Music

The Pretty Reckless to Support AC/DC on 2024 PWR Up European Tour

Taylor Momsen and the Pretty Reckless will support AC/DC on the “Hells Bells” band’s upcoming 2024 European tour. The news was announced on Monday morning (March 25) when AC/DC shared a poster for their first Euro swing in eight years, which will feature the “Only Love Can Save Me Now” band serving as the only opener on all 24 dates of the stadium outing slated to kick off on May 17 at Veltins Arena in Gelsenkirchen, Germany.

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“It’s f–king AC/DC. That’s it,” the band says when asked to describe their excitement about hitting the road with the “Dirty Deeds” icons.

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AC/DC’s first European tour in nearly a decade will find the band playing with a line-up featuring singer Brian Johnson, guitarist Angus Young, rhythm guitarist Stevie Young, drummer Matt Laug and Jane’s Addiction bassist Chris Chaney replacing longtime bassist Cliff Williams; Williams retired from the band at the conclusion of their 2016 Rock or Bust tour, returning to the fold briefly for the 2020 Power Up album. Johnson was temporarily replaced by Guns ‘N Roses singer Axl Rose in 2016 due to Johnson’s battle with hearing loss issues.

The AC/DC tour will hit Italy, Spain, the Netherlands, Germany, Austria and Switzerland before touching down at London’s Wembley Stadium for a pair of shows on July 3 and 7, then moving on to Germany, Slovakia and Paris and winding down at Croke Park in Dublin, Ireland on August 17. The European tour is the first run of gigs since AC/CD’s long-awaited return to the stage at last year’s all-star hard rock Power Trip Festival in Indio, California.

See the Pretty Reckless announcement and the AC/DC 2024 European tour dates below.

AC/DC 2024 European summer tour dates:

May 17 – Gelsenkirchen, Germany @ Veltins Arena

May 21 – Gelsenkirchen, Germany @ Veltins Arena

May 25 – Reggio Emilia, Italy @ RCF Arena

May 29 – Seville, Spain @ La Cartuja Stadium

June 5 – Amsterdam, The Netherlands @ Johan Cruyff Arena

June 9 – Munich, Germany @ Olympic Stadium

June 12 – Munich, Germany @ Olympic Stadium

June 16 – Dresden, Germany @ Messe

June 23 – Vienna, Austria @ Ernst Happel Stadium

June 26 – Vienna, Austria @ Ernst Happel Stadium

June 29 – Zurich, Switzerland @ Letzigrund Stadium

July 3 – London, England @ Wembley Stadium

July 7 – London, England @ Wembley Stadium

July 13 – Hockenheim, Germany @ Ring

July 17 – Stuttgart, Germany @ Wasen

July 21 – Bratislava, Slovakia @ Old Airport

July 27 – Nuremberg, Germany @ Zeppelinfeld

July 31 – Hannover, Germany @ Messe

August 9 – Dessel, Belgium @ Festivalpark Stenehei 

August 13 – Paris, France @ Hippodrome ParisLongchamp

August 17 – Dublin, Ireland @ Croke Park

Jon Bon Jovi & Armin Van Buuren Unveil Remix Of Bon Jovi Classic At Ultra Music Festival 2024

Jon Bon Jovi made what was arguably the most unexpected appearance at Ultra Music Festival 2024 in Miami over the weekend, performing with trance legend Armin van Buuren during van Buuren’s Sunday night (March 24) mainstage festival set.

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Bon Jovi arrived onstage in jeans, a white t-shirt, sneakers and sunglasses, jumping up and down alongside Van Buuren while the producer unveiled his remix of the 1992 Bon Jovi classic “Keep The Faith.” Bon Jovi then climbed up on the decks to sing along with the edit, for which van Buuren added a kickdrum thump to the song’s classic “everybody needs somebody to love” build.

“Ultra make some noise for this legend Mr. Jon Bon Jovi!” van Buuren yelled into the mic as the song came to its climax, with van Buuren outfitting the original with shimmery trance elements and turning the dial all the way up on the chorus as pyro shot from the stage during the climax. A fan in the audience caught video of the moment, with Van Buuren also sharing footage on his Instagram stories.

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“It’s an incredible honor to remix this track and to share the stage with Jon Bon Jovi, as I’ve been a massive fan for years,” van Buuren says in a statement. “This track is different from anything I’ve ever released before, and no better place to first share it with you all than on the Ultra mainstage.”

“Keep The Faith” spent 16 weeks on the Hot 100 in the fall of 1992, peaking at No. 29. It’s a busy time for the Bon Jovi frontman, with the band preparing for the release of its 16th studio album, Forever, coming June 9. A docuseries about the band, Thank You, Goodnight: The Bon Jovi Story, will debut on Hulu April 26 in conjunction with the New Jersey band’s 40th anniversary.

Ultra may be one of the only live appearances in the cards for the iconic Bon Jovi frontman, 61, in the near future, as he is still recovering from a 2022 vocal chord surgery and recently said that he’s not yet sure about touring behind Forever.

“I don’t know about a tour,” Bon Jovi told Mix 104.1 Boston earlier this month. “It is my desire to do a tour next year, but I’m just still recovering from a major surgery.”

GloRilla Posts Workout Video of Hot Girl Summer Tour Prep, Announces ‘EhhTang EhhTang’ Mixtape

GloRilla knows the importance of proper tour prep. The “Yeah Glo!” MC posted a video on Saturday of the weight work she’s been putting in to get in shape for her upcoming opening slot on Megan Thee Stallion‘s Hot Girl Summer tour.

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“Getting ready for da Hot girl summer tour like ? @theestallion what we doing ??????????,” Glo wrote alongside a video in which she’s busting out squats, sit-ups and bicep work while wearing oversized shades and a grey workout two-piece set.

Megan announced the full routing for her first-ever headlining tour last week, which will hit some of the biggest arenas across the U.S. beginning on May 14 with a show at the Target Center in Minneapolis. The Hot Girl Summer Tour will hit 31 cities and major markets, including Los Angeles, New York, Chicago, Philadelphia, Megan’s hometown of Houston.

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In addition to opening on the Hot Girl tour, Glorilla has had a busy few weeks, which has included a visit to the White House to meet President Joe Biden and V.P. Kamala Harris at a Women’s History Month reception. “It was so cool, I was geeked,” the “Tomorrow 2” rapper told CNN. “Everybody don’t get to meet the President and the Vice President. […] I never thought in a million years I’d be in the White House. Then, I was in the White House and got to meet the President and Vice President? I was like, ‘Now, they can’t mess with me!’”

In addition, over the weekend Flo announced the upcoming release of her EhhThang EhhThang mixtape, which is slated to drop on April 5.

Watch GloRilla’s workout below.

Bruce Springsteen Worried Peptic Ulcer Disease Might Permanently Sideline Him: ‘Am I Gonna Sing Again?’

Bruce Springsteen made a triumphant return to performance last week in Phoenix, taking the stage with the E Street band to relaunch their world tour after a six-month break due to the singer’s battle with peptic ulcer disease. But in an interview with E Street Radio host Jim Rotolo (via Deadline) the 74-year-old rock icon said there was a point recently when he feared he might never perform live again.

“Once I started singing, you know, you can rehearse singing, but your voice isn’t the same in rehearsal. You don’t have that edge of adrenaline that really pushes it into a better place and the thing when I had the stomach problem, one of the big problems was I couldn’t sing,” said Springsteen, who paused the E Street’s planned 2023-2024 world tour in September due to the serious effects of the gastro disease; 29 shows were postponed as a result of the medical issue.

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“You sing with your diaphragm. My diaphragm was hurting so badly that when I went to make the effort to sing, it was killing me, you know?,” he said. “So, I literally couldn’t sing at all, you know, and that lasted for two or three months, along with just a myriad of other painful problems.” At a certain point, Springsteen said he wasn’t sure if he’d be able to return to his signature high-energy performance style at all.

“I was, during the course of it, before people told me, ‘Oh no. It’s gonna go away, and you’re gonna be OK,’ you know, you’re thinking like, ‘Hey, am I gonna sing again?’ and you know, this is one of the things I love to do the best, the most, and right now I can’t do it.,” Springsteen said.  “You know, I can’t do it, and it took a while for the doctors to say, ‘Oh no. You’re gonna be OK.’ At first, nobody was quite saying that, which made me nervous, you know, and at the end of the day, I found some great doctors, and they straightened me out, and I can’t do anything but thank them all.”

Thanks to his medical team, Springsteen is back and during the show in Phoenix on March 19 — originally slated for Nov. 30 — he rocked through 29 songs without even mentioning the medical issue until the final song of the set. “I had a motherf–cker of a bellyache,” he told the crowd near the end of the two hour and 45 minute set.

The Springsteen tour rolls on on Monday (March 25) with a date at Pachenga Arena in San Diego.

‘American Idol’: Julia Gagnon Delivers a ‘Big’ Audition With Aretha Franklin Cover

American Idol saved one of the best for last — Julia Gagnon.

Raised in Cumberland, Maine, the 21-year-old college student has spent time in the school of hard knocks.

Gagnon was born in Guatemala, and put up for adoption as a baby. Childhood in the U.S. was mostly a blast, surrounded by a loving family. But she experienced bullying in school.

“In Maine, not a lot of people look like me. And it was really hard to deal with,” she explained in the pre-recorded spot. It still touches a raw nerve.

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Gagnon was always curious about her birth family, and in her late teens embarked on a journey to find them. Her father hired a private investigator, and in 2020 located the youngster’s birth mother, Sara.

“She did let me know that she didn’t want me to go,” Gagnon said, adding that Sara conceded she wasn’t able to provide a better life.

The Idol stage would provide a platform for Gagnon to “do something for” her birth mom. “I felt really helpless, because I can’t go to her in Guatemala. It’s really far. But she’s really proud of my voice. And she wanted to see me do something big.”

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For an amateur singer, there are few bigger stages than Idol.

As the final audition for season 22, Gagnon brought out the big guns. The hopeful sang Aretha Franklin’s “Ain’t Not Way,” peppered with high notes, and low, feel, control, power and oozing soul. That big thing, it happened.

Proof of it came when the judges Luke Bryan, Katy Perry and Lionel Richie gave a standing ovation.

“Did that come out of your mouth,” Richie remarked. “I am in shock. I grew up with Aretha Franklin. There are certain songs you just don’t sing. Because you can’t touch the original. You just made it not only your song, but you did things that were just beyond. That was amazing. That was absolutely outstanding.”

Bryan was touched by her “amazing falsetto,” and Perry was convinced that she has “several soul singers” inside her.” Not just one. You could go really far. You could be top 10.”

She’s certainly going to Hollywood. Gagnon earned the final Platinum Ticket for the season.

Watch the performance from ABC’s American Idol below.



INXS Goes Behind the Scenes on ‘Never Tear Us Apart’: Exclusive Premiere

With 1987’s “Never Tear Us Apart,” INXS released into the world a love song that resonates to this day, and presented for most of us a first glimpse at the real-life fairytale city that is Prague.

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Now, to celebrate the 35th anniversary of its creation, INXS revisits the iconic song and its stunning music video with a streaming time capsule, featuring behind-the-scenes footage, deleted scenes and interviews with the late frontman Michael Hutchence.

Speaking at the top, Andrew Farriss, INXS’ co-songwriter, keyboardist and guitarist, recounts the song’s origins. Those orchestral stabs were initially carved out on guitar, which he played in a “very bluesy type way.” When Hutchence first heard the song, “he laughed,” Farriss explains. “He thought it was funny, because for us it was so different.”

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Hutchence changed his mind. He took the demo tape, lived with it, crafted the lyrics and the melody. A hit was born.

Director Richard Lowenstein had shot footage of Prague’s medieval architecture on 8mm black and white film. The juxtaposition of those images and INXS’s sublime song happened by chance. By a moment of serendipity.

The band was in the studio watching the rushes, as the song poured out of the control room. It worked.

The video, which has notched more than 100 million views on YouTube, was filmed in freezing conditions in Czechoslovakia, a world away from the beaches of Sydney.



“The spirit of the people there is fantastic, that’s what I love, it really makes you appreciate what you have so much,” comments Hutchence in the five-minute behind-the-scenes video, which Billboard exclusively premieres below. The singer loved the country, and its history, though so much has changed in those three-and-a-half decades.

INXS is no longer an active band. Hutchence is no longer with us, dying in 1997 at the age of 37. Then, in November 1989 the Velvet Revolution while led to the end of communist rule in Czechoslovakia. Five years after the shoot, the country was separated into Slovakia and the Czech Republic. Lowenstein’s music video captured a time before the rest of the world caught on. Today, the Czechia capital is a hot-spot for tourists, a destination for stag and hen parties.

“There were numerous hurdles to gain access to film in Prague at that time,” INXS saxophone and guitar player Kirk Pengilly tells Billboard via email. However, “being able to cinematically utilize the city’s beautiful, romantic architecture and landmarks as a backdrop was incredibly special and fitting for this song. Our week-long stay allowed us to fully immerse ourselves in the city’s charm and culture.”

“Never Tear Us Apart” is a gem in INXS’ catalogue, from one of the band’s most successful albums, Kick, which peaked at No. 3 on the Billboard 200. The third single from Kick, it peaked at No. 7 on the Billboard Hot 100 and is one of four tracks from the LP — along with “New Sensation,” “Devil Inside”, and ”Need You Tonight”— to reach the top 10 on the Billboard Hot 100 (the latter hit No. 1).

Last year, the surviving members of INXS — Garry Gary Beers, Pengilly and brothers Andrew, Jon and Tim Farriss — reunited in central Sydney for a presentation of four billion combined streams. “Never Tear Us Apart” alone has notched up more than 850 million streams across all platforms.

Watch the behind the scenes video below.



Ariana Grande’s ‘Eternal Sunshine’ Snags Second Week at No. 1 In U.K.

Ariana Grande‘s Eternal Sunshine (via Republic Records) continues to blaze over the U.K. chart.

The leader at the midweek mark, Grande’s seventh studio album enters a second week at No. 1 on the Official U.K. Albums Chart, where it’s her fifth leader after Dangerous Woman (2016), Sweetener (2018), thank u, next (2019) and Positions (2020).

Eternal Sunshine holds off the Weeknd’s The Highlights (Republic Records/XO), which lifts 3-2 for its equal peak position. The Canadian R&B star’s hits collection has now logged 163 weeks on the U.K. tally, none of them at No. 1.

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The highest new entry this week belongs to Kacey Musgraves, whose sixth studio LP Deeper Well (Interscope) digs in at No. 3. That’s a career best for the U.S. country artist, and third top 10 appearance following 2018’s Golden Hour (No. 6) and 2021’s star-crossed (No. 10).

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Deeper Well is the best-seller on vinyl during the most recent chart week, the Official Charts Company reports.

Also new to the chart is Justin Timberlake’s sixth studio collection, Everything I Thought I Was. It’s new at No. 5 for JT’s sixth top 10 – a list that includes his solo leaders Justified (2002), FutureSex/LoveSounds (2006), The 20/20 Experience (2013), plus The 20/20 Experience – 2 of 2 and 2018’s Man of the Woods, both of which peaked at No. 2.

Hotly-tipped newcomer Caity Baser bags her first U.K. top 10 album with Still Learning, the Southampton-born, Brighton-based artist’s 13-track debut mixtape. It’s new at No. 7. Baser was nominated for the 2024 BRITs Rising Star award, won by The Last Dinner Party.

Also, Manchester, England rapper Nemzzz nabs his first slot on the Official U.K. Albums Chart appearance with his debut Do Not Disturb (Nemzzz), new at No. 17.

Finally, U.S. rock veterans the Black Crowes swoop in for an eighth U.K. top 40 with Happiness Bastards (Silver Arrow). It’s new at No. 7 on the latest tally, published Friday, March 22.

Benson Boone Bags First U.K. No. 1 With ‘Beautiful Things’

After two months, and several near-misses, Benson Boone finally scales the U.K. chart with “Beautiful Things” (via Warner Records).

The Washington-born singer and songwriter’s hit has already led Billboard’s two Global charts, and now lifts 2-1 on the Official U.K. Singles Chart.

The leader at the midweek stage, “Beautiful Things” was the most-streamed song during the full chart cycle with 6.6 million combined U.K. audio and video streams, the Official Charts Company reports.

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As Boone logs his first week at the U.K. chart zenith, he dethrones Beyonce’s “Texas Hold ‘Em” (Columbia/Parkwood Ent) after a four-week reign – Bey’s longest stint at No. 1 in the U.K. The country cut dips 1-3.

Also moving on up is Ariana Grande’s Eternal Sunshine (Republic Records) release “We Can’t Be Friends (Wait For Your Love),” lifting 3-2 for a new peak position.

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The highest new entry on the latest tally, published Friday, March 22, belongs to BTS’s V, whose “FRI(END)S” (via BigHit Entertainment) starts at No. 13. That’s V’s first solo top 20 appearance.

Also cracking the top 40 on debut is Mark Knopfler’s fundraising remake of “Going Home (Theme from Local Hero)” (BMG), new at No. 17. That’s an upgrade on the track’s original chart position; “Going Home” spent three weeks on the chart in 1983 with a peak of No. 56.

The former Dire Straits frontman assembled a starry cast of guitar heroes for the 9-minute tune, a reworking of the theme from the feature film Local Hero. “Going Home (Theme from Local Hero)” was the most-purchased song on wax during chart week, clocking over 15,200 pure sales, the OCC reports.

As previously reported, the likes of David Gilmour, Ronnie Wood, Slash, Eric Clapton, Sting, Joan Armatrading, Bruce Springsteen, Joan Jett, Pete Townshend and the late Jeff Beck are among the scores of performers on the recording, which raises funds for Teenage Cancer Trust and Teen Cancer America. “Going Home (Theme from Local Hero)” briefly took pole position in the U.K. chart race.

Finally, Dasha’s viral country breakthrough “Austin” (Warner Records) laces up its boots up and kicks into the top 20 for the first time. After soundtracking a line-dance trend on TikTok, the song lifts 25-15 in its fourth week on the U.K. chart.

Charlotte Cardin, Karan Aujla Win Big at the 2024 Juno Awards: Full Winners List

The 2024 Juno Awards looked to the future of Canadian music, while also honoring its history.

A quartet of acts who’ve had major breakthroughs this year won the major awards given out on the CBC-televised broadcast on Sunday night (March 24) live from Halifax, Nova Scotia.

Punjabi-Canadian global star Karan Aujla won the TikTok Fan Choice award, the only fan-chosen award of the ceremony. “Sometimes I can’t believe I’m that same kid who lost my parents when I was in India, made my way to Canada, and now I’m here!” said the B.C.-based artist, one of Billboard Canada’s inaugural cover stars. “If you are dreaming, make sure you dream big.”

Charlotte Cardin won album of the year for her album 99 Nights. The 2023 album has propelled the Montreal-based artist to new crossover heights, hitting No. 3 on the Billboard Canadian Albums chart, while its popular single “Confetti” reached the top 10 of the Canadian Hot 100 and spent 35 weeks on the chart. It also earned her first American chart hit, and it is currently on the Adult Pop Airplay chart. Cardin later performed the infectious earworm while actual confetti rained from the ceiling.

The Beaches, meanwhile, won group of the year. Accepting the award from Nova Scotia’s own Anne Murray, who holds the record for most Junos ever with 25, the Toronto band dedicated their speech to the next generation of rockers. “To all the young girls watching, go start bands with your best friends!” They later closed the festivities with a rendition of their major breakthrough single “Blame Brett.”

Both Cardin and The Beaches won awards at the 2024 Juno Opening Night Awards the night before (March 23) for pop album of the year and rock album of the year, respectively.

In a white fur cape, TALK had a rock star moment performing his epic single “Run Away to Mars,” which went to No. 1 on the Adult Alternative Airplay chart last year. The Ottawa-born artist, who’s had over 400 million global streams, later took home the award for breakthrough artist of the year. In his speech, he talked about the importance of arts funding, just after Canadian Heritage Minister Pascale St.-Onge announced the government would increase the Canadian Music Fund.

A number of the night’s performances motioned toward the increasingly diverse and global future of Canadian music. Dressed in a spiffy white outfit with a four backup dancers in red, Aujla performed early on, playing pop hits “Admiring You” and “Softly.” Both came from his album Making Memories, which made history as the highest-charting Punjabi debut ever on the Canadian Albums chart. Ikky, who made the album with Aujla, acted as hype man on an elevated platform.

In the BillboardPunjabi Wave cover story, AP Dhillon talked about his performance at the 2023 Junos ceremony and how he lobbied to ensure majorly popular Punjabi music would have a prolonged platform at the awards. Evidently, they’ve kept their word.

This year’s Junos also had the most Indigenous nominees in award history. Anita Landback, Tanas Sylliboy, Sarah Prosper set the stage with a land acknowledgment that intersected with a performance by Juno winner Jeremy Dutcher in Wolastoqey, who then joined in a duet with Elisapie on an Inuktitut version of Blondie’s “Heart of Glass.” Along with Aujla and others, it meant performances featured at least six different languages, including English and French.

The Junos has struggled with star power in recent years — Drake has boycotted the last half decade, while chart-topper Tate McRae was not in attendance to accept her two awards this year — they have made up for it with improved representation of what makes Canadian music unique.

This year, they also paid tribute to the country’s music history.

The ceremony was hosted by pop star Nelly Furtado, who opened the ceremony with a rapid-fire medley of her multiple decades of hits: “Say It Right,” “Maneater,” “Promiscuous,” “Give It To Me,” “I’m Like A Bird” — all from the 2000s and her new one with Dom Dolla, “Eat Your Man.”

Kardinal Offishall inducted “our rap Prime Minister” Maestro Fresh Wes into the Canadian Music Hall of Fame. The hip-hop hero had the first Canadian rap record to ever chart on the Billboard Hot 100 with “Let Your Backbone Slide,” was the first winner of the rap album of the year at the 1991 Junos for Symphony in Effect, and is currently amidst a wave of recognition for his place in the country’s music history. A pre-taped video featured contributions from this year’s winner, TOBi, legacy Canadian artists like Snow and American legends like Chuck D of Public Enemy. “Now, this music we love won’t ever be underestimated,” he said. He later performed a medley of his hits, including “Backbone.”

A special performance honoured a handful of Canadian legends who died this year. Neo-classical Quebecois artist Alexandra Streliski paid tribute to Karl Tremblay of Les Cowboys Fringants with an instrumental piano performance. Then Allison Russell, Aysanabee, William Prince, Shawnee Kish, Logan Staats, Julian Taylor all joined together for beautiful renditions of Gordon Lightfoot’s “If You Could Read My Mind” and The Band’s “The Weight” for the late Robbie Robertson.

And actor Elliot Page presented the humanitarian award to Tegan and Sara, stressing the importance of the Canadian Quin sisters’ Tegan and Sara Foundation’s important work for young queer people at a time when the rights of 2SLGBTQ+ people are under threat, including from the Alberta government. “If the world were not so hostile to 2SLGBTQ+ we would see ourselves purely as musicians,” they said, adding “we love being gay. So gay.”

Here’s our report on all the winners from Saturday’s Opening Night Juno Awards.

Here are the nominees in the categories that were presented on the live telecast, with winners checked.

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TikTok Juno Fan Choice

Charlotte Cardin, Cult Nation*The Orchard

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Daniel Caesar, Republic*Universal

DVBBS, Ultra*Sony

Josh Ross, Universal

WINNER: Karan Aujla, Warner

Shubh, Mass Appeal*The Orchard

Tate McRae, RCA*Sony

The Weeknd, XO*Universal

ThxSoMch, Elektra*Warner

Walk off the Earth, Golden Carrot*The Orchard

Album of the Year

Néo-Romance, Alexandra Stréliski, Secret City*F.A.B.

WINNER: 99 Nights, Charlotte Cardin, Cult Nation*The Orchard

NEVER ENOUGH, Daniel Caesar, Republic*Universal

Mirror, Lauren Spencer Smith, Universal

Lord of the Flies & Birds & Bees, TALK, Capitol*Universal

Group of the Year

Arkells, Arkells Music*Universal

Loud Luxury, Armada*Sony

Nickelback, BMG*Warner/ADA

WINNER: The Beaches, AWAL*Independent

Walk off the Earth, Golden Carrot*The Orchard

Breakthrough Artist of the Year

Connor Price, Independent

Karan Aujla, Warner

LU KALA, LVK/Amigo*AWAL

Shubh, Inrependent

WINNER: TALK, Capitol*Universal

This article originally appeared in Billboard Canada.

Sandra Crouch, Grammy-Winning Gospel Musician, Dies at 81

Sandra Crouch, the late Andraé Crouch’s twin sister who co-wrote “Jesus Is the Answer,” has died. She was 81.

Sandra Crouch passed away on Sunday, March 17 at Northridge Hospital in Northridge, California, following complications from radiation for a non-cancerous brain lesion, Billboard has learned.

Sandra and Andraé were born on July 1, 1942, in Los Angeles to parents who went into ministry and founded Christ Memorial Church C.O.G.I.C. in 1951. The siblings began performing music together around 1960 as The COGICS, alongside friends who were active at church.

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Andraé went on to form the group Andraé Crouch & The Disciples, and Sandra worked as a percussionist in Hollywood. As a percussionist, Sandra’s credits included playing on notable projects like The Jackson 5’s “I Want You Back,” Neil Diamond’s Tap Root Manuscript and Janis Joplin’s Pearl album.

In the 1970s, Crouch joined her brother with The Disciples, singing, playing and co-writing songs including “Jesus Is the Answer,” which became a mainstay on gospel radio.

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Among the twins’ musical accomplishments together was backing Michael Jackson on several songs on History – Past, Present and Future Book 1, and on “Man in the Mirror” when Jackson performed it live at the Grammys in 1988. Both Andraé and Sandra also worked on film soundtracks for 1985’s The Color Purple, 1993’s Free Willy and 1994’s The Lion King.

Sandra released three of her own albums in the 1980s, all of which resulted in Grammy nominations — and collected a Grammy for one of them.

Her first solo album, We Sing Praises — featuring singles “He’s Worthy,” “There’s Power in the Blood” and “We Need to Hear From You” — was released in 1983. The set earned Crouch three nominations and won the award for best soul gospel performance, female at the 26th annual Grammy Awards.

We’re Waiting, Crouch’s sophomore solo album, arrived in 1985 with the song “Completely Yes.” The album and track were nominated for best soul gospel performance by a duo, group, choir or chorus at the 28th annual Grammy Awards, though Crouch did not take home an award this time around.

Crouch’s third and final solo album, With All of My Heart, was released in 1992. It received a nomination, but did not win, for best gospel album by a choir or chorus at the 35th annual Grammy Awards. She went on the road in support of the album with Daryl Coley and the Richard Smallwood Singers on the Gospel: Good for the Soul Tour.

Sandra won two GMA Dove Awards for traditional gospel album, first for We Sing Praises in 1984, and then for With All of My Heart in 1993.

Andraé Crouch had taken over their parents’ church, Christ Memorial COGIC in San Fernando, California, in 1998 and ordained Sandra as a co-pastor, which defied the COGIC denomination’s policy against female preachers. They gave the church a new name: New Chris Memorial Church.

Sandra assumed the role of senior pastor beginning in 2015, when her brother passed.

The church’s assistant pastor, Kenneth J. Cook, released a statement about Sandra’s death last week via social media, writing, “It’s with a heavy heart that I announce that at 12pm today, March 17, 2024, our beloved Senior Pastor Sandra Elaine Crouch transitioned into the arms of the Lord. We as believers know that to be absent from the body is to be present with the Lord. We will forever cherish the memories and teachings we received from her.”

Crouch’s life will be celebrated with an April 16 viewing and musical tribute at New Christ Memorial Church, followed by a homegoing service on April 17.