Music
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After reportedly becoming a billionaire last year thanks to her juggernaut Eras Tour, Taylor Swift is now putting some distance between herself and other musical moguls. According to Forbes magazine Swift, 34, has surpassed Rihanna to become the world’s richest female musician with a net worth estimated at $1.6 billion. The financial magazine said after […]
It’s been a busy week for Coldplay. On Friday (October 4) the British band released their 10th album, Moon Music, and then hopped on to shopping channel QVC to flog it to viewers. They kept the roll going on Saturday night they appeared as music guests on SNL to help the show celebrate its 50th season.
Now, they’ve shared a deluxe edition of Moon Music entitled Full Moon Edition, which features bonus tracks and three new original songs. You can see the full tracklist below for the new release.
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Moon Music (Full Moon Edition) is out now on all platforms https://t.co/C4o1q2EncoOriginal album + 10 BLUE MOONS including The Karate Kid, Man In The Moon and 👋MOON MUSiC1. MOON MUSiC2. feelslikeimfallinginlove 3. WE PRAY 4. JUPiTER5. GOOD FEELiNGS6. 🌈7. iAAM8.… pic.twitter.com/IRYGyGgmUf— Coldplay (@coldplay) October 6, 2024
The Chris Martin-led group’s deluxe edition includes unheard tracks “The Karate Kid”, “Angelsong” and “A Wave”, the latter stylised as a waving hand emoji on streaming services. The Full Moon Edition includes alternative and live versions of some of the album’s tracks. “Feels Like I’m Falling In Live” is a version recorded live on their record-breaking Music Of The Spheres global tour, while “We Pray – Be Our Guest” removes Little Simz’ verse to encourage the listener to do their own vocal take.
Moon Music hosted an array of collaborators including super-producer Max Martin, Nigerian superstar Burna Boy, electronic musician Jon Hopkins and even a contribution from ambient pioneer Brian Eno, who produced the band’s fourth studio album, 2008’s Viva la Vida or Death and All His Friends. The latest LP is a companion to their 2021 album Music Of The Spheres, which charted at No.4 on the Billboard 200.
Amidst the promotion for the new album, Martin has again discussed his vision for the band to only record 12 studio albums. Speaking to NME in 2021, Martin said “it’s a lot to pour everything into making them. I love it and it’s amazing, but it’s very intense too.”
In a new interview with Zane Lowe for Apple Music, Martin pointed towards the limited oeuvre for The Beatles, Bob Marley and the Harry Potter books and films. “Having that limit means that the quality control is so high right now, and for a song to make it, it’s almost impossible, which is great,” he said.
Elsewhere the band recently announced a new U.K. leg of stadium tour dates in London and Hull, including 10 sold-out nights at Wembley Stadium. The U.K. shows – their only in Europe in 2025 – will include a donation to the Music Venues Trust to support the grassroots music scene.
It’s another chart double for Sabrina Carpenter in the land Down Under, while Bring Me The Horizon and The Amity Affliction ensure the top end of the ARIA Albums Chart is heavier than usual.
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Carpenter’s Short n’ Sweet (via Island/Universal) holds at No. 1 on the latest tally, published Friday, Oct. 4, extending its chart reign to five non-consecutive weeks.
Meanwhile, Bring Me The Horizon’s Post Human: Nex Gen re-enters at a new peak of No. 2, following its release on physical format. That bests its No. 4 debut in May 2024.
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Chappell Roan’s seemingly unstoppable rise continues. The U.S. alternative pop diva completes the podium with The Rise And Fall Of A Midwest Princess, up 5-3 for its peak position
Close behind is Ed Sheeran’s first greatest hits album, +–=÷× (Tour Collection), new No. 4, for the superstar British singer and songwriter’s eighth top 10 album in these parts. All seven of his studio albums have hit No. 1 on the ARIA Chart.
Further down the list, Australian hardcore act The Amity Affliction opens at No. 7 with Let The Ocean Take Me (Redux), a rerecording of their 2014 album which logged a single week at No. 1, one of their five leaders (the others are Chasing Ghosts in 2012, Let The Ocean Take Me in 2014, This Could Be Heartbreak in 2016 and Misery in 2018.
Let The Ocean Take Me (Redux) is one of three homegrown debutants in the ARIA Top 40, a tally that includes Aussie hip-hop duo Posseshot with PS4: Operation Burner Rap (No. 21) and The Rions with Happiness In A Place It Shouldn’t Be (at No. 35).
There’s a noteworthy bump for Katy Perry’s 2010 hit album Teenage Dream: The Complete Confection, up 24-13 following the U.S. pop star’s performance at the AFL Grand Final. The collection led the chart for two weeks back in 2010.
Over on the ARIA Singles Chart, Carpenter’s “Taste” holds at No. 1 for a sixth consecutive week, tying with Benson Boone’s “Beautiful Things” as the longest running leader this year.
Finally, the highest new entry belongs to The Weeknd and Playboy Carti, with “Timeless”, new at No. 11. The Weeknd is currently in Australia on his rescheduled Hours Til Dawn stadium tour.
Produced by Live Nation, the trek has completed two dates at Melbourne’s Marvel Stadium (Oct. 5 and 6), and has two more to come at Sydney’s Accord Stadium, on Oct. 22 and Oct. 23.
Music has gone through a lot of changes since the American Music Awards debuted on Feb. 19, 1974, as a fan-driven alternative to the Grammy Awards. American Music Awards 50th Anniversary Special, a two-hour special that aired on Sunday, Oct. 6, captured many of those changes in smartly curated segments and fresh performances.
Fifty years is a long time, of course. Two of the three co-hosts of that first show (Roger Miller and Helen Reddy) are no longer with us, nor is the show’s creator, legendary TV producer Dick Clark. The show recently switched networks, from ABC to CBS, which aired this anniversary show and will air the next regular AMA broadcast in May.
The original plan was for the AMAs to debut on CBS with a regular best-of-the-past-year broadcast. Someone had the bright idea to first remind the audience of the AMAs’ considerable history before relaunching the show (which has been on hiatus since 2022.)
Motown legend Smokey Robinson, who was the third co-host of that first show, introduced a segment on this anniversary show. He was one of six former AMAs hosts or co-hosts to appear, along with Gloria Estefan, Jennifer Lopez, Reba McEntire, Jimmy Kimmel and Cedric the Entertainer.
The AMAs has had a far longer life than most expected – and that includes Clark himself. In December 1973, Clark was working on the first AMAs. He knew a little publicity couldn’t hurt, so he found time for an interview with Billboard’s Bob Kirsch which ran on page one of the Dec. 15, 1973 issue under the headline “ABC-TV Slates Favorite Acts’ Awards Feb. 19.”
At the end of the piece, Clark attempted to take the long view of his fledgling show and said “If this is done properly, we may have a show that will last 20 years and will finally get the general public involved in popular music awards.”
Clark underestimated the longevity of his own creation. Next year’s AMAs will be the 51st.
American Music Awards 50th Anniversary Special was produced by Dick Clark Productions. Michael Dempsey served as executive producer.
Here are eight moments from the AMAs special in which they most effectively told the big-picture story of the vast changes in popular music in the last 50 years.
American Music Awards 50th Anniversary Special is produced by Dick Clark Productions. DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldrige. PMC is the parent company of Billboard.
Gladys Knight Performs a Classic
Mariah Carey is many things – but casual isn’t one of them. So naturally, when she performed Sunday (Oct. 6) evening at the American Music Awards 50th Anniversary Special, she had to make an entrance. The middle portion of a giant hot pink ‘M’ on the AMAs stage opened up to reveal the diva herself, […]
Janice Combs, mother to Sean “Diddy” Combs, has released a statement on behalf of the Combs family amid ongoing sex crime allegations against the music mogul.
Combs was indicted by federal prosecutors in mid-September on racketeering and sex trafficking charges and denied bail.
In a statement released Sunday (Oct. 6) through attorney Natlie G. Figgers, obtained by The Hollywood Reporter, Combs’ mother said Diddy is not guilty of the allegations against him: “My son is not the monster they have painted him to be, and he deserves the chance to tell his side.”
“It is heartbreaking to see my son judged not for the truth, but for a narrative created out of lies,” reads her statement, which comes five days after it was reported Diddy will face lawsuits from 120 additional accusers for alleged incidents dating as far back as 1991. “To bear witness [to] what seems to be like a public lynching of my son before he has had the opportunity to prove his innocence is a pain too unbearable to put into words. Like every human being, my son deserves to have his day in court, to finally share his side, and to prove his innocence.”
Indictment documents unsealed on Sept. 17 said, “For decades, Sean Combs … abused, threatened and coerced women and others around him to fulfill his sexual desires, protect his reputation and conceal his conduct. To do so, Combs relied on the employees, resources and the influence of his multi-faceted business empire that he led and controlled.”
Combs was denied bail. If convicted of the charges, he faces a minimum sentence of 15 years in prison and a maximum of life behind bars.
On Sunday, his mother said, “I am not here to portray my son as perfect because he is not. He has made mistakes in his past, as we all have.”
She referenced the lawsuit Combs settled last year from singer and ex-girlfriend Cassie Ventura, who accused him of rape and abuse. Combs had denied her allegations, but when video surfaced of him physically assaulting her in a hotel, issued an apology.
“My son may not have been entirely truthful about certain things, such as denying he has ever gotten violent with an ex-girlfriend when the hotel’s surveillance showed otherwise,” Janice Combs said in her statement. “Sometimes, the truth and a lie become so closely intertwined that it becomes terrifying to admit one part of the story, especially when that truth is outside the norm or is too complicated to be believed. This is why I believe my son’s civil legal team opted to settle the ex-girlfriend’s lawsuit instead of contesting it until the end, resulting in a ricochet effect as the federal government used this decision against my son by interpreting it as an admission of guilt.”
She said this does not make him guilty of the multiple “repulsive allegations and the grave charges leveled against him.”
“Many individuals who were wrongfully convicted and later exonerated had their freedom taken from them not because they were guilty of the crimes they were accused of, but because they didn’t fit the image of what this society considers to be a ‘good person.’ History has showed us how individuals can be wrongfully convicted due to their past actions or mistakes,” she said.
“It is truly agonizing to watch the world turn against my son so quickly and easily over lies and misconceptions, without ever hearing his side or affording him the opportunity to present his side,” she added.
“These lies thrown at him are motivated by those seeking a financial gain, and not justice,” reads the statement. “These individuals saw how quickly my son’s civil legal team settled his ex-girlfriend’s lawsuit, so they believe they can receive a quick payday by falsely accusing my son. False allegations of sexual assault thwart true victims of sexual violence from getting the justice they deserve. To make matters worse, the federal government is now using these lies to prosecute my son. This injustice has been unbearable for our family. The worst part of this ordeal is watching my beloved son be stripped of his dignity, not for what he did, but for what people choose to believe about him.”
On Sunday (Oct. 6) night, the American Music Awards celebrated a half century with the two-hour American Music Awards 50th Anniversary Special on CBS. The evening featured various walks down memory lane as well as new performances from today’s biggest artists, each one representing a different musical genre. For the boy band tribute, Stray Kids […]
Sabrina Carpenter shared Taylor Swift‘s massive stage before embarking on her own fall arena tour. The Short n’ Sweet singer is now sharing what it’s like to be in the pop idol’s presence, and to have her support, in a new interview with CBS This Morning.
“You just watch her, like, walk in a room and it’s very easy to understand that she’s so composed, she’s graceful, she’s gracious,” Carpenter, who was one of Swift’s Eras Tour openers, said in the CBS segment that aired Sunday morning (Oct. 6).
Asked about the advice Swift has given her on handling fame, the 25-year-old artist explained, “I wouldn’t say it’s, like, a verbal thing as much as just, like, she’s very supportive of me and knows who I am as a person and is very supportive of that. So I’m grateful for that.”
Carpenter’s Short n’ Sweet album returns to No. 1 on the Billboard 200 albums chart dated Oct. 12, Billboard reported Sunday afternoon, making it four nonconsecutive weeks that the set has topped the list since its release on Aug. 23.
On the Hot 100, Carpenter is the first artist this decade to spend five weeks with at least three simultaneous top 10s on the chart, with hit singles “Espresso,” “Please, Please Please” and “Taste” all securing spots.
It’s quite the feat for the singer-songwriter who’s been working on her craft since she was a kid, uploading YouTube videos of herself covering songs like Swift’s before landing a record deal and the lead role on the Disney Channel’s Girl Meets World as a teen.
On the fame that comes with the success she’s experiencing now, Carpenter noted, “I think, again, if we’re talking about how to deal with it all, I think everyone has such an individual, unique experience that there’s no kind of blanket statement or advice on how to not let it rattle you. You just kind of have to exist and figure out what you can handle and what you don’t want to deal with.”
“You find the people that you surround yourself with that make you feel safe and go from there,” she added.
Watch Carpenter’s CBS This Morning interview clip below. She’s currently on the road in North America for the Short n’ Sweet Tour, with dates scheduled through mid-November. Carpenter will bring the show to Europe in March 2025.
Sabrina Carpenter reflects on Taylor Swift’s influence, noting her composure and support, and reflects on surrounding yourself with supportive people while navigating fame: “You kind of just figure it out along the way. https://t.co/sGO4dlvPXm pic.twitter.com/B2W32orJr5— CBS Sunday Morning 🌞 (@CBSSunday) October 5, 2024
Ariana Grande joins Charli XCX on the upcoming Brat remixes album, and the two have seemingly confirmed Grande’s feature is on the track “Sympathy Is a Knife.” “It’s a knife when they dissect your body on the front page/ It’s a knife when they won’t believe you/ Why should you explain?” Charli wrote in a […]
LISA‘s “Moonlit Floor” has topped this week’s new music poll that features artists in various genres of music.
Music fans voted in a poll published Friday (Oct. 4) on Billboard, choosing the BLACKPINK singer’s new solo single as their favorite new music release of the past week.
“Moonlit Floor” brought in 96% of the vote on the poll, securing a very notable edge ahead of new releases from Coldplay (Moon Music), Finneas (For Cryin’ Out Loud!), the Joker: Folie à Deux soundtrack, James Bay (Changes All the Time), and others.
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LISA dropped “Moonlit Floor” after she debuted it live at Global Citizen Fest in September. The swoon-worthy song interpolates Sixpence None the Richer‘s hit “Kiss Me,” which reached No. 2 on the Billboard Hot 100 chart in 1998. The single was on the group’s self-titled album, released in 1997.
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“Kiss me under the Paris twilight/ Kiss me out on the moonlit floor” the K-pop superstar sings in the ethereal chorus, replacing Sixpence None the Richer’s original lyric, “Kiss me beneath the milky twilight/ Lead me out on the moonlit floor.”
“Moonlit Floor” comes amid an exciting year for LISA, as the singer stepped into a new phase of her solo career outside of BLACKPINK with “Rockstar,” which debuted at No. 4 on the Billboard Global 200 and became her first-ever No. 1 hit on the Billboard Global Excl. U.S. She also teamed up with Rosalía for a collaboration, “New Woman.”
Trailing far behind LISA on this week’s poll is Coldplay’s Moon Music, which brought in nearly 2% of the vote. The British band’s Max Martin-produced 10th album features a variety of collaborations, including including Jon Hopkins, Little Simz, Burna Boy, Ayra Starr, Elyanna and TINI. Coldplay’s latest album is a continuation of the group’s 2021 effort, Music of the Spheres, which opened at No. 4 on the Billboard 200.
See the final results of this week’s poll below. Check out Billboard‘s Friday Music Guide to catch up with more must-hear releases from this week.