Music

Madonna Thanks ‘Incredibly Talented’ Kids for Joining Her on Celebration Tour

Madonna‘s Celebration Tour is a family business. And in a new Instagram post on Thursday (April 25), the pop icon thanked her son David and daughters Mercy, Stella and Estere for serving as both her support system and co-performers on the ongoing trek.

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“On the day before our 80th show of the Celebration Tour I need to acknowledge my incredibly talented children who carried me through this Journey,” she wrote, sharing a carousel of snaps with her children on and offstage. “Each of them bringing their own unique talent to the stage.”

Throughout Madge’s latest run, which kicked off in October, each of her adopted kids has gotten their own moment onstage. Mercy joins her mom on piano during “Bad Girl,” David duets with the seven-time Grammy winner on “Mother and Father” and twins Stella and Estere dance along to “Don’t Tell Me.”

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“Rehearsals began over a year ago with almost a 2 month break waiting for me recover from a near death experience,” she continued, referring to the shows she had to postpone due to her severe bacterial infection and subsequent hospitalization last year. “They never stopped practicing… they never stopped cheering me on and supporting me … They were also going to school and rehearsing every night. !! . am so very proud of all of them.”

Madonna is also mom to daughter Lourdes Leon, whom she shares with ex-boyfriend Carlos Leon, and son Rocco Ritchie, whom she shares with ex-husband Guy Ritchie. She and the director went on to adopt David shortly after the “Material Girl” singer founded her charity organization Raising Malawi in 2006. Later, she adopted Mercy, then Stella and Estere — all three of whom are also from Malawi — as a single mother.

The new post comes one day after Madonna opened up about touring with her kids in an interview with W Magazine. “When I go on tour, nothing brings me more happiness to know, we are all working on the same show creating the magic together,” she told the publication. “It would be boring if they were just traveling from hotel to hotel, and occasionally coming to watch the show.”

“Of course, I am also their mother so sometimes we get on each other’s nerves,” she added. “We are a family of artists but are also a family and that’s what happens.”

Watch Rising Star Chenayder & MAVI in Delightful New Video for ‘Colors’

Chenayder, the 17-year-old singer from Orlando, Fla., shares her new single “Colors” featuring North Carolina’s MAVI.

Her music first caught my attention when I came across it on TikTok after she posted the original version of this song — sans the guest verse — and the UK drum & bass-inspired “For One Last Time.”

She first found success when her song “Fall” went viral on TikTok back in 2022. Like most of her music, “Fall,” sounds like the soundtrack to a dreamscape, with its lush instrumentation and delightful harmonies. The video she made to accompany it perfectly matches the “Alice in Wonderland” feel of the track.

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Chenayder’s sound is a mix of hip-hop, R&B, old-school soul, pop — basically, an amalgamation of all things beautiful and wavy. The song is produced by Padass and the video, directed by Jackie Radinsky, is inspired by French new wave cinema. And while the version of “Colors” without MAVI has become a fan favorite on SoundCloud and YouTube, I’m glad she released this new version because I didn’t want to go through all the drama of converting links to an mp3 because I wanted to support. The North Carolina rapper ended up on the track by chance because he just so happened to be in the studio with Smino and Chenayder at the same time and everything clicked.

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Her love of surreal sounds and visuals should come as no surprise, as the Haitian-American’s favorite artist is Tyler, the Creator, who has commented on her Instagram telling her “love this keep running.” Another fave of hers is SZA, who also showed love on social media by reposting her music in her IG Stories. That’s pretty crazy for a high schooler who has to sometimes dip off to the bathroom in order to promote her songs on TikTok.

Chenayder dropped her debut EP Blue Oblivion last May, so definitely go check that out after you watch this wonderful video.

Creepy Nuts’ ‘Bling-Bang-Bang-Born’ at No. 1, ME:I’s ‘Click’ at No. 2 on Japan Hot 100

Creepy Nuts’ “Bling-Bang-Bang-Born” holds at No. 1 on the Billboard Japan Hot 100, now at 13 consecutive weeks on the chart dated April 24.

The MASHLE Season 2 opener continues to rule streaming for the 13th straight week, video views and karaoke for the 6th straight week. Downloads also climbed 5-3 and continues to coast along at over 10,000 total points (13,626).



Jumping 26-2 this week is “Click” by ME:I, the debut single by the 11-member girl group born from the audition program PRODUCE 101 JAPAN THE GIRLS. After being released on April 17, the single launched with 263,399 copies to rule sales, while also coming in at No. 2 for radio airplay, No. 10 for downloads, No. 17 for streaming, and No. 28 for video, collecting points in a balanced way. The track is off to a great start, debuting with a total 12,366 points, only 1,260 points behind “BBBB.”

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Mrs. GREEN APPLE’s “Lilac” rises 11-3 after bowing on the Japan Hot 100 last week. The opener for Oblivion Battery went on sale on April 12 after the anime series premiered on April 9. The track rises overall metric-wise, jumping from outside the top 100 to No. 8 for radio, while climbing 15-4 for streaming (11,059,001 streams) and 8-3 for video (2,157,523 views) this week.



ILLIT’s “Magnetic,” which topped the TikTok chart this week, holds at No. 6 on the Japan Hot 100. The new HYBE group’s first single reportedly surpassed 100 million streams on Spotify recently (April 22), and overall streams increased by about 16.4% to 12,305,862 streams (3-2). Downloads also rose by about 48% to 2,936 units (25-13), and video by about 24% to 942,054 views (20-15). ILLIT is set to travel to Japan in May to perform at Rakuten Girls Award 2024 SPRING/SUMMER and KCON JAPAN 2024, likely fueling the group’s popularity in the country where two of its five members hail from.

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aiko’s new single “mutual love” breaks into the top 10 this week at No. 9, soaring from No. 46. The theme song for the latest Case Closed movie (Detective Conan: The Million-dollar Pentagram) dropped digitally on April 12 — the same day the anime movie hit domestic theaters — prior to the CD version’s release set for May 8. The track comes in at No. 5 for downloads with 5,736 units, while rising significantly from No. 95 to No. 12 for streaming and from No. 21 to No. 3 for radio, probably due to the movie’s release.



The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from April 15 to 21, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

Mary J. Blige Is ‘Still Trying to Process’ Her Induction Into the Rock & Roll Hall of Fame: ‘I’m Just So Grateful’

Mary J. Blige is one of the well-deserved inductees of the Rock & Roll Hall of Fame’s Class of 2024, and the superstar was visibly moved while discussing the honor on a new episode of the Tamron Hall Show.

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“I’m still trying to process this whole thing. It’s a big deal. I’m just so grateful because I know it didn’t have to be this way but it is this way, and I give to all the credit to God. I don’t even know what else to do. It’s just so humbling,” she shared, before adding, “I don’t know what to do besides be grateful and thankful.”

Blige will be inducted in the performers category alongside Cher, Dave Matthews Band, Foreigner, Peter Frampton, Kool & the Gang, Ozzy Osbourne and A Tribe Called Quest. In the musical influence category, Alexis Korner, John Mayall and “Big Mama” Thornton will be inducted and the musical excellence category features Jimmy Buffett, MC5, Dionne Warwick and Norman Whitfield.

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“I was home and I got the news from some people in my camp, my business, and I was grateful for the nomination because I was next to Cher, Mariah Carey, Sade, all these amazing women,” Blige said of finding out that she’s in the Rock Hall of Fame’s Class of 2024. “When I saw Cher, I was like, ‘We can forget about it.’ [laughs] Let me just sit down and be grateful for the nomination. So, when I heard the news on Sunday, I was like ‘What the—?’”

The Queen of Hip-Hop Soul concluded, “I work so hard mentally, spiritually, physically, intellectually. I’ve been through everything in front of the world, from taxes to shame to abusive relationships. All kinds of stuff I’ve been through. I figured out how to come out classy and strong, you know? Just keep moving to the next thing. It’s just about being grateful. Amazing things have happened.”

The Rock & Roll Hall of Fame’s 2024 ceremony will stream live on Disney+ on Oct. 19, be available on Hulu the following day and air in edited form on ABC at a later date. Watch Blige’s interview will Hall below.



Gucci Mane Takes Aim at Diddy With Fiery Diss Track ‘TakeDat’: Watch

Gucci Mane has returned and he’s throwing haymakers in Diddy’s direction with his latest single trolling the embattled Bad Boy mogul’s signature phrase “TakeDat.”

Guwop delivered the buzzworthy track along with the Omar The Director-helmed video on Wednesday, which finds Gucci uttering “No Diddy” 119 times throughout the song to be exact, as counted up by Complex.

“No Diddy” is a phrase that has gone viral on social media since the myriad of sexual assault and misconduct allegations have been levied against Diddy, particularly one by producer Rodney “Lil Rod” Jones Jr., who accused Sean Combs of groping him, grooming and forcing to take part in sexual acts.

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“The CEO in the video but no Diddy/ ‘Cause I ain’t dancin’ like a ho, no Diddy/ Can’t go out like Pac, no kizzy,” he raps while seemingly attaching a “No Diddy” to every bar.

Gucci Mane also references Cassie’s lawsuit against Diddy, in which she accused him of blowing up Kid Cudi’s car out of jealousy because of their brief fling.

“But I blow a n—a car up like Kid Cudi’s/ I’m on the yacht, takin’ shots, no Diddy,” Gucci spews.

Back in December, Diddy denied all of the allegations against him. “ENOUGH IS ENOUGH,” he wrote to social media. “For the last couple of weeks, I have sat silently and watched people try to assassinate my character, destroy my reputation and my legacy. Sickening allegations have been made against me by individuals looking for a quick payday. Let me be absolutely clear: I did not do any of the awful things being alleged. I will fight for my name, my family and for the truth.”

In the lavish clip, Gucci Mane and his wife Keyshia Ka’Oir recreate a champagne toast bubble bath scene from The Notorious B.I.G.’s “Big Poppa” video, which arrived in 1994 courtesy of Hype Williams (The “Big Poppa” visual starred Diddy with his girlfriend Misa Hylton at the time).

Diddy isn’t the only person name-dropped by Gucci as he pokes at Drake, 50 Cent, 2Pac, Yung Miami, Biggie and more throughout “TakeDat.”

“Some n—-s wanna boss me, I’m not 50/ But get a nigga ass touched like Biggie, no Diddy,” Guwop rhymes. The jab didn’t seem to bother 50 as he reposted the clip looking to antagonize his enemy Diddy even further.

“Oh s–t WOP TOOK DA HIT this Diddy POPPED That’s what you get,” 50 wrote.

Watch the “TakeDat” video below.



Lainey Wilson, Tyler Childers, The War and Treaty & More to Open Shows for The Rolling Stones

The Rolling Stones will launch the group’s Hackney Diamonds North American tour on April 28 at NRG Houston, and the lineup of openers for various dates on the tour includes a few heavy-hitters from country and Americana circles.

Reigning CMA entertainer of the year Lainey Wilson, as well as Tyler Childers, The Red Clay Strays and The War and Treaty are among the openers, joining Carin León (who made his own Grand Ole Opry debut earlier this year and has a country-tinged album in the works), The Pretty Reckless, Ghost Hounds, Bettye LaVette, Gary Clark Jr. and The Linda Lindas.

Wilson will open for The Rolling Stones on June 30 at Soldier Field in Chicago, while Childers, who released his sixth album Rustin in the Rain in 2023, will perform June 3 at Camping World Stadium in Orlando. The Red Clay Strays, who earned their first major Billboard Hot 100 entry this year with “Wondering Why,” will open for the rockers on May 30 at Gillette Stadium in Foxboro, Mass. Grammy-nominated duo The War and Treaty, who just released the video for their song “Stealing a Kiss,” will open for The Stones on July 10 at SoFi Stadium in Los Angeles.

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The tour supports The Rolling Stones’ album Hackney Diamonds, their first project of new, original material in nearly two decades.

Notably, Wilson and The War and Treaty were part of a 2023 tribute album to The Rolling Stones, Stoned Cold Country, which featured several country artists performing Stones classics.

See the full list of tour dates below:

The Rolling Stones 2024 Tour Dates:
April 28 – Houston, TX @ NRG Stadium w/ Gary Clark Jr
May 2 – New Orleans, LA @ Jazz Fest
May 7 – Glendale, AZ @ State Farm Stadium w/ Carin León; Electric Mud
May 11 – Las Vegas, NV @ Allegiant Stadium w/ The Pretty Reckless
May 15 – Seattle, WA @ Lumen Field w/ Joe Bonamassa
May 23 – East Rutherford, NJ @ MetLife Stadium w/ TBA
May 26 – East Rutherford, NJ @ MetLife Stadium w/ Lawrence
May 30 – Foxboro, MA @ Gillette Stadium w/ The Red Clay Strays
June 3 – Orlando, FL @ Camping World Stadium w/ Tyler Childers
June 7 – Atlanta, GA @ Mercedes-Benz Stadium w/ Ghost Hounds
June 11 – Philadelphia, PA @ Lincoln Financial Field w/ Kaleo
June 15 – Cleveland, OH @ Cleveland Browns Stadium w/ Ghost Hounds
June 20 – Denver, CO @ Empower Field at Mile High w/ Widespread Panic
June 27 – Chicago, IL @ Soldier Field w/ Betty LaVette
June 30 – Chicago, IL @ Soldier Field w/ Lainey Wilson
July 5 – Vancouver, BC @ BC Place w/ Ghost Hounds
July 10 – Los Angeles, CA @ SoFi Stadium w/ The War and Treaty
July 13 – Los Angeles, CA @ SoFi Stadium w/ The Linda Lindas
July 17 – Santa Clara, CA @ Levi’s® Stadium w/ The Beaches

Matty Healy’s Mom Quips She ‘Wasn’t Aware’ Taylor Swift Put Out a New Album

Denise Welch recently quipped she “wasn’t aware” of The Tortured Poets Department‘s release — which now makes two people in Matty Healy‘s family who haven’t heard Taylor Swift‘s new album.

The British talk show star — mom to The 1975‘s frontman — talked about the pop star’s latest project with her co-hosts on the Thursday (April 25) episode of Loose Women, joking, “I wasn’t aware she had an album out at all.”

“I haven’t heard anything about it,” she added, smiling. “Anyway, I wish her all the best.”

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Welch’s response comes just a day after Healy was approached about Tortured Poets, which dropped April 19 and includes several songs rumored to be about the “Somebody Else” singer. “I haven’t really listened to that much of it, but I’m sure it’s good,” he said at the time.

But while two generations of Welches may not have heard the 31-track double album, it definitely seems like they’re in the minority. Tortured Poets has been smashing records left and right in the six days since it dropped, recently becoming the fastest album to surpass 1 billion streams on Spotify as well as breaking Swift’s own first-week vinyl sales record, so far selling more than 800,000 copies and counting.

Fans believe that the 14-time Grammy winner and Healy dated for a brief period following Swift’s breakup from actor Joe Alwyn in 2023. Last spring, the pair attended each other’s concerts and exited Electric Lady Studios in New York together. Since then, the “Anti-Hero” singer has started dating Kansas City Chiefs tight end Travis Kelce, another rumored muse for certain songs on Tortured Poets. (Kelce’s mom, by the way, is loving the new album.)

Watch the clip below.

Pet Shop Boys’ Neil Tennant Wonders When Taylor Swift Will Have Her ‘Billie Jean’

The Pet Shop Boys are sharing their thoughts on Taylor Swift following the release of the superstar’s 11th studio album, The Tortured Poets Department.

In an interview with The Guardian, the group’s Neil Tennant shared, “I was looking at the chart earlier today … and it’s all Taylor Swift.”

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He continued, “I have listened to Taylor Swift’s album. Taylor Swift sort of fascinates me as a phenomenon because she’s so popular and I sort of quite like the whole thing. But then when I listen to the records, and we both have the same feeling actually, that for a phenomenon as big [as she is] … where are the famous songs? What is Taylor Swift’s ‘Billie Jean’?”

When someone suggested “Shake It Off” as an equivalent to the popularity of Michael Jackson’s enduring hit, Tennant responded, “Is it though? No, ’cause I actually even know that that’s the answer, but I listened to that the other day, and it’s not ‘Billie Jean.’ It’s not… Melodically — she’s got a great voice, by the way, and the production’s beautiful — but melodically … it’s all sung one or two notes going up and down… But, anyway, it’s a fascinating thing.”

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The interviewer then added that Swifties enjoy having a collective experience, and Tennant agreed. “I like that, I even sort of appreciate that, and I like the fact that it brings all these people together, even multigenerational, but I just think that the one disappointing thing is the music. Not even the lyrics, the music,” he said.

Watch the full interview via a fan account here.

On Friday (April 19), what was originally slated to be a standard 16-track album turned into a 31-song anthology when Swift surprised fans just hours after release with an additional second half of the project. “It’s a 2am surprise: The Tortured Poets Department is a secret DOUBLE album,” she wrote on Instagram. “I’d written so much tortured poetry in the past 2 years and wanted to share it all with you, so here’s the second installment of TTPD: The Anthology. 15 extra songs. And now the story isn’t mine anymore… it’s all yours.”

Following its release, The Tortured Poets Department sold 1.4 million copies in traditional album sales on its first day, according to initial reports to data tracking firm Luminate. That marks Swift’s biggest sales week ever for any album in the U.S. (Luminate’s sales, streaming and airplay data powers Billboard’s charts. All numbers in this story are for the U.S. only.)

9 Essential Organized Noize Songs & Productions

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The Recording Academy Honors 2007

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Hip-Hop’s relationship with the other coasts has long been curious, marked at times by periods of disregard, surprise and respect. For Southerners, much of that affirmative praise comes from the work of rappers like Scarface, groups like UGK, 8Ball and MJG, and OutKast, and producers like Mannie Fresh, DJ Paul and Juicy J, and the production trio, Organized Noize.

Birthed in Atlanta, the collective of the late Rico Wade, Ray Murray, and Sleepy Brown, is responsible for not only some of music’s biggest records but also for bringing life to a persona and energy that gave the South its moniker. The Dirty South, the moniker’s inception often credited to Cool Breeze, is a nod to the Goodie Mob song and a testament to the work they put in down in Wade’s mother’s basement, affectionately known as “The Dungeon”. Their work in creating the music for OutKast, guiding the careers of Goodie Mob, and producing the music for the South elevated its position and laid the foundation for future Southern producers who followed in their footsteps.

Here are nine songs from the trio that should be on your playlist.

Cool Breeze- “Watch for the Hook”

The funk, soul, and gospel-infused hook of Southern Man from New Orleans singer Merry Clayton is the perfect theme for this posse cut from one of the South’s premier clans, the Dungeon Family. A play on the song’s chorus and the dynamic’s battle rap flow, it stands out as one of the DF’s most enjoyable cuts—taken from Cool Breeze’s debut album East Point’s Greatest Hit.



Goodie Mob – “They Don’t Dance No More”

Prophetic, satirical, and visually captivating, the hook is embedded in listener’s minds, wedged in between the keyboard chords and vocals. An honest analysis of the changing landscape in rap, Goodie’s Mob’s lyrics focus on the increasingly violent and serious tone of rap music, which is why it remains one of group’s most memorable songs.



Ludacris – “Saturday (Oooh! Oooh!)”

The third single from Ludacris’ multi-platinum sophomore album, Word of Mouf, the ear worm of a sample and vocals from Sleepy Brown help give the song a feel of nostalgia and bravado. “Saturday’s” success helped reintroduce Organized Noize to a newer generation unfamiliar with the music of OutKast and other premier artists of the 90’s.



Goodie Mob – “Cell Therapy”

The sonics of the piano keys only added to the song’s jarring lyrics which foreshadowed the musical experimentation of Goodie Mob. In an interview with B-High of Hot 107.9, Khujo speaks on how the song came to be.

“We went to Stankonia Studios and Ray (Murray) had a beat. That piano came on and I was like, What is this?! I got lost in the beat.”

Serving as the group’s first single from its debut album, Soul Food, the song’s socially conscious themes and sci-fi focus led to it being banned on MTV. Controversy aside, the song’s production showed the world how creative and passionate Organized Noize was.



Goodie Mob- “Dirty South”

The definitive song, which featured Cool Breeze and Big Boi, for a whole region had to be considered near or at the top of the list. Iconic references to Atlanta staples like the Red Dog police unit, Ms Ann and her historic Ghetto Burger, and now demolished housing projects serve as a time capsule of Atlanta before gentrification. Safe to say, many people didn’t know about the Dirty South prior to this declaration.



OutKast – “So Fresh, So Clean”

The song’s bassline, played by longtime bassist Preston Crump, and sleek vocals provide a groovy and memorable energy to the track, making it one of the OutKast’s most memorable songs. As for the video, the visual duality of their outfits and rhymes represents the yin and yang that make them iconic and this remains one of the best examples of each member’s contribution.



En Vogue – Don’t Let Go

Yet another signature song from a girl group that came to define them as a whole while equally performing well on the Billboard charts. Arguably the most successful record En Vogue released, the song’s powerful piano chords and vocals brought the group a level of fame unlike anything they had ever seen. Envisioned by Rico Wade who subsequently suggested the song go to En Vogue, Don’t Let Go spent 35 weeks on the Billboard Hot 100 charts, peaking at #2.



TLC- Waterfalls

One of the biggest songs of its era and arguably the biggest song by TLC, the “Wateralls’” iconic guitar and horn selection showcase the musical dexterity and genius of Organized Noize. A metaphor that touched on the social and spiritual issues of that time, “Waterfalls” showed the world just how versatile and capable both groups were at making popular music.



OutKast – “Player’s Ball”

Without the work of Organized Noize, the world would never know about the genius of OutKast and Atlanta. A Christmas Carol about the joys of brotherhood and blunts, the song introduced the world to OutKast and set the stage for their future reign. Conceived in Rico Wade’s basement, the music that followed allowed OutKast and Goodie Mob to shine, while in the process leading us to the one of the South’s most important groups, the Dungeon Family.

In an interview titled Hip Hop: Songs that Shook the World, Big Boi spoke on the influence of Rico Wade and Organized Noize, stating,

” He was the gateway to LA Reid and he signed OutKast to LaFace through a production deal. Without Organized, there would be no OutKast or Goodie Mob. They put all their blood, sweat, and tears into making our first album.”



CeCe Winans on Her Christian Airplay Hit ‘That’s My King,’ New Live Album: ‘We Created a Worship Service More Than a Record’

In 2021, with nearly four decades of recording under her belt, 15-time Grammy winner CeCe Winans released her first live album, Believe for It. However, with the world still reeling from COVID, she and her team were forced to shift the dynamics of making the album, recording the project in an intimate setting of about 50 people in Nashville.

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For her new album, More Than This, out April 26 via PureSprings Gospel/Fair Trade Services, Winans knew she wanted another shot at doing a live album. This time, the project was recorded at downtown Nashville venue Rocketown, with an audience of around 1,200 members.

“I wanted to experience the live audience,” Winans tells Billboard. “The last record was powerful, and God blessed it. But to hear the live audience on this one, it takes it to a whole other place for me.”

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As with her previous album, Winans sets classic worship songs alongside modern ones. On More Than This, classics such as “Sanctuary” and “Oh the Blood of Jesus” are tucked alongside modern worship fare — such as Chris Tomlin’s recent hit “Holy Forever,” Elevation Worship’s “Worthy” and Maverick City Music’s “Refiner,” as well as two songs Winans co-wrote, the title track (which features musician Todd Dulaney) and “Be Still and Know.”

Winans reunited with producer Kyle Lee, as well as co-producers Thomas Hardin, Jr. and Tyrone Jackson, for the new album. She notes that they carefully selected the dozen songs that make up the tracklist, with the intent of weaving an upbeat, joyful message throughout the project.

“We got the chance to create a worship service more than a record, a time of worship that would tie the old with the new,” Winans says. “I know a lot of people don’t listen to whole albums nowadays, but I like to create a piece of work that you can listen from the beginning to the end, and you connect that thread all the way through.”

Both performing live and performing cover songs presented its own unique challenges in the recording process of the album.

“You have to rehearse with the band and singers, and learn the songs,” says Winans, who is managed by MWS Group, which also manages CCM pioneer Michael W. Smith. “If I had my preference I would learn the songs, tour the songs, then do the record — because then you’re very familiar with the songs and the performance, you have a tight feel to it. But I went in with a lot of prayer, asking God to help me remember everything and spent a lot of time with my producer and rehearsing so that when you get in front of that live audience, you’re just able to flow with the songs.”

Music has been a mainstay for Winans’ entire life, as she began singing as part of the larger Winans family group, before CeCe joined her brother BeBe to form a duo. They released their first album, Lord Lift Us Up, in 1984. A few years later, they signed with Capitol Records and issued their 1987 project BeBe & CeCe Winans. The duo issued numerous Gospel hits such as “Lost Without You” and “I’ll Take You There” (featuring Mavis Staples), before they launched solo careers. In 1995, CeCe released the debut solo album, Alone in His Presence, which went on to be certified Platinum by the RIAA. To date, she has released 11 solo studio albums.

The title track to Believe For It brought another hit for Winans, reaching the top 10 on the Christian Airplay chart in 2021 and becoming a 12-week No. 1 on the Hot Gospel Songs chart in 2022. She followed with her rendition of Bethel Music’s “Goodness of God.” In 2023, Winans also notched other Billboard year-end accolades including top gospel artist, female; as well as top gospel song (“Goodness of God”).

Where “Believe For It” and “Goodness of God” were ballads, “That’s My King,” the current single from her new album, frames worship lyrics with a danceable groove.

“Kyle brought me this song and when I heard it, I was like, ‘This is incredible,’” Winans relates of the song, which is currently at No. 25 on the Christian Airplay chart. “It’s fun, and it’s upbeat, not just in tempo but in its message.

“I think sometimes we forget because we do associate church and God with being in a solemn assembly. He is to be reverenced, but He said in his presence, there’s fullness of joy,” she continues. “That’s not something to keep quiet, but that’s something to proclaim and to share so that other people can have hope too. And I think this song embodies all of it. ‘That’s My King’ reminds us that we have hope.”



That joyous spirit in the song gets amplified when she performs it each night on her current The Goodness Tour, which runs through May.

“In our live show, we’ve added pompoms. I’m like, ‘This is a cheer. We got to cheer this. It’s a party,’” she explains. “It’s one of those songs that is contagious, so full of joy. It’s like cooking a good meal. You put all of the ingredients in there, then you stir it up and you get the full benefit of the flavor.”

The album closes with “In a Little While,” a song written by Winans’ son Alvin Love III.

“It’s a great, powerful message to end the album with,” Winans says. “It’s another song that makes you want to dance, is joyful. That’s one of the songs I played for Kyle because it’s been years since [Winans’ home church choir] Nashville Life recorded it, and it has an older, retro sound. That was a song that he was like, ‘I don’t know about this,’ but I was like, ‘This is one we have to do.’ That night when we recorded it, everybody was jumping around, singing, nobody wanted to leave. He came back to me and said, ‘Oh my gosh, you’re so right.”

Songs from More Than This will likely be included in the setlist when Winans brings her third annual Generations Live conference to Nashville’s Belmont University on May 10-11. The conference will feature guests Joyce Meyer, Jackie Hill Perry, Dr. Anita Phillips, Sheryl Brady, Ashley Phillips, Andrea Mellini and Nashville Life Music.

“I think last year we saw four generations of women attend,” Winans says. ‘My family will be there. I’m so grateful I still have my mom. She’s 87, and my daughter will be speaking this year. I’m so proud of her. I am looking forward to laughing. I’m looking forward to crying, to seeing generations come together.”