Music

Noah Kahan Is ‘Doing as Much Good as Possible’ as His Mental Health Initiatives Scale Up

For Noah Kahan, describing the past year as a whirlwind is an understatement. “It’s really been two years now,” Kahan tells Billboard of grinding out various tour legs in support of his breakthrough 2022 album, Stick Season, and watching his audiences balloon month after month.

“I’ll have a two-month run, and then three or four days off, and then I’m back,” he continues. “It’s not enough time for me to find myself again, and I think it’s been hard to have these little tastes of a normal life. Don’t get me wrong — this is my dream job, I love touring and playing every show. I’m just trying to find ways to make it a healthier experience for myself.”

With that in mind, Kahan has announced the details of how his mental health initiative, The Busyhead Project, will be present on his latest tour, as he kicks off a North American leg of arena shows this weekend and also commemorates Mental Health Awareness Month. The ascendant singer-songwriter’s We’ll All Be Here Forever tour will resume in Nashville this weekend and run across North America through early August before returning to Europe for another month.

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Kahan’s tour will feature multiple activations and partnerships coordinated by the Busyhead Project, which launched last year: Each tour stop will include a Busyhead Project Action Village that amplifies local mental health organizations and features a community wall that allows fans to share positive messages. In addition, HeadCount will be on site in the Action Village to encourage voter registration.

For Kahan — who has been vocal about his struggles with anxiety and depression throughout his career, and has advocated for greater mental-health understanding during his time in the spotlight — the goal is for his charitable actions to scale up with his profile.

“In my own life and career, I feel like things have continued to build for me in small ways, and I want to make sure that my passion for talking about mental health and raising money for it is following the growth of like, my venue capacity, and my staff,” he says. “I’m a big believer in striking while the iron is hot — if you see my tour schedule, you understand that — but along with that is taking moments where there is momentum and visibility, and doing as much good as possible.”

In addition, The Busyhead Project has announced a new partnership with Backline, a national non-profit that connects music industry professionals with mental health and wellness resources, and is offering therapy for his touring crew while on the road. “I’ve always wondered why there isn’t more support in this industry — not just for the artists, or the band, but for the crew, the people working their asses off from 7 in the morning to 2 in the morning,” Kahan explains. “Touring isn’t nine-to-five, and if you’re struggling on the road, it’s really hard to find time to step away and take care of yourself. … It’s been really special working with Backline, and knowing that that [resource] is going to be on my tour makes me feel really good.”

The success of Stick Season, Kahan’s third studio album, has included its title track becoming the Vermont singer-songwriter’s first top 10 hit on the Billboard Hot 100; high-profile collaborations with artists such as Post Malone, Zach Bryan and Kacey Musgraves; a Grammy nod for best new artist; and graduating from low-capacity venues to multiple headlining gigs at Madison Square Garden next month. Kahan says that he’s “always working” on new material in the midst of that extended breakthrough, although finding time to craft the Stick Season follow-up has been difficult amidst all the travel and performances.

“It’s been really tough for me to find a moment of grounding in all of this,” Kahan admits. “It’s just this feeling of not being able to access this thing I love so much, which is songwriting, and understanding myself. And it’s been really, really hard, and tiring for me to try to find time to be creative. With the way music is released now, I’m like, ‘Man, I should have a new record by the fall!’ And I just don’t! I can’t make something that doesn’t feel joyful for me.”

That doesn’t mean that the creative well is totally empty, though. “I’ve written some songs that I really love,” Kahan says, “and I have an idea for my next album that I really feel is important to me. It feels like it works in the world of Stick Season in a way, but isn’t just doing the same thing. It just feels like that same feeling of, conceptually, something really deep. I think that’s there.”

Above all, Kahan wants to practice what he preaches when it comes to his self-perception, in the middle of the biggest performances of his career to date and ahead of the Stick Season follow-up. “I’m trying to be kind to myself, and get some time to be creative soon,” he says. “Sometimes it’s hard to feel like I’m out there doing good work for mental health awareness, and then not taking care of my own as well. It’s been a struggle, but I’m finding ways to make it work.”

Christina Aguilera Thanks Billie Eilish for Making Her Daughter’s ‘Whole World’ at Album Listening Party

Billie Eilish will never be a bad guy in Christina Aguilera‘s eyes. A few days after the “Beautiful” vocalist and her daughter attended the 22-year-old pop star’s Los Angeles listening party, Aguilera shared a sweet video of Eilish meeting 9-year-old Summer, and thanked her for being so gracious in a Wednesday (May 22) post. 

In the clip, the “Lunch” musician gives Summer a big hug before kneeling down to the floor to sign a poster. Afterward, the pair pose for photo together. 

“THANK YOU @billieeilish for making my daughter’s whole world at your LA listening party ?✨✨?” Xtina tweeted. “I appreciate your kindness, thanks for signing her poster…we are both huge fans ??” 

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The Burlesque star added of Eilish’s May 17-released Hit Me Hard and Soft, “Congrats on the new album!” 

Aguilera — who shares Summer with fiancé Matt Rutler and 15-year-old Max with ex-husband Jordan Bratman — also included footage of the two-time Oscar winner’s May 16 listening party, which took place at the Kia Forum one day after a similar event at New York City’s Barclays Center. Bathed in blue light and sheets of fog, Eilish danced along as she premiered the 10 tracks on her third studio LP before it was officially out. 

The “What Was I Made For?” singer is currently gearing up to go on tour in support of Hit Me Hard and Soft, with dates planned for the U.S., Canada, Australia and Europe kicking off in September. As her new album competes to top the Billboard 200 next week — namely against Taylor Swift’s The Tortured Poets Department — Eilish recently unveiled slowed-down and sped-up versions of the project, as well as one version that only contains her isolated vocals on the songs. 

See Aguilera’s post below. 

The 15 Biggest Songs With the Word ‘Sex’ in the Title

Depending on who you’re talking to, sex is either the most natural thing on earth or a shameful sin that must be endured without pleasure to ensure the future of the human race.

Whether it’s being celebrated or censored, discussed openly or surreptitiously, done for procreation or recreation, you can be sure of one thing – if you mention it, you get people’s attention. (Hey, that’s just biology. Or chemistry. Or some sort of science thing.)

When the Billboard Hot 100 launched on Aug. 4, 1958, America wasn’t exactly in its most socially progressive era. You could sing about crushes, hand holding and even kissing on the radio, but you dare not mention the dirty. But since humans are wired to think about it regardless of social mores, songs that subtly tipped to the nasty penetrated popular music anyway.

Musicians spoke about it in coded slang terms, alluded to it in song lyrics (both poetic and crass) or implied it by singing the most innocent words in a suggestive tone. Heck, rock n’ roll – the youth culture music of the Boomer Era – is named after it (as far back as the 1910s, African American communities were using the phrase “rock and roll” as a euphemism for sex).

Following the sexual revolution of the ‘60s, the U.S. began to loosen up, and by the ‘70s, it was only the old fogies wagging their fingers and clucking their tongues when the words “sex” and “sexy” began to appear in the titles of hit songs on the Billboard charts.

And that’s what this list is about – the most popular songs in Hot 100 history to have the words “sex” or “sexy” in the title. Some of these Hot 100 hits are, well, hot; others are hokey; a couple have aged poorly.

Without beating around the bush any further, here are the 15 biggest songs with “sex” or “sexy” in the title in Hot 100 history.

This ranking is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.

15 Latin Stars Who Have Championed Mental Health Awareness

Artists are taking important strides towards changing the narrative around mental health by sharing their personal journeys and launching initiatives that support the emotional well-being of their communities.

Historically, mental health struggles were private battles for many — including performers, who appeared cheerful and undisturbed in public. This trend is shifting, as artists from various musical genres are now using their influence to shed light on mental health, demonstrating their personal struggles and coping mechanisms to normalize and destigmatize such conditions.

Among those making a difference are a bevy of Latin stars — such as Karol G, who, with her Con Cora Foundation, introduced “Rincón de la Calma” (Calm Corner), an initiative aimed at fostering mental health awareness in Latin American schools. J Balvin stepped into the arena with OYE, a bilingual app focused on creative wellness, launched in 2022 to serve the Latin community. The app offers resources on managing anxiety, depression, crisis, grief, and more.

Mexican singer/songwriter Carla Morrison used her platform and music to publicly address her mental health. Having taken a break from the limelight, she returned with a powerful message in her 2022 single, “Ansiedad (Anxiety),” reflecting her lifelong struggle with anxiety. Residente also contributed to the conversation in the Latin urban scene with his introspective song “René,” which delves into his personal mental health experiences.

These artists are just a few examples of those in the Latin music industry leading by example, using their platforms and talents to support and encourage the multitude of fans who admire them. Read our list of 15 such artists below, presented in alphabetical order.

May is Mental Health Awareness Month, and Oct. 10 is World Mental Health Day. If you or anyone you know is struggling with mental health or substance abuse disorders, reach out to the Substance Abuse and Mental Health Services Administration‘s national helpline 24/7 at 1-800-662-HELP (4357) for confidential treatment referrals and information. For those who are experiencing suicidal thoughts and/or distress, the National Suicide Prevention Lifeline is available 24/7 at 1-800-273-8255. You can also call or text 988 to get connected to trained counselors.

Cassie Speaks Out After Diddy Assault Video Surfaces: ‘Domestic Violence Is THE Issue’

Cassie has issued a statement in response to the outpouring of support she’s received following the release of the video of her then-boyfriend Diddy physically assaulting her at a Los Angeles hotel in 2016.

The “Me & U” singer hadn’t spoken out since CNN posted the footage on May 17, with only her attorneys issuing statements. That changed on Thursday morning (May 23) when she addressed the situation and thanked those who have supported her.

“Thank you for all of the love and support from my family, friends, strangers and those have yet to meet. The outpouring of love has created a place for my younger self to settle and feel safe now, but this is only the beginning. Domestic Violence is THE issue. It broke me down to someone I never thought I would become. With a lot of hard work, I am better today, but I will always be recovering from my past,” she wrote on Instagram, making no mention of Diddy by name.

“Thank you to everyone that has taken the time to take this matter seriously. My only ask is that EVERYONE open your heart to believing victims the first time. It takes a lot of heart to tell the truth out of a situation that you were powerless in.”

Cassie continued: “I offer my hand to those that are still living in fear. Reach out to your people, don’t cut them off. No one should carry this weight alone. This healing journey is never ending, but this support means everything to me. Thank you. Love Always, Cassie.”

Kelly Rowland, Chloe Bailey, Lala Anthony, Taraji P. Henson and more showered Cassie with love and commended her bravery in her IG comment section.

In the footage dated March 5, 2016, and released by CNN, Diddy is seen striking Cassie at an elevator bank of a Los Angeles hotel and dragging her through the hallway after kicking her.

“The gut-wrenching video has only further confirmed the disturbing and predatory behavior of Mr. Combs,” said Ventura’s attorney, Douglas Wigdor, in a statement to Billboard at the time. “Words cannot express the courage and fortitude that Ms. Ventura has shown in coming forward to bring this to light.”

Diddy issued an apology on Sunday (May 17), saying his actions in the video were “inexcusable,” and added he was “disgusted” with his behavior.

“It’s so difficult to reflect on the darkest times in your life, but sometimes you got to do that,” Diddy said in the video posted to Instagram. “I was f–ked up. I mean, I hit rock bottom. But I make no excuses. My behavior on that video is inexcusable. I take full responsibility for my actions in that video. I’m disgusted. I was disgusted then when I did it, I’m disgusted now.”

Cassie and Diddy met in 2005 and dated on-and-off for a decade before splitting for good in 2018. Ventura filed a lawsuit against Diddy in Manhattan federal court in November 2023, alleging rape, sexual assault, physical abuse and more.

The two parties settled the dispute less than 24 hours later. Terms of the agreement were not disclosed. “I have decided to resolve this matter amicably on terms that I have some level of control,” Ventura said in a statement issued by her attorney at the time. “I want to thank my family, fans and lawyers for their unwavering support.”

With additional sexual assault lawsuits piling up, Combs has continued to deny all allegations made against him. “Let me be absolutely clear: I did not do any of the awful things being alleged,” he said in a statement on Dec. 6. “I will fight for my name, my family and for the truth.”

Read Cassie’s statement in full below.

Camila Cabello & Kali Uchis to Be Honored at Billboard Latin Women in Music 2024

Camila Cabello and Kali Uchis will be honored at the 2024 Billboard Latin Women in MusicBillboard and Telemundo announced on Thursday (May 23). The show will air exclusively on Telemundo on Sunday, June 9, at 9 p.m. ET, and will be simultaneously available on the Telemundo app and Peacock.

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This celebration, which highlights the efforts of Latin women musicians who are “proactively working for positive change, inclusion and gender parity in the music industry,” will see the megastar of Cuban and Mexican roots receive the Global Impact award, and the Colombian-American singer the Rising Star award.

“Singer-songwriter Camila Cabello’s success and contributions have earned her the honor of Global Impact, which recognizes female artists who have an exceptional ability to connect with audiences worldwide, not only through their music but also by positively influencing popular culture, as well as serving as ambassadors of Latin culture on a global scale,” reads the official press release, noting that the singer of “Havana” and “Señorita” has used her voice not only to create great hits worldwide, but to promote important issues that she is passionate about such as immigration, diversity, mental health and female empowerment.

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Among other projects, Cabello has partnered with This Is About Humanity and Miami Freedom Project to host community events for new immigrant families in Miami, and has raised half a million dollars with Equality Florida and Lambda Legal to combat harmful legislation in Florida targeting the LGBTQ+ community. She also launched the Healing Justice Project to provide mental health resources to BIPOC organizers across the country advancing racial, immigrant, and environmental justice.

Uchis, meanwhile, “has quickly climbed the charts since releasing her first album in 2018,” the statement continues, “earning her this year’s Rising Star honor, a recognition and celebration of an emerging talent’s success in growing their musical prowess and solidifying their place in the industry.”

The singer, songwriter and record producer has successfully alternated between English and Spanish-language projects, while defying music genres with music that blends elements of R&B, neo-soul, pop, and Latin rhythms. Her smash hit “telepatía” from her debut album Isolation has amassed over 2 billion streams and is the Billboard Hot 100 longest-running Spanish song by a solo act this decade with a 23-week streak.

Cabello and Uchis join a list of previously announced honorees for this year that include Gloria Estefan (Legend award), Ana Bárbara (Lifetime Achievement award), Ángela Aguilar (Musical Dynasty) and Kany García (Spirit of Change).

In the coming weeks, additional honorees and details will be announced for the second annual Billboard Latin Women in Music ceremony, which will be hosted by actress Jacqueline Bracamontes.

Mariah Carey on Her Unprecedented Billboard Chart Success: ‘It’s a Little Hard to Wrap My Head Around’

Mariah Carey has notched the most Billboard Hot 100 No. 1s, 19, among soloists in the chart’s history. She has co-written 18 of those songs (her No. 1 haul rounded out by her 1992 MTV Unplugged cover of the Jackson 5’s “I’ll Be There”) and shares insights into her songwriting process in the new Audible Original Portrait of a Portrait, released Thursday (May 23).

The recording marks the 40th in the storytelling platform’s Words + Music franchise, which originated in January 2020.

While encompassing Carey’s career, which launched with her first Hot 100 No. 1, “Vision of Love,” in 1990, the recording delves deep, per the title of the latest edition, into the song “Portrait” from her most recent studio LP, 2018’s Caution. It also premieres a house remix of the track, transforming the ballad into an extended club anthem.

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“It gave me the ability to talk about these lyrics, which I haven’t done,” Carey says at the close of the Audible Original. “So it’s been a cathartic experience for me.” (“And I hope it’s been … whatever experience you were looking for, hopefully you got it. And if you didn’t, I don’t know what to tell you,” she says with a laugh.)

Among Carey’s biggest chart honors, beyond her record sum of Hot 100 No. 1s among solo acts, her modern classic carol “All I Want for Christmas Is You” reigns as the top title in the history of Billboard’s Holiday 100 chart. She is also the only artist with three songs to top the Hot 100 for at least 14 weeks each: “One Sweet Day” with Boyz II Men (16 weeks, 1995-96), “We Belong Together” (14, 2005) and her yuletide standard, originally released in 1994 (14), while her 93 total weeks atop the Hot 100 mark the most among all acts.

Plus, Carey earned top honors in the Dec. 25, 1999, Billboard issue, in which she was ranked the No. 1 pop artist of the ‘90s and “One Sweet Day” reigned as the decade’s biggest Hot 100 hit. In the Dec. 19, 2009, issue, “We Belong Together” was crowned the leading Hot 100 entry of the ‘10s.

Additionally, Carey has sold 56.1 million albums in the U.S., according to Luminate, six of which have topped the Billboard 200. Her songs (as the sole billed lead artist) have drawn a colossal 85.4 billion in radio airplay audience and 9.4 billion official on-demand U.S. streams.

Mariah Carey

Audible

Upon the release of Portrait of a Portrait, Carey spoke with Billboard about the different sides of her songwriting, whether she’s been able to tell which of her songs would become her biggest hits, and her vaunted place in Billboard chart history.

Beyond your voice, and so many songs overall, what does it mean to you to have your songwriting, and lyrics, specifically, praised?

I think that’s amazing. Depending on who I’m writing with or just writing by myself, it’s something that I love to do so much. Sometimes I just don’t care [about credit], because I know what I do.

What do you get, personally, out of writing lyrics? What is the reason you write?

It’s hard to explain … and that’s the first line of the song I wrote called “Outside” [from Carey’s 1997’s album Butterfly]: “It’s hard to explain.” It’s really something that … I wouldn’t be happy with my life if I didn’t do. And I don’t just do it for the credit or anything else. I do it because I love to do it.

Some songwriters say that songs are channeled through them, as much as a writer actively creates them.

I agree with that. It is that. Even with a melody, you’re coming up with this melody … and it’s coming through you. Same with the lyrics that go with it.

How much of you, of who you are, do you think that you’ve revealed in your lyrics? You’ve shared everything from misery, as you joke about in the Audible recording, to merry …

I think … it’s a lot. [Chuckles] There can be songs that are merry and that show a specific side of me, and then there are songs that are, I joke, using this word “miserable” … me and my friend made this up when we were editing something. We were like, “Put the misery in!” But it’s true … it’s just a little element that you add to the song.

“Portrait” – there’s a line: “pushing past the parasites.” I put that in and I almost didn’t, [thinking] “Is that too much?” “Is that too intense?” But then I said, “That is exactly what I’m going through” at the time. “There are some people in my life that not good people, and that’s what’s happening.” So I just sometimes feel like it’s OK to be absolutely real.

In my song “Looking In” [from 1995’s Daydream], it’s, “You look at me and see the girl that lives inside the golden world, but don’t believe that’s all there is to see, you’ll never see the real me.” It starts out that way and then goes into, “She smiles through a thousand tears and harbors adolescent fears/ She dreams of all that she can never be/ She wades in insecurity and hides herself inside of me.” That’s not even the whole first verse … but that’s how I felt at the time. So I have to just be who I am. Sometimes it’s just the right course to take.

That seems to be what makes you, and any artist, relatable. We’ve seen that especially with social media. Maybe years ago, the idea of entertainment was of perfection, all the time. But people can take comfort in knowing that everyone goes through the same struggles. A psychology analysis you weren’t necessarily looking for …

I like it, I like it.

You note in the Audible Original that you’re aware that sometimes you’re attempting to write or co-write a hit. Other times, it’s more about what you want to write, such as more spiritual songs, potential album cuts, and not thinking so much about single releases and the business. About the first part of that: Do you know when you’ve written a hit?

Sometimes you’re like, “This feels like a hit,” but I don’t always say that. I don’t want to jinx it. [Laughs]

Certain times I’ve said, “Oh, this is definitely a hit.” Other times, like you said, certain songs, the spiritual songs, you don’t think, “This is going to be a hit,” but it might be your favorite, or a fan favorite.

A song can be a hit even to one person, and can mean so much.

Right.

Not to get you to brag, but can you think of any songs that you had a good idea would be big chart hits after writing them?

I didn’t always know what a big song was. Like, “This is going to be No. 1 for eight weeks!” I felt that “Fantasy” was going to be a big record, but who knows?

Looking at your transition of lead singles, from 1991’s “Emotions” to 1993’s “Dreamlover,” “Fantasy” in 1995, “Honey” in 1997 and more, it seems like you’ve always been on the pulse of where hit music is, watching trends and also setting them, moving sounds forward.

I think so. I think I would always be like, “I want to write a song like this,” and then take my time, do it and luckily have a moment that was very successful. Then again, I would have a song like “Butterfly” and it didn’t get released [as a commercially available single at the time] and it didn’t really do any kind of big numbers on the charts. But I loved it and I think a lot of my die-hard fans loved it and it really was meaningful.

Hopefully you might like a couple of geeky Billboard-related stats, as they also tie in so perfectly to your history: Nov. 1, that’s when the holiday season, of course, starts – not sure if you knew, but that’s Billboard’s birthday, as well, back in 1894.

No! I didn’t know that.

… and Aug. 4, when “Vision of Love” hit No. 1 on the Hot 100 in 1990, that’s the Hot 100’s birthday, in 1958.

I love that.

“All I Want for Christmas Is You” going to No. 1 on the Hot 100 each year since 2019 reflects how much people love that song and holiday music overall. It was obviously already beloved, but streaming helped push it to the top at last. Had the technology existed earlier, it might’ve been No. 1 many more years before.

That’s amazing, to think of it like that.

What does it mean to you to have 19 Hot 100 No. 1s, the most among soloists and just one below The Beatles’ record 20?

I don’t know what I think about that! [Laughs] I don’t know. I think it’s astonishing.

On one level it’s like, “[I] don’t really care.” But it’s not. To have 19 No. 1 singles and be one away from The Beatles … I don’t know how I can’t acknowledge that. One away from The Beatles … that’s a lot. I think it’s a little hard to wrap my head around.

Normani Straddles a Rocket, Gives Acrobatic Lap Dance, Is Here For Your ‘Wildest Desires’ in Seductive ‘Dopamine’ Trailer

Normani‘s fans have been waiting a long time for the former Fifth Harmony member’s debut album. And on Wednesday (May 22) the singer really gave them something to look forward to with the super sexed-up trailer for the project entitled “Dopamine (First Dose).”

The 1:52 clip kicks off with a set of massive doors opening up to reveal Normani sitting on a desk in a spare office. Wearing a second-skin leather catsuit as stock images of space 1960s space footage flashes by, she slips on a headset and purrs, “Hello, Hotline 159. Yes, here to satisfy your deepest, darkest, wildest desires. No rules, no restrictions, straight dopamine,” as a mysterious man in an old-school phone booth breathes heavily on the other side.

As the strains of her previously released collab with Gunna, “1:59,” bubbles up and she pops a red lollipop between her lips, the phone rings and footage from the pair’s video streams. Cut to ‘Mani giving an acrobatic lap dance in just a bra, underwear and tights, intercut with subtle shots of rockets taking off.

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The clip ends with the phone ringing again an a close-up of Normani’s face while the camera slowly pans out to reveals her entire naked body encased in silver paint as she teases another song from the collection, “Candy Paint.”

“Bank roll, thubmin’, baby you know how I’m comin’/ Booty on bubonic, and I move it how I want it/ Big girl s–t, baby I don’t do no runnin’/ I can make it boom-boom clap, like I’m drummin’,” she sings as the camera pans out to reveal her stride a provocatively shaped silver rocket, which she proceeds to twerk atop.

Normani’s debut album, Dopamine, is due out on June 14. Its release comes after the singer has dropped a series of singles since leaving 5H in 2018, including her Billboard Hot 100 No. 9-charting solo debut collab with Khalid, “Love Lies,” as well as the No. 7 2019 collab with Sam Smith, “Dancing With a Stranger.” That same year she unleashed the ear worm single “Motivation” and the Charlie’s Angels soundtrack song “Bad To You” with Ariana Grande and Nicki Minaj, followed by tracks with Megan Thee Stallion (2020’s “Diamonds”), Cardi B (2021’s “Wild Side”) and Calvin Harris (2022’s “New to You” with Tinashe and Offset).

Now, though, it is her time. As she recently told ELLE magazine about the LP that she thinks is the truest “representation of my resilience,” she promised myself, ‘If God gives me another opportunity to do things in my own way, I’m not going to take that for granted,’” she said of the collection that mixes uptempo dance songs with others that dig into her struggles during and after 5H’s split. “I think that there’s a false narrative that because of how long this process has taken, that means I don’t care, or that means I’m more interested in doing other things than putting this body of work out. Nobody wants this project to come out more than me. I think that at the end of the day, if I stand behind this wholeheartedly, it doesn’t matter what the world thinks.”

Watch the “Dopamine (First Dose)” teaser below.



Oasis Announce ‘Definitely Maybe’ 30th Anniversary Deluxe Edition

No, they’re not reuniting, and a tour is off the cards, but Oasis will celebrate the 30th anniversary of their debut album with a deluxe edition.

The Britpop-era Manchester rock heavyweights will release the special, expanded editions of Definitely Maybe on Aug. 31, featuring “unheard” versions from Monnow Valley Studio, near Rockfield, versions and outtakes from Sawmills Studios in Cornwall, where the LP was re-recorded.

The collection will be available on deluxe 4xLP, 2xCD, colored vinyl, cassette and digitally with new artwork and sleeve notes, reads a statement.

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Discovered and signed by Creator Records founder Alan McGee, Oasis went on to become one of the most successful bands to emerge from the U.K., amassing eight No. 1 album, including all seven studio recordings. Definitely Maybe, with its top 40 hits “Supersonic,” “Shakermaker,” Cigarettes & Alcohol,” and the all-time classic “Live Forever,” was the album that started it all. The recording spent just one week at the chart summit, but has logged 541 weeks on the tally — and counting.

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By the time Oasis dropped their third album, Be Here Now, the band was virtually untouchable in their homeland. That LP broke sales records following its release in 1997, shifting 696,000 units in just three days, and 813,000 across its first full week.

Oasis is no longer an active group due to ongoing friction between the Gallagher brothers, Noel and Liam, though their legacy was recognized with a nomination for the Rock Hall class of 2024.

Long-suffering fans got a taste of what they were missing with the 2021 live recording of Oasis’ legendary Knebworth Festival concerts, presented on Aug. 10–11, 1996. Knebworth 1996 opened at No. 4 on the Official U.K. Albums Chart, and was accompanied by a documentary film, directed by Jake Scott.

Dolly Parton Is Virtually Hitting the Road for Symphonic ‘Threads’ Production

Dolly Parton is virtually coming to a concert hall near you.

The Rock Hall-inducted country legend isn’t backing down on her decision to quit full-scale touring, though she has green-lit a new, traveling experience that will take her music around the world.

Dolly Parton’s Threads: My Songs in Symphony is said to be an “innovative multimedia experience” featuring Dolly on screen, and giving audiences a “visual-musical journey of her songs, her life, and her stories.”

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That project will get underway Thursday, March 20, 2025 at Schermerhorn Symphony Center, with the Nashville Symphony. Guest vocalists and musicians selected by Parton will perform at that show, and others. Schirmer Theatrical and Sony Music Publishing are co-producers, and more cities with local orchestras will be announced in due course.

Expect to hear the classics “Jolene,” “Coat Of Many Colors,” and “I Will Always Love You,” plus Dolly’s “personal favorites” and an as-yet unreleased selection from her upcoming Broadway musical.

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Parton, now 78, isn’t slowing down with her lineup of recordings, book release and projects for the small and big screen, though in 2022, she revealed that full-fledged touring was a thing of the past. “I do not think I will ever tour again, but I do know I’ll do special shows here and there, now and then. Maybe do a long weekend of shows, or just a few shows at a festival. But I have no intention of going on a full-blown tour anymore,” Parton told the Pollstar. (Billboard independently verified the news.)

Parton’s most recent tour was her 2016 Pure & Simple Tour, which included 60 shows in the United States and Canada.

Before Dolly Parton’s Threads hits the road, the country icon will release Good Lookin’ Cookinon Sept. 17, a cookbook on which she’s partnered with her sister, Rachel Parton George.

Dolly’s 49th solo studio album Rockstar blasted in at No. 1 on Billboard’s Top Album Sales chart last year, for her first leader on the 32-year-old tally. The star-studded collection was promoted as Parton’s first rock album, and its recording was inspired by Parton’s induction into the Rock & Roll Hall of Fame in 2022. The 30-track collection also debuted at a career-high No. 3 on the all-genre Billboard 200, surpassing Parton’s previous high of No. 6 for 2014’s Blue Smoke.