Music
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Gracie Abrams opened 49 Eras Tour shows and to hear her tell it the final day on Taylor Swift’s mega world stadium outing was a lot like the last, weepy hours of a high school year. “Everyone had been crying all day. It felt like the last day of school backstage,” she told Nylon magazine in a new feature about her magical year. “Everyone was walking around with their [Eras Tour] books, signing each other’s books. We were all walking around with Sharpies.”
Abrams spoke to the magazine less than 36 hours after the final Eras Tour show in Vancouver on December 8 and admittedly was struggling with the stages of grief as she put the life-changing experience behind her. “I watched the live streams on shows that I wasn’t at,” she said. “I’m feeling emotional and grateful and in a state of shock that we don’t, as a global community, get to experience that source of light anymore.”
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As she ascends to her own new pop plateaus — including a recent debut Saturday Night Live musical guest spot and a fifth week at No. 1 on the U.K. charts with her “That’s So True” single — Abrams, 25, said the time spent on tour with Swift was like pop star boot camp. “I was just soaking up every moment of her show, too. I’ve basically been studying it for a year-and-a-half,” she said of Swift, who returned the favor by scattered some of her musical pixie dust on Abrams’ The Secret of Us track “Us.” “Every time I’ve opened for her, I watch and learn. I learned from her every time we have a conversation about the weather, even,” Abrams said.
Though she initially got hit with the dreaded “nepo baby” tag thanks to famous parents Star Wars and Star Trek director J.J. Abrams and production exec Katie McGrath, Abrams said the tables are starting to turn. The Nylon writer described a recent New York show where they observed fans approaching director Abrams to take selfies with “Gracies dad.”
“They’re like, ‘What in the world?’” Abrams said of her parents’ take on her rising fame. “But it’s really sweet,” she adds, noting that watching the sweet way her mother interacts with people is the model for how she wants to be. “Her support and encouragement of my writing my whole life is the reason that I’m doing any of this now,” she said.
The one thing she didn’t want to discuss, however, was her rumored relationship with Gladiator II star Paul Mescal, who she’s been photographed with a number of times this year. Asked how she’s dealing with a high-profile relationship amidst her rising fame, Abrams kept things vague. “That has nothing to do with me,” she said. “It doesn’t affect me.”
The singer announced her own 2025 North American headlining tour the day after wrapping her Eras run and told the magazine that she’s re-teamed with The National’s Aaron Dessner at New York’s Electric Lady Studios with an eye toward releasing her third album by late 2025.
“I am inspired by Taylor in a million ways, but especially by the pace with which she puts things out into the world,” Abrams said. “There’s less pressure the more you release — that’s how I consider it for myself. I want to just keep it coming while I’m in this period of writing as frequently as I am. I think it would be a waste to not be open.”
Watch Abrams take the Rorschach Test with Nylon below.
Snoop Dogg returned last week with his Missionary album, which found him reuniting with Dr. Dre for his first full-length project alongside the West Coast legend in more than three decades since 1993’s Doggystyle. But the project wasn’t always going to have that title, as Snoop joked with Complex earlier this week as part of […]
Mexican music is undergoing a revolution, and at the epicenter of this new wave of talent is Luis Ernesto Vega Carvajal, better known as Netón Vega. At just 21 years old, the young musician has achieved global success as a co-writer for tracks such as “La People” by Peso Pluma and Tito Double P, “Rubicon” by Peso, and “Si No Quieres No” by Luis R. Conríquez.
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The latter song, on which he also sings, is one of five that he currently has on the Hot Latin Songs chart as both composer and performer, including “La Patrulla” with Peso Pluma, “Linda” and “Chino” with Tito Double P, and “Presidente” by Gabito Ballesteros, Natanael Cano, and Conríquez.
“The fact that my songs reached Hassan (Peso Pluma) allowed them to reach all these artists, with whom I now share a great friendship,” explains Vega, who is ready to write his own story now as a singer, in an interview with Billboard Español.
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On Friday (Dec. 20), he will release “Loco,” the first single from his debut album, slated for January 24, 2025.
“Now it’s my turn to perform my own songs. I have prepared 18 and I am very excited for everyone to hear all that I can offer because I don’t just do corridos tumbados; I really like rap and even romantic songs,” explains the singer-songwriter, who has more than 20 million monthly listeners on Spotify thanks to his collaborations.
When asked if at this stage he will have the support of those to whom he has given key songs in his career, the answer is blunt: “There is a union with the artists of Mexican music today as never before, we support each other unconditionally, it is a brotherhood. So they will be with me in my first album Peso Pluma, Luis R. Conríquez, Tito Double P, Víctor Mendívil, Oscar Maydón and Alemán, who is from the same place where I was born”.
Vega was born in La Paz, Baja California Sur, but moved to Culiacán, Sinaloa, at a young age. He learned to rap on the streets and later began to write.
“I didn’t write corridos tumbados. I composed romantic songs, reggaetón, everything. I wrote traditional corridos; people from the United States requested them a lot. That’s how I started making money,” he shares, adding that he also grew up listening to music from groups like Intocable and Juan Gabriel. “Then I mixed everything I knew and created my own style,” he continues. “As for the lyrics, I make sure they are not too aggressive.”
Amid so many emerging artists, the competition becomes stronger every day, and this is something he is very aware of. “However, I believe that we can continue our careers if we work and keep doing new things all the time,” he says. “At least that’s what I am willing to do.”
With the release of his debut album, he will also have the opportunity to perform in front of an audience for the first time with three concerts scheduled in Mexico early next year: February 27 at the Escenario GNP Seguros in Monterrey, March 1 at the Pepsi Center in Mexican City, and March 9 at the Auditorio Telmex in Guadalajara.
“This is a very important challenge. I understand that having millions of listeners is not the same as having people come to see me and pay for a ticket,” concludes Vega, undoubtedly an artist to keep an eye on in 2025.
Future scores a triple play as his single “Too Fast” reaches No. 1 on three Billboard radio song charts: Mainstream R&B/Hip-Hop Airplay, Rhythmic Airplay and Rap Airplay. The track advances to the summit on the lists dated Dec. 21 after it became the most played song on U.S. monitored mainstream R&B/hip-hop and rhythmic radio stations and the most heard song, by audience impression count, on U.S. monitored hip-hop stations in the tracking week ending Dec. 12, according to Luminate.
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“Too Fast,” released on Freebandz/Epic Records, jumps from No. 3 on Mainstream R&B/Hip-Hop Airplay after a 3% increase in plays for the week. It becomes Future’s seventh No. 1 on the chart and second of 2024, after “Like That,” his collaboration with Metro Boomin and Kendrick Lamar, which reigned for three weeks in June. The rapper’s leading collection includes the longest running No. 1 in the chart’s history, the 16-week champ “Wait for U,” featuring Drake and Tems, from 2022.
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Looking at Rhythmic Airplay, “Too Fast” wraps an identical 3-1 leap after a strong 12% surge in weekly plays and likewise is Future’s seventh No. 1 on the radio ranking. On Rap Airplay, the single pushes from the runner-up spot thanks to a 9% rally in audience impressions, giving the rapper his sixth leader.
With its triple coronation, “Too Fast” is the fifth song to rule the Mainstream R&B/Hip-Hop Airplay, Rhythmic Airplay and Rap Airplay charts in 2024. It joins Future’s collaboration with Metro Boomin and Kendrick Lamar, “Like That,” Jack Harlow’s “Lovin on Me,” Lamar’s “Not Like Us” and Nicki Minaj’s “Everybody,” featuring Lil Uzi Vert.
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Elsewhere, “Too Fast” climbs 4-3 on the audience-based R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, it improved to 13.4 million audience impressions, up 7%. Such gains, in turn, push the track 24-23 on the all-genre Radio Songs chart, with a 9% improvement to 24 million audience impressions across all formats.
“Too Fast” appears on Future’s Mixtape Pluto project, which dropped in September. It became the rapper’s 16th No. 1 on the Top R&B/Hip-Hop Albums chart, a record by a solo artist and put Future within one leader of tying The Temptations for the most among all acts.
Mariah Carey has overtaken Tom Grennan in the race for the U.K.’s Christmas No. 1 Single, as per a new report from the Official Charts Company published Tuesday (Dec. 17). Explore See latest videos, charts and news See latest videos, charts and news Moving to No. 2 in the midweek charts, Carey’s festive classic “All […]
Jelly Roll is off the grid — and his phone is somewhere at the bottom of the Cumberland River. In an effort to reduce stress, the country star recently chucked his cell into the water and has no plans to replace it, he revealed on the latest episode of Bunnie XO’s Dumb Blonde podcast.
On the episode posted Monday (Dec. 16), Jelly began by saying, “I can confidently tell people I’m not gonna have a phone all of ’25.”
The “Son of a Sinner” singer then recounted to Bunnie — whom he married in 2016 — a recent drunk night out that ended with him asking his driver to pull over so that he could get out of the car and lob his phone into the Cumberland, which runs through Kentucky and Tennessee — not that it was an on-the-fly decision. “I was determined,” Jelly recalled, laughing. “I talked about this in interviews all year. I was like, if this tour goes the way I want it to, I’m gonna throw my phone off the Shelby Street Bridge.”
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Jelly went on to explain why it’s more “healthy” for him to be phoneless, noting that he’ll probably downgrade to a simple flip phone in 2025. “I was getting to a point that I was getting hundreds and hundreds of text messages a day,” he shared. “And I just was overwhelmed. I would just feel like such a bad human for missing them. I was carrying a lot of guilt. This phone was causing me a lot of guilt.”
“I would use my phone as a way to avoid,” the Nashville native added. “I would be missing text messages and know there were so many over there that it was too stressful to go check. So I would avoid that by mindless scrolling or, you know, I had these news alerts on my phone, and then we become big news stories all the time. I started getting caught up in that. It doesn’t make me a better person.”
Jelly is currently on break from his Beautifully Broken Tour, which picks back up in Canada in March following a festival performance at Coors Light Birds Nest in Scottsdale, Ariz. In April, he’ll join Post Malone on a two-month joint North American stadium trek.
While on tour, the musician — who recently performed two tracks at the 2024 Billboard Music Awards — has been open about his weight-loss journey. On Dumb Blonde, Jelly explained why he’s stayed so public about the process, telling Bunnie, “I want to be honest about my struggles with it for people.”
“I think that people that become as big as I became, when they lose the weight, they’re so ashamed that they go and hide and lose the weight,” continued Jelly, who revealed he’s now lost 140 pounds. “I wanted to lose [weight] in front of everybody, I wanted to talk about it. I want to bring people along with me.”
Listen to his episode on Dumb Blonde below.
50 Cent, Davido and Mary J. Blige have announced a special gig scheduled to take place July 3 at London’s Tottenham Hotspur Stadium.
The date will see the three global superstars perform together as co-headliners for the first time. Tickets will go on sale at 10 a.m. GMT this Friday (Dec. 20) via Ticketmaster.
For Blige, the show will follow her spring North American headlining tour in support of new LP Gratitude. On Nov. 29, the R&B legend also celebrated the 30th anniversary of her sophomore album, My Life, which spawned the singles “Be Happy,” “I’m Goin Down” and “Mary Jane.”
Speaking to Billboard earlier this year, Blige described the record as being “pivotal” to her success, adding that its creation allowed her to find herself as an artist. “My fans have given me so much, and when I say, ‘We did it,’ I mean my fans and I,” she said.
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50 Cent, meanwhile, has another huge U.K. show scheduled for July. The following week will see him headline Glasgow’s TRNSMT Festival (July 11), alongside Irish pop act The Script. The rapper recently landed his second video in the YouTube Billion Views Club with 2005 hit “Candy Shop,” joining “In Da Club.” His last studio album arrived in the form of 2014’s Animal Ambition.
In March 2023, Davido released his Timeless LP, which peaked at No. 37 on the Billboard 200 and was nominated for best global music album at the 2024 Grammy Awards. Its Musa Keys-assisted track “Unavailable” went on to hit No. 3 on the U.S. Afrobeats Songs chart.
The Nigerian-American artist is slated to drop his next album, 5ive, early next year. He unveiled lead single “Funds” with Odumodublvck and Chike earlier on Dec. 5; it featured a sample of the 1997 track “Vuli Ndlela” by South African singer-songwriter Brenda Fassie.“This one is straight from the heart – my story, my truth, my growth,” Davido wrote on Instagram uponn the song’s release. “This one’s for the dreamers, the go getters and everyone chasing what’s theirs! Thank you for riding with me.”
Beyoncé now has more Recording Industry Association of America certified titles than any other female artist, the organization announced Tuesday (Dec. 17). With the superstar earning dozens of new badges Tuesday — including a 2x-Platinum certification for Billboard Hot 100-topper “Texas Hold ‘Em” and Platinum honors for Billboard 200 No. 1 album Cowboy Carter — […]
Lily Allen has long been an open book about her mental and physical health, but in a new chat on her and Miquita Oliver’s Miss Me? podcast, the “LDN” singer said that she’s currently going through a rough patch that she was initially reluctant to discuss with her therapist.
“I don’t think that I lie in therapy, but I do often not talk about things I should be talking about,” the singer said in this week’s episode. “It’s not intentional. I’ve been going through a tough time over the last few months and my eating has become a real issue.” Allen said her eating issues have been going on for almost three years, but she only recently opened up about them to her therapist.
“She was like, ‘Why haven’t you mentioned it before?’” said Allen, who tagged her creative pursuits as a form of “performative therapy,” because she finds it easier to sing about those things than to have “honest, vulnerable” conversations with people she cares about. “It’s not because I have been lying about it. It’s just because it hasn’t seemed at the top of the list of important things that I needed to talk about. But obviously it is.”
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Acknowledging that she sometimes struggles to paint the “big picture” when looking at her mental health — which, she noted, might have to do with her ADHD diagnosis — Allen said, “My body and my brain are two very separate things to me. I know a lot of people feel those two things are very connected to each other, but for me, it’s very different. I spend a lot of time in my head, and not a lot of time thinking about my body.”
Allen then got very candid about her current state of mind and the ways that has manifested physically. “I’m really not in a great place mentally at the moment, and I’m not eating. But I’m not hungry,” she said. ” I obviously am hungry, but my body and brain are so disconnected from each other that my body… the messages of hunger are not going from my body to my brain. I’m not avoiding food, I’m just not thinking about it because I’m so in my head. My body’s like, a few steps behind me.”
Allen, 39, married Stranger Things actor David Harbour in 2020 and has two daughters, ages 13 and 10, with her ex-husband Sam Cooper.
Oliver reminded her pod partner and lifelong friend Allen — who said that she did family therapy when she was young when her mom went tor rehab and then returned to therapy as an adult to deal with the initial rush of fame –that her awareness of what’s going on in her body is one step toward healing, a message the singer appreciated. In 2021, Allen opened up about her long battle with addiction, which she said started in school whens she turned to drugs and alcohol to deal with the resentment she felt from her classmates when she dropped out to pursue music.
Allen revealed her ADHD diagnosis in 2023, saying it “sort of runs in my family,” after sharing that she was suffering from PTSD after a stillbirth in 2010.
In July, Allen revealed that she had begun selling pictures and videos of her feet on OnlyFans, later saying that just a few months in she was earning more with her toes than her music streams. “imagine being and artist and having nearly 8 million monthly listeners on spotify but earning more money from having 1000 people subscribe to pictures of your feet,” she wrote in October.
Listen to the episode below (food discussion begins at 9:55 mark).
If you or someone you know are struggling with disordered eating or an eating disorder you can contact the ANAD helpline at 1 (888) 375-7767 or the National Alliance for Eating Disorders at 1 (866) 662-1235.
The RIAA revealed its yearly certification announcements on Monday (Dec. 16), identifying 65 artists receiving honors for the first time, including Latin artists such as Rauw Alejandro, FloyyMenor, Quevedo, The Marías and Carla Morrison.
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Puerto Rican sensation Rauw Alejandro is recognized for his album Cosa Nuestra, which achieved Gold status. Additionally, his collaboration with Bad Bunny on the single “Qué Pasará” was notably popular. However, it was his 2023 single “Aloha” — with Maluma and Beele, featuring Darell, Mambo Kingz and DJ Luian — that achieved six-times Platinum status, and a few more others such a early 2024 singles “Déjame Entrar” and “Touching the Sky” were also certified Platinum. Spanish rapper Quevedo received a nine-times Platinum accolade for his single “Pero Tú” with Karol G, along with Platinum recognitions for other tracks including “OA” in collaboration with Anuel AA and Maluma (with contributions from Mambo Kingz, DJ Luian).
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Breakout Chilean star FloyyMenor proudly acknowledged his inclusion in the RIAA Class of 2024, celebrating the double Platinum success of his song “Gata Only” with Cris MJ. “I am so proud to be a part of the RIAA Class of 2024 and for my double platinum song making me the only Chilean artist to achieve platinum or higher certification for a Latin title in the RIAA’s Gold and Platinum program’s 66 years,” said FloyyMenor in a statement shared with Billboard Español. “This is not just mine, it is Chile’s and everyone who has supported me since day one. I am very grateful for UnitedMasters, RIAA and my fans for helping me bring my music to the whole world. This last year has been a dream come true.”
Meanwhile, The Marías landed three singles — “No One Noticed,” “Un Millón” and “Lejos de Ti” — in the prestigious program; and Carla Morrison enters this year’s class for her participation in Karol G’s hit song “Mañana Será Bonito,” which went nine times Platinum.
“There’s nothing like the first time! The RIAA Gold and Platinum Class of 2024 is our largest to date — with 65 artists whose talents broke through in amazing ways — proving how new music discovery and creative partnerships are driving the next generation of icons,” added RIAA chairman/CEO Mitch Glazier in a press release. “We are so proud of this group of artists and their label teams for their inspiring work that fans love. We look forward to celebrating their next milestones soon.”
Moreover, the Class of 2024 also features Shaboozey, Chappell Roan, Sexxy Red, Cassö and others.
As for standout Latin releases this year, Peso Pluma’s album Éxodo reached 11 times Platinum, and Fuerza Regida’s single with Marshmello “Harley Quinn” went 27 times Platinum.
Initiated 66 years ago, the Gold and Platinum Awards by the RIAA were designed to acknowledge artists and track sales of sound recordings. These awards have since become a benchmark of success for artists at all stages, from debut tracks to career-spanning compilations.
See the complete list of recipients of the Class of 2024 below on the second slide: