Music

Billie Eilish Unveils ‘Hit Me Hard & Soft’ Tracklist

Billie Eilish’s new musical era is upon us, and the superstar unveiled the tracklist for her upcoming album, Hit Me Hard and Soft, on Thursday (April 18).

The 10-track album features tracks like “Skinny,” “Lunch,” “L’Amour De Ma Vie,” “Blue,” and “Wildflower,” among others. As of the current announcement, there does not appear to be any collaborative features on the project, as was the case on her previous two albums.

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“Chihiro” is also listed on the album, which Eilish teased in an interview with Apple Music’s Zane Lowe earlier this month. “Today, maybe tomorrow/ Open the door for me/ I know you said before/ You can’t cope with it no more,” she sings on the track, which borrows its title from the main character of the beloved Studio Ghibli film, Spirited Away.

“Every time you put anything out, it feels like your nudes leaked a little bit,” the nine-time Grammy winner said of the upcoming album. “I think this one specifically is like that. Something that Finneas and I said to a couple of people when we started to play it for people is we kind of made the album that if somebody had said, ‘I want you to make an album and no one is going to hear it. You don’t have to worry about anyone’s ears or opinions or anything at all. It’s in your contract to make an album but no one can hear it.’ We pretty much made that album. We made that album without much thought of other people.”

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See the full tracklist here.

Hit Me Hard and Soft, out May 17, will follow the musician’s 2019 debut When We All Fall Asleep, Where Do We Go? and her 2021 sophomore effort Happier Than Ever, both of which topped the Billboard 200 for three weeks. 

Linda Perry Opens Up About Her Arduous Work Ethic in ‘Let It Die Here’ Trailer: ‘I Don’t Know How to Stop’

Linda Perry’s Let It Die documentary will be spotlighted at the 2024 Tribeca Film Festival in June, but leading up to the event, the official trailer for the film arrived on Thursday (April 18).

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In the two-minute clip, fans get a peek into how much pressure the 4 Non-Blondes star puts on herself in her career. “It’s pretty amazing I turned out the way I did. Everything else was running against me,” the 59-year-old singer-songwriter is heard saying in the voiceover. “Because I was abused mentally, emotionally, physically as a child, I developed a pattern as an adult of self abuse. I live in stress, high anxiety — it’s like I validate myself by working and working and working, and staying in struggle. If I have one day off, I beat myself up.”

She continued, “I don’t know how to shut it off so I can just breathe. I don’t know how to stop.”

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The trailer also shares clips of interviews from Christina Aguilera, Dolly Parton and Brandi Carlile. “I could tell from the second I met her that she was different,” Aguilera says, before Parton adds, “I take my job very seriously and I just love it when I meet somebody and I feel that kindred spirit about.”

Carlile echoed the sentiment, noting, “Linda is just a major pioneer, just powered through all of the noise.”

According to the documentary’s description, “Let It Die Here is an intimate look at a vulnerable and courageous woman as she navigates life-altering personal circumstances amidst gnawing career decisions. Linda‘s past and present collide as she struggles to answer the big questions she can no longer avoid: Who am I? Am I loved? What’s my purpose? What will I leave behind?”

Let It Die Here is currently slated to be “coming soon.” Watch the trailer below.



Living Legends Foundation to Honor Donnie Simpson, L. Londell McMillan & More at 2024 Awards Dinner and Gala

The Living Legends Foundation has set Oct. 4 as the date for its 2024 awards dinner and gala. The event, also celebrating the foundation’s 33rd anniversary, will take place at Taglyan Cultural Complex in Hollywood.

This year’s slate of industry honorees includes:

Donnie Simpson, Jerry Boulding Radio Award: The legendary radio and television personality signed off the airwaves earlier this year after a 55-year career that began at Detroit’s WJLB-FM and included tenures at Washington, D.C., outlets WKYS-FM, WPGC-FM and WMMJ-FM. Also known for his long-running stint as host of BET’s Video Soul, Simpson is a Radio Hall of Fame and National Association of Broadcasters Hall of Fame inductee.

L. Londell McMillan, Kendall A. Minter Entertainment Advocate Award (renamed after the noted industry attorney who died last year): The chairman/CEO of The McMillan Firm and veteran entertainment attorney is currently co-managing the Prince Legacy (one of two holding companies overseeing the star’s estate). McMillan’s list of clients over the years has included Michael Jackson, Aretha Franklin and Stevie Wonder. Under the firm’s NorthStar Group division, McMillan also serves as executive publisher of Source magazine.

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Joi Brown, the inaugural Impact Player Award: Brown is the founder/CEO of Culture Creators, whose same-titled foundation has awarded more than $300,000 in scholarships over the past two years in keeping with its mission of being a vital link between global cultural leaders and the next generation of diverse creators. Through its annual Innovators and Leaders Awards brunch, Culture Creators has honored industry executives and creatives such as Byron Allen, Swizz Beatz, H.E.R. and Epic Records chairwoman Sylvia Rhone

Chris Chambers, Media Executive Award: Founder/CEO of The Chamber Group, Chambers has represented star clients in music, entertainment, fashion and sports such as Usher, Mariah Carey, OutKast, Drake, Naomi Campbell and Kelly Rowland. His firm has also worked with corporate and lifestyle clients ranging from Versace and HBO to Netflix and the Essence Music Festival. Prior to launching The Chamber Group, Chambers served as a publicity executive for labels such as Mercury, Interscope, Arista and LaFace Records.

Mike Kelly, Music Executive Award: A radio broadcaster and record label executive of more than 40 years, Kelly served as PD of legendary St. Louis station KATZ-FM. He then segued into record promotion at various labels, including Arista, Motown, Elektra, Warner Music Group and Atlantic. His resumé lists working projects by artists such as Whitney Houston, Missy Elliott, Bruno Mars and Jack Harlow. Kelly currently works as a radio consultant via his company, Real One 24/7 Promotion and Marketing.

Gwen Franklin, Mike Bernardo Female Executive Award: Before her latest venture as founder/CEO of empowerment organization B. Lifted Up! Inc., Franklin helmed senior executive posts in radio promotion, marketing, sales and artist development through stints with Casablanca, A&M, Capitol, Mercury and RCA Records. The list of artists she’s worked with includes Quincy Jones, Donna Summer, Janet Jackson, MC Hammer and SWV.  

In a release announcing the upcoming awards dinner and gala, Living Legends Foundation chairperson David Linton commented in part, “As we reflect on the brilliance and excellence of today’s global music and entertainment leaders, we’re pleased that the organization remains the longest-standing Black music organization to date, founded in 1991 by Black music executives. And as we approach another milestone year, we’d like to further cement the organization as the key stakeholder in Black music by reclaiming our mission of ‘protecting and preserving the legacy of those who create, market and elevate Black music,’ which includes R&B, hip-hop, jazz, blues, country, reggae and world music.”

Beyoncé ‘Call Me Country’ Documentary Featuring Brothers Osborne & Rhiannon Giddens Headed to Max

As Cowboy Carter enjoys a second consecutive week atop the Billboard 200, the world continues to dissect Queen Bey’s latest opus. On Thursday (April 18), via a press release, Max announced a new documentary titled Call Me Country: Beyoncé & Nashville’s Renaissance slated to hit the streamer on Friday, April 26.

Produced by CNN FlashDocs, the upcoming documentary will provide a look at the impact of high-profile acts like Beyoncé and Lil Nas X on the contemporary country music scene and how their contributions connect to the history of Black artists in Nashville.

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Earlier this year, Queen Bey made history with “Texas Hold ‘Em,” the lead single for Cowboy Carter, announced and released during the 2024 Super Bowl (Feb. 11). On the chart dated Feb. 24, “Texas Hold ‘Em” reached No. 1 on Hot Country Songs, marking the first time a Black woman had ever topped the ranking. The following week (chart dated March 2), “Texas Hold ‘Em” became the first country song by a Black woman to top the Billboard Hot 100. Following the release of “Texas Hold ‘Em” and its B-side, “16 Carriages,” streaming activity for other Black women in country exploded across the board.

Call Me Country will feature interviews with Grammy-winning country duo Brothers Osborne, “Texas Hold ‘Em” banjo player Rhiannon Giddens, Rissi Palmer, Aaron Vance and Denitia, as well as analysis from a slew of cultural critics and country music experts, including Touré and co-directors of the Black Opry Holly G. and Tanner D.

Cowboy Carter, Beyoncé’s eighth solo studio album, arrived March 29 with 27 tracks that pay homage to the Black roots of country music and envision a distinctively Beyoncé-esque future for the genre. The sprawling album included collaborations with several ascendant Black country stars including Tanner Adell, Brittney Spencer, Reyna Roberts, Tiera Kennedy, Shaboozey and Willie Jones. In addition, country music legends Willie Nelson and Dolly Parton voiced interludes on the album, which Beyoncé described as a “continuation” of her Grammy-winning Renaissance record.

Fans may still be waiting on the visuals, but, in the meantime, they can enjoy the Call Me Country documentary.

AP Dhillon Drops Out of Coachella Weekend 2 After Guitar-Smashing Backlash

AP Dhillon is leaving the California desert behind.

Coachella announced that the Punjabi-Canadian star will not appear at the festival’s second weekend as planned, citing a “scheduling conflict.” The festival announced the news in a follow-up tweet to one announcing that rapper Kid Cudi has been added to the lineup.

While Dhillon’s first-weekend performance was well-received by the Coachella crowd and many of his supporters, he’s also had some backlash due to how he closed his set, which has been widely covered by media in India.

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The artist finished his performance by smashing his guitar onstage.

Some fans have invoked India’s cultural reverence for musical instruments, criticizing Dhillon’s rock-star move as a sign of disrespect and arrogance.

“The guitar that has provided you with life, love, peace, success and respect- you end up breaking it!” reads one popular comment on Dhillon’s post featuring footage of the smash.

In a subsequent post, Dhillon shared photos of his tribute to the late Sidhu Moose Wala, with the caption “the media is controlled and I’m out of control.” The last slide of the post features footage of Kurt Cobain smashing his guitar, linking Dhillon’s move to a longstanding rock and roll tradition.

If guitar-smashing has a long lineage in rock and roll, so does criticism of the move. Phoebe Bridgers faced backlash in 2021 for breaking her guitar on Saturday Night Live, while even some notable guitar-smashers are now critical of their former selves. Red Hot Chili Peppers bassist Flea tweeted his regrets shortly after Dhillon’s Coachella set. “feel like such an idiot for smashing my bass to pieces on stage back in the day, pathetic,” he wrote on X.

Fans who are disappointed to miss Dhillon’s second Coachella performance can take some solace in his recent collaboration with U.K. Grime artist Stormzy, until there’s more news of upcoming performances.

This article was originally published by Billboard Canada.

Creepy Nuts’ ‘Bling-Bang-Bang-Born’ at No. 1, Kenshi Yonezu at No. 2 on Japan Hot 100

Creepy Nuts’ “Bling-Bang-Bang-Born” extends its stay atop the Billboard Japan Hot 100 to 12 weeks on the chart dated April 17.

While downloads for the MASHLE Season 2 opener dropped to No. 5, the hip-hip track continues to hold the top spot for streaming, video views, and karaoke.



Kenshi Yonezu‘s “Sayonara, Mata Itsuka!” (“goodbye, see you again sometime”) debuts at No. 2 this week. The latest track by the J-pop hitmaker is currently being featured as the theme song for the latest installment of the historic NHK morning drama series entitled The Tiger and Her Wings. After being digitally released April 8, the song racked up 39,275 downloads in its first week, surpassing the 34,423 downloads of its predecessor “Spinning Globe.” “Sayonara” also debuts at No. 8 for streaming and No. 5 for video, also a better start than the previous single. The 33-year-old singer-songwriter’s previous No. 1 hits “KICK BACK” and “Lemon” rise 75-72 and 98-82 respectively, possibly influenced by the release of this new track.

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Bowing at No. 3 is “Chance wa byodo” (“chances are equal”) by Nogizaka46. The J-pop girl group’s 35th single went on sale April 10 and hit No. 1 for sales with 713,872 copies sold in its first week, while also coming in at No. 15 for downloads and No. 14 for radio. The song’s first-week sales was about 20,000 copies more than the group’s previous single, “Monopoly.”



Number_i’s “Blow Your Cover” debuts at No. 5 on the Japan Hot 100, after hitting No. 1 for radio, No. 2 for downloads, and No. 7 for video. Number_i took the stage at Coachella for the first time on Sunday (April 14), performing “FUJI” and “GOAT,” the latter including a surprise collaboration with Jackson Wang.

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Mrs. GREEN APPLE’s “Lilac” debuts at No. 11. The opener for the anime Oblivion Battery comes in at No. 4 for downloads, No. 15 for streaming, and No. 8 for video.

In other Japan chart news, Hikaru Utada’s songs off her latest best-of album Science Fiction, which topped all the album charts this week, also moved up the song chart. “Traveling” is at No. 27, “First Love” at No. 43, and “automatic” at No. 80. 

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from April 8 to 14, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

Mary J. Blige Responds to Flavor Flav Comparing Her to Taylor Swift

Mary J. Blige knows a fellow truth teller when she sees one.

The R&B superstar opened up to People recently about Flavor Flav’s comments comparing her to Taylor Swift, in the sense that they both write about relatable life experiences. “I mean, I love Taylor Swift. She sings about what’s going on in her life,” Blige said. “It’s kind of similar because she definitely gives you a piece of a relationship in a minute and whatever she may be dealing with. And that’s just her therapy. That’s just her way of expressing herself through her song, and people relate.”

She added, “It’s definitely kind of the same thing. I use my music as my therapy and a way to escape, or a way to express myself and just say how I’m feeling. What else are we going to do?”

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Earlier this year, during an interview with HOT 97’s Ebro in the Morning, Flav likened the two singers. “She’s writing a lot about her, you know, experiences that she goes through in life. Just like Mary J. Blige — you know what I’m saying?” the Public Enemy star shared.

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Flav has been open about his love for Swift over the past year, sharing in the same interview how he became the “King Swiftie” of the fandom. “It started because I got a girl that lives in Detroit and her kids wanted to go to the Eras Tour concert. So my manager got in contact with Taylor Swift’s people and they hooked me up some tickets and passes,” he recounted. “When we walked over to the tent where I was supposed to be at, a lot of these fans were coming up to me — these young kids, man, I’m surprised they even knew who I was! — and they start giving me these friendship bracelets. Next thing you know, I have friendship bracelets all up and down my arm. We were trading bracelets and everything! Her fanbase embraced me, and I embraced them back.”

He continued, “So, I went home and I started really listening to Taylor. I’m listening to her music, and I’m like, ‘Yo, this girl is dope!’”

Ludacris Clarifies Viral Story About Justin Timberlake Grammys Argument: ‘It Was No Cursing Out’

Ludacris couldn’t contain his excitement in his yearslong grind to finally take home best rap album at the Grammy Awards, which he did when Release Therapy reached the rap Grammy mountaintop at the 2007 ceremony.

Luda let his emotions pour out backstage as he celebrated loudly with his team, which Justin Timberlake apparently overheard in the room next door, as the *NSYNC singer told the Atlanta rapper to pipe down.

The Chicken-n-Beer rhymer joined Sean Evans for an episode on Hot Ones on Thursday (April 18), and he clarified details of the backstage argument with Timberlake after it resurfaced and went viral earlier this year.

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“The Internet went a little crazy with it. He definitely meant it, but it was no cursing out. He was behind the curtain and I was celebrating so openly and I was so loud,” Ludacris explained. “I think it was said more in fun, but there was definitely some truth behind it. Like, ‘OK, show’s not over. Stop celebrating so openly, I haven’t won any yet.’ With a smile on his face type of thing.”

Ludacris pulled up to Drink Champs in February, where he expanded on the mix-up with JT backstage. “At this time, they had all the artists separated by curtains, so motherf—ers weren’t in specific rooms. I say that to say I get back and I’m like, ‘Yeah! F— yeah! I made it! I did it! I won! I literally set out to get a Grammy and I got it!’” he said.

“All of a sudden, I hear this voice from the other side of the curtain. They yell, ‘Shut the f— up! Some of us didn’t win any God—n Grammys today!’ I pull the curtain back and this n—a Justin Timberlake is on the other side of that motherf—er.”

Best rap album wasn’t the only hardware Ludacris took home at the ’07 Grammys: The Pharrell-assisted “Money Maker” won best rap song honors too.

Ludacris reflected on setting a goal to make Release Therapy so undeniable that the Recording Academy had to give him the Grammy trophy.

“The reason was this was for all of these years, I want to say it was a good nine or 10 years, I was in the same category of solo male rap artist as Eminem, 50 Cent, DMX, Jay-Z. So I finally got to a point [where] I was so consistent that I just built up this momentum and I finally had my time,” Ludacris said.

“That was probably one of the — if not the — best times in my career for literally setting out and making sure I had a goal and accomplishing that goal… It meant everything to me.”

Release Therapy debuted at No. 1 on the Billboard 200 following its September 2006 release, with 309,000 albums sold in the first week.

For the record, Timberlake also won two Grammys that year — best dance recording for “SexyBack” (featuring Timbaland) and best rap/sung collaboration for “My Love” (featuring T.I.). JT lost in two other categories that year — album of the year and best pop vocal album, both for his megahit FutureSex/LoveSounds.

Elsewhere in Luda’s Hot Ones test — which he aces — the rapper reveals he’s related to legendary comedian Richard Pryor and recalls Ben Stiller inviting him over for a private screening of Tropic Thunder to get his clearance to use “Get Back” in the film.

Watch the full episode below. Talk of the Timberlake/Luda spat begins around the 8:45 mark.



Record Store Day 2024: 10 Exclusives Worth Digging For

This year’s event takes place April 20, and features releases from Olivia Rodrigo to The Beatles and beyond.

This year’s Record Store Day — which happens April 20 — boasts approximately 387 different titles that will be made available at participating shops nationwide. And the numbers show there’s a voracious public hungry for physical product, further cementing the importance of owning the music you spend your good money on, as opposed to merely streaming it on a DSP.

According to Luminate, the music industry sold 49.61 million units of vinyl in 2023, an increase of 14.2 percent from the previous year. And here’s the kicker, it was the largest 12-month period for such sales since the Los Angeles-based analytic company began tracking retail data for music back in 1991. And not just for wax, but CDs as well, given the modest increase in sales that format has experienced in recent years.

So what to buy this year? Perusing through the RSD list of the upcoming titles that will be available to varying degrees of scarcity, it’s easy to feel overwhelmed by the staggering amount of choice available for this year’s music-geek shoppers’ holiday. But fear not, as Billboard has reviewed, researched and revisited a slew of the titles slated for Record Store Day 2024 in an effort to bring you a comprehensive compendium of picks well worth your time and legal tender.

We’re not only talking strictly vinyl here, either, as electronics and, yes, those old compact discs are also fair game this year.

Here’s a list of what we think are most worth the trouble of leaving your home to wait in a long line in hopes the person ahead of you doesn’t snag the last copy of what you’re looking for.

Ye Reportedly a Suspect in Battery of Man in LA After Wife’s Alleged Sexual Assault

Ye has been named as a suspect in a battery case in Los Angeles, according to multiple reports.

TMZ first reported Wednesday night (April 17) that the rapper, formerly known as Kanye West, is being accused of punching another man in the face after he allegedly “grabbed” Ye’s wife, Bianca Censori. According to TMZ, West allegedly responded by striking the man.

Yeezy’s chief of staff Milo Yiannopoulos claimed in a statement to FOX 11 that Censori was “physically assaulted” and “sexually assaulted” by the man accusing West.

“‘Grabbed’ is grossly inadequate as a description of what happened. Bianca was physically assaulted,” Yiannopoulos said. “The assailant didn’t merely collide into her. He put his hands under her dress, directly on her body, he grabbed her waist, he spun her around and then he blew her kisses. She was battered and sexually assaulted.”

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Yeezy and his wife reportedly left the scene of the alleged altercation before the police arrived. The victim did not need treatment for his injuries suffered, according to TMZ.

LAPD officer Drake Madison confirmed to Billboard that officers arrived at a hotel on Sunset Boulevard in West Hollywood on April 17 around 12:30 a.m. PT for a battery investigation and that a battery report was then completed. However, Madison did not confirm whether Ye is a suspect. As of press time, no charges have been levied against Ye.

Billboard has reached out to West’s reps for further comment.

FOX 11‘s Matthew Seedorff shared on X that he saw detectives investigating outside a Los Angeles hotel possibly tied to the alleged altercation.

Last year, the rapper was sued by a paparazzo over a phone-throwing incident. Photographer Nichol Lechmanik filed a lawsuit against West for assault, battery, negligence and interference with the exercise of her civil rights following the alleged altercation. She claims in her complaint that on Jan. 27, 2023, the musician threw her phone into traffic outside Sports Academy in Newbury Park, Calif.

On the music side, West is coming off the release of his Billboard 200-topping Vultures album alongside Ty Dolla $ign in February. The Vultures 2 sequel is rumored to be released in May.