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The Weeknd lands his fifth No. 1 on the Billboard 200 albums chart with the debut of Hurry Up Tomorrow atop the tally (dated Feb. 15). The set earned 490,500 equivalent album units in the U.S. in the week ending Feb. 6, according to Luminate. That marks the largest week for any album since Taylor Swift’s The Tortured Poets Department debuted at No. 1 on the May 4, 2024-dated chart with 2.61 million. Hurry Up Tomorrow logs the biggest week for an R&B/hip-hop album since Travis Scott’s Utopia debuted at No. 1 on the Aug. 12, 2023, chart with 496,000.

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The Weeknd previously topped the chart with After Hours (2020), My Dear Melancholy (2018), Starboy (2016) and Beauty Behind the Madness (2015).

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Also in the latest top 10, Chappell Roan’s The Rise and Fall of a Midwest Princess surges 14-6 following her best new artist win at the Grammy Awards (Feb. 2), while Billie Eilish’s Hit Me Hard and Soft (10-5) also climbs in the wake of Grammy exposure.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 15, 2025-dated chart will be posted in full on Billboard‘s website on Feb. 11. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of Hurry Up Tomorrow’s 490,500 first-week equivalent album units, album sales comprise 359,000 (it debuts at No. 1 on Top Album Sales), SEA units comprise 130,500 (equaling 171.5 million on-demand official streams of the songs on the streaming edition of the album; it debuts at No. 1 on Top Streaming Albums) and TEA units comprise 1,000.

Hurry Up Tomorrow’s launch of 490,500 units marks The Weeknd’s biggest week by units earned (since the chart began measuring in units in December 2014). The set’s sales of 359,000 claim The Weeknd’s largest sales week ever.

The set was released as a nine-song standard album, widely available through digital download retailers. It was alternatively available as an 11-song edition across all of its physical formats (CD, vinyl and cassette) and a 22-track digital download and streaming edition. It was also available in two further digital download editions, both exclusively sold via The Weeknd’s HurryUpTomorrow.Club site. Each sold for $4.99, boasted alternative cover art and had the 22 tracks available on the deluxe digital/streaming edition, but each had at least one additional track. One included “Closing Night,” with Swedish House Mafia. The other included “Runaway” and “Society,” which were also included on all of the physical formats, but not any of the other digital or streaming editions.

In total, the album generated 183,000 in digital album sales; 99,000 in CD sales; 77,000 in vinyl sales (The Weeknd’s best week on vinyl) and 1,000 in cassette sales.

Hurry Up Tomorrow’s first-week sales were aided by its availability across eight vinyl variants (including a signed edition), eight CD variants (including multiple signed editions), a cassette tape, and nine deluxe boxed sets containing a branded piece of clothing and a CD.

The album was preceded by the Billboard Hot 100-charting songs “Timeless” (with Playboi Carti, No. 3 peak last October) and “Sao Paulo” (with Anitta, No. 77 last November).

Bad Bunny’s Debí Tirar Más Fotos falls 1-2 on the Billboard 200 with 94,000 equivalent album units earned (down 20%). SZA’s chart-topping SOS slips 2-3 with 82,000 (down 6%), Kendrick Lamar’s GNX dips 3-4 with 65,000 (though up 9%) and Billie Eilish’s Hit Me Hard and Soft jumps 10-5 with 53,000 (up 47%).

Eilish was the first performer on the Feb. 2 Grammy Awards broadcast (on CBS), singing the album’s “Birds of a Feather.” Also on the show: The Weeknd performed (singing his new album’s “Cry for Me” and “Timeless,” with Playboi Carti), while SZA presented the best pop duo/group performance, and Lamar won two on-air trophies (for record of the year, and song of the year, both for “Not Like Us”).

Chappell Roan’s The Rise and Fall of a Midwest Princess surges 14-6 with a 56% gain — to 49,000 equivalent album units earned. The album vaults up the tally following Roan’s win for best new artist at the Grammys, along with her performance of the album’s “Pink Pony Club” on the show (and her buzzy acceptance speech which generated headlines).

Sabrina Carpenter’s former No. 1 Short n’ Sweet gaind 20% (up to 48,000 equivalent album units) but is pushed down a spot to No. 7. On the Grammy Awards, Carpenter won the best pop vocal album award, while also performing a medley of the album’s “Espresso” and “Please Please Please.” (She also won best pop solo performance for “Espresso,” but that category was presented before the television broadcast began.)

Morgan Wallen’s chart-topping One Thing at a Time drops 5-8 on the Billboard 200, despite an 11% gain (to 45,000 equivalent album units). Taylor Swift’s former No. 1 The Tortured Poets Department ascends 11-9 with 38,000 equivalent album units (up 8%) — also likely basking in some glow from the Grammy Awards, where the album and its “Fortnight” single were up for six awards (though did not win). Swift was a visible presence throughout the ceremony, cheering on winners and performers, and presented the best country album trophy to Beyoncé (for Cowboy Carter).

Rounding out the latest top 10 on the Billboard 200 is Gracie Abrams’ The Secret of Us, falling 8-10 with 36,000 equivalent album units earned (down 5%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Charli XCX and Noah Kahan are joining Chappell Roan in supporting artists facing healthcare challenges.
On Saturday (Feb. 8), the 32-year-old British pop star shared on her Instagram Story that, like Kahan, she is matching Roan’s pledge to donate $25,000 to help artists who are struggling to afford healthcare after being dropped by their record labels.

“hey @chappellroan i am going to match your 25k to support artists’ access to healthcare. i saw @noahkahanmusic say that he would do the same and so i thought i’d follow suit,” Charli wrote, alongside a photo of the word “money” with an arrow pointing to her mouth. “your speech at the grammys was inspiring and thoughtful and from a genuine place of care. happy to help get the ball rolling too. money where mouth is xx.”

Charli’s donation was inspired by Kahan, who also shared on his Instagram Story that he would match the financial donation. “Hey @chappellroan, I’m going to match your 25K to support artist’s access to healthcare,” the “Stick Season” singer wrote. “I’m inspired by you. Happy to help get the ball rolling. Money where mouth is!”

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During her best new artist acceptance speech at the 2025 Grammy Awards on Feb. 2, Roan called out record labels for failing to provide livable wages or healthcare coverage to their artists, citing her own experience after being dropped by Atlantic Records in 2020.

“If my label would have prioritized artists’ health, I could have been provided care by a company I was giving everything to,” she told the audience.

In the days that followed, Roan’s comments sparked criticism from former A&R executive Jeff Rabhan, who wrote a guest column for The Hollywood Reporter, calling her speech “wildly misinformed.”

Roan responded to Rabhan on social media, challenging him to contribute to the cause. “@jeffrabhan wanna match me $25K to donate to struggling dropped artists?” she wrote on her Instagram Story. “My publicist is @biz3publicity let’s talk.”

The 26-year-old pop star assured her fans that she would keep them “updated on the much awaited @jeffrabhan response,” sharing receipts of any donations, and even directing a final message to the former executive: “Mr. Rabhan, I love how in the article you said ‘put your money where your mouth is,’” Roan wrote. “Genius !!! Let’s link and build together and see if you can do the same.”

Some industry executives and advocates responded positively to Roan’s speech at the Grammys. In an interview with Billboard, the Music Healthcare Alliance’s founder and CEO, Tatum Allsep, said he was “jumping on my couch” when he heard her remarks.

“I was like, ‘Gosh, thank you for bringing this up.’ The conversation was started,” Allsep said. “What’s really important to know for all the young artists who are listening is you don’t have to go without if you are making a living within our industry.”

David Schwimmer is calling for Ye’s removal from X after the rapper posted a series of controversial and antisemitic remarks.
On Saturday (Feb. 8), the Friends star took to social media to address Elon Musk, urging the X owner to ban Ye — formerly known as Kanye West –from the platform.

“This is so 2022. We can’t stop a deranged bigot from spewing hate filled, ignorant bile… but we CAN stop giving him a megaphone, Mr. Musk,” the Jewish actor, 58, wrote on Instagram. “Kanye West has 32.7 million followers on your platform, X. That’s twice as many people than the number of Jews in existence. His sick hate speech results in REAL LIFE violence against Jews.”

In recent days, Ye has gone on a tweet spree filled with hate, once again praising Nazis and Adolf Hitler while targeting the LGBTQ+ community and people with disabilities. In addition to embracing antisemitic stereotypes and hate speech, the 47-year-old rapper also tweeted support for Diddy, who is currently in jail awaiting trial on sex trafficking charges.

Schwimmer continued, “I don’t know what’s worse, the fact that he identifies as a Nazi (which implies he wants to exterminate ALL marginalized communities including his own) or the fact that there is not sufficient OUTRAGE to remove and ban him from all social media at this point. Silence is complicity.”

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In his posts, Ye also referenced Musk’s repeated use of a Nazi-like salute at a Donald Trump inauguration event in January, which was widely criticized. Musk responded to the backlash, telling critics they “need better dirty tricks.” “Elon stole my Nazi swag at the inauguration… yooo my guy get your own third rale,” Ye wrote, adding, “I can say Jew as much as I want. I can say Hitler as much as I want.”

Ye was initially banned from X (formerly Twitter) in October 2022 for antisemitic posts, briefly reinstated in November, then re-suspended later that month after he posted an image of a swastika intertwined with a Star of David. Eight months later, Musk reinstated West’s account once again.

Claiming he has no interest in “adjusting nothing I do or say for anybody,” West promised to “normalize talking about Hitler they [sic] way talking about killing ni–as has been normalized,” followed by “Hitler was sooooo fresh” and “call me Yaydolf Yitler.”

Amid Ye’s earlier embrace of Hitler and Nazi propaganda, experts spoke to Billboard about the dangers of someone with such a vast social media following promoting antisemitic tropes, especially at a time when hate crimes against Jews and Jewish institutions had reached alarming levels.

“At a time when the community is dealing with this level of hatred to have one of the most well-known entertainers in our culture making statements like ‘I like Hitler’ and showing up on [Jones’] InfoWars is not just vile and offensive, but it’s also endangering Jews by giving people permission to express that kind of prejudice,” Jonathan A. Greenblatt, CEO of the Anti-Defamation League, said at the time. “People in the mainstream did not make such overtly awful, inflammatory comments before like this.”

Less than a week after stealing the show at the Grammy Awards and winning the best rap album trophy, Doechii brought her magnetic stage presence to the Big Easy with a late night performance at the House of Verizon activation during Super Bowl weekend in New Orleans on Saturday night (Feb. 8). Explore Explore See […]

Anora appears to be the front-runner to win the Oscar for best picture. On Friday (Feb. 7) the film won the top award at the Critics Choice Awards. On Saturday (Feb. 8) it won the top prizes at both the Directors Guild of America Awards and the Producers Guild of America Awards.
The PGA Awards recognize the year’s best-produced features, documentaries, series and specials, as voted on by the PGA, which has more than 8,400 members. The 36th annual PGA Awards were held at the Fairmont Century Plaza in Los Angeles.

Since its inception in 1990, the PGA Award for best theatrical motion picture has gone to the subsequent Oscar winner for best picture on all but 10 occasions.

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The correlation between the two awards has become even stronger since 2009, when both the PGA and the Academy Awards began using ranked-choice voting (sometimes called a preferential ballot). Since 2009, the PGA winner and the subsequent Oscar winner have agreed in all but three years. The last time the two award bodies diverged was in 2020, when the PGA award went to 1917, but the Oscars favored Parasite.

The PGA expanded the number of nominees for its top award from five to 10 in 2010, the same year the Oscars made a similar expansion.

The Greatest Night in Pop, a Netflix film about the 1985 “We Are the World” recording session, won outstanding producer of televised or streamed motion pictures. The film was nominated for three Primetime Emmys last year, including outstanding documentary or nonfiction special, and was nominated for a Grammy for best music film.

Saturday Night Live, now in its 50th season on NBC, won Outstanding Producer of Live Entertainment, Variety, Sketch, Standup & Talk Television, a remarkable feat for a show this deep into its run. It beat Ali Wong: Single Lady, The Daily Show, Last Week Tonight With John Oliver and The Late Show With Stephen Colbert

The Wild Robot won Outstanding Producer of Animated Theatrical Motion Pictures. It has won in the animated film category at most film awards shows and is considered the front-runner to win the Oscar for best animated feature.

Special awards were also presented to Chris Meledandri (David O. Selznick Achievement Award in Theatrical Motion Pictures – presented by Steve Carell), Dana Walden (Milestone Award – presented by Bob Iger), Taika Waititi (Norman Lear Achievement Award in Television – presented by Jon Favreau), and Lynda Obst & Paula Weinstein (Trailblazer Award – presented by Jane Fonda and Kate Hudson).

The 2025 Producers Guild Awards event chairs are Mike Farah and Joe Farrell. The 2025 Producers Guild Awards were produced by Anchor Street Collective and written by Lauren Cortizo, Jody Lambert and Matt Oberg for the guild. Branden Chapman served as executive producer, and Carleen Cappelletti was co-executive producer.

Here’s the complete list of 2025 nominees by the Producers Guild of America, with winners marked.

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

WINNER: Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

A Real Pain

September 5

The Substance

Wicked

Outstanding Producer of Animated Theatrical Motion Pictures

Flow

Inside Out 2

Moana 2

Wallace & Gromit: Vengeance Most Fowl

WINNER: The Wild Robot

Norman Felton Award for Outstanding Producer of Episodic Television – Drama

Bad Sisters

The Diplomat

Fallout

WINNER: Shōgun

Slow Horses

Danny Thomas Award for Outstanding Producer of Episodic Television – Comedy

Abbott Elementary

The Bear

Curb Your Enthusiasm

WINNER: Hacks

Only Murders in the Building

David L. Wolper Award for Outstanding Producer of Limited or Anthology Series Television

WINNER: Baby Reindeer

FEUD: Capote Vs. The Swans

The Penguin

Ripley

True Detective: Night Country

Outstanding Producer of Televised or Streamed Motion Pictures

Carry On

WINNER: The Greatest Night in Pop

The Killer

Rebel Ridge

Unfrosted

Outstanding Producer of Non-Fiction Television

30 for 30

Conan O’Brien Must Go

The Jinx – Part Two

WINNER: STEVE! (martin) a documentary in 2 pieces

Welcome to Wrexham

Outstanding Producer of Live Entertainment, Variety, Sketch, Standup & Talk Television

Ali Wong: Single Lady

The Daily Show

Last Week Tonight With John Oliver

The Late Show With Stephen Colbert

WINNER: Saturday Night Live

Outstanding Producer of Game & Competition Television

The Amazing Race

RuPaul’s Drag Race

Top Chef

WINNER: The Traitors

The Voice

The following nominees were previously announced.

Outstanding Producer of Documentary Motion Picture

Gaucho Gaucho

Mediha

Mountain Queen: The Summits of Lhakpa Sherpa

Porcelain War

WINNER: Super/Man: The Christopher Reeve Story

We Will Dance Again

Outstanding Children’s Program

Avatar: The Last Airbender

Fraggle Rock: Back to the Rock

Percy Jackson and the Olympians

WINNER: Sesame Street

SpongeBob SquarePants

Outstanding Short-Form Program

The Crown: Farewell To a Royal Epic

Hacks: Bit By Bit

The Penguin: Inside Gotham

Real Time with Bill Maher: Overtime

WINNER: Shōgun – The Making of Shōgun

Outstanding Sports Program

Formula 1: Drive to Survive

Hard Knocks: Offseason with the New York Giants

Messi’s World Cup: The Rise of a Legend

WINNER: Simone Biles Rising

Triumph: Jesse Owens and the Berlin Olympics

PGA Innovation Award

Critterz

Emperor

Impulse: Playing with Reality

WINNER: Orbital

The Pirate Queen with Lucy Liu

What If…? – An Immersive Story

Sabrina Carpenter, who took home her first Grammy awards last weekend, has given fans a glimpse at her celebratory night — on film. Featured in her photographs are industry peers Taylor Swift, Jack Antonoff, Chappell Roan and Beyoncé, among others.
The Short n’ Sweet singer seemingly went to a Grammys after party also attended by Swift, Antonoff, Margaret Qualley and Amber Mark. She shared a snapshot of herself getting cozy with the group on a couch, and another in which Swift, wearing the jacket that she caught from Janelle Monáe during Sunday’s (Feb. 3) ceremony, embraces her with a big hug.

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Carpenter posted her pictures on Instagram on Friday (Feb. 7), captioning the collection “film from Sunday,” with a smiley face.

In the slideshow of 15 pictures is a shot of Carpenter with Roan, both with wide, ecstatic grins. Another special moment captured on film is the “Espresso” star getting a hug from album of the year winner Beyoncé.

Carpenter’s photos also document her glamorous Grammy Awards look: that backless, baby blue gown.

She left the 2025 Grammy Awards as a winner in the best pop vocal album and best pop solo performance categories.

Post-Grammys, Carpenter announced a deluxe edition of breakthrough album Short n’ Sweet, with Dolly Parton on a remix of “Please Please Please.” The deluxe release also features bonus tracks “15 Minutes,” “Couldn’t Make It Any Harder,” “Busy Woman” and “Bad Reviews.” It’ll be out on Feb. 14.

The original Short n’ Sweet debuted at No. 1 on the Billboard 200 albums chart in August. Three singles from the album charted on the Hot 100, led by “Please Please Please,” which reached No. 1.

Nelly brought his St. Louis swagger to a New Orleans institution, turning a nearly seven-decade-old restaurant into a Super Bowl week party.
The multi-Grammy winner packed Brennan’s on Friday night (Feb. 7), delivering a hit-filled set at h.wood’s “Homecoming.” As fans rushed the stage, pro football Hall of Famer Shannon Sharpe and actor Jaleel White kicked back in the VIP area, while Flavor Flav enjoyed the show from a prime onstage spot.

Chainsmokers went on before Nelly, performing a number of their hits, from “Closer” to “Roses.”

Before Nelly’s appearance, attendees mingled for a few hours at the invite-only event. Once he arrived, many flocked toward the stage and pulled out their phones to capture his set.

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While Flavor Flav recorded him, Nelly went on to perform several jams including “Ride Wit Me,” “E.I.” and “Air Force Ones.” Many in the crowd recited the Kelly Rowland-sang chorus of “Dilemma,” which won a Grammy in 2003. Nelly also performed “Hot in Herre,” another Grammy winner in that same year.

The Homecoming show was a part of a night filled with other concerts across the New Orleans area before the Kansas City Chiefs face off against the Philadelphia Eagles on Sunday.

Shaquille O’Neal held his carnival-style Shaq’s Funhouse with Ludacris and John Summit headlining the concert. Some attendees included rapper Sexyy Red, football player Desean Jackson, NBA great Paul Pierce and Patrick Surtain II, who was recently awarded the NFL’s defensive player of the year honor.

Nelly recently performed at the Liberty Inaugural Ball, held for the presidential inauguration of Donald Trump on Jan. 20. He commented on his decision to take part in the inauguration concert, saying, “I’m not doing this for money. I’m doing this because it’s an honor. I respect the office. It don’t matter who is in office, the same way that our men and women, our brothers and sisters who protect this country, have to go to war and have to put their life on the line for whoever’s in office. So if they can put their life on the line for whoever in office, I can damn sure perform for whoever.”

A Complete Unknown, the James Mangold film about Bob Dylan in the 1960s, won best picture/best movie for grownups at AARP’s Movies for Grownups Awards, which were held on Saturday (Feb. 8) at the Beverly Wilshire Hotel in Beverly Hills, Calif. The event had originally been scheduled for Jan. 11, but was postponed due to the wildfires that spread across multiple neighborhoods of the Los Angeles area beginning on Jan. 7.
Alan Cumming, the Tony- and Primetime Emmy Award-winning host of the competition show The Traitors, returned as host of the show, which is in its 24th year. The awards are set to be broadcast by Great Performances on Sunday, Feb. 23, at 7 p.m. ET/6 p.m. CT on PBS, its website and the PBS app.

AARP’s Movies for Grownups Awards was established to encourage films and TV shows that resonate with older viewers. On itssite, AARP adds that there is an age requirement for individual honors: “AARP honors 2024’s finest film and TV achievements by talents 50+.” (They go so far as to list ages in the winners list on their site.)

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That 50+ requirement explains why Kieran Culkin (A Real Pain) and Zoë Saldaña (Emilia Pérez), who are winning most awards for best supporting actor and actress, respectively, weren’t nominated here. Culkin is 42. Saldaña is 46. It also explains why Timothée Chalamet wasn’t nominated for best actor for playing Dylan in A Complete Unknown. Chalamet is just 29 — a whippersnapper in AARP terms.

A Complete Unknown competed in the best picture category with Conclave, Emilia Pérez, Gladiator II and September 5. The Dylan biopic won a second award for best time capsule. It was the only double winner at the show.

The awards for best actor and best actress went to Adrien Brody (The Brutalist) and Demi Moore (The Substance), who seem to be the front-runners to win Academy Awards in those categories.

Super/Man: The Christopher Reeve Story won best documentary. The film, directed by Peter Ettedgui, tracks actor Christopher Reeve’s pivot from film star to activist for disability rights following a 1995 horse-riding accident. It triumphed in a tough category that had a greater than usual music emphasis. The other nominees were I Am: Celine Dion, directed by Irene Taylor, which focuses on the singer’s struggle with Stiff Person Syndrome; Luther Vandross: Never Too Much — directed by Dawn Porter, which traces the late R&B star’s life and career; Piece by Piece, directed by Morgan Neville, a journey through the life of Pharrell Williams, told through the lens of LEGO animation; and Will & Harper, directed by Josh Greenbaum, an intimate portrayal of friendship starring Will Ferrell and Harper Steele, friends of 30 years who go on a cross-country road trip.

Glenn Close was the Movies for Grownups Career Achievement Winner, their version of a lifetime achievement award.

Here’s the complete list of nominees for the 2025 Movies for Grownups Awards, with winners marked.

FILM AWARDS

Best Picture/Best Movie for Grownups

WINNER: A Complete Unknown

Conclave

Emilia Pérez

Gladiator II

September 5

Best Actress

Pamela Anderson (The Last Showgirl)

Marianne Jean-Baptiste (Hard Truths)

Nicole Kidman (Babygirl)

WINNER: Demi Moore (The Substance)

June Squibb (Thelma)

Best Actor

WINNER: Adrian Brody (The Brutalist)

Daniel Craig (Queer)

Colman Domingo (Sing Sing)

Ralph Fiennes (Conclave)

Jude Law (The Order)

Best Supporting Actress

WINNER: Joan Chen (Didi)

Aunjanue Ellis-Taylor (Nickel Boys)

Lesley Manville (Queer)

Connie Nielsen (Gladiator II)

Isabella Rossellini (Conclave)

Best Supporting Actor

Clarence Maclin (Sing Sing)

Guy Pearce (The Brutalist)

WINNER: Peter Sarsgaard (September 5)

Stanley Tucci (Conclave)

Denzel Washington (Gladiator II)

Best Director

Pedro Almodóvar (The Room Next Door)

WINNER: Jacques Audiard (Emilia Pérez)

Edward Berger (Conclave)

James Mangold (A Complete Unknown)

Ridley Scott (Gladiator II)

Best Screenwriter

Jacques Audiard, Thomas Bidegain, Nicolas Livecchi (Emilia Pérez)

Jay Cocks and James Mangold (A Complete Unknown)

WINNER: Winnie Holzman (Wicked)

Peter Straughan (Conclave)

Denis Villeneuve, Jon Spaihts (Dune: Part Two)

Best Ensemble

A Complete Unknown

Beetlejuice, Beetlejuice

His Three Daughters

September 5

WINNER: Sing Sing

Best Intergenerational Film

Didi

Here

His Three Daughters

The Piano Lesson

WINNER: Thelma

Best Time Capsule

WINNER: A Complete Unknown

The Brutalist

Here

Maria

September 5

Best Documentary

I Am: Celine Dion

Luther: Never Too Much

Piece by Piece

WINNER: Super/Man: The Christopher Reeve Story

Will & Harper

TV AWARDS

Best TV Series or Limited Series

The Crown

Hacks

Palm Royale

WINNER: Shōgun

Slow Horses

Best Actress (TV)

Jennifer Aniston (The Morning Show)

WINNER: Jodie Foster (True Detective: Night Country)

Jean Smart (Hacks)

Meryl Streep (Only Murders in the Building)

Sofia Vergara (Griselda)

Best Actor (TV)

Billy Crudup (The Morning Show)

Idris Elba (Hijack)

WINNER: Jon Hamm (Fargo)

Gary Oldman (Slow Horses)

Hiroyuki Sanada (Shōgun)

Grupo Frontera is addressing the backlash following allegations of supporting Donald Trump.
On Friday (Feb. 7), the Mexican-American band shared a statement on their Instagram Story, clarifying that they do not align with any U.S. political party.

“We want to clarify that Grupo Frontera has NO affiliation not alliance with any political party that’s against immigrants and the Latino community,” Grupo Frontera wrote in Spanish. “Like many of you, our families and [group] members have fought and struggled for a better future, and we will always take our people’s side, defending our roots and values.”

The Texas-based Música Mexicana band added, “It’s important you know that the opinions of our friends and family don’t represent Grupo Frontera. We are immigrants, we are from the border, and Grupo Frontera will always be by and for the people.”

Grupo Frontera — which includes members Adelaido Solís III (“Payo”), Juan Javier Cantú, Julián Peña, Alberto Acosta, Carlos Guerrero and Brian Ortega — came under fire after a viral video showed the grandmother of a band member celebrating Trump’s victory in the 2024 presidential election, according to The Latin Times.

Trending on Billboard

As fans began to react to the viral clip, Grupo Frontera remained largely silent on social media.

The controversy coincided with Trump’s promise to begin large-scale deportations when re-elected, a move that would heavily impact Latinos.

“i will no longer support grupo frontera because, how are you voting for Trump while being latino? mind you I live in their surrounding era and it’s heavily latino populated too like???” one fan wrote on X.

According to the LT, other various social media responses included: “Make music in English now,” “Never come back to Mexico,” “Latinos are the ones who listen to your music, and you’ve let us down,” “This kind of betrayal comes at a high price” and “We should cancel them all.”

Artists such as Residente, Selena Gomez, Lupillo Rivera, Becky G, Chiquis and Ángela Aguilar have spoken out against the deportations.

Grupo Frontera will be performing at Billboard THE STAGE during SXSW in Austin on March 14.

Noah Cyrus is showing support for her dad, Billy Ray Cyrus, and his new music amid family drama.
On Friday (Feb. 7), the 25-year-old singer took to her Instagram Story to share a post about Billy Ray’s latest single, “Lost.”

“so proud of my Dads INCREDIBLE new single LOST with my good, old friend @samtinnesz and @tommeeprofitt,” she wrote, alongside a brief teaser of the track and a pair of red heart emojis.

Billy Ray’s “Lost,” featuring Tinnesz and Profitt, marks the 63-year-old country singer’s first new release since his rocky performance at the Liberty Ball during Donald Trump’s inauguration. His appearance on Jan. 20 was plagued by technical difficulties, leading him to perform “Achy Breaky Heart” a cappella for the crowd.

Following the controversial performance, Billy Ray’s son Trace Cyrus, older brother to Miley and Noah, shared an open letter on Instagram expressing concern for his father’s well-being.

“Me and the girls have been genuinely worried about you for years but you’ve pushed us all away,” he wrote. “Noah desperately has wanted you to be a part of her life and you haven’t even been there for her. That’s your baby girl. She deserves better. Somehow just like me she still idolizes you though.”

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On Jan. 25, Trace posted another Instagram letter, claiming Billy Ray had threatened him with legal action after the public plea for his father to “get help.”

Billy Ray, along with his ex-wife Tish, is the parent of Brandi, 37, and Trace, 35, both of whom Billy Ray adopted after marrying Tish. Together, they also share Miley, 32; Braison, 30; and Noah. He is also the father of 32-year-old Christopher, his son with ex-girlfriend Kristin Luckey.

In late January, Billy Ray announced an upcoming album, produced by Braison. The album is expected to be released sometime this summer.

“This is art imitating life, imitating art,” Billy Ray said of the album. “It starts and ends with art. Braison is very talented and ‘25 is his year. I’m glad to be a part of it. This record is gonna be special. I’m gearing up for what will be the journey of a lifetime.”