Music

Billie Eilish Radio to Launch on SiriusXM Ahead of ‘Hit Me Hard and Soft’ Release

The Billie Eilish multi-media blitz in advance of the upcoming release of her third studio album, Hit Me Hard and Soft, will kick off in earnest on Friday (May 10) with the launch of Billie Eilish Radio on SiriusXM. The dedicated streaming channel will debut at noon E.T. with a mix curated by the “What Was I Made For?” singer.

As with other recent channels dedicated to artists including the Beastie Boys, Coldplay, Michael Jackson and Bob Marley, the Eilish channel will be a mix of her music and artists that have inspired her. On the day of the album’s release, May 17, the channel will play the full album beginning at 12 a.m. ET, with additional plays throughout the weekend, according to a release. The opening weekend celebration will also feature exclusive insight and commentary about the LP from the singer and her brother/producer, Finneas.

The channel will be available to North American subscribers on channel 3 from May 10-23, along with an exclusive channel on the SiriusXM app from May 10-June 7.

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In a trailer for the channel, Eilish says, “I love music so much and all I want to do is share music I love all the time with everybody that I love. Listen to it wherever you feel comfortable and safe and good.”

The SiriusXM channel will join a number of other promotional stunts to hype HMHAS, including listening parties on May 15 and 16 in New York City at Brooklyn’s Barclays Center and Los Angeles’ Kia Forum, as well as HIT ME HARD AND SOFT – A Listening Event Presented by Apple Music, which is coming to Dolby Cinema at AMC Theatres locations across North America on May 16 and 17. A release promised that the screening will give fans “the chance to be one of the first to hear the new album with a visual accompaniment.”

Tickets for the movie’s two-day run will cost $5 each and are available for purchase here here. A portion of the proceeds will go to AMC Cares Charitable Fund, which provides financial aid to qualified nonprofit organizations.

Which Drake and Kendrick Lamar Diss Tracks Could Make Next Week’s Hot 100?

One of the wildest weeks in hip-hop history is set to make a huge impact on next week’s Billboard charts (dated May 18) as several diss tracks from the ongoing DrakeKendrick Lamar beef look prime to dot the Billboard Hot 100 and other charts.

The rappers’ feud dates back at least a decade, but the latest campaign ramped up in March with “Like That,” Lamar’s collaboration with Future and Metro Boomin, in which the Pulitzer Prize-winner’s verse contained alleged disses at Drake and J. Cole. Since then, Lamar, Drake, J. Cole and a heavyweight supporting roster – including The Weeknd, Rick Ross, Ye (formerly known as Kanye West), A$AP Rocky – have all been involved, either as targets or lobbing disses of their own.

While Cole bowed out and apologized after he released his “7 Minute Drill” rebuttal on April 5, Drake and Lamar have each released multiple tracks in just a few weeks, with personal attacks and serious allegations, including threats of violence and pedophilia within artists camps.

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Given the whirlwind of releases — some of which have been widely released on streaming services, others that were only available on social media and at least one that has been willingly removed from platforms — here’s a guide to how each track could factor onto the Hot 100.



The Ones That Have Already Charted

“Like That” / “7 Minute Drill” / “Push Ups” / “Euphoria”

Four tracks have already appeared on the Hot 100, which includes streaming, radio airplay and sales data for its calculations. In chronological order, they are “Like That” (No. 1 for three weeks, beginning on the chart dated April 6), J. Cole’s “7 Minute Drill” (No. 7, April 20), Drake’s “Push Ups” (No. 17, May 11) and Lamar’s “Euphoria” (No. 11, May 11).

As J. Cole had “7 Minute Drill” pulled from streaming services and digital retailers one week after its release, the song has since fallen off the chart. Unless “7 Minute Drill” is once again made available to consumers, the only avenue for a Hot 100 return would be through radio airplay. But don’t expect it – “7 Minute Drill” has declined in radio play for the last two weeks, according to Luminate, before it was even able to make any Billboard radio chart.

In addition to continued availability on streaming services and digital retailers, “Like That,” “Push Ups” and “Euphoria” all sport an active radio presence. The foremost ranks at No. 4 on the latest R&B/Hip-Hop Airplay chart (dated May 11), the middle track rises 29-28 and while the lattermost does not appear on the chart, its 149,000 audience total, according to Luminate – in just three days of a seven-day, Friday-Thursday tracking week due to its Tuesday drop date – ranks just outside the 50-position cutoff, at 192,000 in audience for the week.



The Ones That Could Chart Next

“Family Matters” / “Meet the Grahams” / “Not Like Us” / “The Heart Part 6”

The heaviest barrage is likely to come on next week’s Hot 100 (dated May 18), with five songs released between Drake and Lamar since May 2, the start of the current Hot 100 tracking week.

Of the five, three – Drake’s “Family Matters” and Lamar’s “Meet the Grahams” and “Not Like Us” – are widely available across streaming serves and digital retailers, setting them up for the chance at huge consumption figures that would translate into strong Hot 100 arrivals. All three, though, will have shortened periods in the Friday-Thursday tracking window after they were released mid-week: “Family Matters” and “Meet the Grahams” both arrived on Saturday, May 3, while “Not Like Us” premiered on Sunday, May 4.

Despite the handicap, however, they seem to be making up ground — quickly. Lamar’s “Not Like Us,” for example, was the No. 1 streamed song in the U.S. on Spotify on Monday, May 6, (6.59 million clicks) and Tuesday, May 7, (6.81 million), clearing each day’s second-place title — his own “Euphoria” on Monday and Tommy Richman’s “Million Dollar Baby” on Tuesday — by more than 2 million plays.

Returning to the two remaining tracks released during the current tracking week, one — Drake’s “The Heart Part 6,” released on Sunday, May 4 — notably remains available only through YouTube.

As for the final track …

The Outliers

“6:16 in LA” / “Taylor Made Freestyle” / “Buried Alive Interlude, Pt. 2”

Lamar’s “6:16 in LA,” which arrived on Saturday, May 3, was released solely through the Compton rapper’s Instagram page. As it was not made available on streaming services or digital retailers that contribute to Billboard’s charts (and has received no registered radio play), it has no chance of appearing on the Hot 100 without an official release.

But all’s fair. Two more Drake tracks released in the beef — the “Taylor Made Freestyle” and “Buried Alive Interlude, Pt. 2” — were likewise social media exclusives, and, by the same token, would need an official release to streamers and digital stores or substantial radio activity for a Hot 100 debut. The former, notably, is unlikely to gain any traction after its use of artificial intelligence vocals imitating Tupac Shakur and Snoop Dogg prompted Shakur’s estate to threaten a lawsuit, and the song was removed the next day. The latter, meanwhile, appeared on an Instagram story and looks to only have been a teaser for “Family Matters.”

The top 10 of the Hot 100 dated May 18 is scheduled to be announced on Billboard’s website on Monday, May 13, with the full chart revealed on Tuesday, May 14.

Drake’s London OVO Store Dragged Into Kendrick Lamar Beef With ‘They Not Like Us’ Graffiti

From the looks of it, the dust has settled in the lyrical war between Drake and Kendrick Lamar after the general consensus is that the Compton MC emerged victorious after a furious diss track back-and-forth. But the collateral damage from one of the fiercest bar beatdowns in recent history continues to spill out.

On Tuesday, pictures emerged of the vandalized front window of Drizzy’s London OVO store, which an unknown person (or persons) tagged with the line “they not like us” from what, so far, seems to be the final word in the battle from K.Dot’s withering “Not Like Us.”

The glass window at the front of the shop on London’s iconic Carnaby Street was hit with the silver paint jab featuring the phrase that has become a battle cry for Lamar supporters in the days since its release. At press time it did not appear as if anyone had taken credit for the tag and officials had not announced any arrests in the incident.

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Following Saturday’s release of “Not Like Us” — which reportedly broke the Spotify record for the most-streamed rap song in a single day on Tuesday — it seemed like Lamar had settled things before Drake dropped the dismissive “The Heart Pt. 6” on Sunday. The London defacement came on the same day that Toronto Police confirmed that an unnamed security guard working outside Drake’s Toronto mansion was transported to a local with “serious injuries” that were not life-threatening after reports of a shooting by an unknown assailant who fled the scene in a vehicle. Drake was uninjured in the incident and the Associated Press reported that police are attempting to identify the assailant in the drive-by.

Check out a picture of the London store vandalism below.

Malaysia’s Good Vibes Festival Announces 2024 Return Following Last Year’s The 1975 LGBTQ Controversy

A year after pulling the plug on their festival early after The 1975 singer Matty Healy slammed Malaysia‘s anti-LGBTQ laws as “f–king ridiculous” before sharing a long kiss with bassist Ross MacDonald, Kuala Lumpur’s Good Vibes Festival has announced its return.

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The two-day event at Resorts World Awana in Genting Highlands will take place on July 20-21, Joji and Russ headlining the first night, along with a lineup featuring Alec Benjamin, Haven, Peach Pit, Ylona Garcia, Cherry Bomb, Spooky Wet Dreams, Bad Habits and more.

The second day will be topped by J Balvin, who will be joined by Peggy Gou, Bibi, Henry Moodie, Tiger JK & Yoon Mi Rae, Forceparkbois, Talitha, Capt’n Trips and the Kid and more. Tickets for the festival go on sale at 11 a.m. on Friday (May 10) here.

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Future Sound Asia’s director of entertainment, Wan Alman, spoke to the NME about the event’s return, declining to comment on The 1975 due to ongoing legal action against the group while emphasizing that the festival is not banned and will return this year. “To be honest, this year has really been one of the most challenging festivals to plan – and not for the reasons you might think. It’s not really anything to do with what happened last year, but this year has been an especially challenging time for festivals around the world in general,” Alman said, citing the cancellation of Australia’s Splendour in the Grass and what he claimed were lineup backlashes facing other festivals.

“It’s been really tough booking acts for festivals all around the world. Not everyone will get a great line-up like Coachella or Splendour, and when you don’t get a great line-up, people don’t buy tickets,” he added. “I think a major cause of this is that artist fees have skyrocketed. I think it’s going to be unsustainable but it’s just getting higher and higher every year.”

Despite cancelling the second and third days of last year’s event over Healy’s comments, Alman said the Malaysian government was “quite supportive” of this year’s return. “They want to work with us hand-in-hand to make sure that that sort of thing doesn’t happen again and that the live music industry and the festival industry isn’t adversely affected by what happened,” he said. The festival has been working with local authorities to come up with a standard operating procedure to deal with a similar incident in the future.

And though he said the 1975 dust-up did not inform their booking choices this year, Alman stressed that the decade-old festival did more due diligence this time to make sure the acts they slotted were “not controversial.” That said, event organizers do have a “kill switch” they can enact that immediately cuts off audio, video and stage lighting should there be another incident, something Alman called “the very last resort.”

See the full lineup for the 2024 Good Vibes festival below.

Dua Lipa’s ‘Radical Optimism’ Is Racing to U.K. No. 1

Dua Lipa’s Radical Optimism will be hard to catch in the U.K. chart race.

Based on midweek sales and streaming data captured by the Official Charts Company, the British pop singer’s third studio album has a healthy lead.

Radical Optimism is outselling the next-best-placed LP, Taylor Swift’s The Tortured Poets Department, by 2 to 1, and should storm home for Lipa’s second leader.

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Assuming it continues on its path, Radical Optimism will become Lipa’s first album to debut at No. 1. Her self-titled 2017 debut Dua Lipa peaked at No. 3 and has logged 354 weeks on the frame, while her sophomore effort from 2020, Future Nostalgia, climbed to No. 1 in its second week. Future Nostalgia logged four weeks at No. 1, and has now clocked 203 weeks on the Official Chart – and counting.

Radical Optimism is already a U.K. hit, yielding three top 10 singles chart entries: “Houdini (No. 2 peak), “Training Season” (No. 4) and “Illusion” (No. 9).

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With Dua Lipa’s latest effort flying high, Swift’s Tortured Poets looks set to dip 1-2 after two weeks at the chart penthouse. It’s TayTay’s 12th U.K. No. 1 album.

Meanwhile, Hampshire, England rock artist Frank Turner is on track for a podium finish with Undefeated. It’s new at No. 3 on the Official Chart Update, and is set to become Turner’s sixth U.K. top 10 appearance.

Kelly Jones, frontman of Welsh indie-rock favorites Stereophonics, could nab his solo career best with Inevitable Incredible, his second LP. Inevitable Incredible is on course for a No. 4 start, well ahead of the No. 8 best for his debut solo effort Don’t Let The Devil Take Another Day from 2020. As a member of Stereophonics, Jones has eight U.K. No. 1s.

Finally, Scottish indie-pop act Camera Obscura is peering in on a first-ever U.K. top 10 appearance with Look To The East, Look To The West, their first studio album in over a decade. It bows at No. 10 on the chart blast, and should give Camera Obscura a third U.K. top 40.

All will be revealed when the Official U.K. Albums Chart is published late Friday, May 10.

Myke Towers & Bad Bunny’s ‘Adivino’ Debuts at No. 2 on Hot Latin Songs

Myke Towers captures his highest-charting hit yet on Billboard’s Hot Latin Songs chart as “Adivino,” with Bad Bunny, debuts at No. 2 on the list dated May 11. It’s the 52nd chart hit for the former, and 11th to reach the top 10. For Bunny, the collab marks his record-extending 75th top 10 out of 170 total chart hits (again, a record).

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“Adivino,” released April 25 on One World International/Warner Latina, traces its No. 2 debut on Hot Latin Songs almost entirely to streaming activity. The song logged 9.9 million official U.S. streams in the U.S. during the April 26-May 2 tracking week, according to Luminate. That sum yields an equal No. 2 start on Latin Streaming Songs, Towers’ highest debut, and it equals his highest charting song (“La Jeepeta,” with Nio Garcia, Anuel AA, Brray and Juanka).

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As “Adivino” launches at No. 2 on Hot Latin Songs, which blends streaming data, airplay, and digital sales for its results, it pushes Xavi’s former No. 1 “La Diabla” from 2-3, following its 14-week domination which started in January. The track marked the second-longest run at No. 1 this decade (Eslabon Armado and Peso Pluma’s “Ella Baila Sola” dominated for 19 consecutive weeks in 2023). Meanwhile, FloyyMenor and Cris MJ’s “Gata Only” remains at No. 1 four a fourth consecutive week.

By reaching No. 2, Towers outpaces his career-best, as he previous topped out at No. 3 on the multi-metric tally with both “La Jeepeta” (Nio Garcia, Anuel AA, Towers, Brray and Juanka), and “Caramelo” (Ozuna, Karol G and Towers), a week from each other in August 2020.

Benito, meanwhile, scores his first debut on the chart since the Oct. 28, 2023-dated list, when he landed 19 concurrent debuts alongside the release of his Nadie Sabe Lo Que Va a Pasar Mañana album, including the entire top 10, led by “Mónaco.” The track spent 10 weeks at No. 1 – the second-most of any No. 1 in 2023, trailing the 19 weeks of “Ella Baila Sola.”

Notably, as “Adivino” becomes the third song to debut at No. 2 or higher in 2024 –after two Peso Pluma songs– Bad Bunny extends his record for the most top 10s, with 75.

On the all-genre Billboard Hot 100, “Adivino” opens at No. 63, Towers’ highest-debut yet. Only one other Latin song ranks higher: FloyyMenor and Cris MJ’s “Gata Only” continues its winning streak, as it rallies 58-44 on the Hot 100 and continues at No. 1 on Hot Latin Songs for a fourth turn.

While streaming activity fuels the bulk of “Adivino’s” high start, sales assist its launch in the upper tier: the 1,000 downloads sold in the tracking week targeted for a No. 1 debut on Latin Digital Song Sales.



Luxembourg, Ireland & 8 More Countries Advance to Eurovision 2024 Grand Final

The first of three live broadcasts of the 2024 Eurovision Song Contest yielded the initial results of the competition, with 10 countries out of 15 moving forward into the grand final on Saturday (May 11) and five countries going home.

Most notable among the 10 winning countries are Luxembourg, which returned to the pan-European competition this year after a 31-year absence, and Ireland, which holds the record for the most wins with Sweden at seven each.

However, Ireland has failed to qualify for the grand final 11 times since the semifinals were introduced in 2005. Bambie Thug breaks that spell with “Doomsday Blue,” a self-described “electro-metal breakdown.” Thug (real name: Bambie Ray Robinson) is the first nonbinary artist to represent Ireland in Eurovision and will be the first Irish contestant in the competition since Ryan O’Shaugnessy placed 16th with “Together” in 2018.

Thug’s entry is expected to place high in the grand final rankings. If they end up in the top five, it will be Ireland’s biggest Eurovision success since Marc Roberts’ “Mysterious Ways,” which finished second to Katrina & the Waves winning U.K. entry “Love Shine a Light” in 1997.

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Talia, an Israeli-born singer living in Luxembourg, will be the first person from that small European country — the only grand duchy (a country ruled by a monarch with the title of grand duke or duchess) remaining in the world — to sing in Eurovision since Modern Times placed 20th with “Donne-Moi Une Chance” in 1993.

The other eight countries that qualified for the grand final are Croatia, Cyprus, Finland, Lithuania, Portugal, Serbia, Slovenia and Ukraine. The five countries relegated out, by public vote during the live broadcast, are Australia, Azerbaijan, Iceland, Moldova and Poland.

The oddsmakers have Croatia heavily tipped to win; it would be that nation’s first victory in 30 attempts, although Riva, a band from Croatia, triumphed in 1990 when their country was still part of Yugoslavia.

A second semifinal will be broadcast live on Thursday (May 9). There will be 16 countries fighting for a spot in the grand final top 10 that night: Albania, Armenia, Austria, Belgium, Czechia, Denmark, Estonia, Georgia, Greece, Israel, Latvia, Malta, the Netherlands, Norway, San Marino and Switzerland.

Pre-qualified, and thus able to skip the semifinals, are the host country (Sweden) and the “Big Five” (France, Germany, Italy, Spain and the United Kingdom), so-named because they contribute the largest amounts to the production budget.

Semifinal No 2 of the 2024 Eurovision Song Contest will be live on Peacock in the U.S. on Thursday starting at 3 p.m. ET/noon PT. The grand final will also be live, on Saturday at the same times.

Charlie Wilson Reclaims Record for Most Adult R&B Airplay No. 1s Among Male Artists

Just two weeks after Usher tied Charlie Wilson for the most No. 1s by a male artist on Billboard’s Adult R&B Airplay chart, the latter legend reclaims the title for himself as “Superman” tops the list dated May 11.

“Superman” jumps from No. 3 after an 8% increase in plays that made it the most-played song as U.S. monitored adult R&B radio stations in the week of April 26-May 2, according to Luminate. The new leader ousts Usher’s record-tying “Risk It All,” a collaboration with H.E.R., from the top spot after the latter’s two-week command.

With “Superman,” Wilson achieves his 10th No. 1 on Adult R&B Airplay. In addition to resetting the benchmark for the most champs among male artists, the R&B legend becomes only the third artist to reach double-digit No. 1s on the list. Here’s a recap of the artists with the most No. 1s on the Adult R&B Airplay chart since its launch in 1993:

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14, Alicia Keys
11, Toni Braxton
10, Charlie Wilson
9, Usher
8, Mary J. Blige
8, H.E.R.
8, Kem
8, Bruno Mars
8, Maxwell
8, Tank



“I am incredibly grateful and humbled by the overwhelming support for ‘Superman’,” Wilson said in a press release highlighting his achievement. “To have another [No.] 1 hit on the Billboard Adult R&B chart is truly an important achievement to me, especially with a song so personal highlighting my wife’s endless love and support of me. She truly put the cape back on my back after very rough times. I want to thank my fans for their unwavering loyalty and love throughout my career. This song is also for all women, their strength, love and support is appreciated more than they know.”

Elsewhere, “Superman” dips 26-27 from its peak on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop radio stations. There, the song registered 4.4 million in audience for the tracking week, a 1% drop from the prior period.

In addition to Wilson’s successful run as a solo artist, listeners may also know the man known as “Uncle Charlie” as the lead singer of his former group, The Gap Band. The trio – comprised of brothers Charlie, Robert and Ronnie – achieved 15 top 10s on the Hot R&B/Hip-Hop Songs chart between 1979 and 1990, including classics such as “Burn Rubber (Why You Wanna Hurt Me),” “Outstanding” and “You Dropped a Bomb on Me.”

Tom Holland Has Heart Eyes for Zendaya’s Jaw-Dropping Met Gala Look

Tom Holland continues to be the sweetest boyfriend.

The actor took to Instagram on Tuesday (May 7) to share a stunning snap of his girlfriend Zendaya’s standout Met Gala outfit, which she chose in collaboration with her stylist Law Roach. The Euphoria star rocked a custom Maison Margiela by John Galliano gown, referencing a haute couture look he created for Christian Dior back in 1999. The deep blue-and-green peacock-like gown perfectly captured the “Garden of Time” dress code.

Holland captioned the photo with three heart eyed emojis. See his post here.

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Holland and Zendaya have been dating for at least three years, and grew into a romantic relationship as they starred alongside each other in the Spider-Man films.

Last year, The Crowded Room actor took part in a Buzzfeed series in which he answered 30 questions as quickly as possible, and brought up the Euphoria star several times. He admitted that she was his childhood celebrity crush — Zendaya starred in Disney Channel’s Shake It Up from 2010 to 2013 — and that she’s also the last person he sent a meme to. “It’s nonstop,” he said. “She sends me too much. I can’t keep up because I delete my Instagram for days at a time. I download it to post, then I have to check my messages and I’ll have hundreds and hundreds of things from her.”

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Watch Hardy’s ‘Gin & Juice’ Short Film With Snoop Dogg, Dr. Dre & Nicola Peltz Beckham

Country singer HARDY links up with Dr. Dre and Snoop Dogg for his short film “Gin & Juice” and to promote his new song “Gin & Juice (Another Shot From Dr. Dre).” The short film features appearances from Snoop, Dre and actress Nicola Peltz Beckham and is made in collaboration with Gin & Juice By Dre & Snoop — the legendary rap duo’s first ready-to-drink product from their new premium spirits company.

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In a press release, HARDY, the pride of Philadelphia, Mississippi had this to say: “The entire ‘Gin & Juice’ process has been a dream for me. I recorded the song and in a few short weeks I was on set with Dr. Dre and Snoop Dogg. It didn’t feel real until I showed up and I saw the names on the trailers. I spent two days with them and I can honestly say they are two of the coolest, most genuine people and they made me feel right at home. I am so thankful for the experience and I’m looking forward to hanging with those guys again.”

HARDY is setting up to go on his Quit!! Tour. Back in March, his song “Truck Bed” hit No. 1 on the Billboard Country Airplay chart. It was his first as a solo artist and 12th as a songwriter. HARDY’s had two other number ones on the chart as a performer: “Beers on Me,” with Dierks Bentley and Breland, which dominated for one week in April 2022 and “One Beer” (featuring Lauren Alaina and Devin Dawson) which hit the top in December of 2020.

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Check the short film above, listen to the new track here, and check out HARDY’s tour dates below. 

HARDY LIVE
May 25—Patriotic Festival—Norfolk, VA
May 30—Walmart AMP—Rogers, AR
May 31—Hollywood Casino Amphitheatre—St. Louis, MO
June 1—Ruoff Music Center—Noblesville, IN
June 6—Budweiser Stage—Toronto, ON
June 7—Broadview Stage at SPAC—Saratoga Springs, NY
June 8—Dairen Lake Amphitheater—Buffalo, NY
June 9—CMA Fest – Nissan Stadium—Nashville, TN
June 14—PNC Music Pavilion—Charlotte, NC
June 15—Coastal Credit Union Music Park—Raleigh, NC
June 20—PNC Bank Arts Center—Holmdel, NJ
June 21—Xfinity Center—Mansfield, MA
June 22—BankNH Pavilion—Gilford, NH
June 27—Freedom Mortgage Pavilion—Camden, NJ
June 28—Jiffy Lube Live—Bristow, VA
June 29—Country Thunder Bristol—Bristol, TN
July 13—Country Concert—Fort Loramie, OH
July 18—Country Jam—Eau Claire, WI
July 19—Rock The South—Cullman, AL
July 21—Faster Horses—Brooklyn, MI
July 25—Riverbend Music Center—Cincinnati, OH
July 26—Veterans Park – Harley-Davidson Homecoming Festival—Milwaukee, WI
July 27—Credit Union 1 Amphitheatre—Tinley Park, IL
August 4—Watershed Festival—George, WA
August 17—Country Thunder Alberta—Calgary, AB
August 22—Bash on the Bay—Put-in-Bay, OH
September 12—Dudy Noble Field—Starkville, MS
October 20—Morrison, CO—Red Rocks
October 21—Morrison, CO—Red Rocks