Music

Darius Rucker Opens Up About Split From Ex-Wife: ‘She Was Awesome, It Was All Me’

Darius Rucker opens up about the ending of his decades-long marriage to Beth Leonard in an upcoming interview on Tamron Hall.

In an exclusive clip from the interview promoting his new memoir Life’s Too Short, Rucker discussed how Leonard convinced him to halt his hard-partying ways, but also discussed the dissolution of the couple’s marriage. Rucker and Leonard were wed in 2000 and announced their split in 2020.

“She saved my life. I have so much love and respect for her,” Rucker said during the interview. “The night she just said to me, ‘It’s time to quit,’ in her very colorful way, I realized it was time to quit. That day, I called the band, I got my own bus, I said, ‘This is over for me.’ It was over because I respected her and I respected my family. I just wanted to be a better person.”

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He also said that writing about the ending of the couple’s marriage was hard, “because to realize how awful I was as a husband was hard to write. To realize she did everything she could. She’s so wonderful, she’s still an amazing human, amazing person. I love her so much. But I was just, a rockstar, and I lived that life.”

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He went on to add, “I wanted to tell the truth, but sometimes the truth sucks. It sucks for me and in writing about her, I just wanted the world to know that it was all me. She was awesome. It was all me.”

In his memoir, Rucker details his childhood growing up in South Carolina and how he dealt with the deaths of his older brother and his mother early in his life. Elsewhere in the book, he wrote about his estranged relationship with his late father, chronicled the rise of Hootie & the Blowfish and detailed his journey to making country music as a solo artist.

Rucker’s Life’s Too Short: A Memoir released May 28 via Dey Street Books.

Rucker’s full interview airs on Tamron Hall Thursday, June 6, check local listings on the show’s website. Watch the clip of Rucker’s interview below:



Surf’s Up: Here Are the 10 Best Summer Songs About Going to the Beach

The practices of listening to music and going to the beach both date back centuries. No wonder they work so well together.

And whether you live on a coast or travel miles each year just to dip your toes in the ocean, it goes without saying: Any successful beach outing is non-negotiably accompanied by a perfect waterside playlist, usually packed with vibe-y classics from generations past alongside whichever hits are currently in competition for the title of song of the summer. The hot season has proved to be an abundant source of inspiration for musicians over the years, who’ve penned homages to everything from the warm weather it promises to the opportunities it offers for vacations, outdoor trips, parties and cookouts — but if there’s one summer staple that appears the most fondly in such seasonal tracks, it’s undoubtedly the beach.

That’s why Billboard has rounded up the 10 best songs the past century of music has to offer on the topic, featuring contemporary pop stars such as Miley Cyrus and Katy Perry to visionary groups like The Drifters and, of course, the Beach Boys. Some of them are exactly as fun and free as they seem on the surface, while others were written with deeper metaphors inspired by the ocean’s many mysteries in mind. Whatever floats your boat, as they say. (All puns intended.)

Without further adieu, grab your umbrellas, towels and sunglasses, stake your claim on a spot on the shore and dive into the following songs about sun, sand and surf — ranked in reverse order below.

The Power Couples of Latin Music: Duki & Emilia, Karol G & Feid and More

Maintaining a long-lasting and loving relationship in the music industry is not an easy task. Just recently, Christian Nodal and Cazzu — one of Latin music’s most beloved couples — called it quits recently after a nearly two-year relationship, and after having their first child in 2023. 

The unexpected split was confirmed on their social media accounts on May 23, in a since-deleted Instagram story that read: “The time has come to share that Julieta and I are going our separate ways. Our love and respect for each other remains strong, especially in our role as parents to our wonderful daughter, Inti.”

Cazzu additionally shared in her stories: “We artists are a screen of what happens in real life. You go through love, heartbreak, successes and mistakes with us. Today, as it was many times and as there are still many, you accompany us, some with hate and others with much love. Thank you, everything heals.”

Meanwhile, Sebastian Yatra and Aitana continue hinting that their relationship goes beyond something professional. 

“This is already the third song I have done with Sebastián,” Aitana told Billboard exclusively about their latest collab “Akureyi.” “We seem to understand each other very well in the studio. We’ve understood each other very well for a long time, so having that complicity with someone inside a studio is hard to find, having that companionship that allows you to go inside the studio and a very beautiful song comes out again and again.”

The song, which came out on April 26, was conceived during a trip that Aitana and Yatra took to Akureyri, a town in Iceland, to celebrate Aitana’s birthday on June 27, 2023 — further showcasing their undeniable chemistry. 

But in the midst of possible relationships and breakups, here’s a list of power couples still going strong in the Latin music realm.

Patti LaBelle Teases a Potential Collaboration with Her ‘New Best Friend’ Cardi B

Patti LaBelle turned 80 years old last week (May 24) and her close friend Whoopi Goldberg threw the music icon a surprise party attended by the likes of Gayle King, Fat Joe, Tamron Hall and more.

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Entertainment Tonight caught up with LaBelle at the party, where she revealed plans for her next album and a possible collaboration on the horizon with Cardi B.

The “On My Own” singer hailed the Bronx bombshell as her “new best friend” and said she loves the idea of working with the Grammy-winning rapper. “Why not,” she said of teaming up with Cardi B. “[Cardi’s] like one of my new best friends. And to know that she was into Patti LaBelle, she’s like my new buddy.”

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Patti LaBelle added that her upcoming album should arrive in 2024, and the title is inspired by her age combined with the amount of time she’s spent working in the music industry.

“It should be out at the end of this year, and it’s called 8065,” she said. “I’m 80 years young and 65 years in show business.” 

If they do hit the studio, it won’t be the first time Cardi and LaBelle linked up. The pair joined forces last Thanksgiving to combine their products for a delectable holiday side dish. Cardi B brought her pumpkin-flavored Whip Shots Vodka to Patti’s house to mix with her Good Life Pies for a sweet snack.

“Being with Ms Patti and her family was such a honor,” Cardi said of the experience with LaBelle on Instagram. “The way she speaks with such gentleness, calmness, and grace is soooo soothing.. I kept asking her questions just to hear her talk and one hug from her was so warm it makes you just feel welcome and like you knew her forever!”

She continued: “So charming and so sweet but at the same time you can tell she can get real Philly on ya ass if she needs to! Thank you so much @mspattilabelle you are everything and I’m coming over for dinner every chance I get!!!

While Cardi’s sophomore album is still in limbo, she remains in-demand when it comes to her features. She’s dropping another guest verse as part of the “Wanna Be” remix with Megan Thee Stallion and GloRilla on Friday (May 31).

As for Patti LaBelle, her last project to make the Billboard 200 came in 2007 with her holiday-themed Miss Patti’s Christmas, which reached No. 174.

Watch Patti LaBelle talk about Cardi B and her new album below.



Halsey Seemingly Teases New Musical Era With Cryptic ‘For My Last Trick’ Website & Snippet

Halsey has some sort of trick up her sleeve, leaving fans excited and puzzled with a cryptic website that appears to be teasing something called For My Last Trick.

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The site features a number of vintage-looking stickers with different phrases including “Master Mystifier,” “You Won’t Find Me Here,” “Southern Belle,” “Candy” and more. When you click on the sticker that says, “I have something to tell you,” it leads you to an email sign-up link.

Most notably, there’s a sticker that features a woman is seen getting an X-ray of her heart as a doctor looks it over. When you click on it, a strange, buzzing noise plays — leading fans to believe that it might be the snippet of an upcoming single.

See the For My Last Trick website here.

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Halsey has yet to confirm any upcoming album or musical era, but the star teased that they’re working on her first record under a new contract with Columbia Records back in September. “not pictured: me splitting myself in two everyday so that I can give you my deepest wounds (and a handful of perfect joys) for the 5th time in 10 years,” the singer wrote alongside a photo dump on Instagram.

Halsey signed a new recording contract with Columbia Records in June after parting ways with their longtime label home Capitol Records after eight years. They released their first four albums on Capitol, dating to their 2015 debut, Badlands, on its Astralwerks imprint. Capitol also released 2017’s Hopeless Fountain Kingdom, which reached No. 1 on the Billboard 200, as well as 2020’s Manic and 2021’s collaboration with Nine Inch Nails’ Trent Reznor and Atticus Ross, If I Can’t Have Love, I Want Power.

King & Prince’s ‘halfmoon’ Debuts at No. 1 on Japan Hot 100

King & Prince reign over the Billboard Japan Hot 100 with “halfmoon,” blasting in at No. 1 on the chart released May 29.

The Takeshi Kobayashi-produced title track off the duo’s 15th single “halfmoon/moooove!” is being featured as the theme of the drama series Tokyo Tower starring member Ren Nagase. To celebrate the sixth anniversary of the group’s CD debut, King & Prince made this single and the tracks off its best album available for streaming and download. “halfmoon” ruled sales and downloads this week and also topped radio airplay after collecting 2,000 times more points for the metric than the previous single.



Compared to the previous release, first-week CD sales for “halfmoon” fell approximately 10% to 315,400 copies and video views dropped by half. But the points gained through downloads and radio resulted in a 168% increase in total points over the previous work and the single scored over 10,000 points for the first time since “Life goes on,” the last single by the group as a quintet. King & Prince also have six songs charting on the downloads list this week, the group’s best-of album Mr. 5 is at No. 2 on the downloads album tally, and “moooove! is currently at No. 70 for streaming.

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Creepy Nuts’ “Bling-Bang-Bang-Born” slips to No. 2 on the Japan Hot 100 this week and Mrs. GREEN APPLE’s “Lilac” holds at No. 3.

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M!LK’s “Blue Shower” soars 88-4, blasts into the top 5 fueled by the release of the CD on May 22. XG’s new song “WOKE UP” debuts at No. 5 after hitting No. 5 for sales and No. 3 for radio.

Billboard Japan will unveil its 2024 mid-year charts on Friday, June 7 JST.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from May 20 to 26, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

Kehlani Gets a Bump for a New Remix & Inspires a New Viral Hit Named After Her

Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 

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This week: Kehlani sees bumps both for her own song and a song named after her, while Central Cee and Lil Baby have a trans-continental hit on her hands and a devastating ’80s synth-pop classic goes viral for surprisingly blithe reasons.

Kehlani’s Name Spurs Streaming Wins for Herself & Belfast Singer-Songwriter Jordan Adetunji 

In just a few weeks (June 27), Kehlani will unleash Crash, her third studio album. “After Hours,” the set’s lead single, is already pulling ample streaming traction, but so is a breakout hit named after her from Belfast singer-songwriter Jordan Adetunji. 

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Released on May 19, Adetunji’s “Kehlani” collected over 115,000 official on-demand U.S. streams in its first three days of release (May 19-21), according to Luminate. Four days before the track hit DSPs, Adetunji posted a snippet of the song to his official TikTok account, writing, “Bro wrote a whole song about Kehlani, but why it kinda go hard,” alongside a bevy of popular hashtags, including “#cashcobain,” “#melodicdrill,” “#slizzymusic” and, of course, “#kehlani.” On May 18, Kehlani herself left a singular flame emoji under his post. 

Over the same period the following week (May 26-28), “Kehlani” jumped 434% in streaming activity to 615,000 streams. In addition to the song naturally gaining traction on socials — “Kehlani” plays in the three pinned TikToks on Adetunji’s page, all of which have garnered at least 870,000 views each – a more explicit co-sign from Kehlani helped get the ball rolling. 

On May 23, Kehlani posted a pair of TikToks featuring her vibing and lip-syncing to the track. The more recent video of the two has since earned over five million views and over one million likes on the platform, directing plenty of new listeners to Adetunji’s track. The official “Kehlani” TikTok sound currently boasts over 12,5000 posts. 

Of course, Kehlani’s magic doesn’t stop there. With the release of a “Cater 2 U Mix” for “After Hours” and increased visibility due to her passionate social media pleas in support of the Free Palestine movement, the Crash lead single has enjoyed a significant streaming bump. During the period of May 17-21, “After Hours” pulled in 2.1 million official on-demand U.S. streams. By the period of May 24-28, that number jumped 55% to 3.3 million streams. – KYLE DENIS

Central Cee & Lil Baby Rack Up a New Hit With ‘BAND4BAND’ 



After dominating the UK. alongside Dave with “Sprinter” last summer and earning his first Billboard Hot 100 with his Drake-assisted “On the Radar Freestyle” (No. 80), Central Cee is gearing up for another hit on both sides of the pond – and this time Lil Baby is along for the ride. 

This U.K.-Atlanta drill-based link-up earned 1.93 million official on-demand U.S. streams on its first day of release (May 24). Streams for “BAND4BAND” remained stable throughout the week, eventually hitting 2.04 million streams on May 27. By the following day (May 28), that number rose 29% to 2.64 million streams, marking the strongest streaming day out of the track’s first five days of release. With a total of 10.2 million streams in its first five days of the week, “BAND4BAND” is already off to a very promising start. 

The new track has also already exploded on TikTok, with the official “BAND4BAND” sound garnering over 97,000 posts in just one week. Most users are using Cench and Baby’s back-and-forth hook to show-off their hilarious “U.S.” and “U.K.” sides. Over on YouTube, the official “BAND4BAND” music video has pulled in over 14 million views in under a week. 

Should “BAND4BAND” hold steady, Cench and Baby could be looking at the next global rap smash. – KD


Heartbreaking Bronski Beat Classic Revived for Light-Hearted TikTok Trend



Bronski Beat’s 1985 hit “Small Town Boy” was never a huge chart smash in the U.S. — it peaked at just No. 48 on the Billboard Hot 100, though it reached No. 3 on the U.K.’s Official Charts. But the song remains well-remembered for its passionately delivered lyrics and evocative music video, a tearjerking tale of a young gay man’s rejection and alienation from mainstream society. However, the song is making the rounds again in 2024 for reasons that have absolutely nothing to do with its content, and everything to do with its propulsive synth hook and danceable post-disco beat.

TikTok has really gotten swept up in the #80sDanceChallenge, in which users take videos of their parents dancing to a lightly sped-up version of the pulsing intro to “Small Town Boy” — supposedly with the moves they would’ve used if boogieing to the song back in the ’80s. No less an early-MTV-era authority than Cyndi Lauper has gotten in on the fun, posting a CapCut edit of some old performance footage of her full-bodied dancing set to “Boy,” with the caption, “Oh #80s #dancechallenge you say?”

The clips, several of which have already racked up millions of likes, have helped the song find new life on streaming: “Boy” racked up over 1.5 million official on-demand U.S. streams for the tracking week ending May 23, according to Luminate — a 114% gain from the 705,000 streams the song notched four weeks earlier, before the trend really took off. Bronski Beat singer Jimmy Somerville also shared a TikTok celebrating the song’s recent 40th anniversary, singing along to the song’s now-viral intro and sharing his joy at how the song has been revived.

“Everything is just kind of going so crazy in the world,” he said. “But here, on TikTok, there’s all these people just finding a moment to just have a bit of fun … It’s just been brilliant.” – ANDREW UNTERBERGER

Watch Veeze Take Over London in New Video ‘Pop Yo S–t’

Detroit’s Veeze is back with his first single and video of 2024.

Directed by Jimmy Whisperz, “Pop Yo Shit” finds the young rapper on road in London floating over Basskid and Ddot production in his signature hazy flow.

“I got some money so d–n old, I built the pyramids,” Veeze spits while wearing a Davy Crockett-style coonskin hat and a gray North Face bubble. This track is filled with witty lines like that, as well as the artist appearing as Justin Timberlake in some scenes. Another standout bar is when he said, “Young n—a, I’m big bro now/Lil bros make my head hurt.”

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The video and song are a ride into the mind of a madman. It’s easy to get lost in the the oft-kilter references and deepfakes, so pay attention and be careful because you might miss something.

With this track, Veeze looks to follow up his monster 2023. Not only was his album Ganger a critical darling, but his independent label Navy Wavy inked a partnership with Warner Records. Interestingly enough, a game of golf with Warner label heads is what sealed the deal. “Going golfing with Aaron Bay-Schuck and Tom Corson really persuaded me to do the partnership. Those guys are first-class gentlemen and I can see myself learning a lot from them,” the 7 Mile rapper told Billboard last year. 

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Recently, he’s been opening up for Travis Scott on the remainder of his Circus Maximus tour alongside fellow Detroit rappers Babyface Ray and Skilla Baby. He’s also embarked on his first European tour as he takes his unconventional style global.

He was just in London looking like Veeze Timberlake.

Snow Patrol Announce First New Album in Six Years, ‘The Forest Is the Path’

Winter is coming. Well, Snow Patrol is anyway. The Northern Irish band announced their first new studio album in six years, The Forest Is the Path, on Thursday (May 30). The 12-track collection produced by Fraser T Smith (Adele, Stormzy) and the band was written by its three core members — guitarist/singer Gary Lightbody, guitarist Johnny McDaid and guitarist/vocalist Nathan Connolly.

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The follow-up to 2018’s Wildness is set for release on Sept. 13 on Polydor Records, with the first taste, “The Beginning,” out now. The yearning track features the trio’s signature melodic, dramatic thrum, with Lightbody crooning, “There is only you and me in this life/ And I don’t want to f–k it up now/ There is nothing for me in these past lives/ There is only what I wasn’t yet” on the swelling chorus.

In addition the core trio, Smith, Will Reynolds, Roy Kerr and Queens of the Stone Age’s Troy Van Leeuwen contributed to the songwriting on the album, with Lightbody providing the luminous album and single artwork.

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“We had a few wee ideas kicking about that would eventually be recorded and find their way onto the album but when Johnny and I found ourselves in the Somerset countryside about to start writing for this album in earnest ‘The Beginning’ was written on the very first day,” the band wrote on Instagram. “That’s why it’s called the beginning in fact. I tend to name songs before I write the lyrics. So if Johnny, Nathan and I are working on the music for a track it will generally have a placeholder name that will get changed once I write the lyrics, one that better reflects the words of the song. BUT in this case, even though there are probably better words and phrases (that actually appear in the song) to be used as titles, ‘The Beginning’ stuck.”

They continued, “This album took us on many uncharted routes, with sometimes weird and sometimes wonderful turns, and so it’s hard not to think of the start of this album as a new beginning. We honour the past, deeply. This is our thirtieth year, so we have an awful lot of it, past I mean. Tons of it. We have a profound love and respect for all who have been on this journey with us those many years. But while we honour the past we also want to cherish the present and look to the future. So this is the beginning of something, and we are so excited to share it with you all.”

In another statement, Lightbody said the album is rooted in “reflection, introspection and interrogation, with a key building block being the idea of looking at love from the distance of time passed. “I haven’t been in a relationship for a very long time, 10 years or more, so love from a distance to me meant the way a relationship sits in your memory from a distance of, say, 10 years,” he said. “That’s not something I’d previously thought about as away to write about love. So it’s like, when you’re in love, you’re standing in the lobby of the Empire State Building. When you’ve broken up with that person, you’re out in the street. You can still see the building, but you’re not in there anymore. And when it’s 10 years later, now you’re standing in Brooklyn looking at the Manhattan skyline.”

Lightbody added that the single sums up the album, calling it a way to look at “various mistakes, any pain I may have caused, from a place where nothing is hurting anymore, except the memory when you pull it back into your mind. The memory itself is full of hurt but everything around it isn’t. You’re holding in your hand this ball of fire, but now you’ve got gloves on.”

After a run of summer 2024 festival gigs, the band also announced the dates for an eight-show 2025 UK/Ireland arena tour as well as European and U.S. dates slated for January and February 2025; see the dates here.

Listen to “The Beginning” and see the cover and track listing below.

The Forest Is the Path tracklist:

1. All

2. The Beginning

3. Everything’s Here And Nothing’s Lost

4. Your Heart Home

5. This Is The Sound Of Your Voice

6. Hold Me In The Fire

7. Years That Fall

8. Never Really Tire

9. These Lies

10. What If Nothing Breaks?

11. Talking About Hope

12. The Forest Is The Path

Patti LaBelle, Gladys Knight, Brittney Spencer & More Set for White House’s 2024 Juneteenth Concert

Juneteenth is just around the corner, and on Thursday (May 30), President Joe Biden and First Lady Jill Biden announced the lineup for their second annual concert in celebration of the holiday.

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The event, which will take place on June 10 on the White House’s South Lawn, will feature Patti LaBelle, Gladys Knight, Charlie Wilson, Kirk Franklin, Anthony Hamilton, Brittney Spencer, Trombone Shorty, Raheem Devaughn, Doug E. Fresh, Patina Miller and Roy Wood, Jr. This year’s performers were selected for “their mark on the culture in studios, pulpits, and stages over their successful careers,” per a White House press release.

The celebratory concert comes three years after Biden signed bipartisan legislation establishing Juneteenth as a federal holiday. Juneteenth, celebrated on June 19 annually, commemorates the end of slavery in the United States. “Juneteenth marks both the long, hard night of slavery and subjugation, and a promise of a brighter morning to come. This is a day of profound — in my view — profound weight and profound power,” Biden said at the time of signing the bill. “A day in which we remember the moral stain, the terrible toll that slavery took on the country and continues to take — what I’ve long called ‘America’s original sin.’”

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The Juneteenth concert will take place during Black Music Month. Also known as African-American Music Appreciation Month, Black Music Month was formally recognized as a national monthlong observance in 2000. “I call upon public officials, educators, and all the people of the United States to observe this month by honoring Black musicians and raising awareness and appreciation.”