bed,” the former Disney star belts on the punk rock-infused track. “I’m starin’ at her like I wanna get hurt/ And I remember
Every detail you have ever told me, so be careful, baby.”

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“Obsessed” will appear on Rodrigo’s upcoming set of Guts deluxe tracks, which arrives at midnight Friday (March 22), as will three other “secret” tracks that appeared on a variety of the musician’s vinyl releases — “Scared of My Guitar,” “Stranger” and “Girl I’ve Always Been.” The expanded version will also feature a new song, “So American,” recorded after Rodrigo’s Billboard 200-topping sophomore album dropped in September last year.

The Grammy winner first confirmed that the Guts deluxe edition was coming at her Chicago Guts World Tour show, where she held up a piece of paper bearing the news during “Get Him Back!” Her backup dancers also held up signs displaying the titles on the extended tracklist.

Watch the “Obsessed” music video below.



Olivia Rodrigo’s ‘Guts’ Are Fully ‘Spilled’ With Deluxe Album: Stream It Now

Olivia Rodrigo’s deluxe edition of her sophomore album Guts arrived on Friday (March 22), and we’re obsessed.

The 21-year-old, Grammy-winning star announced the news of Guts (Spilled) during the first night of her two-show stand at the United Center in Chicago on Tuesday night (March 19), surprising the crowd by unfolding a sign that read “Guts Deluxe Out Friday.”

The expanded version of the 2023 collection features five more songs, including a new one, “So American,” which was recorded after the original album dropped last year. The other four songs on the expanded version were the “secret” tracks that appeared on a variety of GUTS vinyl releases: “Obsessed,” “Scared of My Guitar,” “Stranger” and “Girl I’ve Always Been.”

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Rodrigo’s Guts, the follow-up to her 2021 debut album Sour, was released in September 2023 and featured her Hot 100 chart-topping lead single, “Vampire.” The album also topped the Billboard 200 albums chart dated September 23, 2023.

“The experience tested my confidence and patience. It taught me some important lessons about songwriting in terms of focusing on your craft rather than just waiting for inspiration to strike,” she told Variety magazine of writing the album. “You can never sit down at the piano and try to write something that everyone will like; that always results in a really bad song. It taught me that I write songs that I want to hear.”

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In February, she kicked off her global Guts World Tour, which will find her making stops across North America and Europe for the next five months before she closes out with four shows at the Kia Forum in Inglewood, Calif.

Listen to Guts (Spilled) in full below.

Shakira’s ‘Las Mujeres Ya No Lloran’: All Tracks Ranked

In a journey of transformation, where tears evolve into diamonds and vulnerability into strength, Shakira reaffirms that her hits don’t lie. With her highly anticipated 12th studio album, Las Mujeres Ya No Lloran — with eight new songs of 17, including two remixes — the Colombian superstar plunges into the depths of her soul, alchemizing pain into pop gold while celebrating the strength of womanhood.

More radiant than ever, Shakira reveals a profound exploration of emotions and experiences that marks a pivotal chapter in her illustrious career and life, following a sentimental breakup that left her fragile and sensitive but brought her back to music.

“I feel like a cat with more than nine lives; whenever I think I can’t get any better, I suddenly get a second wind,” Shakira told Billboard in September. “I’ve gone through several stages: denial, anger, pain, frustration, anger again, pain again. Now I’m in a survival stage. Like, just get your head above water. And it’s a reflection stage. And a stage of working very hard and when I have time with my children, really spend it with them.”

On her first full-length release in seven years, Shak delivers a captivating blend of pop, Afrobeats (“Nassau”), bachata (“Monotonía”), Tex-Mex rhythms (“(Entre Paréntesis)”) and a return to her rock roots (“Cómo Dónde y Cuándo”). Infusing elements of electronic music, she maintains her signature versatility, showcasing not only her vocal prowess but also her songwriting prowess, and multi-instrumental abilities.

While Shakira shines brightly on solo tracks such as “Tiempo Sin Verte” and “Última,” she also collaborates with a stellar lineup across the set, including Cardi B, Grupo Frontera and returning artists like Rauw Alejandro and Bizarrap. With Las Mujeres Ya No Lloran, Shakira continues to offer a diverse array of melodies that evoke both pain and passion, irresistibly, inviting listeners to dance and contemplate simultaneously.

Below, Billboard ranks all 15 songs from Las Mujeres Ya No Lloran excluding two remixes, in descending order.

Lady Gaga Is Teasing That She’s Working on New Music

Lady Gaga‘s new musical era is seemingly on the way.

The superstar took to her Instagram Stories on Thursday (March 21) to share a photo of audio waves on a screen, implying that she’s recording new music. However, Gaga has yet to confirm any more information about an album or release date.

Fans have been hoping for new music since Gaga’s last album, 2020’s Chromatica, but the 13-time Grammy winner has been spending the past three years on plenty of other projects that she’s been passionate about. Gaga’s recently relaunched Haus Labs makeup brand has been viral all over TikTok, continually coming out with inventive new products, from foundations and illuminating blushes to colorful lip crayons, glosses and everything in between.

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In June, the superstar teased that she’s working hard on numerous artistic projects, including an edit for a movie based on her 2022 headlining concert tour. “I prepared for months developing my character for Joker, I filmed [Joker: Folie à Deux] for many months (a very introspective time),” Gaga wrote in a lengthy message. “I have been running my start-up Haus Labs, doing philanthropic work, and additionally have been working on The Chromatica Ball film edit.”

Earlier this week, the singer announced that she will be back on the stage at the Dolby Live theater at Park MGM for eight shows between June 19 and July 6. Her most recent Jazz & Piano show was in October and since then she has performed a private show at the Fontainebleau in Vegas last month, as well as a Fortnite: Battle Royale gig during the 2024 Fortnite Festival on Feb. 22.

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Azealia Banks vs. The World: A Comprehensive List of Her Famous Feuds

From lengthy back-and-forth beefs to one-sided rants and attacks against Beyoncé, here’s a comprehensive list of the NYC rapper’s most publicized beefs.

Cardi B, Nicki Minaj, Iggy Azalea, T.I., Erykah Badu — these are just a handful of the high-profile artists Azealia Banks has scuffled with online in recent years.

Banks’ penchant for conflict nearly eclipses her bars in the years since her first mixtape dropped in 2012. Indeed, if there’s one thing Banks has become best known for, it’s perhaps her endless list of feuds on and off social media with her fellow musicians.

Earlier this week, Banks hopped on Instagram to critique the cover and title of Beyoncé’s upcoming album Cowboy Carter. Despite, Beyoncé herself explaining the meaning behind the project and why she decided to make an entire album in a genre she’s only previously dabbled in, Banks weighed in with a litany of assumptions and criticisms ranging from a lack of creativity (“Wow we didn’t even try to put even a little effort into a more artistic title?”) to outright ignorance (“reinforcing the false rhetoric that country music is a post civil war white art form”). She even took a shot at Bey’s husband, saying, “JAY-Z is the only boring thing here.”

This isn’t the first time Banks has taken aim at Bey. After her seminal sixth album Lemonade dropped, Banks accused the Houston native of trying to take advantage of the social justice issues that were all over the news back in 2016. “She’s purposefully strayed away from political discourse her entire career to make sure she didn’t alienate white ppl,” she said at the time. “And now that black women’s suffering is a national conversation, she wants to hop on it and make our suffering ‘trendy.’”

And that’s not even the worst thing she’s said about a fellow musician. From lengthy back-and-forth beefs to one-sided rants and attacks, here’s a comprehensive look back at Banks’ most publicized feuds.

Luis Figueroa’s ‘A Escondidas’ Lands in Tropical Airplay Top 10

Luis Figueroa secures his eighth top 10 on Billboard’s Tropical Airplay chart as “A Escondidas” surges 14-7 on the March 23-dated list.

“A Escondidas” lands in the upper region on the tropical radio ranking as the Greatest Gainer of the week, thanks to a 57% gain in audience impressions, to 1.67 million, earned in the U.S. during the March 8-14 tracking week, according to Luminate.

“A Escondidas” follows Figueroa’s last top 10, the two-week No. 1 “Bandido,” which crowned the Oct. 21-28, 2023-dated charts; the only salsa to lead the list that year. All of the other No. 1s were bachatas, a merengue track and one mambo tune.

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The new single, the third song on Figueroa’ EP Voy a Ti, nominated for a Grammy for best tropical Latin album in 2023, was co-written by Figueroa and Lenier.

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As mentioned, with “A Escondidas,” Figueroa collects his eighth top 10 on Tropical Airplay. Here’s a recap of his top 10 collection:

Peak, Peak Date, Title, Weeks at No. 1
No. 1, July 31, 2021, “Hasta El Sol De Hoy,” one
No. 6, Oct. 30, 2021, “Si Tú Me Dices Ven”
No. 3, Aug. 13, 2022, “Todavía Te Espero”
No. 7, Sept. 10, 2022, “Vienes”
No. 4, Feb. 4, 2023, “Fiesta Contigo”
No. 7, June 3, 2023, “La Luz”
No. 1, Oct. 21, 2023, “Bandido,” two
No. 7, March 23, 2024, “A Escondidas”

Notably, Figueroa earned his first top 10 on Tropical Airplay less than three years ago, placing two or more in every year since, when the one-week champ “Hasta El Sol De Hoy” ruled the July 31, 2021-dated list.

Further, with eight top 10s on his account since 2021, the Puerto Rican breaks out of a tie with Victor Manuelle for the fourth-most top 10s on the decade of the ‘20s. He now trails Prince Royce who continues to lead the pack with 12 top 10s this decade, Romeo Santos’ with 10, and Marc Anthony with nine.

The new chart achievement arrives as Figueroa embarks on his first tour with Victor Manuelle this spring.



Watch Metallica Cover ‘Funeral for a Friend/Love Lies Bleeding’ in Front of Elton John & Bernie Taupin

Elton John and Bernie Taupin were the guests of honor Wednesday night (March 20) at DAR Constitution Hall in D.C., where the Library of Congress awarded the songwriting duo with the Gershwin Prize for Popular Song. And to help celebrate the pair, Metallica showed out to perform one of their most beloved songs — “Funeral for a Friend/Love Lies Bleeding.”

Taking the stage in front of a vast audience — which included the Rocket Man himself sitting front row center — the heavy metal band added their own characteristic edge to John and Taupin’s bitter Goodbye Yellow Brick Road showstopper. “Oh, it kills me to think of you with another man/ I was playing rock and roll and you were just a fan,” sang frontman James Hetfield.

“But my guitar couldn’t hold you, so I split the band,” he continued as Kirk Hammett, Rob Trujillo and Lars Ulrich rocked out on the guitar, bass and drums, respectively. “Love lies bleeding in my hands.”

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Joni Mitchell, Charlie Puth, Maren Morris, Annie Lennox and Brandi Carlile also delivered covers of classic John-Taupin tracks Thursday, with Sir Elton closing out the lineup with piano renditions of “Mona Lisas and Mad Hatters,” “Saturday Night’s Alright for Fighting” and “Your Song.” At one point, he and the night’s other performers all posed for a photo together onstage.

Fans will be able to see the full concert at 8 p.m. ET Monday, April 8, when the showcase airs on PBS stations.

Leading up to the show, Hetfield spoke to Billboard about his favorite of the duo’s creations: “That would be ‘Goodbye Yellow Brick Road.’” “It’s beautiful, it’s epic — and I love the lyrics as well,” he added on the red carpet. “The castle, the wonderful dust … and what does it mean after that.”

Watch a snippet of Metallica’s cover of “Funeral for a Friend/Love Lies Bleding” below.

Cody Jinks’ New Album Marks a ‘Change’: ‘I’m Trying to Set That Precedent’

Cody Jinks knows the songs and topics on his album, Change the Game, out tomorrow (March 22), could be perceived as a bit of a departure from the hard-charging brand of country-rock his fans have come to expect. But the alternations came out of life-changing necessity.

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“I was reading something somebody wrote online the other day, like, ‘This isn’t the old outlaw stuff we’ve come to know Cody for. What’s he doing?’” Jinks tells Billboard. “Well, that guy would’ve died. That guy looked in the mirror and said, ‘You need to slow down.’ I had to get into therapy to start dealing with some things.”

The rollicking “Outlaws and Mustangs,” the first release from the album, celebrates a freewheeling, creative spirit, while the title track is the Texas native’s triumphant manifesto to fulfilling his independent vision: “I’m the punk who says I did it my own way,” he sings. However, the song “Change the Game” also signifies major changes, personally and professionally, including his rigorous sobriety journey.

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Jinks launched his career as frontman for thrash metal band Unchecked Aggression before he began issuing country-leaning projects in 2008, proving equally adept at freewheeling hardcore rock and stone-cold, Haggard-esque country songs such as “I Don’t Trust My Memories Anymore,” from his 2021 album Mercy. On Change the Game, Jinks leans into a more subdued, yet deeply confessional, sound. Jinks’ longtime bass player Joshua Thompson produced the album with Ryan Hewitt, known for his work with American Aquarium and Turnpike Troubadours, as well as Jinks’ 2016 I’m Not the Devil.

The sparsely acoustic “Wasted” details waking up on a stranger’s couch in the same clothes from the night before, with bloodshot eyes and staring at the bottom of a bottle. He wrote “Sober Thing” about his slow battle to relinquish a two-decade dependence on whiskey.

“It was difficult to write some of those songs. It was difficult to sing some of them in the studio,” Jinks says. “I pushed myself hard. I pushed the band hard. They knew how personal the record was for me because of things I was going through in life, with my family, wife [Rebecca] and marriage. Every aspect of that emotion is on the record.” He says therapy has given him “a new appreciation for my wife and the beautiful kids I have. I’ve always held my wife in high regard, but God, dude, she’s supported me for almost three decades and she’s seen the ugliest sides of me.”

Elsewhere on the record, “The Working Man” praises a relentless and ingrained work ethic, regardless of how time and technology might shift specific duties. On the album closing piano-driven ballad “What You Love,” he maintains that “a life played safe is a life not lived.”

He wrote the moody “A Few More Ghosts” — in which he wishes that apparitions were responsible for his nightly awakenings rather than his own inner demons — with Brad Martin, Jake Worthington and Adam Hood, after Jinks discovered he had accidentally triple-booked a writing appointment.

“We all showed up and it was evident that I didn’t know I had booked myself for all of those guys on the same freaking day,” Jinks says with a chuckle. “I thought to myself, ‘This is either going to be a train wreck or a cool, happy accident.’ I’ve known Adam for years, but I had not met Jake and barely knew Brad. I just said, ‘If y’all are as crazy as I am, you want to write some crazy shit,’ and Adam just starts rattling off some dark stuff. I couldn’t quit singing it for two days after we wrote it.” Jinks commemorated the song by having the title, along with an image of a Zippo lighter, tattooed on his leg.

He teamed with singer-songwriter and frequent tour mate Pearl Aday (daughter of the late vocalist Meat Loaf) on a new rendition of Faith No More’s “Take This Bottle.” Initially, they planned the song for a side project but Thompson and Hewitt felt it belonged on the new album. “They were like, ‘This needs to be on the record. It’s too good.’ When we’ve performed it live, I get chills every time she sings that second verse.”

Throughout his career, Jinks has proudly found success outside of the major label system: I’m Not the Devil debuted at No. 4 on Billboard’s Country Albums chart. His song “Loud and Heavy” has been certified multi-platinum by the RIAA, while “Hippies & Cowboys” and “Must Be the Whiskey” have gone platinum.

After releasing his first six studio albums independently, Jinks linked with Rounder for 2018’s Lifers before launching his own label, Late August Records, in 2019. Change the Game marks his fourth studio album released via The Orchard-distributed Late August.

Jinks has remained committed to his DIY ethic. He parted ways with longtime management company True Grit Management, and now manages his career with a team that includes a number of Late August employees and former staffers from True Grit. 

“I just told everyone, ‘I promise you that I’ll work as hard as I can to make sure that we keep moving forward,’ and I didn’t lose anybody, fortunately,” Jinks says. In taking on management duties, “I got a crash course, because there’s things artists know and then there are things that managers and label people know. I was on the road 200-plus days per year for many years, but now some of that time is spent on the phone or traveling for meetings. I needed to stop being on the road so much, but I still wanted to work.”

Jinks hopes his DIY business model can help change the game for other artists and serve as a reminder that success doesn’t necessarily require major-label backing.

“If you’re any good at this, people are going to start shoving paper in front of your face and then you’re locked in. My former manager and I had a great relationship for a long time and never signed anything,” he says. He advises artists to keep their own publishing and master recordings: “Those are the two most important things. You don’t need record labels anymore, and it’s getting to the point where you may not need managers … there’s too many people in this business that take the artists’ money.”

The WME-repped Jinks continues his steady touring schedule, mixing his own headlining shows this year with support slots on Luke Combs’ stadium tour.

“We got a brand-new setup, more lights,” Jinks says, “It’s going to be a great year and we can’t wait to get out there.”



Lenny Kravitz Says Future Son-in-Law Channing Tatum Is a ‘Very Soulful Human Being’

Lenny Kravitz is ready to welcome Channing Tatum into his family.

The rocker appeared on Thursday’s (March 21) episode of Sherri, where he told host Sherri Shepherd that meeting the actor, who is engaged to his only child Zoë Kravitz, was “very natural,” adding, “He’s very sweet and it works. Life is about timing and what you’ve gone through, what you’ve learned, and they’re in the right place.”

Lenny continued, “He’s a great guy. We got on really well. We have our own relationship as well. We hang out. He’s a very soulful human being, he was raised well, he has manners and class.”

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As for whether or not he’s planning to give a speech at the upcoming wedding, the “It Ain’t Over ‘Til It’s Over” singer said, “Of course, that’s my daughter.”

Lenny’s comments come just a couple months after People reported that the couple, who have been dating since 2021, had wedding bells in their future. Just last week, the duo were in attendance at Lenny’s ceremony to unveil his star on the Hollywood Walk of Fame.

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“He makes me laugh and we both really love art and talking about art and the exploration of why we do what we do,” Zoë told GQ of her relationship with Tatum in a November 2022 cover story. “We love to watch a film and break it down and talk about it and challenge each other.”