Music

Ava Max on Proudly Entering ‘My Oh My’ Era With No Heartbreak, No Man Attached: ‘This Is the Beginning Of Me’

Ava Max is proudly stepping into her new era without any baggage. “I hope my music continues to heal,” the 30-year-old “Sweet But Psycho” singer tells Billboard about preparing for her third album cycle with “no heartbreak attached and no man attached.”

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She says that crucial element is tied to the vibe of the untitled collection’s debut single, the bouncy “My Oh My,” which feels like “the beginning of me.” In fact, things are so fresh that Max feels like she’s preparing to release her first album all over again.

The upcoming collection is, of course, not her debut, but rather the follow-up to 2023’s sophomore effort, Diamonds & Dancefloors, which featured the singles “Maybe You’re the Problem,” “Million Dollar Baby” and “Weapons,” among others. “For the first time I’m really finding myself, honing in on healing… I really feel like this is everyone’s healing era,” Max says of the in-process album she hopes will make her fans feel incredible so that they can go out and have fun with their friends without any relationship drama hanging over them.

“My Oh My” definitely hits that vibe, with its throwback dance pop vibe, lyrical nods to “90s paparazzi” and dancing in a room full of strangers in a scene straight out of a movie. The mood she wanted to strike in the video for the song was “90s grunge dance,” with no storyline and a focus on just busting out fun choreo with her dancers, which, not for nothing, Max choreographed herself.

“I wanted people to feel the energy,” she says of the clip directed by Hunter Moreno, noting that growing up she watched a lot of Britney Spears videos, which clearly inspired the “My Oh My” visual.

Max also dove into the story behind her January collab with DJ Kygo on the tropical house banger “Whatever,” which contains an interpolation of Shakira’s titanic 2001 hit “Whenever, Wherever.” After chasing a potential team-up with Kygo for years, Max says when the Norwegian producer sent over the “Whatever” track she freaked out, realizing it was a great match. Now, after working with such EDM superstars Kygo, David Guetta (“Let It Be Me”) and Tiesto (“The Motto”), Max says the other names on her bucket list include Bad Bunny and J. Balvin.

“I just love the culture so much,” she says. “I would love a Spanish feature.”

In addition to talking about her eternal love of Spears, Max also got into the way-back machine to remember how “Sweet But Psycho” took her around the world after the self-described “studio rat” spent the previous decade in the studio perfecting her craft. Recalling the track going No. 1 in Europe and being on her first trip overseas to promote the song, Max described riding around in a Sprinter van in Finland and freaking when she heard the song on the radio for the first time.

“I remember crying because I was like, ‘This isn’t real’,” she says, describing a touch of imposter syndrome at her long-awaited overnight success. “It wasn’t real.” Then again, the track did represent her pretty well, she says, because, to be honest, she cops to being both sweet and psycho. Max also describes jumping so high up in the air she almost hurt herself when she was tapped to record a song (“Choose Your Fighter”) for the Barbie soundtrack.

“I was freaking out, I mean who doesn’t love Barbie?… Of course I’m gonna do this!” she says of the track that took just two hours to record and got “no notes” from director Greta Gerwig and soundtrack boss Mark Ronson.

Most importantly, Max confirms that she’s in the studio working on the new album now, but says she can’t talk about it too much. “I’m excited, there’s so much more… This album definitely has a couple record that style, lyric-wise, melody-wise that I’ve never touched on,” she promises.

Watch the “My Oh My” video below and the interview above.



Travis Scott Roll Out Dates For Summer 2024 Circus Maximus European Tour

Travis Scott is headed overseas this summer for a run of European stadium and arena dates as part of his UTOPIA – Circus Maximum Tour. The 12-show run is slated to kick off on June 28 with a show at the Gelredome in the Netherlands and include shows in Poland, Switzerland, France, Belgium, the U.K., Czech Republic and Italy.

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The tour will include the “Type Shit” rapper’s biggest U.K. headlining show to date at Tottenham Hotspur Stadium in London on July 11. According to a release, one Euro from every ticket sold will go to the MC’s Cactus Jack Foundation, the non-profit that provides scholarships to HBCU college students and money for other creative and educational pursuits.

Tickets for the UTOPIA European tour will go on sale on Friday (May 10) at 10 a.m. local time here.

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The outing includes a planned stop at the troubled Co-Op Live in Manchester, England, which has been beset by a series of false starts and technical issues during what was slated to be its opening month. To date, shows by Olivia Rodrigo and A Boogie Wit a Hoodie have been postponed at the last minute and the 23,500-capacity building originally slated to open on April 23-24 with shows by comedian Peter Kay has yet to put on a full show for a capacity crowd. On May 2, the venue said it was taking a “short pause” in events to “fully ensure the safety and security of fans and artists visiting the venue”

Check out the dates for the 2024 European UTOPIA – Circus Maximum tour below.

June 28 — Arnhem, Netherlands @ GelreDome
July 2 — Krakow, Poland @ TAURON Arena
July 4 — Zurich, Switzerland @ Hallenstadion
July 6 — Nice, France @ Allianz Riviera
July 9 — Antwerp, Belgium @ Sportpaleis
July 11 — London, U.K. @ Tottenham Hotspur Stadium
July 13 — Manchester, U.K. @ Co-op Live
July 16 — Hamburg, Germany @ Barclays Arena
July 18 — Prague, Czech Republic @ O2 Arena
July 20 — Cologne, Germany @ RheinEnergieSTADION
July 23 — Milan, Italy @ Ippodromo SNAI La Maura
July 27 — Frankfurt, Germany @ Deutsche Bank Park

What Happened After the Met Gala: How FKA Twigs & the Music World Partied the Night Away

“You’re all beautiful!” As the clock ticks toward 2 a.m. ET, FKA Twigs is standing on the bar at The Standard’s Boom Boom Room, peering out onto a sea of guests who are celebrating the first Monday in May (May 6), otherwise known as the day of the Met Gala.

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“You’re all living your lives in this weird world being yourself, and I think that’s enough,” the singer said.

By now you already know that the Met Gala is the cultural happening of the calendar year — a night as fashionable as it is hyped. But if the party of the year occurs at the Metropolitan Museum of Art, it’s the afterparties that feature even more head-turning moments. And the Meatpacking District’s Boom Boom Room is known for being the epicenter of the chaotic cool that follows the annual bash.

Sporting my best hand-me-down jacket and polished (Windexed) shoes, I ventured to scope out the scene. What I found was a space adorned with massive towers of fresh flowers (the theme of the party was “The Garden of Time,” after all), and a cavalcade of guests in plant-inspired outfits trickling in around midnight amid an effervescent odor of lilacs.

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Columbia Records labelmates Lil Nas X and Camila Cabello came in hand-in-hand, the former rocking long leather shorts, the latter in a full-on leather dress.

After stopping to greet the party’s host, Twigs, they posed seductively for the camera and were gone just as quickly as they arrived. It was a big day for Cabello, who reportedly wore a 15-pound dress that boasted 250,000 crystals earlier in the night. She also nabbed the attention to announce the details for her new album C,XOXO, which drops June 28.

Among the starry crowd at The Standard were an array of names from Sam Smith to Moses Sumney, as well as Amazon tycoon Jeff Bezos and his fiancée, Lauren Sánchez, who held court sitting in a corner that looked out over the skyline near the penthouse space’s entrance. (I briefly considered asking for a discount on Prime). Elsewhere, A$AP Ferg, Lourdes Leon and Tony Award-winner Alex Newell were spotted.

Revelers were rushing in and out as the 2024 party scene proved to be a busy one: Usher threw a “Secret Garden”-themed bash at the Times Square Edition which wooed the likes of Ne-Yo, while Mr. Halftime himself later headed to an after-hours bash hosted by Richie Akiva at the chic members-only space Casa Cipriani, where the likes of Cardi B (who hosted her own afters), Offset, Doja Cat and Teyana Taylor were spotted.

Meanwhile, Apres hosted a bash with a guest list that included Bad Bunny, Lana Del Rey, Charli XCX and Jaden Smith. At an afterparty thrown by Stella McCartney, Rita Ora and Shakira made the guest list at the Upper East Side’s Casa Cruz.

Back inside the Boom Boom Room, the space celebrated its 25th anniversary of Met Gala parties, with FKA Twigs joining a stacked history (Lizzo, Cardi B and Katy Perry all hosted their own soirées over the years at the space). And lest we forget, it was in an elevator at this party exactly 10 years ago that the famed skirmish which inspired Beyonce’s Lemonade took place. So, yes, this venue is historic.

“The Boom Boom Room for the Met Gala afters is the spot to be, and it’s where it’s always been,” said New York City-based DJ and producer Ty Sunderland, who flew in from Lisbon earlier in the day. “I had to, because it’s one of the biggest nights in New York City to go out.”

To mark the occasion, Twigs used the opportunity to preview two as-of-yet unreleased tracks. “Would you mind if I played a couple of songs for you tonight?” she teased to cheers from the audience. “I’m up here like it’s a performance, it’s not,” she quickly clarified from atop the bar. “I’m just sharing it with you.” While her last full release was the 2022 mixtape Caprisongs, Twigs last released an album in the form of 2019’s Magdalene.

Accompanied by British DJ and producer Koreless (“he’s the best”), Twigs bobbed her head as a pulsating beat blasted through the space, crooning lyrics like “call me up” and singing along to the chorus.

“This is my gift to you,” she said into the microphone. “Thank you for following me, thank you for supporting me. You all mean the world.” It must have been whiplash for the singer, who just last week was in front of a very different microphone: speaking to the U.S. Senate about the dangers of AI.

By 3 a.m. ET, the 2024 iteration of the bash was officially coming to a close; the only guests left being tipsy stragglers, members of FKA Twigs’ team and Boom employees.

At that point, petals from aforementioned fresh flowers were on the floor and the cleanup had begun. As I made my way down the elevator, gawkers were outside on the street below. Now across the city, and the fashion world, the question inevitably turns to: What’s the plan for next year?

Chartbreaker: Dasha Left a Lover in the Dust — and Lassoed a Country-Pop Breakout With ‘Austin’

“‘Austin’ was written out of a lot of rage,” Dasha tells Billboard in late April. At a Los Angeles session in early 2023, the singer-songwriter began working on a different song with Adam Wendler, Cheyenne Rose Arnspiger and Kenneth Heidelman, which proved unfruitful. After Dasha suggested taking a quick break, she poured out a story of a tumultuous relationship; when the break ended, the group turned her heartbreak into her breakout smash.

With its irresistible groove and defiant storytelling, the single arrived as an independent release last November, and appeared on her sophomore album, What Happens Now?, released in February. “Austin” details the country artist hightailing to L.A. and leaving her no-good lover a drunken mess in Texas. Though she’d never actually been to Austin, at the time, Dasha says that “all the emotions that drove the story were real to me.”

They’ve resonated with listeners too: the song became Dasha’s first Billboard Hot 100 entry in March, since reaching a No. 28 high. It has also peaked at No. 3 on Hot Country Songs and registered 86.7 million official on-demand U.S. streams through May 2, according to Luminate.

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Dasha photographed April 25, 2024 at The Comedy Chateau in Los Angeles.

Mark Gong top and pants, Petit Moments necklace.

Ashley Osborn

Born Dasha Novotny, the 24-year-old has been writing songs and performing for over a decade. The San Luis Obispo, Calif., native started performing at local coffee shops at 10, and three years later, her father gifted her a professional studio session for her birthday to record one of her songs. “That experience at such a young age was pivotal,” she says. “I feel like I got an internship to my artistry. I was ready for this spotlight.”

After finishing high school, Dasha attended Belmont University in Nashville, though she dropped out in 2020 amid the pandemic to focus on her music career. She independently released pop-R&B singles “Don’t Mean a Thing” and “None of My Business” that year before releasing a project of remixes and her first EP, $hiny Things, in 2021. Her pop-oriented debut album Dirty Blonde followed in 2023, but it wasn’t until “Austin” 10 months later that listeners flocked en masse, prompting Dasha to further explore the blend of catchy pop-country fusion as an artistic sweet spot.

Before its official release, “Austin” drew the attention of Type A Management’s Alex Lunt, who had been looking for an act just like Dasha. “I had been working in the urban space and in rock, but I wanted to work in country and everyone knew it,” he says. He has been managing her brother’s band, Beauty School Dropout, for several years already, and after her brother sent Lunt a few of Dasha’s demos — including “Austin” — he soon became her manager as well.

Dasha photographed April 25, 2024 in Los Angeles.

Versace tank top, jacket and jeans.

Ashley Osborn

Alex Lunt and Dasha photographed April 25, 2024 at The Comedy Chateau in Los Angeles.

Alex Lunt and Dasha photographed April 25, 2024 at The Comedy Chateau in Los Angeles. Dasha wears a Prada top, jacket, skirt and belt.

Ashley Osborn

Prior to the track’s release, Lunt connected her with the indie label Version III, as well as PR company King Publicity, in anticipation of broadening the song’s reach. Dasha created a line dance timed to the song’s chorus and worked with a handful of influencers, including Zoey Aune, to create shortform videos to showcase it. “The goal was to target very specific demographics upfront: the female country audience,” Lunt says.

Clips began to roll out in early 2023, with one such video on Aune’s TikTok account featuring the influencer dancing with Dasha that went viral (with 29.4 million views on the platform to date). “That was the video that started the massive tidal wave,” Lunt recalls. A week later, Dasha posted herself line dancing in a corral solo; that video has since garnered 68.5 million TikTok views.

“I remember feeling really nervous that it would be cringey,” Dasha recalls. “I think the reason it worked so well is because it came from such a fun place and I feel like there’s this gap in community on TikTok right now, so people are down to connect any way they can. When you go to the club and you know the dance, you can participate in the community.”



The song’s surge on social media sparked a label frenzy, with Dasha signing to Warner Records in March. (At the time of the announcement, she told Billboard, “Warner felt like they had the most heart. They were so passionate about my songwriting, which is my priority.”) The next month, she inked a deal with WME for booking. Media appearances followed, including Jimmy Kimmel Live!, a performance at the CMT Music Awards (notably held in Austin), and a set at the country music festival Stagecoach in Indio, California.

As the single continues to build, the team is now putting its efforts toward stabilizing it stateside — recently promoting it to country radio — and across the globe. “Austin” reached a No. 23 high on the Billboard Global Excl. U.S. chart on April 27, with Lunt revealing they have since targeted Scandinavian, German and Australian creators.

“I think the magic of this new country sound is that I can incorporate those big pop hooks,” says Dasha. “The first time you listen to it, you can sing it back. I think that’s why it’s working so well overseas. But then also it has a super vivid lyric, so it’s like a movie in your head.”

While Dasha works on a deluxe version of What Happens Now?, she believes the biggest opportunity to grow the song is performing it live: “Now that I finally have an audience listening, we can spend the time and energy and make this into something really, really magical.”

Dasha photographed April 25, 2024 at The Comedy Chateau in Los Angeles.

Mark Gong top and pants, Petit Moments necklace.

Ashley Osborn

A version of this story will appear in the May 11, 2024, issue of Billboard.

Ariana Grande Delivers Fairytale-Inspired Performance, Duets With Cynthia Erivo at Met Gala

Attendees of the 2024 Met Gala weren’t just treated to a rare Ariana Grande concert Monday night (May 6), but also an exclusive sneak peek at how the singer and Cynthia Erivo‘s voices will sound together as Glinda and Elphaba in the upcoming Wicked films. 

The 30-year-old pop star was charged with delivering an ethereal performance to match this year’s event theme, “Sleeping Beauties: Reawakening Fashion,” and she more than delivered. First, a “sleeping” Grande was carried into the Metropolitan Museum of Art event space after the red carpet by a troupe of fairy-like dancers as a gorgeous orchestral arrangement played, as captured in a video the Grammy winner later posted on Instagram and TikTok. 

After making her entrance, Grande “woke up” and began singing “Once Upon a Dream” from Disney’s Sleeping Beauty as the audience applauded. Swathed in a teal chiffon gown, she went on to perform her Billboard Hot 100 No. 1 hits “Yes, And?” and “We Can’t Be Friends” from her new album Eternal Sunshine, as well as some of her older smashes, “7 Rings” and “Into You.” 

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One of the biggest highlights from her whimsical showcase was when Erivo — with whom Grande had walked the red carpet on the Met steps earlier that evening — joined her on stage. The pair synced their voices for a duet of “When You Believe” by Mariah Carey and Whitney Houston, joined by a group of backup gospel singers. 

“@cynthiaerivo i love you,” the R.E.M. Beauty founder wrote on Instagram Stories, sharing a clip of the show-stopping duet. 

She also gushed about the performance on TikTok. “had the honor and most special time performing at @metmuseum in @maisonmargiela by the one and only, most brilliant angel of all @jgalliano (how i wept in our fitting !!!!)… working on this performance was an experience i will cherish forever,” she captioned one video. Her note included thank you messages to Vogue editor Anna Wintour, Baz Luhrmann and others. Last but not least, she gave a shout-out to Erivo. “thank you to the divine and magical @cynthiaerivo for joining me in the end and for lighting up the museum brighter than any star in the sky ever could. it was my honor to have you and to sing with you as always. i love you !”

Grande and Erivo weren’t the only Wicked stars to show out at the Met Gala. The two women were also joined by Jeff Goldblum, who will play the Wizard of Oz in Jon M. Chu’s two-part duology — the first installment of which hits theaters this Thanksgiving — as well as Jonathan Bailey, who will play Fiyero.  

Her first Met since 2018, Grande attended the event – which was co-chaired by Zendaya, Bad Bunny, Jennifer Lopez and and Chris Hemsworth — in a custom white gown designed by Loewe creative director Jonathan Anderson, accented by a sculpted bodice made entirely of mother of pearl. “I loved the tie-in of the opalescence and little hues of pink and green for Glinda’s bubble and for Wicked,” she told Vogue of the dress on the red carpet. “Pearls are just made in the most unexpected of ways. You never know what beautiful things you will find in unexpected places.” 

See clips from Grande’s Met Gala performance below. 

@arianagrande

?? had the honor and most special time performing at @metmuseum in @maisonmargiela by the one and only, most brilliant angel of all @jgalliano (how i wept in our fitting !!!!)… working on this performance was an experience i will cherish forever. thank you so much @voguemagazine, Anna Wintour and @metmuseum for having me. ♡ my sincerest of thank yous to @bazluhrmann, i love you so much i could cry… to Michael Arden, @_natural__, @sergiokletnoy, Keith!!!, @justinlevine, to Cree & Lauren & @willloftis & our incredible group of dancers, musicians and to Broadway Inspirational Voices. and last but most ~certainly~? not least, thank you to the divine and magical @cynthiaerivo for joining me in the end and for lighting up the museum brighter than any star in the sky ever could. it was my honor to have you and to sing with you as always. i love you ! ? ⋆。°‧? ⋆ ˚。⋆? ⋆ ‧? ˚。?.˚

♬ original sound – arianagrande

Man Reportedly Shot Outside Drake’s Toronto Mansion

Toronto Police are investigating a shooting that took place early in the morning on May 7 outside Drake’s mansion.

According to reports from CBC and The Toronto Star, the entrance to the rapper’s house has been taped off after a reported shooting. The Star also reports that police are going in and out of the house as they investigate.

Toronto Police Operations posted on X that they were investigating a shooting that took place at 2:09 a.m. at Bayview Avenue and Lawrence Avenue East, near the site of Drake’s Park Lane Circle mansion in the Bridle Path neighborhood — one of the most expensive areas of Toronto.

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According to the tweet, a man was transported to hospital with serious injuries and a suspect fled in a vehicle. The Toronto Star reports that it is unclear whether Drake was at home at the time.

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Drake has been embroiled in an ongoing rap battle with Kendrick Lamar. The art for Kendrick Lamar’s “Not Like Us” features a Google Maps image of Drake’s Toronto house.

The location of Drake’s estate is already well known in the city, and the rapper filmed his 2020 music video for “Toosie Slide” inside.

There is reportedly a large media and police presence outside of Drake’s house as the story continues to develop.

‘Wanna Party With Cardi?’: Inside Cardi B’s Revolve + Fwrd-Assisted 2024 Met Gala After Party

Almost seven years after she first rapped the proposition in her 2017 Billboard Hot 100 hit “Bartier Cardi” (No. 14, with 21 Savage), Billboard has the inside on scoop on what it’s really like to party with Cardi B.

Hours after stunning the Met Gala‘s green carpet with a massive black ball gown — accented with emerald jewelry and a gagged of tuxedo-clad red carpet assistants, no less — Cardi B headed downtown to Silencio to host her own afterparty, in partnership with Revolve + Fwrd. Led by creative director Kendall Jenner, Fwrd is an online luxury fashion destination that operates under Revolve Group, an e-commerce fashion retailer.

Known for her dramatic trains, Cardi’s Met Gala green carpet look played smartly on the dark undertones of the event’s “Garden of Time” dress code. This year, the Costume Institute celebrated their spring exhibition, “Sleeping Beauties: Reawakening Fashion” with a charity ball co-hosted by Emmy winner Zendaya, Billboard 200 chart-toppers Bad Bunny and Jennifer Lopez and BAFTA nominee Chris Hemsworth. For her afterparty ensemble, Cardi opted for a red, body-sculpting number that evoked the classic sensuality of Jessica Rabbit, billowing retro curls and all.

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The “WAP” rapper’s red-hot corset dress paired well with the décor for the night; red lights illuminated the room with simple decals announcing her presence adorning the otherwise bare walls. While the dancefloor remained packed thanks to the efforts of DJ Nicky Rizz and DJ SpinKing, the night’s biggest stars remained in various sections around the venue. Among those in attendance were Grammy winner Leon Thomas III, celebrity hairstylist Chris Appleton, Hennessy Carolina, Kamari Bonds from Netflix’s Twentysomethings: Austin and, of course, hip-hop power couple Offset and Cardi B.

Fresh off wrapping his first headlining U.S. tour — which he launched in support of 2023’s Set It Off LP — Offset donned distressed denim and a bead-embellished gray shirt, opting for a more casual vibe to complement his wife’s exuberant glamour. Hennessy Carolina, Cardi’s sister, wore a stunning hooded black gown that featured perhaps the night’s most daring neckline.

With an open bar and hors d’oeuvres ranging from caviar-topped potato chips to crispy french fries, Cardi definitely threw quite the function. Although she did not treat the crowd to her trademark quips or any remarks at all — in fairness, the intense camera flash whenever she emerged was certainly overwhelming — the DJs kept the energy high with sets that centered on the rich R&B and hip-hop legacies of New York City, Cardi B’s hometown. Of course, several of her Hot 100 hits got spun, including 2017’s “No Limit” (No. 4, with G-Eazy & A$AP Rocky), 2019’s Grammy-nominated “Clout” (No. 39, with Offset), 2022’s “Shake It” (No. 51, with Kay Flock, Dougie B & Bory300), and 2023’s “Put It On Da Floor Again” (No. 13, with Latto) and “Bongos” (No. 14, with Megan Thee Stallion).

Surprisingly, both DJs appeared to have shied away from the Kendrick Lamar and Drake diss tracks that have dominated both streaming and cultural conversations for the past few weeks. For what it’s worth, the songs that really got Cardi moving weren’t a part of that battle or even her own catalog; her favorite tracks of the night included Master KG, Nomcebo Zikode & Burna Boy‘s “Jerusalema,” A$AP Ferg‘s “Work,” Bobby Shmurda‘s “Hot N—a,” and Fivio Foreign‘s “Big Drip.” You can take the girl out of NYC, but you can’t take NYC out of the girl!

Monday night’s flashy bash continues a busy year for Cardi B. She’s released several singles in anticipation for the launch of her sophomore album campaign, including her Missy Elliott-nodding “Like What (Freestyle)” (No. 38), “Enough (Miami)” (No. 9) and “Puntería” (No. 72, with Shakira).

The verdict is in: ain’t no party like a Cardi B party!

Kelly Clarkson Thunders Through Metallica’s ‘Sad But True’ on Kellyoke: Watch

Kelly Clarkson has the uncanny ability to find the soul pocket in just about any song. Take, for instance, her rumble through Metallica‘s “Sad But True” during the Kellyoke segment on Monday’s (May 6) episode of her eponymous daytime talk show.

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Sure, the 1991 original from the band’s crushing self-titled album is a dark mediation on the “shadow self” and the battle against a dark force trying to take control of your soul. But, somehow, Clarkson found the faint sliver of light in that otherwise dim forest of turgid inner turmoil.

“Hey, I’m you life/ I’m the one who takes you there/ Hey, I’m your life, I’m the one who cares,” Clarkson sang over a sparse, ominous piano to start the performance. When things began to get serious with lines about the “only true friend” who really cares warning you about betrayal, Clarkson’s voice reached into a higher register as she crooned, “I’m your dream, make you real/ I’m your eyes when you must steal/ I’m your pain when you can’t feel.”

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And then, when she hit the title line Clarkson shot up into her signature stratospheric range, belting the word “true” as if her life depended on it while her house band shifted into daytime metal beast mode and the arrangement took on a more sinister rock mode. “You, you’re my mask/ You’re my cover, my shelter,” Clarkson snarled over the chugging arrangement as the stage flashed in red and white.

“Sad But True” was the fifth and last single from 1991’s Metallica, topping out at No. 98 on the Billboard Hot 100.

Watch Clarkson’s cover of “Sad But True” below.


https://youtube.com/watch?v=NTMlBP7w_aA&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Lainey Wilson to Open Bell Bottoms Up Bar in Nashville

Grammy winner and reigning CMA entertainer of the year Lainey Wilson is set to become the latest country star with a bar in downtown Nashville.

This summer, Wilson will open the three-story restaurant and bar Bell Bottoms Up in partnership with TC Restaurant Group on 120 3rd Ave. South, in the location that used to house the now-closed FGL House.

The 27,000-square-foot venue will feature two stages, four bars and a mezzanine floor featuring a bar lounge overlooking the first-floor stage and a dining area. The rooftop level will be home to a 1970s western-inspired aesthetic, with a dance floor, disco-inspired decor and frozen drinks. Guests will also get a look at Wilson’s Louisiana roots through a basement-level space set to open this summer, which will include craft cocktails and a live music space.

Meanwhile, the bar’s menu will offer several Cajun-inspired entrees and bar foods, curated by Wilson in partnership with TC Restaurant Group’s vp of culinary development, chef Tomasz Wosiak. The menu will include Wilson’s favorite salads, as well as crawfish, shrimp boils and boudin, in addition to a cocktail menu that features favorites such as whiskey, experiential group drinks and classic drinks.

“I’m so excited to announce Bell Bottoms Up, which will be opening later this summer,” Wilson said in a statement. “I’ve always wanted to create a destination for all my fans to visit and create new memories at, in the heart of country music city. So, to have a permanent destination in Nashville, is such a dream come true. I can’t wait for all my Wild Horses to get to experience my home away from home.”

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“We are honored that Lainey has trusted us to deliver a venue that is faithful to her story, fans, and love for country music,” said Grant Burlingame, vice president of operations at TC Restaurant Group. “Fans gravitate to Lainey because of her authentic, down-to-earth personality, and Bell Bottoms Up will be a representation of her character and legacy. Lainey Wilson is one of the biggest names in country music, and we’re proud to partner with her on a venue that celebrates her genuine mark on the industry and brings another female artist to the forefront of Nashville’s Entertainment District.”

TC Restaurant Group is known for its work on several star bars in Nashville, including Jason Aldean’s Kitchen + Rooftop Bar and Miranda Lambert’s Casa Rosa.

Meanwhile, Wilson is gearing up for the release of her Lainey Wilson: Bell Bottom Country documentary on Hulu and is nominated for several honors at next week’s ACM Awards on May 16.

Trophy Eyes Responds After Fan Injured In ‘Tragic Accident’ at Concert

Australian post-punk rock act Trophy Eyes has spoken publicly for the first time following a devastating injury to a fan during a concert last week in Buffalo, NY.

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“As the result of a tragic accident on the night of April 30th, a Trophy Eyes fan was injured at our Buffalo NY show,” reads a post to X. The band “immediately shut down” the show as frontman John Floreani accompanied the supporter to hospital, joined with family.

That fan has now been identified as Bird Piché, whose family and friends have set up a GoFundMe to cover her medical costs. Piché, reads a statement on the fundraiser page, suffered a “catastrophic spinal cord injury” while attending the concert and has undergone extensive surgery.

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Currently, almost half the $100,000 target has been raised.

Bird now faces a lengthy recovery. “It is still too early to know what her prognosis is but after leaving the hospital she will need to go to a rehab facility. She will obviously not be able to work during this time,” reads the statement.

The incident reportedly occurred when Floreani dived from the stage at Mohawk Place.

Trophy Eyes are said to be “truly heartbroken” by the news. “This situation has shaken us all to our core, and we ask for patience while we look to help Bird navigate this difficult time,” the band’s message reads. “Please, keep Bird in your thoughts. We remain in close contact with them and will expand on this as news arrives,” the statement continues.

Hailing from Newcastle, Australia, Trophy Eyes has secured spots on the Vans Warped Tour, Reading, Leeds, Splendour In the Grass, Unify Gathering and other major festivals.

The band’s three studio albums, 2023’s Suicide and Sunshine, 2018’s The American Dream and 2016’s Chemical Miracle, all peaked at No. 8 on the ARIA Albums Chart.

Trophy Eyes’ North American tour continues Tuesday night, May 7 in Denver CO.

Donate to Bird’s GoFundMe here.