Music

ITZY Share Mental Health Tips, Reflect on Team Growth Ahead of U.S. Dates For ‘Born to Be World Tour’

From journaling and meditating to watching Wes Anderson movies and taking vitamins, ITZY ensures they prioritize their personal well-being amid the K-pop girl group’s massive 2024 Born to Be World Tour, hitting the U.S. next month.

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Taking a moment to share their experiences on the road during a few (busy) non-tour days in Korea, the K-pop girl group famous for dynamic performances and self-love anthems pauses to reflect. While ITZY admits traveling across six continents so far requires vast amounts of physical and mental energy, it’s the audiences and the members themselves they can depend on to replenish them every night.

But for the times they aren’t connecting with their fans — affectionately known as MIDZY — or one another, the group finds ways to balance the demanding lifestyle with mental health as a priority for the members. As individuals, Yeji practices honesty, Ryujin enjoys her free time to the fullest, Chaeryeong journals to process her emotions, and Yuna meditates. The group’s strong bond is evident even in a makeup-free evening Zoom call from the JYP Entertainment offices in Seoul as the four members finish one another’s sentences, crack smiles over each other’s answers, and also share how they keep in touch with fellow member Lia, who has been focusing on her mental health after taking an extended hiatus from the group since last September regarding “tension and anxiety.”

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As ITZY gears up for 10 North American concerts, commencing on June 6 at Seattle’s WAMU Theater, the girls look forward to bringing their latest Billboard 200 album Born to Be album to life, showing off their live band for the first in the States, and communicating on a deeper level with local fans.

As May is Mental Health Awareness Month, who better than the honest barrier-breakers of ITZY to share how they’ve matured? While mental health still faces stigma and prejudice around the world — and is not as widely discussed in Korea compared to America —Yeji, Ryujin, Chaeryeong and Yuna speak candidly about the ways they have matured, aspects they are working on and, perhaps most importantly, the bond that keeps them going together.

“The biggest source of motivation for me is our members, ITZY,” Chaeryeong says. Read for more from the quartet about this vital topic and plans for their upcoming concerts.



Billboard: Thanks for taking time in the middle of your world tour. You’re between dates before the Japan and U.S. concerts start, so how has the tour been so far?

Yuna: It was our first time in Europe and Latin America, so it was really, really like a new experience for us. There were some really beautiful cities and we really enjoyed that time. For me, I really liked Amsterdam. The weather and the people are really good — and the views were so good. Everyone should go.

You had 13 days off from your May 4th concert in Madrid to your May 17 concert in Toyko. What do you do during this time? 

Yuna: We are super busy! [Laughs]

Ryujin: There are many things that we are working on, but also we’re preparing for these big shows and our Japanese comeback [with “Algorithm”]. We’re always practicing or doing something to help us achieve things, I think?



I’ve heard artists share a range of different feelings about touring. From it being too exhausting to fans being their energy. What are your experiences?

Chaeryeong: To speak honestly, it’s definitely true that we’ll expend a lot of our physical and mental energy [on tour]. But once we go on stage, I think it gets all deleted — we get that much energy from our fans. So, it’s a wonderful experience for me.

Yuna: When I visit new cities to do concerts, I try to do my best on the stage for our fans. But I also spend as much time as I can with my members. That’s kind of the healing point for me, as well as the way I heal during touring. Just their existence really helps me. When I’m onstage and see our members’ faces, that’s all the support I need.

Are there specific ways you work to stay healthy on the road — physically, mentally, or emotionally?

Yeji: There is a physician who was with us on tour for every spot we go. The physician recommended I take a vitamin powder that’s supposed to help the body with energy. She said that it’s really helpful if we keep it in our throat and swallow it all at once, and I’ve found that’s been really helpful in keeping me healthy, so I keep following that advice.

Chaeryeong: To keep my vocals strong, I carry propolis with me — it’s a gel type of medicine that you put on your throat. It can be minty and soothing; I think it’s famous in New Zealand? That’s good for your throat.

Yeji: I also try to change my vocalizations and the way I make sounds on the stage. Lots of time, I have to try to do less to not strain my throat and [save my voice for the next concert date].



May is Mental Health Awareness Month, and I think it’s a great opportunity to share how you support your mental and emotional health. What are some things you do individually to take care of yourself?

Chaeryeong: For me, I write in my diary. I write things that I like or very detailed happy memories so I can memorize, like, every little detail for a long time. But there are also things I write when I’m having a hard time, the sad or negative memories, to drop those feelings off from my heart.

Yuna: I always try to make time for self-focusing time — writing and meditating. I really focus on myself and that’s how I stay centered. But it’s so hard. When I meditate, I tend to always fall asleep. [Laughs] It’s also a good way to fall asleep!

Ryujin: I don’t really do anything special for my mental health, but I give free time to myself. As you know, a tour and our performances require a lot of energy, and also we have a job that we have to meet many people. So, I think when I have free time, I use that time to regain my energy again and do the things that I like — watching a movie in a theater or rewatching a series or drama again. There are so many great movies and dramas, but if I had to recommend one, I would choose The French Dispatch. It’s a Wes Anderson movie. It’s really touching, but at the same time, there’s a lot of variety in it.

Yeji: These days, I’m trying to be honest about my own feelings and what I feel. If something sad happens, even just slightly, I feel that emotion enough and then can just “let it go.” I’m trying to react fully on my feelings and laugh at the small things, too.

Yeji, it’s interesting to hear that you’re being honest with your feelings now. As ITZY’s leader, did you sometimes dismiss your feelings when leading a team?

Yeji: Since our debut and our early stages, there were some times I did try to hide [my feelings] because the team is very important. But these days, even if I try to hide everything, the members know me so well — we’re family — that even if I try, they know first how I feel and think. So, I don’t have to actually hide — and that’s why I’m trying to get more honest with expressing my feelings.

Thank you for sharing those, ITZY. She’s not here with us right now because she’s also focusing on her mental health, but how are you keeping in touch with Lia?

Yeji: Just the other day, I watched a video from the past with all five of us and I texted it to Lia. So, we talked and chatted. We are all keeping in touch with her often.

Looking wider, being an artist—in K-pop especially, but anywhere in the world—requires a strong mentality. You were all teenagers when you debuted and now you’re adults. How have you seen yourselves maturing since then?

Ryujin: We were all teenagers and it was our first experience to have a team like this where we stuck with each other 24-7. At first, when we were all together, it was a little bit hard to be with and work with people different than me. ITZY was just five, but it was really hard to understand each other — despite that it was only five. Understanding one another took time. But I think after struggling with the members and talking a lot, the biggest difference from that time and now is my understanding of others. There has been a much wider range of people I feel like I can understand now.

Yuna, as the youngest member who debuted when you were 15, what have you learned?

Yuna: It’s been quite a while since we’ve debuted, so I think I learned to become more used to circumstances and people — what’s needed in the atmosphere of our lives [as K-pop stars]. So, I got to understand these realities much more deeply. But the biggest thing I try to maintain is my passion — the passion I got and the feelings I had at my first stage [performance]. My biggest thing is trying to keep that.



Thank you for discussing an important topic. The U.S. leg of the Born to Be Tour begins in June. Have you prepared anything special or different for these shows?

Yuna: English! We are preparing 100 percent of our audience talking in English to communicate more.

Yeji: Not only are some of the venues bigger and the concerts feel bigger in scale, but we paid a lot of attention and poured a lot into the directing of the concert. So you can see a new direction in the stages as well as the VCR too. While we have taken many dancers who have been with us on past tours, I think the variety of performances has also been upgraded a little more than the last world tour, Checkmate.

Chaeryeong: We also have a live band which is a big point for the new tour.

This is the Born to Be World Tour centered around your album of the same name, including ITZY’s first-ever solo songs you all wrote, composed, and perform in concert. How was the experience, and will we see more songwriting?

Yeji: After working on my solo song [“Crown on My Head”], I came to know that it’s quite a very difficult process and not very simple. So, I got to thank the staff, composers, writers, and those people around me who always write and make songs for us. So, actually, this song became even more precious to me because I recognized how difficult this process is and that’s why I can perform on the stage with my whole passion. As for future songs, I’ll always try if I have a chance. Yeah, if I have a chance.

Anything else you want to share with fans before the U.S. tour dates?

Ryujin: First of all, we’re coming to you in June so please come to our concert. We’re always thankful for you supporting us despite the hundreds of miles of distance. We will try our best to see you guys much more often. Thank you.

Yuna: Also, it’s our second world so it will be more…more…there will be much more things to see so please come to our concert!

Álvaro Díaz Returns to Top 10 on Latin Rhythm Albums Chart With ‘Sayonara’

Álvaro Díaz bounds back onto Billboard’s Latin Rhythm Albums chart as his new album, Sayonara, debuts at No. 8 on the list dated June 1. The 20-track set, released on Universal Music Latino, becomes his first top 10 in more than seven years.

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“I’m happy and I hope this a new beginning in my career,” Díaz tells Billboard. “It’s always great to see oneself in lists such as Billboard, continuing the sound with which one started.”

Sayonara, which dropped on May 17, the first day of the tracking week, earned 7,000 equivalent album units in the U.S. in the week ending May 23, according to Luminate. The album’s opening sum is mostly driven by streaming activity. The figure equals to 9.58 million on-demand official streams for the set’s songs during the tracking week.

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Units comprise album sales, track equivalent albums [TEA] and streaming equivalent albums [SEA]. Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.

Díaz returns to Latin Rhythm Albums for the first time since Dec. 2016, when San Juan Grand Prix, his first chart entry there, debuted and peaked at No. 4, for one week in the top 10.

Elsewhere, the Puerto Rican claims his third entry on the overall Top Latin Albums, where Sayonara launches at No. 14. While San Juan Grand Prix concurrently earned Díaz his maiden chart performance in 2016, in between Felicilandia arrived at its No. 48 high in Nov. 2021.

Only one song preceded Sayonara, “1000Canciones” with San Senra, Díaz’s second top 10: No. 10 peak in April 2023, after “A Donde Van,” with Sebastián Yatra, took him to an equal No. 10 high in Oct. 2020.

Beyond “1000Canciones,” the set’s “Gatitas Sandungueras, Vol. 1,” with Feid, opens at No. 34 on the multi-metric Hot Latin Songs charts, which combines airplay, digital sales and streams. The song logged 2.3 million official U.S. streams.

Nicole Moudaber Releases Statement on Her Canceled Movement 2024 Set: ‘I Can Now See That No One Is to Blame’

This past Sunday (May 26), a severe thunderstorm moved through the Detroit area, forcing the city’s Movement festival to temporarily shut down during its second day. The festival issued an evacuation notice to attendees at approximately 6:45 p.m. on Sunday evening, then reopened later that night at 10:00p.m. after the storm had passed.

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The temporary closure forced organizers to move a few of the Sunday night sets, including a scheduled 7:00p.m. performance by techno mainstay Nicole Moudaber, who ultimately did not end up playing.

After the festival, Moudaber explained the situation, writing on X this past Monday (May 27) that “After the rain stopped they called me up to come play at 10pm, I rushed over there, my table was ready to be plugged in but the dj that was supposed to play after me didn’t want to move his set up to accommodate me. As a result, I didn’t play, there was complete silence for a whole hour while people were waiting for the music to start again.

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“I have dismantled set ups in the past because of rude behaviour [sic],” Moudaber continued. “I did not do it this time because I love Movement and the people behind it Absolutely shocking to say the least. I know a lot of people came to see me and I’m sorry this has happened.”

Richie Hawtin played this 10:00 p.m. Sunday night slot, debuting his new stage show DEX EFX XOX.

Now, following her initial comments, Moudaber has today (May 29) issued a statement acknowledging that “Having talked with everyone involved, I can now see that no one is to blame for what happened — if anything, we can blame it on the weather!

“Severe storms meant that the festival was evacuated for 3.5 hours before I returned to play my 10pm set,” her statement continues. “Naturally, this threw everything into chaos. The set up for the person playing after me was complicated, and I can appreciate why they needed to keep it intact for their own set.

“Additionally, while the team at Movement did everything possible to accommodate me, they were under a lot of stress following the storm and it wasn’t easy to source the additional monitors required. I have nothing but love for this festival and for the city of Detroit, where I have made so many wonderful memories over the years, and I look forward to returning to play ASAP (ideally the sun will be shining next time)! Love, Nicole”

Movement Festival continued without issue for the rest of the weekend, closing out its third day on Monday, May 27 with performances from Fatboy Slim, Honey Dijon, Indira Paganotto, Seth Troxler and a host of other electronic artists. Festival producer Paxahau also offered free Monday festival entrance for Sunday ticket holders.

Post Malone, Tyler, the Creator, The Killers, Sturgill Simpson to Headline 2024 Outside Lands Festival

Update: Outside Lands revealed its single-day lineup on Wednesday (May 29). The Killers, Daniel Caesar, JUNGLE, Gryffin, and Young The Giant will kick off Friday’s primetime performances. Saturday will feature Tyler, The Creator, The Postal Service, Grace Jones, Chris Lake, ScHoolboy Q and FLETCHER to Golden Gate Park and Sunday will close the weekend with Sturgill Simpson, KAYTRANADA, Teddy Swims, Victoria Monét, Chappell Roan, Slowdive, Killer Mike and more. Post Malone’s country set will also take place on Sunday. Check out the single-day lineup below.

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This summer’s Outside Lands Festival (Aug. 9-11) in San Francisco’s Golden Gate Park will feature headlining sets from Tyler, the Creator, The Killers and Sturgill Simpson, as well as a special country performance from Post Malone.

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Tickets for the 16th edition of the Another Planet Entertainment/Superfly production will go on sale on Wednesday (April 24). Other acts on this year’s lineup include: The Postal Service, Grace Jones, Kaytranada, Jungle, Snoh Aalegra, Gryffin, Young the Giant, Schoolboy Q, Chappell Roan, Reneé Rapp, Victoria Monét, The Last Dinner Party and others.

This year will mark the return of the Dolores Stage, an inclusive dance floor that celebrates the kinds of queer and trans communities that are part of the city’s fabric, with the full Dolores lineup slated to be announced soon. In addition, the SOMA stage will mark a return to the Marx Meadow, ditching the tent format for an extended, open air dance space spotlighting house and techno stars, including actor/DJ Idris Elba, Uncle Waffles, The Blessed Madonna and Shiba San b2b CID, among others.

The general public on sale will kick off on Wednesday at 10 a.m. PT on Outside Lands’ website, with options including three-day GA tickets ($465 plus fees), three-day GA+ ($715 plus fees) and three-day VIP ($1,075 plus fees), as well as three-day Golden Gate Club passes ($5,095 plus fees), as well as payment plan options for those who prefer installments.

As always, the festival will spotlight music as well as the best of the Bay Area’s culinary experiences in the Taste of the Bay Area, and Grass Lands, the first curated cannabis experience at a major American music festival.

Other acts on this year’s lineup include Teddy Swims, Slowdive, Killer Mike, TV Girl, Charley Crockett, Men I Trust, Ben Howard, Amyl and the Sniffers, Kevin Abstract, Romy, Badbadnotgood, Strfkr, Corinne Bailey Rae, Snakehips, Allen Stone and more.

Check out the full lineup poster below.

https://www.instagram.com/p/C6HJdeDLrFG/

Flea Calls Vince Staples’ New Album ‘So Deep and Good’

Flea of the Red Hot Chili Peppers is always putting on for California. It’s no secret the legendary rock star is a huge Kobe Bryant and Lakers fan, but now we know he’s a fan of Vince Staples as well.

Like a lot of us, Flea took the weekend to really get into the Long Beach rapper’s new album Dark Times, and he loved it, posting on X, the social media network formerly known as Twitter, that he felt the album is “so deep and good.”

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Flea is no stranger to hip-hop. The Red Hot Chili Peppers came up during the era when MTV ran the world and Flea was a mainstay on the Rock N’ Jock B-Ball Jam court alongside rappers like Queen Latifah, MC Lyte, Michael Bivins and Marky Mark.

Back in 2016, he appeared in an episode of Amoeba Music’s What’s in My Bag alongside writer and producer Amy-Jo Albany. They both talked about the records they picked at Amoeba Music’s store in Hollywood, including the handful of J Dilla records Flea purchased. He referred to the late Detroit producer as “an absolutely transcendent, phenomenal musician” and decided to zero in on the 2007 reissue of Dilla’s Ruff Draft. The bassist got emotional recalling a time he listened to the project while on a hike. “I was in Big Sur by myself and I had on headphones and I was walking around these trails in the mountains listening to it, and it just touched this thing in me so deeply. I just couldn’t stop crying. It was so powerful,” he said as he held back tears.



Coincidentally, Vince Staples gives a nod to L.A.-based Stones Throw Records (the same label that released Ruff Draft) on the track “Radio” from his new album, rapping, “A better day was just a stones throw away/KDAY would play the records that my sister would say/Was realer than whatever I listened to/When I got older, I realized it was true.”

And in 2019, during an interview with New York’s ALT92.3 radio station, Flea mentioned Thundercat when asked about his favorite new artist. Obviously Thundercat is genre-bending in his own right, but the musician famously worked on To Pimp a Butterfly and was very close with the late Mac Miller. In short, he’s hip-hop too.

The world could use more rap reviews from Flea.

Ariana Grande, Taylor Swift & More Lookalikes Appear in Alexander Wang Ricco Bag Promo

Alexander Wang‘s Ricco bag is back in stock, and to show off the authenticity of his often-knocked off bag, the fashion designer enlisted some lookalikes of major stars for the campaign.

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In the video posted to Instagram earlier this month, doppelgängers of stars including Ariana Grande, Taylor Swift, Beyoncé and Kylie Jenner unbox the purse and show off all its features — looking uncannily like the celebrities they are set to portray.

“100% certified authentic,” Wang playfully captioned the video, which you can check out here.

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The Grande lookalike, a popular TikToker named Paige Niemann, has caught the attention of the “We Can’t Be Friends” singer in the past. The social media star, who has more than 10.3 million followers on TikTok, shared a video back in 2019 in full Grande-inspired glam — ponytail and winged liner included — lip syncing a scene from the Nickelodeon show, Victorious, in which Grande played the character Cat Valentine.

“I just wonder whyyyy the cat voice / dialogue. ? i am sure she is the sweetest sweet sweetheart forreal !! but it’s definitley bizarre seeing people blend the two worlds lmao,” Grande tweeted upon seeing the clip.

The Swift lookalike, another popular TikToker named Ashley Leechin, has also gotten noticed by her favorite superstar. In 2022, the “Fortnight” singer wrote in the comments section of one of Leechin’s videos, “My mom just saw this and said ‘she looks like you.’”

10 Best Hip-Hop Moments in Wrestling

After Sexxy Red’s torrid debut on WWE NXT Tuesday night (May 28), Billboard explores some of hip-hop’s best momenst in wrestling.

More than ever, hip-hop’s fondness of wrestling is becoming increasingly clear. Last night (May 28), Sexxy Red made her debut on WWE’s NXT, where she not only unveiled a new women’s title for the budding brand but announced she’ll also be heading to Vegas to host the company’s upcoming premium live event NXT Battle Ground on June 9.

Aside from her twerking skills and spunky attitude taking centerstage, Sexxy’s appearance last night on WWE TV minimized the gap between hip-hop and wrestling considerably. In past interviews, Cardi B has revealed her love for the sport and wanting to collide in the ring with some of today’s top superstars. Rappers including Wale and Westside Gunn have been longtime admirers of the sport and have even developed business endeavors that pay homage to wrestling, most notably Wale’s annual WaleMania event.

With WWE and now AEW proving to be staunch supporters of rap, it’s only a matter of time before more rappers take the plunge — and perhaps even getting in the ring one day, like Bad Bunny or Logan Paul.

“I think it’s just cool now, man,” WWE superstar Big E previously told Billboard. “I don’t know exactly what to point to, but you have The Rock involved now. You have [WWE president] Nick Khan involved. You have so many connections with sports and entertainment. I feel like a lot of people were closeted wrestling fans because it wasn’t cool, because it was the nerdy thing to do — but now that it’s becoming more accessible for people, I think a lot of people are coming out of the woodwork.”

Billboard compiled a list of the ten best wrestling moments featuring some of today’s biggest hip-hop stars.

Ben Platt on His New Music, Reopening an Iconic Concert Venue — And Being Inspired by Beyoncé and Taylor Swift

As he prepares for the Friday (May 31) release of Honeymind — his third studio album (and first on Interscope) — and settles into his just-opened, 18-date run of concerts reopening Broadway‘s iconic Palace Theatre, singer-songwriter and actor Ben Platt recently sat down with Billboard News to discuss creating his new music, the relationships and artists inspiring him now, and his upcoming projects.

The Honeymind creation process occurred in Nashville, during what Platt calls a “point of transition personally and career-wise, reinvestigating my reasons for being an artist, relearning the importance of following passion and doing things that feel authentically fulfilling and not necessarily checking boxes.” It was also a happy time, Platt says, of settling into the comfort of his relationship with his now-fiancée, fellow actor Noah Galvin — and he found himself exploring, through songwriting, “that crossroads between what it feels like to arrive in your real relationship and have a partner who you feel really understands you holistically, and how do you need to work on yourself as a person to be ready for a relationship like that?”

His Honeymind collaborators include beloved Nashville writers Natalie Hemby and Hillary Lindsey, as well as executive producer Dave Cobb, who worked with Platt at his home studio in Savannah, Ga. Platt praises Cobb’s “barometer for honesty and authenticity … he’s very much no bulls–t. If something feels put-on, or like a bell or whistle, he has no problem being very forthright about that.”

Platt opens up as well about the singular experience of filming the very personal music video for single “Cherry on Top,” in which he enjoys a day out around Los Angeles with Galvin. “I was apprehensive at first — I love to keep some things sacred and private,” he explains. But he ultimately realized that, since song was written specifically about his experience with Galvin, “nothing felt as true as the actual relationship itself that brings that joy about.”

An unabashed fan of pop, Platt also gushes about his own favorite music right now, mentioning perennial favorites Maggie Rogers and Chappell Roan (he’s a vocal longtime fan: “I’ve known she was a superstar the whole time!”). He’s also big on Beyoncé’s Cowboy Carter, Kacey Musgraves’ Deeper Well (Musgraves made a surprise appearance at Platt’s opening night at the Palace to duet with him on her “Rainbow”), and Ariana Grande’s Eternal Sunshine (“Ari is one of the greatest pop voices of this generation, and it’s such a sharp, delicious bubblegum album that is like, harkening back to Mariah….it’s always in my head”).

Additionally, Platt shares the inspiration he takes from seeing two of the biggest tours of the past year: Beyoncé’s Renaissance trek and Taylor Swift’s Eras Tour. Swift “shares her own experiences and makes us feel like we’re in her living room … in a way that feels very off the cuff but is clearly very thought out and well-crafted,” he says; Beyoncé is “an unbelievable live singer … and on top of that the level to which she exerts and gives of herself no matter what show she’s doing? You’ve never seen her half-ass a performance in her life!”

Platt will be occupied promoting Honeymind for some time — after his Palace residency, he will embark on a tour of the U.S. and Canada (with album collaborator Brandy Clark supporting) through late July. Meanwhile, he reveals to Billboard that Richard Linklater’s twenty-years-in-the-making film adaptation of Stephen Sondheim’s musical Merrily We Roll Along — announced in 2019, in which Platt stars alongside close friend Beanie Feldstein and Paul Mescal — is progressing.

Platt says two of “eight or nine” sequences have been filmed with, he adds with a laugh, just “another 16 or so years to go.” Linklater, he says, “puts a lot of emphasis on not looking too far ahead … it becomes too daunting, so I just treat it as this gift of getting to have little checkpoints in my life to check back in with Sondheim, with Paul, and obviously Beanie.” Platt praises Mescal, who makes his major musical onscreen debut in Merrily, as a “gorgeous, kind, amazing actor, beautiful voice — he’s the real deal.”

See what else Platt had to say in the video above.

‘Cowboy Carter’ Contributor Reyna Roberts Performs on ‘America’s Got Talent’

Country singer-songwriter Reyna Roberts made a grand impression on America’s Got Talent‘s Season 19 premiere on Tuesday night (May 28), when she performed her original song “Raised Right” (which she originally released in 2021) for her audition.

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America’s Got Talent judge Simon Cowell was clearly impressed by the performance, saying, “You’re not messing around, are you?” Robert quickly confirmed, “Not at all.” 

Fellow judge Heidi Klum complimented Roberts on not only her talent, but also for her red leather ensemble, which matched her red hair. “I love when you really belt it out. I love when you hold the note,” Klum said. “I also love this look that you’re serving today. I love it.”

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Cowell also asked Roberts why she wanted to audition for the talent competition. “My dream has always been to be a superstar,” Roberts replied. “I want to create music that outlives me and hopefully that inspires other people and I feel like this is the moment that is going to become reality for me.”

Roberts, of course, is well on her way, having contributed to Beyoncé’s recent Billboard 200 chart-topper Cowboy Carter. Roberts performed on a version of the Beatles’ “Blackbird” (stylized “blackbiird” on Cowboy Carter), alongside Brittney Spencer, Tanner Adell and Tiera Kennedy, and on the song “Tyrant.”

Roberts has been showcasing her musical talent long before Beyoncé came calling. Roberts, born in Alaska and raised in California and Alabama, initially gained attention with her 2020 song “Stomping Grounds.” That same year, she moved to Nashville and shared a video of herself performing a cover of Carrie Underwood’s “Drinking Alone.” The performance drew praise from Underwood and Mickey Guyton. She released “Pretty Little Devils” in 2022 and teamed with Tayler Holder for “Another Round” in 2023. She issued her debut full-length project, Bad Girl Bible Vol. 1 in 2023. Earlier this year, Roberts got a boost from Queen Bey, who invited her to be part of Cowboy Carter.

Ultimately, Roberts received a triple yes from the America’s Got Talent judges, and will advance to the next round. A new crop of artists will audition on Tuesday, June 4, when the show airs at 7 p.m. CT on NBC and streams on Peacock.

Watch Roberts’s audition below:


https://youtube.com/watch?v=HbGVFIr_tr0&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Kendrick Lamar Gets Trolled by TDE President Over Chanel Photo Shoot: ‘I Think I’m Cute on There’

Top Dawg Entertainment president Terrence “Punch” Henderson shared a text conversation with Kendrick Lamar after trolling him over his Chanel photoshoot from January.

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Punch came across a black-and-white picture of K. Dot from his designer fashion photoshoot on X earlier this week, and he playfully jabbed at Lamar and his feud with Drake by referring to him as a “Certified Loverboy.”

Punch couldn’t get enough of the photoshoot and took his banter directly to Kendrick and sent him a text asking for some background on the picture. “What you doing dawg,” he asked. The Compton legend replied with a handful of crying laughing emojis and added: “I think I’m cute on there man. I couldn’t resist.”

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The Top Dawg Entertainment executive refused to let Kendrick off the hook that easy. “What you doing with these dreamy eyes n—a,” he continued. K. Dot couldn’t even muster up much of a response: “I’m crying dawg.”

Punch then asked for permission to post the hilarious exchange for the world to see. “Man you gotta let me post this dawg. I’m crying,” he wrote. Fans couldn’t get enough of the text message convo surrounding the Chanel shoot in his replies. One even tweaked lyrics from Lamar’s “Euphoria” Drake diss to fit the situation.

“Punch to Kendrick: Let me tell you I’m the biggest hater, I hate the way that you dress. I hate the way that your eyes look when u look away if I see you u better look at me direct,” a fan responded.

The photoshoot in question went down in January when Kendrick was shot by Malick Bodian for Chanel after attending the Spring/Summer 2024 fashion show at Paris Fashion Week.

Lamar and his pgLang company were directly involved in the creative for curating the fashion show. He teased an unreleased song which scored a short film visual recapping the event.

Find the exchange between Kendrick and Punch below.