Music

Charlie Puth Is Seemingly Taking Taylor Swift’s Lyrical Shout-Out as a ‘Sign’ to Release New Single

Charlie Puth seems to be taking Taylor Swift‘s recent lyrical shout-out as a sign to release his new song.

On Friday (May 3), the “See You Again” singer teased his upcoming single “Hero” just days after responding to Swift name-dropping him on the title track of her record-breaking double album, The Tortured Poets Department.

“These last couple weeks have been really crazy for obvious reasons, but I wanted to share something with you,” Puth wrote over a TikTok clip of himself crooning his forthcoming track.

“This is a song I wrote about my friend called ‘Hero.’ Sometimes I get a little nervous being overly honest in my music which is why this was sitting on my hard drive for awhile,” Puth added. “But I think someone out there was giving me a sign that I needed to release it.”

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The “Light Switch” single concluded his post, writing, “So…. I declare ‘Hero’ will be out everywhere on May 24th as the first single of my new album. Thank you for your support…you know who you are.”

Swift references Puth in the title track of her 11th album, The Tortured Poets Department, which dropped on April 19.

“You smoked then ate seven bars of chocolate/ We declared Charlie Puth should be a bigger artist,” she sings on the song, which many fans have speculated features veiled references to Taylor’s reported brief 2023 fling with The 1975’s Matty Healy.

Puth first reacted to Swift’s unexpected mention in a post through social media on April 28. After Swift posted an image of the herself in the studio with TTPD scrawled in sharpie across the CD version of the sprawling collection, Puth put his own spin on it by grabbing one of the other studio images of a smiling Swift at work with the album’s title scrawled in black marker across the front.

“My mind is blown. I’m completely floored by the love you’ve shown this album,” Swift wrote alongside behind-the-scenes photos of images taken during the album’s recording.

“2.6 million ARE YOU ACTUALLY SERIOUS?? Thank you for listening, streaming, and welcoming Tortured Poets into your life. Feeling completely overwhelmed,” she continued. “I was already so fired up to get back to the tour but you doing THIS?? May 9th can’t come soon enough.”

Puth’s image came from Swift’s celebration of TTPD‘s record-setting run after Swift learned that the album marked her 14th debut at No. 1 on the Billboard 200.

See Puth tease his upcoming single “Hero” on Instagram below.

Drake Jokingly Asks for Help in Finding ‘Hidden Daughter’ Following Kendrick Lamar Diss Track Claim

Drake is making light of Kendrick Lamar‘s new claim that he has a secret daughter.

In the early hours of Saturday morning (May 4), K. Dot dropped the blistering diss track “Meet the Grahams” in which he calls out Drake for being a “deadbeat” father and alleging that the 6 God is hiding another child besides Adonis.

“You lied about your son, you lied about your daughter, huh, you lied about them other kids that’s out there hoping that you come,” Lamar raps, alluding that Drake has a daughter.

Shortly after Lamar dropped “Meet the Grahams,” which arrived mere minutes after Drizzy’s eviscerating “Family Matters” diss, Drake responded to the claim on his Instagram Story.

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“nahhhh hold on can someone find my hidden daughter pls and send her to me,” Drake jokingly wrote alongside a series of face with tears emojis. “these guys are in shambles.”

In the third verse of “Meet the Grahams,” K. Dot goes deeper into his claim about Drake’s alleged secret daughter.

“Dear baby girl/ I’m sorry that your father not active inside your world/ He don’t commit to much but his music, yeah, that’s for sure/ He a narcissist, misogynist, livin’ inside his songs/ Try destroy families rather than takin’ care of his own/ Should be teachin’ you time tables or watchin’ Frozen with you/ Or at your eleventh birthday, singin’ poems with you,” Lamar raps.

On Friday night, Drake dropped “Family Matters,” a seven-minute response to Lamar’s “6:16 in LA” diss track. On the track, Drizzy picks up where he left off to finish “Push Ups” and addresses K. Dot’s alleged fractured relationship with fiancee Whitney Alford, which he claims is filled with infidelity. Elsewhere, the 6 God also alleges that one of Kendrick’s kids could actually be Dave Free’s, Lamar’s pgLang partner. The diss also finds Drake setting his sights on A$AP Rocky, The Weeknd, Metro Boomin, Future and Rick Ross.

See Drake’s response to Lamar’s secret daughter claim on his IG story here.

65 Years Ago, Frank Sinatra Came Up Short at the First Grammys

Controversy over winners and losers has been part of the Grammy experience since the very first presentations, which took place on May 4, 1959 — 65 years ago today. The biggest controversy that year had to do with a disappointing showing by Frank Sinatra, who was coming off one of the biggest years of his long career. He had two No. 1 albums on the Billboard 200 in 1958 — Come Fly with Me and Frank Sinatra Sings for Only the Lonely.

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Sinatra was the year’s top Grammy nominee, with six nods, including two for album of the year (the aforementioned albums) and two for best vocal performance, male (Come Fly with Me and “Witchcraft”). The star wound up winning just one award — and it wasn’t even for his singing. He took best album cover for his art direction of Only the Lonely.

Sinatra attended the event, which was held in the Grand Ballroom of the Beverly Hilton in Beverly Hills, Calif. — now best known for hosting the Golden Globes every year. (There was a simultaneous event in New York City for East Coast denizens.) Other attendees at the Beverly Hilton included Sinatra’s fellow Rat Pack members Sammy Davis Jr. and Dean Martin, as well as fellow nominees Henry Mancini and Peggy Lee. Comedian Mort Sahl served as MC.

Sinatra’s two nods for album of the year no doubt worked against him in that category. (The rules have since been changed so an artist can only have one nomination as a lead artist in most categories.) The award went to Mancini for The Music from Peter Gunn.  The album featured music from a weekly TV detective series that debuted in September 1958 and ran for three seasons. (Mancini’s album was released after the Dec. 31, 1958 eligibility cut-off for the 1958 awards. It’s a mystery how it was nominated in the first place. It was probably just a goof that slipped by the small staff at the fledgling Recording Academy. The many tools that people use today to quickly check facts didn’t exist back then, an era of rotary phones and 3 x 5 cards.)

In addition to album of the year, Mancini won best arrangement for that same album. Mancini went on to win 20 Grammys, which was, for many years, the most won by any artist. (That title is currently held by Beyoncé with 33 awards.)

Perry Como‘s silky “Catch a Falling Star” won best vocal performance, male, beating the two Sinatra entries. “Witchcraft” and “Catch a Falling Star” were both nominated for record of the year, but lost to Domenico Modugno‘s lounge music staple “Nel Blu Dipinto Di Blu (Volare).”

In addition to record of the year, Modugno took song of the year for “Volare,” which is, to this day, the only foreign-language song to win record or song of the year. “Volare” topped the Billboard Hot 100 for five weeks in 1958, though Modugno landed just one more Hot 100 entry, a song that peaked at No. 97.

There were just 28 categories at the first Grammys, the lowest number ever. There were five double winners — Mancini, Modugno, Ella Fitzgerald, Count Basie and Ross Bagdasarian Sr., the creator of The Chipmunks.

Fitzgerald won two awards for different installments of her celebrated Song Book series, a fitting tribute to this versatile singer. Ella Fitzgerald Sings the Irving Berlin Song Book won best vocal performance, female. Ella Fitzgerald Sings the Duke Ellington Song Book took best jazz performance, individual.

Count Basie won awards in different genres for the same album (something that couldn’t happen today). He took best performance by a dance band and best jazz performance, group, both for Basie.

Bagdasarian won best comedy performance and best recording for children, both for “The Chipmunk Song,” which was a No. 1 hit on the Hot 100. The smash was also nominated for record of the year. It is, to this day, the only children’s or comedy recording to be nominated in that category.

The Grammys were the last of the four EGOT-level awards shows to get underway, arriving a little more than a decade after the third of the four, the Emmys, rolled out. The first Oscars were presented on May 16, 1929 at the Hollywood Roosevelt Hotel. The first Tony Awards were presented on April 6, 1947 at the Waldorf-Astoria Hotel in New York. The first Primetime Emmys were presented on Jan. 25, 1949 at the Hollywood Athletic Club.

The first Grammys were a black-tie affair. “The Grammy Awards were a formal event from the beginning and very much in keeping with the times,” Christine Farnon, who was instrumental in organizing the first show, was quoted as saying in the 2007 coffee table book, And the Grammy Goes To… The Official Story of Music’s Most Coveted Award, written by David Wild. “As I recall, no one objected to dressing black-tie back then, though like so much else, that would change eventually.” Farnon went on to be the academy’s executive vice president. She ran the academy for 35 years until her retirement in 1992 — an undersung pioneer for powerful women in the music industry.

Sinatra didn’t let his disappointing showing at the 1st annual Grammy Awards keep him down for long. He landed three more nominations the following year, and this time won album of the year for Come Dance with Me! He would win that award two more times, for September of My Years (1966) and A Man and His Music (1967). This made him the first two-time winner and also the first three-time winner. On Feb. 4, 2024, Taylor Swift became the first four-time winner.

Lovers & Friends Festival 2024 Canceled Due to Severe Weather in Las Vegas

The Lovers & Friends Festival in Las Vegas has been canceled due to dangerous weather conditions, organizers have announced.

The one-day music festival at the Las Vegas Festival Grounds was scheduled to take place on Saturday (May 4) with a star-studded lineup including headliners Usher, Janet Jackson and Backstreet Boys.

On Friday night (May 3), the festival’s organizers shared a message on social media explaining that the outdoor event was being called off because of a high wind warning issued by the National Weather Service.

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“The National Weather Service has now issued a High Wind Warning, including dangerous 30-35 mph sustained winds with gusts potentially more than 60 mph,” organizers wrote. “Following advice from the National Weather Service and in consultation with local public officials, we must make the safest decision for our fans, artists, and staff, and cancel tomorrow’s Lovers & Friends Festival.”

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Organizers added, “This was an incredibly heartbreaking decision to make as we are aware that fans have traveled from all over the world to enjoy this incredible lineup of superstars and have been looking forward to this event for several months. We’ve worked hard to create an amazing event for you, and we are just as disappointed as you are.”

Fans who purchased their tickets directly through Front Gate Tickets will receive a refund within 30 days, organizers said.

The Lovers & Friends lineup also included Lil Wayne, Snoop Dogg, Gwen Stefani, Nas, Alicia Keys, Nelly Furtado, Ludacris, Mary J. Blige, Ciara, TLC and Timbaland. As part of the festivities, Lil Wayne was scheduled to perform Tha Carter III in its entirety and Usher was set to celebrate the 20th anniversary of his classic album Confessions.

Read the full statement from the Lovers & Friends organizers on Instagram below.

Drake Drops “Family Matters” Diss, Kendrick Lamar Returns Fire With “Meet The Grahams”

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Kendrick Lamar Performs In Birmingham

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You knew Drake was going to respond to Kendrick Lamar’s “6:16 In LA” track, and he did with a whole video in tow for “Family Matters.” However, no one was expecting K. Dot to return fire with “Meet The Grahams” in less than an hour.

The result is a Hip-Hop civil war with fans bitterly bickering about who is up on social media while intensely dissecting the savage-level bars their rap heroes have aimed at each other.

The latest dust-up started on Friday night (May 3) at 11:23pm, when the 6 God took to social media to drop a YouTube link to “Family Matters.”

There’s no denying that the Boy went in, coming for Kendrick’s family (“You the Black messiah wifing up a mixed queen,” he raps) and sending shots at foes like Rick Ross and Metro Boomin, too.



But as the Internets debated whether or not Drake’s retort was worthy, K. Dot re-entered that chat at midnight, when he dropped a link to a new tune called “Meet The Grahams.” To say the track is scathing would be the understatement of the decades. Kendrick essentially tells Drake’s family that their son ain’t sh*t, and never will be, while accusing him of having “hidden children” and even pedophiles in his circle.

Drake did quickly refute the hidden daughter claim, though.

Nothing too new here, but damn.

Check out the more outrageous reaction to their rhetorical nukes, and wild conspiracies, in the gallery.

The Ultimate Cinco de Mayo Playlist: Juan Gabriel, Selena, Maná & More

Every year, we celebrate Cinco de Mayo with a hits-stacked playlist curated for our readers.

For 2024, Billboard went all out, bringing together the best songs from our playlists through the years, including patriotic songs, party anthems, rock, mariachi, pop and banda — to make sure there’s something for everyone.

Although many think this much-celebrated date is just about partying and good food, it actually commemorates the Mexican army’s unlikely victory over French forces at the Battle of Puebla on May 5, 1862. And while Cinco de Mayo is not Mexican Independence (that’s celebrated on Sept. 16), here in the U.S. it’s celebrated with as much — or more — impetus.

Comprised of 20 songs, Billboard‘s ultimate Cinco de Mayo playlist kicks off with a mariachi classic: “Cielito Lindo.” It’s almost impossible to celebrate Cinco de Mayo without “Cielito Lindo.” And while there are thousands of versions of “Cielito,” you can’t go wrong with the one powered by Mariachi Vargas.

You’ll also find Paulina Rubio‘s “El Último Adiós,” because there’s no better way to drown out sorrows and heartache than with tequila and mariachis, Paulina Rubio style (meaning, the mariachis wear no shirts — only she can pull that off). Of course there’s “Amor a la Mexicana” by Thalia — a sultry, pop cumbia that celebrates love, Mexican-style. And, towards the end, you have to play Ramón Ayala‘s “Tragos Amargos.” Because a real Mexican party always ends with this norteño anthem.

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So, take out your favorite bottle of tequila or mezcal, and get ready to party!

Kendrick Lamar Quickly Replies to Drake With Blistering ‘Meet the Grahams’ Diss Track: Listen

Mere minutes after Drake’s “Family Matters” arrived, Kendrick Lamar returned fire with the blistering “Meet the Grahams.”

As the clock struck midnight on the East Coast on Saturday (May 4), K. Dot released his third Drake diss track this week. Family seems to be the common theme as he calls out Drizzy for being a “deadbeat” father and alleges that Drake is hiding another child besides Adonis.

“You lied about your son, you lied about your daughter, huh, you lied about them other kids that’s out there hoping that you come,” Lamar raps, claiming Drake has a baby girl.

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Kendrick continues to warn Drake and alleges that he’s got issues with alcohol, gambling and contests there are pedophiles inside the OVO camp.

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“You f—ed up the minute you called out my family’s name,” Lamar spews. “You got gambling problems, drinking problems, pill-popping and spending problems, bad with money, whore house/ Therapy’s a lovely start.”

Lamar lists off all of Drake’s alleged lies when it comes to his son, ghost writers, cosmetic surgeries and more. “F— a rap battle, this a lifelong battle with yourself,” K. Dot snipes.

The tensions have been turned up a few notches within minutes as wild threats were fired off with the latest haymakers thrown in each other’s direction.

Kendrick’s third diss track of the week is no doubt his most scathing following “6:16 in LA” and “Euphoria” on what’s turned out to be a historic night in hip-hop.

Listen to Kendrick Lamar’s “Meet the Grahams” below.



Drake Responds to Kendrick Lamar With Eviscerating ‘Family Matters’ Diss Track: Listen

Drake didn’t waste much time unloading the clip as he replied to Kendrick Lamar with the eviscerating “Family Matters” on Friday night (May 3).

“Family Matters” arrived on YouTube about 14 hours after K. Dot delivered his “6:16 in LA” diss track. Drizzy picks up where he left off to finish “Push Ups” and snipes at Lamar and his alleged fractured relationship with fiancee Whitney Alford, which he claims is filled with infidelity.

“You the Black messiah wifing up a mixed queen/ And hit vanilla cream to help out with your self-esteem/ On some Bobby sh–, I wanna know what Whitney need,” he spews.

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At one point, Drake alleges that one of Kendrick’s kids could actually be Dave Free’s, Lamar’s pgLang partner.

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“Your baby mama captions always screamin, ‘Save me’/ You did her dirty all her life, you tryna make peace/ I heard that one of them little kids might be Dave Free/ Don’t make it dave freeze/ Cause if your GM is your BM secret BD,” Drake contests.

There’s a menacing beat switch and Drake turns his sights to his other opps in the music game while dissing A$AP Rocky, The Weeknd, Metro Boomin, Future and Rick Ross.

“Rakim talking sh– again/ Gassed ’cause you hit my BM first n—a do the math who I was hitting then/ I ain’t even know you rap still because they only talking about your ‘fit again/ Probably gotta have a kid again before you think of dropping any sh– again/ Even when you do drop they gonna say you should’ve modeled because it’s mid again,” Drake raps while landing a right hook on Rocky.

Drake is apologetic about having static with Future, but blames Metro Boomin — who he calls by his government name (Leland Green) — and insinuates he has a romantic past with a woman who has history with Metro.

“Pluto sh– make me sick to my stomach, we ain’t never really been through it/ Leland Wayne he a f—ing lame so I know he had to be an influence,” Drake continues.

There’s always room for smoke with Rozay as Drizzy jabs at his correction officer past: “Body after body and you know Rick reading my Miranda Rights.”

The accompanying music video finds Drake heading to the New Ho King Chinese restaurant Kendrick referenced on “Euphoria.”

With a beat switch into the third track, Drizzy puts the scope back on Lamar and questions him moving to New York and living the “bachelor life,” while also trolling him about the jewelry he purchased from 2Pac’s estate and Pharrell’s collection.

Kendrick went back-to-back with “Euphoria” and “6:16 in LA” before Drake stepped in with a seven-minute thrashing. This doesn’t seem like it will be coming to an end anytime soon either.

Watch the “Family Matters” video below.



Sia’s ‘Unstoppable’ Hits 100-Week Milestone on Adult Contemporary Chart

Aptly given its title, Sia’s “Unstoppable” becomes the first song in nearly a quarter-century to spend 100 weeks on Billboard’s Adult Contemporary chart.

The track hits triple-digits on the list dated May 11, where it holds at No. 4. It notched 12 weeks at No. 1, nonconsecutively, between charts dated Nov. 12, 2022, and March 18, 2023.

Below is a look at the select four songs to have logged at least 100 weeks on Adult Contemporary over the chart’s history, which dates to July 1961.

Notably, three are by Australian acts: Above Sia’s song, the top two are by pop duo Savage Garden. (LeAnn Rimes, also on the list below, is from Jackson, Miss.)

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Most Weeks on Adult Contemporary Chart:

  • 124, “I Knew I Loved You,” Savage Garden (No. 1 for 17 weeks, beginning Dec. 25, 1999)
  • 123, “Truly Madly Deeply,” Savage Garden (No. 1, 11 weeks, beginning April 11, 1998)
  • 104, “I Need You,” LeAnn Rimes (No. 2 peak, Oct. 7, 2000)
  • 100, “Unstoppable,” Sia (No. 1, 12 weeks, beginning Nov. 12, 2022)

through the chart dated May 11, 2024



Rules regarding the removal of songs from Adult Contemporary due to their age have varied over the years. On average, titles began having longer stays once the survey adopted electronically monitored Luminate data in July 1993. Check out Billboard’s charts legend for more details.

Meanwhile, the longevity of “Truly Madly Deeply” helped spark its No. 1 status on Billboard’s Greatest of All Time Adult Contemporary Songs chart.

“Unstoppable” has charted in the top five of Adult Contemporary for a record 84 weeks, all consecutively since the ranking dated Oct. 8, 2022. Taylor Swift’s “Anti-Hero” follows with a likewise active run of 66 weeks in the top five, placing at No. 5 on the latest list. (The latter hadn’t yet been released when “Unstoppable” started its top five stay; it arrived on Swift’s album Midnights that Oct. 21.)

Mirroring its lengthy chart run, “Unstoppable” has a winding history, as it was originally released on Sia’s 2016 LP This Is Acting. It was used promos for Major League Baseball’s 2016 postseason and in a Lancôme Idôle commercial, starring Zendaya, in 2019. It subsequently became prominent on TikTok and soundtracked a Samsung Galaxy ad.

Radio promotion followed, at last, in 2022, and the song entered the Adult Contemporary chart dated that June 18. “We started talking about it [that] January. The question was, ‘How are we going to do this?’ ” Erik Olesen of Crush Music told Billboard of the airplay campaign. Complicating the push, Sia’s most recent material has been released on Atlantic Records and “Unstoppable” was originally on RCA Records, and later moved to Sony Music’s catalog division under the Legacy label. However, “both RCA and Legacy were very supportive and were all about us going for this,” Olesen said.

In its favor, “Unstoppable” was among other older songs cutting through in 2022. As it built at radio, Kate Bush took off with her 1985 classic “Running Up That Hill (A Deal With God),” spurred by its synch in Netflix’s Stranger Things. Noted Olesen, “At least ‘Unstoppable’ was 30 years younger!”

As momentum continued to build for the song, Olesen “asked several format captains at different radio chains both domestically and internationally to put it into their callout research. After a couple of weeks, it started to raise its hand and had huge familiarity. One of the most important ingredients for radio is familiarity.”

Since its release, “Unstoppable” has drawn 2.8 billion in airplay audience among reporters to Billboard‘s all-format Radio Songs chart. It has also run up totals of 438.1 million official streams and 494,000 sold in the U.S.

All Billboard charts dated May 11 will update on Billboard.com Tuesday, May 7.

Ashley Cooke Finds Her ‘Place’ in Country Airplay Top 10 & Sam Hunt Matches His Longest Reign

Ashley Cooke notches her first top 10 on Billboard’s Country Airplay chart as “Your Place” rises from No. 11 to No. 9 on the list dated May 11. It advanced by 5% to 17.9 million audience impressions April 26-May 2, according to Luminate.

The song is the 26-year-old Parkland, Fla., native’s second Country Airplay entry and first on her own. She co-wrote it with Jordan Minton and Mark Trussell, and Jimmy Robbins produced it. Her rookie entry, “Never Til Now,” with Brett Young, reached No. 49 in December 2022.

Cooke’s current single is from her LP Shot in the Dark, which arrived at its No. 14 best on Billboard’s Heatseekers Albums chart in August 2023. She had a hand in writing 20 of the set’s 24 tracks.

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Notably, “Your Place” marks the first initial top 10 for a female artist, with no billed collaborators, on Country Airplay in almost a year, since Megan Moroney’s “Tennessee Orange” hit No. 4 last June. Before that, the last woman to earn a first top 10 on her own was Tenille Arts with “Somebody Like That,” which reached No. 3 in May 2021.

Hunt Ties His Best

Sam Hunt’s “Outskirts” dominates Country Airplay for a career-best tying third week (29.1 million, down 8%). His 10th No. 1, and second multi-week leader, equals the three-week command of his 2017 crossover smash “Body Like a Back Road.”

Shaboozey Raises ‘Bar’

Shaboozey makes his Country Airplay debut as “A Bar Song (Tipsy)” enters at No. 53 with 993,000 in reach (up 740%). The song, which interpolates J-Kwon’s 2004 hip-hop classic “Tipsy,” combined to make history on the May 4-dated multimetric Hot Country Songs chart: As it hit No. 1, Shaboozey dethroned Beyoncé’s “Texas Hold ‘Em,” marking the first time that two Black artists have led back-to-back since the survey became an all-encompassing genre ranking in 1958.