Music

Here Are the Lyrics to Shakira & Cardi B’s Flirty ‘Punteria’ Translated to English

Shakira and Cardi B are currently making the rounds with her collaboration “Puntería,” part of the former’s latest album, Las Mujeres Ya No Lloran

The feel-good pop song with flirty lyrics finds the two artists singing about a man who’s not good for them, but his game is so strong, they’ve fallen for him. 

“Puntería” (which translates to “aim”) was born after the two artists met at the Fendi show during Paris Fashion Week. In an interview with each other, during the music video shoot, they elaborated on their first collaborative effort. 

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“I wanted to do something with Cardi. We were always discussing internally if it was a good idea to put someone on this song. I always pictured Cardi in this song. I reached out, and here we are,” Shakira said. “It’s been so fun to work with you. It’s so easy, honestly. She’s like, ‘I’ll do everything.’ I’m like, ‘Are you ready to work long hours? Because I work long hours.’ She’s like, ‘I’ll be there from 6 to 6 a.m.’”

After admitting she manifested to work with Shak, Cardi B gushed: “I knew it. I knew this day would come. It came. God is good, Jesus. I don’t care if she wants me to meow — I’m doing it. I cannot wait. Seriously, that is my dream.”

Below, check out the complete lyrics translated into English:



[Intro: Shakira]
You have good aim 
You know where to target me so that I can surrender, surrender

[Pre-Chorus: Shakira]
You have style to call my attention
You throw darts at me that go straight to my heart
Oh, and as many times as I try
Oh, it’s impossible to avoid you

[Chorus: Shakira]
You have good aim 
You know where to target me so that I can surrender, surrender
You attack me where it most hurts, you don’t suit me
But either in your bed or mine, I forget about all that

[Verse 1: Cardi B]
You, you got me stressin’, thinkin’ ’bout sexin’
Baby, keep me company
Give me your fire, squeeze my butt although you’re not the one for me
I got the night, night, put a man right to sleep
Yeah, I’m pretty lil’ thing from face to feet
I’m from the Bronx (Bronx), but I got a Georgia peach
I got a empanada, mama, that he love to eat (Muah)
A wolf like Shaki’, you’re my tiger
Bite me hard, don’t forget about this booty

[Chorus: Shakira]
You have good aim 
You know where to target me so that I can surrender, surrender
You attack me where it most hurts, you don’t suit me
But either in your bed or mine, I forget about all that

[Verse 2: Shakira & Cardi B]
Where he puts the eye, he puts the bullet
He shoots the target and I fall as if nothing 
But if you steal two kisses from me
I won’t even think about the third one 
I’m indecisive all night
And wake up with shirt
Now I don’t know if I even want to stop
Your hands melt me, your lips drug me
Your biceps drive me crazy
I never direct you, you always go straight
To my G-spot 

[Chorus: Cardi B & Shakira]
You have good aim
You know how to last, the other ones stay without battery
He throws darts at me and it doesn’t suit me
But I love it if he has it inside
I get kinky for you, I know that Cardi B will never leave your mind

You have good aim 
You know where to target me so that I can surrender, surrender
You attack me where it most hurts, you don’t suit me
But either in your bed or mine, I forget about all that

June Carter Cash’s Daughter Defends Beyoncé’s Country Claim: ‘She’s One of Us Carter Women’

Beyoncé‘s new album Cowboy Carter has stirred up some discourse over whether she should be considered “country.” But as far as Carlene Carter is concerned, there’s no question that Bey is in league with her mom: late country icon June Carter Cash.

In a recent statement, Carlene condemned the “negativity” she’s seen in the days since Cowboy Carter arrived on Friday, bringing with it 27 new experimental, country-inspired tracks. “As a Carter Girl myself and coming from a long line of Carter Girls, I’m moved to ask why anyone would treat a Carter this way?” she questioned.

“She is an incredibly talented and creative woman who obviously wanted to do this because she likes country music,” continued the 68-year-old singer-songwriter. “In my book, she’s one of us Carter women and we have always pushed the boundaries by trying whatever music we felt in our hearts and taking spirit-driven risks.”

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Carlene is the daughter of June and Carl Smith, who divorced in 1956. The “Jackson” singer went on to marry Edwin “Rip” Nix in 1957 before splitting in 1966, after which she famously wed Johnny Cash in 1968.

Throughout her career as a country musician, June notched nine hits on the Hot Country Songs chart — a ranking Bey would become the first Black female soloist to top decades later with “Texas Hold ‘Em.” The single, along with “16 Carriages,” preceded Cowboy Carter, which features guest appearances from Dolly Parton and Willie Nelson.

“I admire and love her and all she does,” added Carlene, directly addressing the “naysayers.” “I am delighted to know that Carter spunk is in her just like it’s been through nearly 100 years of us Carters choosing to follow ours hearts, hearts that are filled with love not just for country music but for all kinds of music. Here’s a warm welcome to the Carter Girl Club!”

Carlene isn’t the first country star to defend Bey’s right to explore country music. Linda Martell, who is featured on Cowboy Carter, wrote on Instagram that she’s “proud” of the 32-time Grammy winner for “exploring her country music roots,” while Rihannon Giddens said in a recent interview: “People can do what they wanna do. They wanna make a country record? Make a country record. Nobody’s askin’ Lana Del Rey, ‘What right do you have to make a country record?’”

Plus, Queen Bey’s mom, Tina Knowles, reminded critics prior to the album’s release that her daughter grew up in the heart of “cowboy culture” in Houston. “There is a huge Black cowboy culture,” she said at the time. “Why do you think that my kids have integrated it into their fashion and art since the beginning? … We went to rodeos every year and my whole family dressed in western fashion… It definitely was a part of our culture growing up.”

Shure CEO Christine Schyvinck on the Next Generation of Female Leaders in Audio Technology: Billboard Japan Women in Music

President and CEO of Shure, Christine Schyvinck spoke with Billboard Japan for its Women in Music interview series featuring female players in the entertainment industry. The WIM initiative in Japan began in 2022 in the same spirit as Billboard’s Women in Music that launched in 2007, honoring artists, producers and executives who have made significant contributions to the music industry and empowered women through their work.

Beginning her career as a quality control engineer in 1989 at Shure, a leading global audio technology company with nearly 100 years of history, Schyvinck gained diverse experience and insight within the company which helps her move the organization forward to this day. In an email interview with Billboard Japan, Schyvinck shared her mission of getting more women involved in STEM to help them become the next generation of leaders and the importance of having a shared mindset within the industry when tackling gender inequality.

Growing up, were there any women you looked up to? How have those ideals changed over the course of your career and life?

In my much younger years, I paid attention to women in leadership roles and was quite curious about them. Female athletes, astronauts, and political leaders proved to me that women can go places and they inspired me. It was fortunate that I started my career at Shure, which had a supportive system and did not discriminate between men and women. This is a company that was led by Mrs. Shure herself from 1995 to 2016 – I got to work along-side her and understand her values and beliefs. That experience shaped how I work today, and now it’s my job to make sure women can find paths to success.

We can’t leave everything to luck – help is needed along the way. Women play an important role in the future of technology and one of my missions is working with organizations to try to get more women involved in STEM so they can understand that this is a viable career path for them that could result in the next generation of leaders.

You joined SHURE as an engineer and have had a successful tenure at the company for over 30 years. How has your experience in different departments and business units affected your career and life?

This is now my 34th year with Shure. You will not find many global CEOs who have been with their companies that long. I firmly believe it is important to experience new things in an organization. I started at Shure as a quality control engineer and was quickly exposed to learning about the types of issues sound professionals encounter daily. My job was to help ensure that our equipment was reliable and always ready for the show. Shure’s brand reputation was built on quality products and this company remains committed to delivering the best performing products.

I eventually moved from Vice President of Quality to Vice President of Operations, where I managed procurement, supply chain, and manufacturing, as well as quality. This was another essential experience because I was able to work with passionate people all around the world, dedicated to making great products that solved problems for our customers. In 2006, I moved into a role leading global marketing and sales, where I managed three business units in the Americas, Europe/Middle East/Africa, and the Asia/Pacific regions. All this experience has helped me learn more about overall company operations, the global business structure, and what we need to do to meet the evolving needs of customers.

Having diverse experience within different parts of our company has given me an appreciation that not all CEOs are fortunate enough to have: I thoroughly understand the type of work that happens at various levels of the organization, and I know what our customers expect from us.

You earned a master’s degree in management engineering while balancing work with your career. Are there things you are working on or mindful of in order to achieve your current goals?

For me, being a strong business leader means listening. I work with so many talented people that help keep me informed of current business conditions and upcoming trends. I’ve found that having trust in your leadership and listening to customers is the best way forward. We are a customer-focused company and we’re not afraid to work shoulder to shoulder with people as they are working through problems. We like being out in the field and solving issues with certain venues or with certain performances. We’re problem-solvers and we share the end goal of having people in an audience be wowed during a performance. The only way this happens is attention to detail, attention to quality products, and attention in listening to what our customers need.
It’s also been helpful for me to have been where many of our Associates have been as I’ve worked my way through this organization. There’s no one blueprint for success, but for me, the combination of listening and hands-on experience has really helped me move the organization forward.

On the other hand, when faced with difficulties at work, how have you resolved them?

The key to overcoming difficulties in business is to surround yourself with smart, capable people who can collaborate to find the right solutions. Many minds can come at a problem from different angles and help find solutions that perhaps weren’t obvious in the way you were thinking.

Christine, you have been the CEO of SHURE since 2016, which is a rare feat in the audio and technology industry. Why do you think there are so few women executives in these fields?

Shure has been very involved with our trade group AVIXA and others in promoting women in the industry, but there is more work to do too. Women play an important role in the future of technology and it’s really never too early to start thinking about that career path. In fact, I think you have to reach girls when they are in junior high or middle school. They need to start thinking about classes in high school and organizations to join.
 
There are now so many schools and community organizations providing opportunities for all young kids to get involved with STEM (Science, Technology, Engineering, Math), but if that awareness doesn’t hit them early, they won’t sign up or they might be intimidated. As an industry, we should always be looking at ways we can be more involved in getting kids interested in our fields. Then, once they are in the industry, they need to have equal opportunities to progress in their careers and elevate into leadership roles.

In terms of gender equality, what is Shure’s current stance, as well as the approaches it has taken in order to achieve it?

When Mr. Shure founded the company in 1925, even in those different times, he was very attuned to diversity, equity and inclusion. This has been part of Shure’s DNA from the beginning. McKinsey did a study a few years back called “Diversity Matters.” The facts are there – companies that have more diversity on their teams perform better financially.

We have been more aggressive with our Diversity, Equity, Inclusion, and Access (IDEA) efforts recently, involving our Associates in helping shape our communications efforts as we recruit, retain and celebrate a diverse workforce. Gender balance is a big part of that. Mrs. Shure led by example.

Diversity in backgrounds, whether it is from the tech sector, musicians, audio engineers, etc., is also important. We embrace this diversity because it helps us better understand our diverse set of customers, which range from major television networks and movie studios, to educational institutions, to musicians and concert venues, to global businesses to individuals who use headphones and earphones. We now have Associates working in more than 30 countries around the world. This gives us a much better handle on local market needs and how to grow in those regions.

In Europe and the U.S., women have more access to career development support through various programs and mentorships. Can you tell us about Shure’s women-focused initiative “WE VIBE”?

At Shure, we have been making a commitment to our own internal actions around IDEA efforts. Over the past two years, we have held Inclusion Panels, which are panels with our own employees, discussing their backgrounds, their challenges, and how we can all create a better workplace. These are streamed live and via recording for our Associates to watch and ask questions.

Our Associate-led resource groups or “VIBES” are each focused on Women, LGBTQIA+ and Culture/Racial Equity – and they have helped guide us in thinking about policies, activities and other support functions they would like to see from Shure. The WE VIBE provides additional resources and support for everyone within the organization who wants to contribute to a more diverse workplace and community. Within the industry, we are holding Women in Technology panels with pros from all over the world in the areas of theater, film and more.

Shure is also supporting a number of organizations focusing on increased inclusion and support that reach younger students to help them encourage careers in the audio industry – specifically in areas of STEM.

What do you hope to accomplish through this initiative?

We have many goals with those initiatives, but our two main goals are:  adding more women and diversity to this industry and celebrating and championing those who are already here.

Billboard US, launched Women In Music in 2007, an annual event to honor women artists and executives who actively made a difference that year. What are some key factors when raising awareness about gender inequality issues across the industry, including Shure’s initiatives?

This past year has been an empowering year for women in music. The top highest grossing concert tours in the U.S. were from Taylor Swift and Beyonce. There are so many up-and-coming female artists as well – not just in the U.S., but all over the world. We have been supporting programs globally that help women who are just getting started in music to teach them and provide them with opportunities to be successful.

It is also important to note the increasing growth in the women behind the scenes in music. And we are doing what we can with our efforts to help close those gender gaps.

Finally, what advice would you give yourself during the first year of your career? I think many young women who are looking to enter the music industry will be encouraged by your words.

Find who your friends are and don’t be afraid to ask them for help. Oftentimes, women think they have to figure it out on their own, lest they be thought of as “weaker” or “incapable.” Asking questions and finding a network of people who can help you actually builds strength and teaches you how to become a good mentor someday. Simply put, don’t try to do it all yourself.

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Magic Johnson Posts Heartfelt Celebration of ‘Living Icon’ Beyoncé’s ‘Cowboy Carter’

Magic Johnson continues to be a loyal member of the BeyHive.

The former basketball superstar took to Instagram on Friday (March 29) to celebrate the release of Beyoncé’s newest album, Cowboy Carter. “Beyoncé – It’s only fitting that I recognize a living icon as the world tunes in to listen to your newest album, ‘Cowboy Carter,’ which just dropped today,” Johnson wrote alongside a throwback photo of himself smiling alongside the “Texas Hold ‘Em” singer. “You are truly a multifaceted force, with dominating presences as a singer, songwriter, director, actress, record producer, and entrepreneur! With over 160 million records sold, countless awards won (including a historical 32 Grammys), featured roles in eight movies, two fashion lines, and now a new hair care line..it’s impossible to argue that your influence on culture is irreplaceable.”

He continued, “You are women’s history! Just like I say Michael Jackson is the greatest male entertainer of all time, you are the greatest female entertainer of all time. I’m looking forward to seeing how you bring more representation into the country genre and continue to use your platform to uplift and amplify the Black voice.”

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See the post here. Johnson has been a longtime supporter of Beyoncé, previously calling out the Recording Academy for not doing more to celebrate the singer becoming the most Grammy awarded artist in the show’s history in 2023.

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Upon its release, Cowboy Carter became Spotify’s most-streamed album in a single day in 2024, the streaming service announced last week. This is the first time a country album holds the title this year. Before the album’s release, lead single “Texas Hold ‘Em” was streamed over 200 million times. The album also marks the most first-day streams for a country album by a female artist in the history of Amazon Music.

Diddy’s Radio Airplay Plummets After Sexual Abuse Allegations & Federal Agent Home Raids

Sean “Diddy” Combs has maintained a steady presence on Billboard’s charts since the mid-1990s, when he founded Bad Boy Records and began charting with his own smash singles “Can’t Nobody Hold Me Down,” “I’ll Be Missing You” and more. These songs and others from his catalog have continued to rack up millions of streams and are radio classics, still earning hundreds of plays every week. But due to a string of sexual misconduct allegations and, most recently, two raids of his homes on March 25 by the Department of Homeland Security in connection with an ongoing sex-trafficking investigation, his familiar presence on radio and top streaming playlists may be in jeopardy.

Diddy’s music catalog* (see below) has been consistently dropping on radio since Cassie, the mogul’s former girlfriend, filed a lawsuit on Nov. 16, 2023, accusing Combs of years of abuse and one accusation of rape. The lawsuit alleged that she had “endured over a decade of his violent behavior and disturbed demands,” including repeated beatings and forcing her to “engage in sex acts with male sex workers.”

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From Nov. 3 to 16, 2023 – the two tracking weeks preceding Cassie’s filing – Diddy’s catalog generated 11,000 radio spins, which translated to 23.3 million radio airplay audience impressions, according to Luminate. In the two tracking weeks after (Nov. 17-30), his catalog raked in 8,000 spins (down 28%), equaling 17.3 million impressions (down 26%).

In almost every week since then, Diddy’s catalog has seen decreases in radio play. In the most recent two-week span (March 15-28), his catalog tallied 1,000 spins that garnered 4 million impressions. Compared with the two weeks leading up to Cassie’s filing in November, that’s an 88% drop in radio spins and an 83% plummet in radio audience.

The most drastic single-week drop in radio occurred between Nov. 24-30 and Dec. 1-7. Diddy’s music saw a 41% plunge in radio spins in that span (from 3,000 to 2,000) and a 31% fall in audience (6.9 million to 4.7 million). The drop came as Diddy was hit with another pair of lawsuits on Nov. 23: One, filed by Joi Dickerson-Neal, claimed that the superstar drugged and sexually assaulted her in 1991, while a second – from an anonymous accuser – alleged that the music mogul sexually assaulted and beat her. Also contributing to the plunge, many radio stations (though not primarily R&B/hip-hop formats) start playing holiday music after Thanksgiving. Thus, non-holiday fare could see a decline in activity to make way for holiday music.

While Diddy’s radio presence has been decreasing, his streaming totals don’t tell the same story. Excluding his latest LP The Love Album: Off the Grid (released Sept. 15; making for a fairer catalog comparison), Diddy’s catalog garnered 6.7 million on-demand U.S. streams** (see below) Nov. 3-16 – the two weeks preceding Cassie’s filing – and 4.5 million in the two most recent tracking weeks (March 15-28), down 31%.

Last week, Diddy’s day-to-day streams increased after the raids of his homes on Monday (March 25). On Saturday and Sunday (March 23-24) Diddy’s catalog earned 930,000 streams. In the two days following the home raids (March 26-27), it earned 1.28 million, a 38% increase.

On March 26, the day after the raids of Diddy’s L.A. and Miami homes, his attorney Aaron Dyer spoke out against the “gross overuse of military-level force” in the raids of the musician’s residences, and vowed to end the “witch-hunt” against his client. While the results of that have yet to be seen, Diddy’s decline on the airwaves shows that many stations have already made up their minds.

*Diddy’s music catalog encompasses all titles billed to Diddy, P. Diddy, Puff Daddy, Puff Daddy & The Family, and Diddy Dirty Money. This excludes featured credits, like The Notorious B.I.G.’s “Mo Money Mo Problems,” on which Diddy is featured.

**Diddy’s streaming sum includes user-generated content, or UGC, streams, which don’t count towards Billboard’s charts.

–Kevin Rutherford and Trevor Anderson contributed to this report

MGK Shares the Lengthy Process of Getting a Blackout Tattoo

In February, MGK (formerly Machine Gun Kelly) debuted his massive blackout tattoo that covers up most of his torso and, on Monday (April 1), the rocker took fans into the arduous process of getting the ink done.

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The star chose tattoo artist Roxx for the project, which spanned, as expected, over multiple sessions. “This is the most painful s— I’ve ever experienced,” MGK said two weeks into the process. He captioned the post, “So…what else should i get now?”

The “Bloody Valentine” rocker took to Instagram on Tuesday (Feb. 20) to show off his new ink, a massive blackout tattoo that covers his chest and arms. The negative space on the chest area shows a cross, while his arms create a peek at his previous tattoos. His old ink on his stomach is still visible, including his “Locals Only” piece and “I want change” tattoo.

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“For spiritual purposes only,” he captioned the post, which you can see here.

The star is fresh off a new joint Genre : Sadboy EP with Trippie Redd, which arrived on Friday (March 29).
The EP is free of guest features outside of an appearance from JID and boasts 10 tracks in total including their pensive “lost boys” single. MGK’s last album, 2022’s Mainstream Sellout, debuted at No. 1 atop the Billboard 200 with 93,000 album units sold.

Metro Boomin Reacts to ‘Like That’ Topping Billboard Hot 100: ‘Hip Hop Is Alive & Well’

André 3000 once declared that “the South got something to say.” Nearly three decades later, fellow Atlanta natives Future and Metro Boomin are carrying the torch.

The duo’s We Don’t Trust You joint album certainly made a noisy statement with the collab LP debuting atop the Billboard 200 and their nuclear Kendrick Lamar-assisted “Like That” shooting to the top of the Billboard Hot 100.

“HIP HOP IS ALIVE AND WELL #WEDONTTRUSTYOU,” Metro wrote on his social media on Monday (April 1) after learning “Like That” had earned him his first No. 1 hit as a billed artist. (He reached the summit as a co-producer and co-writer on Migos’ “Bad & Boujee” and The Weeknd’s “Heartless”).

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Not only did “Like That” top the Hot 100, but Future and Metro’s album filled half of the top 10 and held the No. 2 spot as well with “Type S–t” featuring Travis Scott and Playboi Carti.

Lamar taking aim at his “Big Three” counterparts Drake and J. Cole with his scathing guest appearance likely played a role in the track earning the most single-week streams for any song in 2024 — “Like That” ended up drawing 59.6 million streams and 5.6 million radio airplay audience impressions and sold 9,000 in the week ending March 28, according to Luminate.

The 59.6 million streams are the most for a track in one week since Miley Cyrus’ “Flowers” tallied 59.7 million in its second week (Feb. 4, 2023).

“Like That” also launched to No. 1 on the Billboard Global 200 and Streaming Songs charts. It bowed in at No. 2 on Digital Song Sales.

We Don’t Trust You debuted atop the Billboard 200 with 251,000 total album-equivalent units in the week ending March 28, per Luminate. It’s the biggest sales week for any album thus far in 2024.

“ALL PURELY OFF STREAMS NO PHYSICALS NO BUNDLES JUST GREAT MUSIC AND EMBRACE FROM YOU ALL!! THANK YOU!!!! #WETRUSTYOU #WEDONTTRUSTTHEM,” Metro wrote on X after the project reached No. 1.

Check out Metro Boomin’s reaction below.

Shakira Says Her Sons Thought the ‘Barbie’ Movie Was ‘Emasculating’ 

While Shakira is no stranger to championing female empowerment, she also promotes that the topic of feminism is nuanced.

The “Hips Don’t Lie” superstar spoke to Allure for a recent cover story interview, where she revealed that her two sons — 11-year-old Milan and nine-year-old Sasha — were not fans of the 2023 Barbie movie, which received widespread celebration upon its release for its criticism of the patriarchy. “My sons absolutely hated it. They felt that it was emasculating,” Shakira told the publicaton. “And I agree, to a certain extent. I’m raising two boys. I want them to feel powerful too [while] respecting women. I like pop culture when it attempts to empower women without robbing men of their possibility to be men, to also protect and provide. I believe in giving women all the tools and the trust that we can do it all without losing our essence, without losing our femininity. I think that men have a purpose in society and women have another purpose as well. We complement each other, and that complement should not be lost.”

She continued, “Why not share the load with people who deserve to carry it, who have a duty to carry it as well?”

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Shakira herself received praise for the female empowerment on her 2023 “Bzrp Music Sessions, Vol. 53” with Argentine DJ Bizarrap, which went straight for the jugular amid her split from soccer player Gerard Piqué. “Women don’t cry; we make money,” she declared on the track, which hit No. 2 on the Billboard Global 200.

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“When I did that session, people on my team were saying, ‘Please change this. Don’t even think about coming out with those lyrics,’” she recalled to Billboard last year. “And I said, ‘Why not?’ I’m not a diplomat in the United Nations. I’m an artist, and I have the right to work on my emotions through my music. It’s my catharsis and my therapy, but it’s also the therapy of many people. I know I’m the voice of many people, and I’m not being pretentious, just realistic. I lend my voice to many women who maybe also wanted to say the same things I said and perhaps haven’t had the validation to do so. I think songs like the Bizarrap session or like the one I did with Karol have given many women strength, self-empowerment, self-confidence and also the backing to express and say what they need to say.”

Future, Metro Boomin & Kendrick Lamar’s ‘Like That’ Launches at No. 1 on Billboard Global 200

Future, Metro Boomin and Kendrick Lamar’s “Like That” leaps in at No. 1 on the Billboard Global 200 chart.

The track is one of three from Future and Metro Boomin’s album We Don’t Trust You that debut in the Global 200’s top 10, as the set opens at No. 1 on the U.S.-based Billboard 200 chart.

Plus, Hozier’s “Too Sweet” begins at No. 7 on the Global 200.

Meanwhile, Benson Boone’s “Beautiful Things” adds a sixth week at No. 1 on the Billboard Global Excl. U.S. survey.

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The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



Future, Kendrick Lamar & Metro Boomin’s First Global 200 No. 1

Future, Metro Boomin and Kendrick Lamar’s “Like That,” on Boominati/Wilburn Holding Co./Republic/Epic Records, premieres at No. 1 on the Billboard Global 200, with 91 million streams and 10,000 sold worldwide in its first week of release (March 22-28).

Also debuting in the Global 200’s top 10 from Future and Metro Boomin’s LP We Don’t Trust You are “Type Shit,” with Travis Scott and Playboi Carti (No. 6; 56.1 million streams worldwide), and “Cinderella,” with Scott (No. 8; 43.2 million).

Future, Metro Boomin and Lamar all top the Global 200 for the first time. Scott now boasts 10 top 10s on the tally; Future, eight; Lamar, four; Playboi Carti, three; and Metro Boomin, one.

Benson Boone’s “Beautiful Things” drops to No. 2 after five weeks at No. 1 on the Global 200; Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” slips 2-3, two weeks after debuting at No. 1; Djo’s “End of Beginning” backtracks to No. 4 from its No. 3 high; and Teddy Swims’ “Lose Control” descends to No. 5 from its No. 4 best.



Hozier’s “Too Sweet” debuts at No. 7 on the Global 200, with 43 million streams and 5,000 sold worldwide. The Irish singer-songwriter’s first top 10 since the chart began was first widely heard via a teaser snippet during his March 6 appearance on the How Long Gone podcast, ahead of its proper release March 22 on his four-track EP Unheard.

Boone No. 1 on Global Excl. U.S. for Sixth Week

Benson Boone’s “Beautiful Things,” on Night Street/Warner Records, notches a sixth nonconsecutive week atop the Billboard Global Excl. U.S. chart, with 64.1 million streams (essentially even week-over-week) and 8,000 sold (up 18%) outside the U.S. March 22-28.

Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” holds at No. 2 on Global Excl. U.S., two weeks after it debuted at No. 1; Djo’s “End of Beginning” rises 5-3 for a new high; Creepy Nuts’ “Bling-Bang-Bang-Born” is steady at No. 4, after hitting No. 2; and Teddy Swims’ “Lose Control” rebounds 6-5, after reaching No. 3.

Plus, Future, Metro Boomin and Kendrick Lamar’s “Like That” debuts at No. 6 on Global Excl. U.S., led by 31.9 million streams outside the U.S. The song is the second top 10 for each act.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated April 6, 2024) will update on Billboard.com tomorrow, April 2. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Maude Latour’s Riotous ‘Too Slow’ and 4 More Cool New Pop Songs This Week

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

These tracks from artists including Leigh-Anne, BABYMONSTER, Frank Turner and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist.

Coolest Pop Song of the Week: Maude Latour, “Too Slow”



It’s easy to picture rising alt-pop star Maude Latour enjoying the kind of breakthrough hit that Tate McRae recently enjoyed with “Greedy” later this year: after a string of encouraging singles in which the former philosophy student prodded at the existential quandaries of pop stardom, Latour is gearing up for a debut album this summer, and will be joining Fletcher on tour in the fall. Most importantly, new single “Too Slow” finds Latour zeroing in on a style and persona that cuts through the pop-playlist clutter and grabs you by the shoulders — a brash post-teen spirit singular enough to stand out in a crowded field.

“Too Slow” opens with a mix of ascending vocal chants and aggressive handclaps that immediately announces its mischievous streak, and from there, Latour fulfills that early promise. “So I took a shot from the fountain of youth / But babe, if you’re not drinking with me, I’ll have nothing to do, okay? / ‘Cause me and my friends are meeting up under the bleachers / Where the band kids kiss the football team and I keep kissing cheerleaders,” she sings, while dressing up as a cheerleader in the track’s music video.

A song like “Too Slow” doesn’t work if it comes across as overly bratty, but fortunately, Latour boasts the charisma and chorus to have the listener follow her when she beckons you toward her joyride. The new single suggests a corner turned for the singer-songwriter as she gears up for a mainstream shot — when the hooks are delivered this confidently, the sky’s the limit.

Here are some new pop songs worth checking out this week…