Music

Andra Day Pays Tribute to Lauryn Hill and Other Highlights of Inaugural Grammy Hall of Fame Induction Gala

The first five inductions into the Grammy Hall of Fame were announced on the Grammy telecast in March 1974, but it has taken the Recording Academy 50 years to produce a stand-alone event to honor the year’s inductees. Better late than never.

The inaugural Grammy Hall of Fame Gala was held at the Novo Theater at L.A. Live in Los Angeles on Tuesday, May 21.

To produce the event, the Academy and the Grammy Museum, which co-presented the event, turned to Ken Ehrlich, who guided the Grammy telecast for 40 years. To host, they enlisted CBS broadcast journalist Anthony Mason.

Six of the inductees were honored with performances. Four were handled with video tributes.

Some of the artists whose recordings were being honored were present, including William Bell, who performed his own song, “You Don’t Miss the Water;” Lauryn Hill, who was on hand to watch Andra Day perform a song from her inducted album The Miseducation of Lauryn Hill; and Jeff “Skunk” Baxter of the Doobie Brothers, whose “What a Fool Believes” was honored.

In other cases, producers of the inducted recordings were on hand, including Mike Clink (Guns N’ RosesAppetite for Destruction) and Prince Paul (De La Soul’s 3 Feet High and Rising). In still other cases, family members were in the audience.

In some cases, the program spelled out exactly why recordings were chosen. Donna Summer’s “I Feel Love” was obviously hugely influential in paving the way for the mainstream acceptance of EDM. Kid Ory’s Creole Orchestra’s “Ory’s Creole Trombone” from 1922, we were told, was the first recording of Black Creole New Orleans jazz.

But in other cases, we were left to wonder. They should always spell out in one sentence exactly why the record was important and/or influential and why it was chosen over the roughly 200 other records that were vying for one of the 10 spots.

In addition to the 10 recordings being inducted, there was a tribute to Atlantic Records on what we were told was its 75th anniversary. (The label was founded in November 1947, so the 75th anniversary has passed.) Three classic Atlantic recordings were performed on the show. A video presentation included many of the label’s greatest artists, though Genesis and Yes seemed to be missing. Atlantic chairperson/CEO Julie Greenwald and chairman/CEO Craig Kallman accepted the honor.

Here are the best moments from the inaugural Grammy Hall of Fame Induction Gala.

Billie Eilish Challenges Sabrina Carpenter For U.K. No. 1 Single

Sabrina Carpenter’s “Espresso” (Island) continues to perk in the U.K., where the U.S. singer and actor’s pop hit leads the midweek chart. There’s a contender in the wings, however, in the form of Billie Eilish’s “Lunch.”

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Based on sales and streaming data captured by the Official Charts Company at the halfway stage, “Espresso” is pouring it on for what could be a fourth consecutive stint at No. 1.

The top new release will belong to Billie Eilish with “Lunch,” arriving at No. 2 on the Official Chart Update. “Lunch” is fewer than 1,500 chart units away from “Espresso” in second place.

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“Lunch” is lifted from Eilish’s third studio album Hit Me Hard And Soft (Interscope), which, as previously reported, is currently outselling the rest of the top 5 combined and should give her a third-consecutive No. 1. If “Lunch” has a feeding frenzy in the second half of the U.K. chart week, Eilish could snag a relatively rare double.

Two more cuts from Eilish’s Hit Me Hard And Soft could also crack the top 10 – “Chihiro” (at No. 7) and “Birds Of A Feather” (No. 10). If those tracks hold their course, the U.S. pop phenomenon’s tally of U.K. top 10 appearances would lift to 12, including No. 1s with 2020 release “No Time to Die,” which debuted at the top for the biggest-ever opening week for a Bond theme, and 2023’s Barbie Movie theme “What Was I Made For.”

Behind the tasty 1-2 is Shaboozey’s country number “A Bar Song (Tipsy),” which is forecast to complete the podium, holding at No. 3. It’s one of three U.S. country songs in the midweek top 10, ahead of Post Malone and Morgan Wallen’s “I Had Some Help” (down 3-4 via American Dogwood/Empire) and Dasha’s “Austin” (holding at No. 9 via Warner Records).

All will be revealed when the Official U.K. Singles Chart is published late Friday, May 24.

Muni Long Adds Mariah Carey on ‘Made For Me’ Remix: Stream It Now

Muni Long finally joins forces with Mariah Carey on the remix of Long’s viral hit “Made For Me,” which dropped Tuesday night (May 21) via Supergiant Records/Def Jam Recordings.

“When I got the call from JD [Jermaine Dupri, one of the song’s producers] to work on the ‘Made For Me’ remix, I said yes immediately. Muni is an amazing writer and performer, and this collaboration is a match made in heaven,” Carey said in a press release.

After teasing it earlier this month, the “Made For Me” remix arrives eight months after Long released the original song, earning the artist her second Billboard Hot 100 top 20 appearance following her 2022 breakthrough platinum smash “Hrs and Hrs,” which peaked at No. 16. “Hrs and Hrs” went on to win best R&B performance at the 2023 Grammy Awards, where she was also up for best R&B song (“Hrs and Hrs”) and best new artist. Long performed “Made For Me” tonight during the season 25 finale of NBC’s The Voice.

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“Made For Me” has hit No. 1 on R&B/Hip-Hop Airplay (seven weeks) and Mainstream R&B/Hip-Hop Airplay (four weeks). Prior to the Muni x Mimi linkup, Long has released other remixes of “Made For Me” featuring Lil Jon & Kronic, BNYX and more. Additionally, the R&B singer-songwriter performed the song at the 2023 BET Soul Train Awards and released her recorded performance on DSPs.

Long (real name Priscilla Renea) is currently nominated for best female R&B/pop artist and the viewer’s choice award (“Made For Me”) at the 2024 BET Awards, where she is also slated to perform.

Listen to the “Made for Me” remix below.



Ana Gabriel Postpones Shows Due to Pneumonia: ‘We Don’t See a Favorable Change’

Singer Ana Gabriel is dealing with pneumonia, which has led her to postpone three shows from her Un Deseo Más tour in Latin America.

On Tuesday afternoon (May 21), the Mexican star, who is celebrating her 50 years in music, provided an update on her health, stating that what started as a flu had worsened and that she would need a few more days to recover.

“Given the medical conditions, I’m returning to Miami to recover from this pneumonia because we don’t see a favorable change,” Ana Gabriel said in a video posted on her Instagram account, where she appears bundled up in bed and wearing a face mask. “I am still on a lot of medication, and it is my life, it is my health, it is my music, it is you. Thank you for understanding. I will keep you updated on how I am doing.”

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Ana Gabriel was diagnosed with the flu on May 14 after her first of two shows at the Movistar Arena in Santiago, Chile. She recently postponed that concert to June 7 and another set for May 22 at the SND Arena in Asunción, Paraguay to June 11. On Tuesday, the artist known for No. 1 hits like “Ay Amor” and “Simplemente Amigos” announced that her May 25 show at the Tokyo Marine Hall Theater in Sao Paulo, Brazil, will be instead on July 26.

The global tour Un Deseo Más began in January and has visited various cities in Mexico and South America. With dates scheduled until the end of the year, it is set to arrive in the U.S. in the fall for a 24-date trek starting on Sept. 13 at the Prudential Center in New Jersey and including stops in Chicago, Atlanta, Dallas, and Las Vegas, among other cities, before concluding on Nov. 30 at the Kaseya Center in Miami. (For a complete list of dates, click here).

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Recognized as a Living Legend at Billboard’s inaugural Latin Women in Music in 2023, the revered raspy-voiced singer has been sharing messages with her fans about the tour and, more recently, about her health, apologizing “for this inconvenience I am causing you.”

“Thank you for your prayers,” she added in her Tuesday post. “You all are in my heart!”

Check out Ana Gabriel’s latest statement (in Spanish) below:

Here’s Everything We Know About Eminem’s ‘The Death of Slim Shady’ Album

Em’s 12th studio LP is slated to arrive this summer.

Shady’s back, back again. Eminem is in album mode and his The Death of Slim Shady (Coup De Grâce) is slated to arrive this summer.

The Detroit icon has cryptically dropped easter eggs and hints about the project while many details in regards to possible features and a concrete release date have remained under wraps. Eminem officially announced the project following his appearance at the NFL Draft in April in support of his hometown Detroit Lions.

The album announcement came in the form of an Unsolved Mysteries episode featuring Em meeting his demise in search of “who killed Slim Shady?”

The Death Of Slim Shady will serve as the rapper’s 12th studio album, and first since 2020’s Music to Be Murdered By, which debuted at No. 1 on the Billboard 200 to give Eminem his historic 10th consecutive leader.

Em has been no stranger to the element of surprise as he dropped his 2018 Kamikaze album out of the sky without any sort of warning for fans, which also topped the charts. He’s been laying low on the music front and is yet to drop off any new tunes in 2024, so the lead single — if there is one — will be his first offering of the year.

Fittingly enough, Dr. Dre was the first to spill the beans about the project when he revealed that Eminem had an album ready in the stash during his first late-night TV appearance in 30 years back in March.

Find the complete list delving into what we know about The Death of Slim Shady (Coup De Grâce) below.

Metro Boomin Donates $100,000 in Honor of His Late Mother

Metro Boomin is giving back to his hometown of St. Louis in honor of his late mother.

The producer—who’s fresh off two back-to-back number one albums—recently announced $100,000 in donations for five St. Louis nonprofits centered around women. According to Variety, he partnered with Rung for Women and Amazon Access to give Almost Home, Diamond Diva Empowerment Foundation, the Haven of Grace, the Little Bit Foundation, and Parents as Teachers $20,000 each. The money will help women in need with things like debt, utilities, childcare, and rent.

“I’ve seen firsthand the work that goes into being a single mother. Mine was my inspiration and my hero,” the producer said in a statement. “It’s very important to me to pay it forward, because I see the same resilience and dedication in the women these organizations work with.”

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The funds were raised during the Leslie Joanne Soirée holiday event held at Rung in partnership with Amazon Access in December. “We are excited to partner with Metro Boomin in his work to lift up single mothers in St. Louis,” said Rung’s president Leslie Gill. “Inspired by the remarkable love he has for his late mother, he is demonstrating a commitment to women and to our community.” Rung for Women is also Metro’s fiduciary agent as he gets ready to launch his own independent nonprofit foundation.

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Metro’s late mother, Leslie Joanne Wayne, was the victim of domestic violence. In 2022, she was murdered by her husband who then killed himself. Ms. Wayne famously used to drive Metro from St. Louis to Atlanta during the start of his career so he could connect with rappers he met online.

Lainey Wilson Sets Opening Date for Nashville Bar

Lainey Wilson, the reigning entertainer of the year at both the Academy of Country Music Awards and the Country Music Association Awards, has set an opening date for her new Nashville bar.

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Wilson’s Bell Bottoms Up Bar, located at 120 South 3rd Ave., will open May 31 — the same day Wilson launches her Country’s Cool Again Tour with two headlining shows at Nashville’s Ascend Amphitheater.

The Bell Bottoms Up bar will feature two stages, four bars and a mezzanine floor, while the rooftop level will feature 1970s western-inspired details, a dance floor, disco-inspired decor and frozen drinks. The three-story, 27,000-square-foot venue will open in partnership with TC Restaurant Group, the business that has also helped launch Miranda Lambert’s Casa Rosa, Luke Bryan’s 32 Bridge Food + Drink and Jason Aldean’s Kitchen + Rooftop Bar.

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In revealing the upcoming bar and giving fans a sneak peek via social media, the singer-songwriter said, “Yank up them britches and make plans to check it out on Broadway before my Country’s Cool Again tour kicks off that weekend in Nashville!”

Wilson also previously said in a statement, “I’ve always wanted to create a destination for all my fans to visit and create new memories at, in the heart of country music city. So, to have a permanent destination in Nashville, is such a dream come true. I can’t wait for all my Wild Horses to get to experience my home away from home.”

Wilson, the cover star for Billboard’s recent Country Power Players issue, is set to release her latest album Broken Bow, Whirlwind, on Aug. 23. She previously told Billboard the album is “the Western sister of Bell Bottom Country.” She added, “I feel like it’s got a little bit more character [and] cinematic storytelling.” She is working on the album with Jay Joyce, the same producer behind her 2022 album Bell Bottom Country and its predecessor, 2021’s Sayin’ What I’m Thinkin’.

Jeff Chang Is Ending One Chapter & Beginning Another With Final ‘Continuum’ Tour

On June 12, 1998, Jeff Chang captivated audiences with his inaugural major concert on the Chinese mainland at the Shanghai Indoor Stadium, appropriately titled “Dream Comes True.” Little could he have foreseen that 26 years later, in 2024, he would triumphantly bring the “Continuum” ultimate edition to a crowd of 80,000 at the Shanghai Stadium.

The recent April showcase in Shanghai marked the debut of the “Continuum” ultimate edition. Despite the acclaim garnered by the six-year “Continuum” tour, transitioning from versions 1.0 to 2.0 and now the ultimate edition, Jeff Chang confesses to occasionally experiencing a vague, inexplicable “sense of powerlessness.” “Last year’s tour was a resounding success, yet some critics implied that our performance might not suit our generation of singers.”

Some view classic concepts as relics of the past, valuable only for evoking nostalgia. This perspective was one of the driving forces behind Jeff Chang’s decision to embark on the “Continuum” concerts: “I aim to guide audiences towards a more mature appreciation of music, challenging established perceptions along the way.”

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Physically, the Shanghai Stadium is a mere 100 meters from the Shanghai Indoor Stadium. Yet, for Jeff Chang, this distance represents a 26-year odyssey. Reflecting on this journey at the “Continuum,” Jeff Chang remarked, “I’ve traversed this 100-meter distance over 26 years!” This metaphor succinctly encapsulates his unwavering dedication to music, with music serving as the cornerstone of his endeavors over his 35-year career.

Embarking on the Future Together with the Audience

Kicking off the “Continuum” ultimate edition concert is Jeff Chang’s 2000 smash hit “Faith.” His unwavering passion for music embodies a spirit of “warm and courageous” faith. Perhaps it is this steadfast belief in music that brings Jeff Chang and his fans together at the “Continuum” concerts, where they experience the soul-stirring power in Jeff Chang’s voice that resonates with the vitality of life itself.

“As a singer with a certain degree of seniority, my audience is already deeply familiar with my songs; we have grown and supported each other mutually,” Jeff Chang reflects. “I aspire for my musical journey and growth to keep pace with the progress of my fans, rather than remaining stagnant. The ‘Continuum’ concerts were conceived with the intention of demonstrating to fans that my music will not dwell solely in memories and nostalgia, but will embark a new future alongside everyone.”

“Each segment of the ‘Continuum’ concert has a message we wish to convey to the audience. We have carefully selected songs that hold significant meaning in my music career, even if they are not the most popular hits. In each of my albums, I aim to impart insights, concepts, and musical knowledge. Through the concert’s overall arrangement, I hope to convey the concept of ’embarking on the future together with the audience.’”

Ending One Chapter, Beginning Another

The term “ultimate” in Jeff Chang’s “Continuum” concert signifies that this six-year “Continuum” tour is finally approaching a perfect conclusion. “The ‘Continuum’ has been a prolonged journey, and it’s time for a stage-wise ending. There are other musical endeavors that are equally essential for me.”

The conclusion of one stage signifies the commencement of a new chapter. The “Continuum” ultimate edition serves as a gentle reminder from Jeff Chang, urging us to seize every opportunity to gather offline and experience the music before the final show arrives.

As the first Chinese singer to perform in Dubai, the Dubai stop of the “Continuum” ultimate edition in June holds significant importance for Jeff Chang. “We’re committed to making it happen in Dubai. Sometimes, overseas organizers prefer a simplified concert where the singer merely performs, and everything else is automated. But that’s not enough for me; I want to fully recreate the ‘Continuum’ experience in overseas shows.”

If he could dream big, where would Jeff Chang choose to host the final “Continuum” concert? Surprisingly, his answer is Easter Island, situated in the South Pacific: “It’s like the ‘navel of the world,’ equidistant from all continents. Holding a concert on Easter Island would truly be the ‘ultimate’ experience, like singing at the edge of the world for everyone to hear.”

Embrace the Future

After completing all the performances of the “Continuum” ultimate edition, Jeff Chang will focus on the creation of a new album. It has been three years since the release of his last album See the Light, and Jeff Chang, along with his devoted fans, eagerly anticipates the arrival of this new work. “Currently, the songs for the new album are nearly finalized, with around 80% of the track list already set.”

For him, the greatest challenge of this new album lies in the significantly increased proportion of “non-love songs.” “In the new album, I may relatively reduce the love songs and express more of my perspectives and sentiments regarding the world. I feel that my past classic love songs have already encompassed most of the emotional states. Therefore, I believe it is time to start singing about matters beyond love, using the album to convey broader ideas.”

Jeff Chang describes the new album as an adventurous state of “taking a step forward” out of his comfort zone. Compared to his previous love songs, the new album will be more critical, and a more quintessential expression of his Aries personality. “In the past, my love songs stood at the observational standpoint, simply singing the feelings of the protagonist. But this time, I will stand on a clearer ‘Jeff Chang’ perspective, to openly express my own attitude, and be more subjective.”

The backstage machinery of the “Continuum” concert is intricate, with over 20 lifts waiting for the performer to step onstage. Rising and falling on the lifts, it’s like facing the peaks and valleys of life – this is the norm for a singer. From the beginning to the present and into the future, Jeff Chang and the audience have always been there; the performance never stops.

Jeff Chang

Billboard China

–Written by Jifan Wang for Billboard China

Nile Rodgers & Esa-Pekka Salonen Celebrated as 2024 Laureates at Sweden’s Polar Music Prize

Nile Rodgers, the award-winning songwriter, composer, producer and guitarist and co-founder of Chic, and Esa-Pekka Salonen, world-renowned composer and conductor and the current music director for the San Francisco Symphony, received their 2024 Polar Music Prizes from the hands of King Carl XVI Gustaf at a royal ceremony held at Stockholm’s Grand Hotel on Tuesday night (May 21).

The Polar Music Prize was first presented to Paul McCartney and the Baltic States in 1992 after it was founded and funded by Stig “Stikkan” Anderson, manager of ABBA and a songwriter in his own right, as well as a music publisher and label owner.

Rodgers spoke from the heart when accepting his award from the king. “I know that music changes lives,” Rodgers told the audience of over 300 guests. “I’ve been told, ‘Artists are the gatekeepers of truth.’ I am honored to be here tonight in such distinguished company. Congratulations to the outstanding Esa-Pekka Salonen and all the past recipients of the Polar Music Prize. To have been acknowledged in the same way as Paul McCartney, Led Zeppelin, Chuck Berry, Joni Mitchell, Ennio Morricone and so many more of my heroes is a dream come true.

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“I would like to give a very special thanks to the Polar Music Prize for recognizing so many artists of color, and to the people of Sweden for welcoming us with open arms, from Eric Dolphy and Miles Davis to Jimi Hendrix, way before most people did. I say this from the bottom of my heart: We are family.”

Speeches aside, it was a full night of music as Swedish artists performed the music of the two Laureates. Among the many Rodgers hits heard during the ceremony and banquet were “We Are Family,” “Le Freak,” “Get Lucky,” “Good Times,” “I’m Coming Out,” “Material Girl,” “Let’s Dance,” “Spacer” and “Everybody Dance.” Salonen’s music was represented by many classical pieces and a stunning rendition of “Innan Kärleken Kom” (“Before Love Came”) sung by Eva Dahlgren, who wrote the lyrics for a 1995 album. Salonen was the conductor on the track. Dahlgren, a nine-time Swedish Grammys winner, received a standing ovation after her performance.

Near the end of the royal banquet, Polar Music Prize managing director Marie Ledin, the daughter of the late Stig Anderson, told the assembled guests of her personal connections to the two Laureates.

“When I was younger, I loved dancing,” she said. “Every weekend I would dress up, and my friends and I would hit the dance floors and in all the clubs, night after night, the DJs played the irresistible music of Chic and Sister Sledge – songs that made us move and are to this day a memorable part of my younger days.”

Then Ledin reached back for another memory. “In 1995 I had the privilege of sitting in Berwaldhallen [a concert hall in Stockholm] to hear a young but brilliant conductor rehearse the Swedish Radio Symphony Orchestra. I clearly remember how he suddenly stopped the orchestra as he apparently noticed one wrong note in the score. I was astonished. How was that possible? Not only to hear that tiny mistake but then to bring the whole 70-piece orchestra to a halt in an instant. I was impressed. Of course, that conductor was our Laureate, Esa-Pekka Salonen.”

Rodgers and Salonen join a long list of Laureates who have been awarded the Prize over the last 32 years, including Bruce Springsteen, Emmylou Harris, B. B. King, Burt Bacharach, Sting, Renée Fleming, Elton John, Pink Floyd, Peter Gabriel, Paul Simon, Quincy Jones, Yo-Yo Ma, Max Martin, Bob Dylan, Stevie Wonder, Angélique Kidjo, Patti Smith, Wayne Shorter, Björk, Metallica, Diane Warren, Ray Charles, Ravi Shankar, Chris Blackwell, Dizzy Gillespie, Miriam Makeba, Iggy Pop, Grandmaster Flash, Yousou N’Dour, Gilberto Gil, Sonny Rollins and Isaac Stern.

TWICE Opens Up About Finding Balance Between K-Pop Stardom & Mental Health

A lot rests on the nine pairs of shoulders that make up TWICE.

As one of K-pop‘s leading girl groups, the members have worked for years to juggle their personal lives, full-band activities and, in the case of a few of them, solo careers — all of which Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung and Tzuyu opened up about in their new Teen Vogue cover.

Named one of the publication’s top girl bands of all time, TWICE got candid in the cover story published Tuesday (May 21) about finding balance between stardom and mental health in the years since their 2015 debut. “We’re completely different [from our idol selves],” said Nayeon. “Idols do have to use a lot of energy, and there is kind of a limit to how much a person can use their energy. We push all of that [away] while being an idol.”

“During our debut era, it was really busy,” Sana shared. “When people ask, ‘Are you tired?’ we’ll say, ‘Oh no, we’re not tired.’ ‘Are you busy?’ ‘Oh, we’re not busy.’ Now I express myself better when I’m tired. When I look back on it, I think, Did I really have to say the opposite of what I was feeling all these years?”

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“During concerts, I give my all,” added Momo. “But when I come back down the stage, I [take it easy] and relax right after.”

“I’m trying to be more generous to myself,” Jeongyeon chimed in. “Although that’s not always working, I’m trying really hard.”

A spectrum of public scrutiny bookended by overzealous fans and harsh critics also comes with the territory of international stardom, something the girls of TWICE know all too well. But that’s where having nine members comes in handy, according to Jihyo, as it allows the bandmates to share the burden amongst themselves.

“We’re really thankful [that we have] nine members,” she explained. “For one person, one member can be their favorite and they might not like the rest, but because we push our team of nine together, the team vibes are really good. We’re really thankful because of that. And because of that, we actually get a lot closer.”

TWICE recently scored its first-ever No. 1 entry on the Billboard 200 with With YOU-th, which debuted in the top spot earlier this month. The six-track EP features the songs “I Got You,” “One Spark,” “Rush,” “New New,” “Bloom” and “You Get Me.”

Earlier this year, the group also returned for one last show in the U.S. for the Ready to Be Tour at Las Vegas’ Allegiant Stadium, performing songs from their own discography as well as covers of Dua Lipa’s “New Rules” and Ariana Grande’s “7 Rings.” 

See the members of TWICE on the cover of Teen Vogue, plus photos from the shoot, below.

Teen Vogue's May Cover Star Is Twice

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Chaeyoung

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Dahyun

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Jeongyeon

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Jihyo

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Mina

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Momo

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Nayeon

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Sana

Jingyu Lin

Teen Vogue's May Cover Star Is Twice

Tzuyu

Jingyu Lin