Music

17 Jun 2024

Nick Jonas Headed Back to Broadway For ‘The Last Five Years’ Revival

Nick Jonas is prepping his return to Broadway in the spring of 2025 with a co-starring role in the revival of the musical The Last Five Years. According to The Hollywood Reporter Jonas is slated to co-star alongside Tony-winner Adrienne Warren (Shuffle Along, Tina) in the show, which will be directed by Tony nominee Whitney White (Jaja’s African Hair Braiding), with a score and book by Jason Robert Brown (Parade, The Bridges of Madison County).

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Jonas first appeared on Broadway as a child actor in musicals including 2001’s Annie Get Your Gun, as well as Beauty and the Beast and Les Misérables. After the Jonas Brothers took off, he returned to the Great White Way in 2012, when he took over the lead role in How to Succeed in Business Without Really Trying from Harry Potter star Daniel Radcliffe.

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The Last Five Years follows aspiring New York author Jamie and actress Cathy as they chronicle the ups and downs of their relationship over half a decade, with each starting at an opposite end of the affair’s timeline. The show premiered in 2001 and had off-Broadway runs in 2002 and 2013 and was adapted into a musical film in 2014 starring Anna Kendrick and Jeremy Jordan. The upcoming Jonas/Warren run will make the first time the musical has appeared on Broadway, with the theater and run dates to be announced later.

“I have always believed that when the time was right, The Last Five Years would make its way to Broadway,” Brown said in a statement of the show that will mark Jonas’ first Broadway role since 2012. “To have Nick and Adrienne taking on these roles is a composer’s dream come true, and to have Whitney’s extraordinary guidance and vision is the hope of every playwright. It has taken twenty-five years, but the time is right.”

17 Jun 2024

Ed Sheeran Bests Taylor Swift For Seventh Title As U.K.’s Most-Played Artist of the Year

They love him, they really love him. For the seventh time in his career, Ed Sheeran has been named the most-played artist in the U.K. According to The Guardian, Sheeran, 33, topped the list of music played across U.K, radio, TV and in public places for the seventh time in nine years on the list compiled by music licensing company PPL.

The latest chart honor for Sheeran also kept his pal, Taylor Swift, from her first shot at the most-played title in the U.K., with the singer coming in at No. 2 after landing at No. 10 on the 2023 ranking; Taylor’s second-place showing matches her previous 2015 high. Swift is in the midst the summer swing of her Eras Tour in Europe, which will take her to Principality Stadium in Cardiff, Wales on Tuesday (June 18).

“Thank you for naming me the most played artist for last year. Thank you to my team, not just for me, but for all the other artists you work with – I’m happy that you get this recognition,” Sheeran said in a statement.

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Coming in behind Sheeran and Swift was Dua Lipa, whose “Dance the Night” single from the Barbie soundtrack helped boost her ranking, with Calvin Harris just behind at No. 4 and David Guetta rounding out the top five. Sir Elton John snagged the sixth position, just ahead of the only band on the list, Coldplay, who were followed by singer Tom Grennan in his first appearance, with Harry Styles at No. 9. Thanks to her global Celebration tour, Madonna returned to the year-end tally at No. 10.

Check out the list of the most played songs in the U.K. in 2023 below.

  1. Miley Cyrus, “Flowers
  2. Ed Sheeran, “Eyes Closed”
  3. Lewis Capaldi, “Forget Me”
  4. Taylor Swift, “Anti-Hero”
  5. Dua Lipa, “Dance the Night”
  6. Calvin Harris and Ellie Goulding, “Miracle”
  7. P!nk, “Trustfall”
  8. Jonas Brothers, “Waffle House”
  9. Taylor Swift, “Cruel Summer”
  10. Niall Horan, “Heaven”

17 Jun 2024

Nas Working With Arthur Baker to Adapt Classic Hip-Hop Movie ‘Beat Street’ For Broadway

Nas is working on adapting the beloved 1984 hip-hop movie Beat Street for Broadway. According to The Hollywood Reporter, the rapper is working to expand and create new material inspired by the original film’s soundtrack for the musical that he will co-produce. He will be collaborating on the musical stage adaptation with producer Arthur Baker (Afrika Bambaataa, New Order), who served as a co-producer, composer and musical producer on the original movie.

The news was announced on Friday after a 40th anniversary screening of Beat Street at the Tribeca Festival and marks the Queens rapper’s first dip into the Broadway world. “Beat Street wasn’t just a film – it spread the revolution of hip-hop culture throughout the country and the world. It left an indelible mark, inspiring generations of young artists and creating new hip-hop fans alike,” Nas said at Tribeca. “It’s a thrill for me to join the creative team of Beat Street, bringing the raw energy of hip-hop into the fabric of Broadway. It’s an honor to breathe new life into this iconic work and celebrate its enduring legacy.”

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The original Beat Street was a cult classic released in 1984 that followed a DJ, graffiti artist and breakdancer in the South Bronx trying to make it on the then-new hip-hop scene. Serving as a kind of primer for mainstream America on the elements of hip-hop, it starred Rae Dawn Chong, Gus Davis and Jon Chardiet and featured cameos from a number of early hip-hop legends, including DJ Kool Herc, Doug E. Fresh, Afrika Bambaataa, Soulsonic Force, the New York City Breakers, Rock Steady Crew, Crazy Legs, Grandmaster Melle Mel & the Furious Five and more.

The film’s original soundtrack also paid homage to the first wave of hip-hop icons, including Grandmaster Melle Mel & the Furious Five, Jazzy Jay, the Treacherous Three with Doug E. Fresh, Afrika Bambaataa and more.

17 Jun 2024

Coldplay Announce Details For 10th Studio Album, ‘Moon Music’

Coldplay announced the release date for their 10th studio album on Monday morning (June 17). Produced by Max Martin, Moon Music will arrive Oct. 4, and is led-off by LP’s first single, “feelslikeimfallinginlove,” which, as previously reported, drops this Friday (June 21).

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Chris Martin and the band gave fans a taste of things to come at Budapest’s Puskás Aréna on Sunday night (June 16), where they performed the new song in full. Earlier, the group shared a snippet of the euphoric new number on their socials, along with artwork that features the face of a waning planet with a colorful corona erupting from its surface.

On it, Martin sings: “It feels like I’m falling in love/ You’re throwing me a lifeline/ Oh, not for the first time/ I know I’m not alone.”

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In line with the foursome’s long-standing eco-ethics, Coldplay has “gone to great lengths” to make the physical release of Moon Music “as sustainable as possible,” according to a statement.

Each 140g LP will contain some nine recycled PET-plastic bottles recovered from post-consumer waste, and the CD version are said be the “world’s first” to be released on EcoCD, created from 90% recycled polycarbonate, also sourced from post-consumer waste.

The first edition of Moon Music (EcoRecord rPET LP and EcoCD) will be available in limited-edition, individually-numbered runs and produced at a “higher specification” than future cuts, reads a statement.

Moon Music is a continuation to Coldplay’s most recent release, the Max Martin-produced 2021 effort Music Of The Spheres, which opened at No. 1 in the U.K. and Australia, and No. 4 on the Billboard 200. The single “My Universe” with BTS hit No. 1 on the Billboard Hot 100 chart.

Martin has been teasing the new record for 18 months, at least. Back in January of 2023, he told the Toronto City News that the band was nearing completion of what he then promised was the second LP in the Music of the Spheres series. He remarked “that won’t come out for a bit,” though he teased that the band “might” start rolling out some of the new songs live that year.

Coldplay’s current global trek is in support of Spheres, kicking off on March 18, 2022 in Costa Rica. The years-long tour is currently slated to wrap up with the second of two shows in Eden Park in Auckland, New Zealand on Nov. 16.

17 Jun 2024

Eminem Performs Magic Trick on U.K. Chart With ‘Houdini’

Eminem’s “Houdini” (Interscope) proves unstoppable on the U.K. chart, as it notches a second week at No. 1.

There’s a touch of magic about Marshall Mathers’ 11th and latest No. 1 on the Official U.K. Chart; it’s the first time the Rock Hall-inducted rap legend has secured more than one week at the summit.

Em previously led the survey with “The Real Slim Shady” (2000), “Stan” (2000), “Without Me” (2002), “Lose Yourself” (2002), “Just Lose It” (2004), “Like Toy Soldiers” (2005), “Smack That” with Akon (2006), “The Monster” with Rihanna (2013), “River” with Ed Sheeran (2017) and “Godzilla” with the late Juice WRLD (2020).

Sabrina Carpenter has had Brits drinking down “Espresso” (Island) all summer. The track holds at No. 2 on the chart, published Friday, June 14. Now, she’s getting a buzz from her new single “Please, Please, Please,” new at No. 3 for the highest new entry on the Official Chart.

Taylor Swift’s The Eras Tour is currently working its way through the U.K. Typically, TayTay’s tunes fly up the charts of those countries she visits, and the U.K. is no different. As The Tortured Poets Department (EMI) returns to No. 1 on the national albums survey, “Cruel Summer” reenters the U.K. top 40 at No. 17.

After nabbing a record six Brit Awards earlier this year, RAYE bags a 15th U.K. top 40 appearance with “Genesis” (Human Re Sources). Clocking in at seven minutes, “Genesis” debuts at No. 22. It’s the followup to RAYE’s No. 1 hit from 2023, “Escapism.”

Meanwhile, Swift’s Tortured Poets logs a sixth non-consecutive week atop the Official U.K. Albums Chart, setting a new mark for the U.S. pop superstar. Tortured Poets surpasses her previous best of five non-consecutive weeks with 2022’s Midnights. Tortured Poets retains top spot, thanks in part to the release of new, U.K.-exclusive digital formats including previously-unreleased bonus live recordings, in celebration of the current U.K. leg of her The Eras Tour.

Five classic Swift albums climb the chart: Lover (19-7), 1989 (Taylor’s Version) (21-9), Midnights (26-13), folklore (25-14) and reputation (36-19).

After leading earlier in the week, Charli XCX’s sixth LP Brat (Atlantic) bows at No. 2. According to the Official Charts Company, Brat’s first-week total eclipses that of her 2022 No. 1 Crash.

Finally, Rock Hall-inducted rock legends Bon Jovi complete the podium with Forever (EMI), new at No. 3.

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17 Jun 2024

Billie Eilish’s ‘Hit Me Hard And Soft’ Hits Another No. 1 In Australia

Billie Eilish’s Hit Me Hard And Soft (via Interscope/Universal) leads an all-female top three on Australia’s albums chart.

The U.S. pop phenomenon holds top spot on the ARIA Chart, published Friday, June 14, ahead of Taylor Swift’s former leader, The Tortured Poets Department (Universal), unchanged at No. 2.

The podium is completed by British artist and producer Charli XCX, whose Brat (Atlantic/Warner) bows at No. 3. Brat is her third top 10 appearance in Australia following 2019’s Charli, which peaked at No. 7, and 2022’s Crash, which led the frame for one week.

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Further down the list, Rock and Roll Hall of fame-inducted band Bon Jovi lands its 14th top 10 album in a row with Forever (Island/Universal). It’s new at No. 4. The New Jersey natives have led the ARIA Chart with 10 titles, placing them equal sixth place on the all-time list alongside Rap God Eminem and legendary Australian singer John Farnham.

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There’s a timeless feel to this week’s ARIA Albums Chart. U.S. pop singer and former Australian Idol judge Meghan Trainor opens at No. 23 with Timeless (Epic/Sony), while Canadian producer and artist Kaytranada starts at No. 42 with his very own Timeless (RCA/Sony).

Over on the ARIA Singles Chart, Eminem’s new track “Houdini” (Interscope/Universal) holds at No. 1 for a second consecutive week.

Sabrina Carpenter continues her hot streak with her former No. 1 “Espresso” lifting 5-2, and her followup “Please Please Please” (both via Island/Universal) entering at No. 4, for the week’s top debut.

Shaboozey’s country tune” A Bar Song (Tipsy)” (via Empire) is unchanged at No. 3.

The highest-flying homegrown track belongs to Australian singer and producer Cyril with “Stumblin’ In” (Spinnin’ Records/Warners), unmoved at No. 32. The groovy cut interpolates the Suzi Quatro and Chris Norman song from the late ‘70s, which was co-written and produced by another Australian, Mike Chapman.  

16 Jun 2024

‘The Outsiders,’ ‘Stereophonic’ and More Record-Setters at the 2024 Tony Awards

The Outsiders, based on the 1967 novel by S.E. Hinton and a 1983 film by Francis Ford Coppola, was a surprise winner for best musical at the 2024 Tony Awards, which were presented on Sunday (June 16). The award was thought to be a close race between Suffs, a musical about American women’s suffrage movement, and Hell’s Kitchen, a musical loosely based on Alicia Keys’ early life and music.

Stereophonic, a David Adjmi play with music, was named best play.  

The 77th Annual Tony Awards, which were hosted by Ariana DeBose for the third consecutive year, aired live on both coasts from the David H. Koch Theater at Lincoln Center for the Performing Arts in New York City on Sunday, June 16 on CBS. The show also streamed on Paramount+ in the U.S.

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Stereophonic was the year’s most-decorated production, winning five Tonys. It was followed by The Outsiders and a revival of Stephen Sondheim’s Merrily We Roll Along, with four wins each. The original production of Merrily received just one nod in 1982 – original musical score. Two of the stars of the Merrily revival – Jonathan Groff and Daniel Radcliffe – won their first Tonys for their performances. The New Broadway Cast recording of Merrily We Roll Along entered Billboard’s Cast Albums chart at No. 1 in November 2023.

This is the fifth time that a revival of a Sondheim show has won best revival of a musical. Into the Woods won in 2002; followed by Assassins in 2004, and Company in both 2007 and 2022. Sondheim died in 2021 at age 91.

Trailing Stereophonic, Merrily We Roll Along and The Outsiders in terms of most wins were Appropriate, The Outsiders and Suffs, with three wins each; Hell’s Kitchen, with two; and Cabaret at the Kit Kat Club, An Enemy of the People, The Great Gatsby, Illinoise, Jaja’s African Hair Braiding and Purlie Victorious: A Non-Confederate Romp Through the Cottom Patch, with one each.

Water for Elephants was shut out despite seven nominations. Also shut out despite large numbers of nominations were Here Lies Love, Mary Jane and Mother Play, with four nods each.

The Outsiders is the second best musical winner in the past four years that was based on a film, following Moulin Rouge!. Other winners since 2000 that were based on films are The Producers (2001), Thoroughly Modern Millie (2002), Hairspray (2003), Spamalot (2005), Billy Elliot the Musical (2009), Once (2012) and The Band’s Visit (2007). The last-named title was based on an Israeli film.

Angelina Jolie was among the producers of The Outsiders and now has a Tony to go along with the Oscar she won 24 years ago for best supporting actress for Girl, Interrupted.

Hillary Rodham Clinton was among the producers of Suffs, and received a thunderous ovation when she introduced a performance from the show. She was vying to become the first first lady to win a Tony, just as she was the first first lady to win a Grammy, in 1997, for the audio book of her best-seller, It Takes a Village.

Alicia Keys’ AK Worldwide Media, Inc. and Jay-Z’s Roc Nation were among the producers of Hell’s Kitchen. They lost the Tony for best musical, but they scored heavily on the telecast with a performance of “Empire State of Mind,” their Grammy-winning 2009 smash which is featured in Hell’s Kitchen.

Keys and Jay-Z weren’t the only music superstars to perform on the show. Pete Townshend also performed alongside the cast of The Who’s Tommy, which was nominated for best revival of a musical.

Shaina Taub won two Tonys – best original score and best book of a musical – for her work on Suffs. Taub is just the third woman in Tony history to win in both of those categories – and she’s the first woman to win in both categories entirely on her own. Betty Comden won both awards in 1978 for On the Twentieth Century, but she had collaborators in both categories. Lisa Kron won both awards in 2015 for Fun Home, but she had a collaborator in the score category.

Jonathan Tunick won best orchestrations for the revival of Merrily. Tunick’s only previous Tony win was for Titanic (1997), which made him the seventh EGOT winner. Three of the awards that make up Tunick’s EGOT were for Sondheim-related work. His only Oscar was for adapting the score for the 1978 film version of A Little Night Music. His only Grammy was for his arrangement of Cleo Laine’s recording of “No One Is Alone,” from Into the Woods.

George C. Wolfe and Jack O’Brien received lifetime achievement awards. Billy Porter received the Isabelle Stevenson Award, honoring humanitarian achievements. The show included a tribute to Broadway legend Chita Rivera, who died in January. Rivera also closed the In Memoriam segment, which also included actors Hinton Battle, Glynis Johns and Glenda Jackson and songwriters Richard Sherman and Sheldon Harnick, among others.

The 2023-24 eligibility season began on April 28, 2023, and ended on Thursday, April 25, 2024. Tony Awards in 26 competitive categories were voted on by 836 designated Tony voters within the theatre community.

The Tony Awards were produced in collaboration with Tony Award Productions, a joint venture of the Broadway League and the American Theatre Wing, and White Cherry Entertainment. Ricky Kirshner and Glenn Weiss were showrunners and executive producers for White Cherry Entertainment, and Weiss served as director. Jack Sussman was also an executive producer.

16 Jun 2024

Reyna Roberts Talks Beyoncé’s ‘Cowboy Carter’ Impact: ‘It’s So Interesting to See How People Treat Me Now’

From Shaboozey‘s runaway breakout hit “A Bar Song” to Sabrina Carpenter‘s drawl-inflected “Please Please Please” and Post Malone and Morgan Wallen‘s Billboard Hot 100-topping “I Had Some Help,” country music is back on top. Of course, a major player in this moment, specifically in the platforming of Black country artists in this moment, is Beyoncé.

At the top of the year she unleashed her Billboard 200-topping Cowboy Carter, the second act of her still-unfurling trilogy, featuring a slew of rising Black country stars, including Reyna Roberts, who is a credited artist on “Blackbiird” and harmonizes in the background on “Tyrant.”

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“From the very moment I heard my voice on [“Tyrant”], I couldn’t believe it,” Roberts gushed to Billboard backstage after her performance at Blavity House Party on Saturday (June 15). “I’m still so thankful that Beyoncé brought us onto a project and made us a little part of her legacy because people here weren’t doing that, but she did.”

Despite Black artists being foundational to the creation of what is now recognized as country music, the genre’s roots have been whitewashed and obfuscated by those who wanted to erase the contributions of key players such as Leslie Riddle, Rufus “Tee Tot” Payne, Arnold Schultz and Gus Cannon. With the release of Cowboy Carter — which, in addition to Roberts, featured collaborations with Tanner Adell, Brittney Spencer, Tiera Kennedy, Shaboozey, Willie Jones and the legendary Linda Martell — a mainstream Black country boom is unfolding in real-time.

None of the artists featured on Cowboy Carter are new to the country music industry. Many of them have been trying to break through for close to a decade, but Beyoncé’s latest LP has been the catalyst needed to sidestep the Nashville machine and force industry gatekeepers to truly pay attention. After all, when Beyoncé released “Texas Hold ‘Em,” Cowboy Carter’s Hot 100-topping lead single, back in February, Billboard reported a residual streaming boost for the catalogs of other Black women in country; Robert’s streams jumped 250% in the week following the release of “Texas.”

“When I was [first] coming to Nashville, I was telling people my goals, my dreams, like I’m going to work with Beyoncé,” says Roberts. “People just weren’t seeing it. I met with a lot of labels [in Nashville], and everybody passed on me. It’s so interesting to see how people treat me now. I’m the same person, I’m thankful my personality hasn’t really changed, my talent hasn’t changed, I’m the same individual. But it took Beyoncé and a lot of answered prayers from God for some people to see what they weren’t able to see before.”

For Roberts, the rest of 2024 is all about making sure this moment isn’t just a flash in the pan. The “Stomping Grounds” singer is currently hard at work on her new album, the follow-up to 2023’s Bad Girl Bible, Vol. 1, as well as exciting endeavors across different realms of entertainment.

“With this next album, every song is going to have a story [and] have a visual,” she reveals. “I want to make sure I’m telling the best stories that I can, so it takes a little bit of time. It’s definitely coming. It’s going to be something that I’m proud of and that I want to sing for the rest of my life.”

16 Jun 2024

6 Best Moments of Blavity House Fest: Dru Hill, Rick Ross, Reyna Roberts & More

At the intersection of 615 Day 2023 and Juneteenth Weekend lies the inaugural Blavity House Party. Holsted by Blavity Media Group, the new festival took over Nashville, Tennessee, on June 14 and 15, treating locals and travelers alike to two nights of fiery performances in celebration of Juneteenth and Black Music Month.

Hosted by Zack Fox, Bridget Kelly and Mani Millss, Blavity House Party boasted a slew of performers across the myriad genres of the Black diaspora, including Monica, Rick Ross, K. Michelle, Dru Hill, Uncle Waffles, Blxst, Ryan Leslie, Leon Thomas, Big Freedia, Freeway, Lil’ Mo, Travis Porter, Reyna Roberts, Nesta, Domani and more. In addition to the two performance stages (one outside and one inside Music City’s storied Municipal Auditorium), the patio hosted a bevy of local Black-owned businesses for festivalgoers to support.

The festival’s opening day got off to a semi-sanctified start with a rousing performance from Sainted Trap Choir. With a tight choreography and tighter arrangements, the choir ripped through a medley that combined both secular and pop hits, including Travis Porter’s “Make It Rain,” Victoria Monét’s “On My Mama,” Tyla’s “Water” and Kirk Franklin’s “Melodies from Heaven.” Big Freedia kept the energy high with a NOLA-exalting bounce set that featured endless twerking and racy fellatio demonstrations from her backup dancers, while Grammy-winning R&B singer-songwriter Leon Thomas enraptured the audience with his honeyed vocals and impressive guitar skills.

Despite strong performances from day one’s performers, the meager audience turnout was impossible to ignore. As the day went on, the floor started to fill up, with legendary R&B group Dru Hill drawing the most passionate crowd of the night. Celebrating more than 25 years of hits, Sisqó led his fellow group members in impressive renditions of timeless hits like “Tell Me” and “In My Bed,” flaunting the power of their live vocals and pristine harmonies. With their set, Dru Hill was able to capture lightning in a bottle and truly make Blavity House Party feel like a must-see festival. Nonetheless, that energy quickly dissipated as the crowd waited anxiously for Lil Wayne — who was scheduled as the night’s headliner — just for the “A Milli” rapper to ghost the festival, providing no reason for his absence.

In an effort to make up for the last-minute disappointment of day one, Blavity House Party packed on several additional performers for the festival’s second day, including Lil Scrappy, Rick Ross and Tennessee native K. Michelle. Standout performers from day two included outlaw country princess Reyna Roberts — who put on a blazing show to match her red-hot hair — and hip-hop trio Travis Porter, who have provided a timeless soundtrack to Black house parties for nearly 15 years and counting. Lil Scrappy, something of a musical forefather to Travis Porter, also lit up the auditorium with lively performances of ’00s classics such as “Head Bussa” and “Neva Eva.”

Clearly an eleventh-hour addition, K. Michelle breezed through a six-minute set that included renditions of “Can’t Raise a Man” and “V.S.O.P.” Curiously, the chart-topping R&B star did not perform any of her country songs, though she did confirm that her long-awaited country album is still on the way. Headliner Monica took fans down memory lane with a set that spurred mass sing-alongs to some of her most beloved tracks, such as “So Gone” and “Before You Walk Out of My Life.”

Once again, the show threatened to fly off the rails near the end of the night. Rick Ross’ music was shockingly cut short about six songs into his set. After requesting his DJ drop the next track, silence ensued. The DJ continued to press buttons to figure out the situation, but within the next seven minutes, Ricky Rozay had given away a bottle of Belaire champagne, threw on his backpack, and exited the stage for good, making for a sudden and unforgettable end to the inaugural Blavity House Party.

Here are the six best moments from Blavity House Party 2024.

16 Jun 2024

Here Are All the Winners of the 2024 Tony Awards (Updating Live)

Curtain up! Light the lights! Broadway’s biggest night, the Tony Awards, is here. It all gets underway Sunday night (June 16) at 6:30 p.m. ET/3:30 p.m. PT with The Tony Awards: Act One, co-hosted by Julianne Hough and Utkarsh Ambudkar. That 90-minute pre-show, where many of the technical awards are presented, streams on Pluto TV (click on the “ET” channel).

At 8 p.m. ET/5 p.m. PT, CBS will air the 77th annual Tony Awards, with Ariana DeBose hosting for the third year. The three-hour show will also stream on Paramount+ in the U.S. Both shows will be held at the David H. Koch Theater at Lincoln Center for the Performing Arts in New York City.

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The Tonys telecast is set to include performances from all five nominees for best musical (Hell’s Kitchen, Illinoise, The Outsiders, Suffs and Water for Elephants) and from three of the four nominees for best revival of a musical (Cabaret at the Kit Kat Club, Merrily We Roll Along and The Who’s Tommy). The Tonys will presumably not include a performance from the fourth nominee for best revival of a musical, Gutenberg! The Musical!, which closed on Jan. 28.

The telecast is also set to feature a performance from Stereophonic, the “play with music” (by Will Butler, formerly of Arcade Fire). Stereophonic tied with Hell’s Kitchen, a musical based on the music of Alicia Keys, for the most nominations of any production this year (13).

In addition, Keys and Jay-Z will perform “Empire State of Mind,” their Grammy-winning smash that spent five weeks at No. 1 on the Billboard Hot 100 in 2009.

Most Broadway experts see the race for best musical as a close race between Suffs and Hell’s Kitchen, with Stereophonic the likely winner for best play. A revival of Stephen Sondheim’s 1981 show Merrily We Roll Along is the front-runner to win best revival of a musical. A revival of Branden Jacobs-Jenkins’ 2014 off-Broadway show Appropriate is expected to win best revival of a play.

But who will actually take home the honors? We’ve got you covered. We’ll update this list as each winner is announced.

Best musical

Hell’s Kitchen; Producers: AK Worldwide Media, Inc., Roc Nation, DML Productions, Mandy Hackett, The Sunshine Group, Julie Yorn, The Jacobs Family, No Guarantees Productions, Front Row Productions, Sharpton Swindal Productions, Grove Entertainment, The Jaime Family, John Gore Organization, Terria Joseph, Andy Nahas, James L. Nederlander, Candy Spelling, Clara Wu Tsai, Universal Music Publishing, Independent Presenters Network, Della Pietra Spark Theatricals, Today Tix ARGU, Score 3 Partners, Aaron Lustbader, The Public Theater, Oskar Eustis, Patrick Willingham

Illinoise; Producers: Orin Wolf, Seaview, John Styles, David Binder, Emily Blavatnik, Susan Rose, ArKtype/Thomas O. Kriegsmann, David F. Schwartz, Patrick Catullo, Jon B. Platt, Diamond & Melvin, Nelson & Tao, Ruth Hendel, Elysabeth Kleinhans, Ted & Mary Jo Shen, Putnam & Thau, Chase & F.K.R., GJJJM Productions, Steve & Leticia Trauber, Tim Forbes, John Gore Organization, James L. Nederlander, Park Avenue Armory, Chicago Shakespeare Theater, Nate Koch, TT Partners, Fisher Center at Bard

The Outsiders; Producers: The Araca Group, American Zoetrope, Olympus Theatricals, Sue Gilad & Larry Rogowsky, Angelina Jolie, Betsy Dollinger, Jonathan & Michelle Clay, Cristina Marie Vivenzio, The Shubert Organization, LaChanze & Marylee Fairbanks, Debra Martin Chase, Sony Music Masterworks, Jamestown Revival Theater, Jennifer & Jonathan Allan Soros, Tanninger Entertainment, Tamlyn Brooke Shusterman, Geffen Playhouse/Howard Tenenbaum/Linda B. Rubin, Kevin Ryan, Mistry Theatrical Ventures, Galt & Irvin Productions, Tulsa Clarks, Paul & Margaret Liljenquist, Bob & Claire Patterson, Voltron Global Media, James L. Nederlander, Warner Bros. Theatre Ventures, The John Gore Organization, Independent Presenters Network, Stephen Lindsay & Brett Sirota, Jeffrey Finn, Playhouse Square, Sue Marks, Indelible InK, Lionheart Productions, The Broadway Investor’s Club, Starhawk Productions, Distant Rumble, Green Leaf Partnership, Michael & Elizabeth Venuti, Leslie Kavanaugh, Deborah & Dave Smith, Belle Productions, Chas & Jen Grossman, Miranda & Sahra Esmonde-White, Rungnapa & Jim Teague, Michael & Molly Schroeder, Casey & Chelsea Baugh, James L. Flautt, Jon L. Morris, Becky Winkler, William Moran Hickey, Jr. & William Horan Hickey, III, Oddly Specific Productions, Melissa Chamberlain & Michael McCartney, Rachel Weinstein, Wavelength Productions, Rob O’Neill & Shane Snow, Eric Stine, Cornice Productions, La Jolla Playhouse

Suffs; Producers: Jill Furman, Rachel Sussman, Hillary Rodham Clinton, Malala Yousafzai, Roy Furman, Allison Rubler, Cue to Cue Productions, Sandy Robertson, Kevin Ryan & Diane Scott Carter, Renee Ring & Paul Zofnass, Walport Productions, Judith Teel Davis & Joe Carroll, Tom D’Angora & Michael D’Angora, Louise Gund, Erica Lynn Schwartz, Stone Arch Theatricals/Mayer Productions, Xan Weiser/Matters of the Art, Nothing Ventured Productions, Christin Brecher, Chutzpah Productions, Morgan Steward, 16 Sunset Productions, The Broadway Investor’s Club, Ari Conte, Rose Maxi, Jennifer Friedland, David Carroll, Julie E. Cohen, The Garelicks, Ruth Ann Harnisch, Meena Harris, John Gore Organization, Laura Lonergan, Sally Martin, Peter May, The Mehiels, Nederlander Presentations, Brian Spector, Candy Spelling, Ed Walson, Zuckerberg/Segal, Needle Productions/Oddly Specific Productions, Alissandra Aronow/Wandi Productions, Craig Balsam/Jennifer Kroman, Burkhardt Jones Productions/Adam Cohen, Vibecke Dahle Dellapolla/Samantha Squeri, Funroe Productions/Kim Khoury, Sheri Clark Henriksen/Robert Tichio, Michelle Noh/Todd B. Rubin, Nick Padgett/Vasi Laurence, Seaview/Level Forward, Sixpoint Productions/Theatre Nerd Productions, Stanley S. Shuman/Marcie Orley, Soto Productions/The Cohn Sisters, Theatre Producers of Color, The Shubert Organization, The Public Theater, Oskar Eustis, Patrick Willingham

Water for Elephants; Producers: Peter Schneider, Jennifer Costello, Grove Entertainment, Frank Marshall, Isaac Robert Hurwitz, Seth A. Goldstein, Jane Bergère, Elizabeth Armstrong, Jason M. Brady, Carl & Jennifer Pasbjerg, Erica Rotstein & Crista Marie Jackson, Jana Bezdek & Jen Hoguet, John H. Tyson, Rich Entertainment Group, Jeremiah J. Harris, John Gore Organization, Jeff & Shannon Fallick, Patti & Mike Sullivan, Rodney Rigby, Larry Lelli, Bonnie Feld, Yonge Street Theatricals, Larry J. Kroll, The Shubert Organization, Nederlander Presentations, Nancy Gibbs, Jack Lane, Amy & PJ Lampi, Gwen Arment & Vasi Laurence, Mark Parkman Fairview Productions, Nothing Ventured Productions, Pam Hurst-Della Pietra & Stephen Pietra, Steven Spielberg & Kate Capshaw, The Glasshouse USA, Willette & Manny Klausner, John Paterakis, Hope Tschopik Schneider, Patty Baker, The Burcaws & Q’d Up Productions, Crescent Road, Cynthia Stroum, Sally Jacobs & Warren Baker, Tawnia Knox & Stuart Snyder, Madison Wells Live & Takonkiet Viravan, Terry H. Morgenthaler, Pamela Moschetti, Gabrielle Palitz & Fahs Productions, The Roehl Family & Chema Verduzco, Shapiro Jensen Schroeder, Tre Amici Productions, We Eat Dreams Productions, Rachel Weinstein, Maik Klokow, Margot Astrachan, Mehr-BB Entertainment

Best revival of a musical

Cabaret at the Kit Kat Club; Producers: ATG Productions, Underbelly, Gavin Kalin Productions, Hunter Arnold, Smith & Brant Theatricals, Wessex Grove, Julie Boardman, Tom Smedes, Peter Stern, Heather Shields, Caiola Productions, Kate Cannova, Adam Blanshay Productions & Nicolas Talar, Aleri Entertainment, Alex Levy Productions, Bunny Rabbit Productions, D’Angora Padgett Productions, Cyrene Esposito, David Treatman, Eddie Redmayne, The Array IV, Bad Robot Live, BlueJay Productions, Grace Street Creative Group, Iocane Productions, Jim Kierstead, Marco Santarelli, Tokyo Broadcasting System Television, George Waud, Yonge Street Theatricals, Federman Koenigsberg Productions/Sara Beth Zivitz, Tina Marie Casamento/Jennifer Johns, M. Kilburg Reedy/Tilman Kemmler, Greenspan Proffer/Kat Kit 4, Patty Baker/Matthew Christopher Pietras, Broadway Strategic Return Fund/Red Mountain Theatre Company, Evan Coles/The Cohn Sisters, Nolan Doran/Fakston Productions, Epic Theatricals/Jeffrey Grove, Jessica Goldman Foung/Andrew Paradis, William Frisbie Tilted Marguerite Steed Hoffman/Willette & Manny Klausner, Vasi Laurence/Stephen C Byrd, Brian & Dayna Lee/City Cowboy Productions, Maybe This Time/3D Productions, Nothing Ventured Productions/Theatre Producers of Color, Perfectly Marvelous/Catherine Schreiber & Co, Second Act/Freedom Theatricals, SSP Holdings/Todd & Bronwyn Bradley, Two Ladies/Nicole Eisenberg, Ilana Waldenberg/W Stage Productions, The Wolf Pack/Burnt Umber Productions, The Shubert Organization

Gutenberg! The Musical!; Producers: Ambassador Theatre Group, Patrick Catullo, Bad Robot Live, Seth A. Goldstein, Isaac Robert Hurwitz, Runyonland Productions, Elizabeth Armstrong, Timothy Bloom, Larry Lelli, Alchemation, The Council, Crescent Road, Wendy Federman, Marcia Goldberg, Hariton deRoy, LD Entertainment, James L. Nederlander, Al Nocciolino, Spencer Ross, Independent Presenters Network, Medley Houlihan/Score 3 Partners, Tryptyk Studios/Iris Smith, Jonathan Demar/Griffin Dohr, Andrew Diamond/Alexander Donnelly, Futurehome Productions/Koenigsberg Subhedar, Roy Gabay/Nicole Eisenberg, Jessica R. Jenen/Linda B. Rubin, Daniel Powell/Amplify Pictures, Jeremy Wein/Walport Productions, Kristin Caskey, Mike Isaacson, Bee Carrozzini

Merrily We Roll Along; Producers: Sonia Friedman Productions, David Babani, Patrick Catullo, Jeff Romley, Debbie Bisno, Lang Entertainment Group, OHenry Productions, Winkler & Smalberg, Stephanie P. McClelland, Timothy Bloom, Creative Partners Productions, Eastern Standard Time, Fakston Productions, Marc David Levine, No Guarantees, Ted & Mary Jo Shen, Gilad Rogowsky, Playing Field, Key to the City Productions, Richard Batchelder/Trunfio Ryan, FineWomen Productions/Henry R. Muñoz, III, Thomas Swayne/Lamar Richardson, Abrams Corr/Mary Maggio, Osh Ashruf/Brenner-Ivey, Craig Balsam/PBL Productions, deRoy DiMauro Productions/Medley Houlihan, Andrew Diamond/Katler-Solomon Productions, Dodge Hall Productions/Carl Moellenberg, Friedman Simpson/Vernon Stuckelman, William Frisbie/J.J. Powell, Robert Greenblatt/Jonathan Littman, Cleveland O’Neal, III/Tom Tuft, Roth-Manella Productions/Seaview, New York Theatre Workshop

The Who’s Tommy; Producers: Stephen Gabriel, Ira Pittelman, Sue Gilad & Larry Rogowsky, Mary Maggio & Scott Abrams, Tom Tuft and Glenn Fuhrman, Batman Harris/Elliott Cornelious, Laura Matalon/Spencer Waller, Richard Winkler, Sheldon Stone, Firemused Productions/Stone Arch Theatricals, LeonoffFedermanWolosky Productions/Koenigsberg Batchelder, Roy Putrino/Narang Moran, Rich Martino, Aged in Wood/Lee Sachs, Paul and Margaret Liljenquist, R & R Productions, Marla McNally Phillips, Merrie Robin, O’Neill Snow, Work Light Productions, Nederlander Presentations, Independent Presenters Network, John Gore Organization, Palomino Performing Arts, Wavelength Productions, Robert Nederlander, Jr., Botwin Ignal Dawson, Jamie deRoy, Betsy Dollinger, Stacey Woolf Feinberg, Gold Weinstein, Tyce Green, Jenen Rubin, Jim Kierstead, Marco Santarelli, Nancy Timmers, Thomas B. McGrath, Olympus Theatricals, Goodman Theatre

Best performance by an actor in a leading role in a musical

Brody Grant, The Outsiders
Jonathan Groff, Merrily We Roll Along
Dorian Harewood, The Notebook
Brian d’Arcy James, Days of Wine and Roses
Eddie Redmayne, Cabaret at the Kit Kat Club

Best performance by an actress in a leading role in a musical

Eden Espinosa, Lempicka
Maleah Joi Moon, Hell’s Kitchen
Kelli O’Hara, Days of Wine and Roses
Maryann Plunkett, The Notebook
Gayle Rankin, Cabaret at the Kit Kat Club

Best performance by an actor in a featured role in a musical

Roger Bart, Back to the Future: The Musical
Joshua Boone, The Outsiders
Brandon Victor Dixon, Hell’s Kitchen
Sky Lakota-Lynch, The Outsiders
Daniel Radcliffe, Merrily We Roll Along
Steven Skybell, Cabaret at the Kit Kat Club

Best performance by an actress in a featured role in a musical

Shoshana Bean, Hell’s Kitchen
Amber Iman, Lempicka
Nikki M. James, Suffs
Leslie Rodriguez Kritzer, Monty Python’s Spamalot
Kecia Lewis, Hell’s Kitchen
Lindsay Mendez, Merrily We Roll Along
Bebe Neuwirth, Cabaret at the Kit Kat Club

Best direction of a musical

Maria Friedman, Merrily We Roll Along
Michael Greif, Hell’s Kitchen
Leigh Silverman, Suffs
Jessica Stone, Water for Elephants
Danya Taymor, The Outsiders

Best original score (music and/or lyrics) written for the theatre

Days of Wine and Roses; Music & Lyrics: Adam Guettel
Here Lies Love; Music: David Byrne and Fatboy Slim; Lyrics: David Byrne
The Outsiders; Music & Lyrics: Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine
Stereophonic; Music & Lyrics: Will Butler
Suffs; Music & Lyrics: Shaina Taub

Best orchestrations

Timo Andres, Illinoise
Will Butler and Justin Craig, Stereophonic
Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance), The Outsiders
Tom Kitt and Adam Blackstone, Hell’s Kitchen
WINNER: Jonathan Tunick, Merrily We Roll Along

Best choreography

Annie-B Parson, Here Lies Love
Camille A. Brown, Hell’s Kitchen
Rick Kuperman and Jeff Kuperman, The Outsiders
WINNER: Justin Peck, Illinoise
Jesse Robb and Shana Carroll, Water for Elephants

Best book of a musical

Hell’s Kitchen; Kristoffer Diaz
The Notebook; Bekah Brunstetter
The Outsiders; Adam Rapp and Justin Levine
WINNER: Suffs; Shaina Taub
Water for Elephants; Rick Elice

Best scenic design of a musical

AMP featuring Tatiana Kahvegian, The Outsiders
Robert Brill and Peter Nigrini, Hell’s Kitchen
Takeshi Kata, Water for Elephants
David Korins, Here Lies Love
Riccardo Hernández and Peter Nigrini, Lempicka
Tim Hatley and Finn Ross, Back To The Future: The Musical
WINNER: Tom Scutt, Cabaret at the Kit Kat Club

Best costume design of a musical

Dede Ayite, Hell’s Kitchen
WINNER: Linda Cho, The Great Gatsby
David Israel Reynoso, Water for Elephants
Tom Scutt, Cabaret at the Kit Kat Club
Paul Tazewell, Suffs

Best lighting design of a musical

Brandon Stirling Baker, Illinoise
Isabella Byrd, Cabaret at the Kit Kat Club
Natasha Katz, Hell’s Kitchen
Bradley King and David Bengali, Water for Elephants
Brian MacDevitt and Hana S. Kim, The Outsiders

Best sound design of a musical

M.L. Dogg and Cody Spencer, Here Lies Love
Kai Harada, Merrily We Roll Along
Nick Lidster for Autograph, Cabaret at the Kit Kat Club
Gareth Owen, Hell’s Kitchen
Cody Spencer, The Outsiders

Best play

Jaja’s African Hair Braiding; Author: Jocelyn Bioh; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings, Madison Wells Live, LaChanze, Taraji P. Henson

Mary Jane; Author: Amy Herzog; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings

Mother Play; Author: Paula Vogel; Producers: Second Stage Theater, Carole Rothman, Lisa Lawer Post, Salman and Vienn Al-Rashid, Courtney Lederer and Mark Thierfelder, Jerry and Roz Meyer, Alix L.L. Ritchie, Jayne Baron Sherman

Prayer for the French Republic; Author: Joshua Harmon; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings

Stereophonic; Author: David Adjmi; Producers: Sue Wagner, John Johnson, Seaview, Sonia Friedman Productions, Linden Productions, Ashley Melone, Nick Mills, Jillian Robbins, Stella La Rue, Alex Levy & David Aron, Dori Berinstein, James Bolosh, Burnt Umber Productions, The Cohn Sisters, Cathy Dantchik, Alexander R. Donnelly, Emerald Drive, Federman Koenigsberg, Dann Fink, Ruth Hendel, Larry Hirschhorn, Jenen Rubin, John Gore Organization, Willette & Manny Klausner, LAMF Protozoa, Katrina McCann, Stephanie P. McClelland, No Guarantees, Marissa Palley & Daniel Aron, Anna Schafer, Soto Namoff Productions, Sean Walsh, Bruce & Peggy Wanta, Hillary Wyatt, deRoy Howard, Winkler & Smalberg, 42nd.club, Craig Balsam, Concord Theatricals, Creative Partners Productions, Jonathan Demar, Douglas Denoff, DJD Productions, Echo Lake Entertainment, Faliro House, FilmNation Entertainment, Roy Gabay, GFour Productions, Candy Kosow Gold, Wes Grantom, Rachel Bendit & Mark Bernstein, Playwrights Horizons, Adam Greenfield, Leslie Marcus, Carol Fishman

Best revival of a play

Appropriate; Author: Branden Jacobs-Jenkins; Producers: Second Stage Theater, Carole Rothman, Lisa Lawer Post, Ambassador Theatre Group, Amanda Dubois, Annapurna Theatre, Bad Robot Live

An Enemy of the People; Author: Amy Herzog; Producers: Seaview, Patrick Catullo, Plan B, Roth-Manella Productions, Eric & Marsi Gardiner, John Gore Organization, James L. Nederlander, Jon B. Platt, Atekwana Hutton, Bob Boyett, Chris & Ashlee Clarke, Cohen-Demar Productions, Andrew Diamond, GI6 Productions, Sony Music Masterworks, Triptyk Studios, Trunfio Ryan, Kate Cannova, DJL Productions

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch; Producers: Jeffrey Richards, Hunter Arnold, Leslie Odom, Jr., Louise Gund, Bob Boyett, Curt Cronin, John Joseph, Willette and Manny Klausner, Brenda Boone, Salman Moudhy Al-Rashid, Creative Partners Productions, Irene Gandy, Kayla Greenspan, Mark and David Golub Productions, Kenny Leon, John Gore Organization, W3 Productions, Morwin Schmookler, Van Kaplan, Ken Greiner, Patrick W. Jones, Nicolette Robinson, National Black Theatre, Alan Alda, LaTanya Richardson Jackson, Samuel L. Jackson, Phylicia Rashad, Nnamdi Asomugha, Kerry Washington, The Shubert Organization

Best performance by an actor in a leading role in a play

William Jackson Harper, Uncle Vanya
Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Liev Schreiber, Doubt: A Parable
Jeremy Strong, An Enemy of the People
Michael Stuhlbarg, Patriots

Best performance by an actress in a leading role in a play

Betsy Aidem, Prayer for the French Republic
Jessica Lange, Mother Play
Rachel McAdams, Mary Jane
Sarah Paulson, Appropriate
Amy Ryan, Doubt: A Parable

Best performance by an actor in a featured role in a play

Will Brill, Stereophonic
Eli Gelb, Stereophonic
Jim Parsons, Mother Play
Tom Pecinka, Stereophonic
Corey Stoll, Appropriate

Best performance by an actress in a featured role in a play

Quincy Tyler Bernstine, Doubt: A Parable
Juliana Canfield, Stereophonic
Celia Keenan-Bolger, Mother Play
Sarah Pidgeon, Stereophonic
Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch

Best direction of a play

Daniel Aukin, Stereophonic
Anne Kauffman, Mary Jane
Kenny Leon, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Lila Neugebauer, Appropriate
Whitney White, Jaja’s African Hair Braiding

Best scenic design of a play

dots, Appropriate
dots, An Enemy of the People
Derek McLane, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, Jaja’s African Hair Braiding
WINNER: David Zinn, Stereophonic

Best costume design of a play

Dede Ayite, Appropriate
WINNER: Dede Ayite, Jaja’s African Hair Braiding
Enver Chakartash, Stereophonic
Emilio Sosa, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
David Zinn, An Enemy of the People

Best lighting design of a play

Isabella Byrd, An Enemy of the People
Amith Chandrashaker, Prayer for the French Republic
Jiyoun Chang, Stereophonic
Jane Cox, Appropriate
Natasha Katz, Grey House

Best sound design of a play

Justin Ellington and Stefania Bulbarella, Jaja’s African Hair Braiding
Leah Gelpe, Mary Jane
Tom Gibbons, Grey House
Bray Poor and Will Pickens, Appropriate
Ryan Rumery, Stereophonic