Music

The ’80s Hair Metal Era Is the Subject of Upcoming Paramount+ Documentary

Are you ready to rock? Paramount+ revealed exclusively via Billboard on Thursday (June 20) that a brand new docuseries, Nöthin’ But a Good Time: The Uncensored Story of ’80s Hair Metal, will hit the streaming platform later this year.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The three-part, Jeff Tremaine-directed series is based on the Tom Beaujour and Richard Bienstock book of the same name, and will dive into brazen era of 80s hard rock, and will feature interviews with some of its main players and fans, including Poison frontman Bret Michaels, Ratt frontman Stephen Pearcy, Extreme guitarist Nuno Bettencourt, Skid Row guitarist Dave “Snake” Sabo, TV and radio personality Riki Rachtman, Slipknot lead vocalist Corey Taylor and Jackass star Steve-O, among others.

“This docuseries is a celebration of the most outrageous decade in rock n’ roll. It’s my love letter to the ‘80s,” said Tremaine in a press statement. Per a release, the series will offer “a fresh and shockingly candid behind-the-scenes look at one of music’s most iconic eras. Each episode showcases the insanity and blazing ambition that has enthralled generations of music lovers and continues to influence culture to this day.”

Trending on Billboard

Nöthin’ But a Good Time: The Uncensored Story of ’80s Hair Metal is produced by MTV Entertainment Studios, Gorilla Flicks and Spoke Studios.

Swifties Can Collect Digital Friendship Beads in New Taylor Swift TikTok Eras Tour Interactive Experience

As if your feed wasn’t already filled with enough Taylor Swift Eras Tour content, TikTok has launched a new in-app experience featuring a series of challenges for Swifties over the next 11 weeks. That, of course, is the number of studio albums Swift has released, with each LP getting its own themed profile frames and beads that will allow fans to make their own digital keepsakes.

The #TSTheErasTour experience will give fans the chance to complete new album-themed tasks each week in which they will earn themed-profile frames and digital beads that will add up to their own bespoke in-app friendship bracelets. Swifties who complete all 11 weeks of tasks will get a final Swiftie profile frame as a gift.

The experience will also feature video highlights from each tour stop during the 11 week run and a playlist tied to each week’s album theme, according to a release announcing the project. Swifties can access the Eras Tour experience by clicking on the anchor symbol on Swift content on TikTok or by interacting with the search banners when looking for Eras Tour-related terms.

Trending on Billboard

The effort is the follow-up to another Swift initiative TikTok launched in April in connection with the singer’s latest album, The Tortured Poets Department, which allowed fans to celebrate the LP together; according to TikTok, to date there are more than 3.2 million creator videos using the Tortured Poets hashtag.

In the meantime, Swift continues to pack houses across Europe on the Eras Tour, including during a gig in Cardiff, Wales on Tuesday (June 18), during which the singer performed the live debut of the Anthology edition of the Tortured Poets song “I Hate It Here,” which was paired with the Folklore track “The Lakes” during a mash-up in the acoustic section of the show.

Joseph Gordon-Levitt Will Melt Your Heart With His Acoustic Taylor Swift ‘Lover’ Cover in Honor of Wife’s Birthday

Joseph Gordon-Levitt knows that sometimes a card just won’t do. Which is why the Beverly Hills Cop: Axel F star and music lover took a moment during his visit to The Tonight Show on Wednesday night (June 19) to pull out an acoustic guitar and offer his absent wife a very special tribute.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Today is actually my wife’s birthday,” the actor told Jimmy Fallon. “I’m so sad because she’s not here in New York with me. I’m here working and she’s back home. I feel so terrible. I texted Jimmy and I said, ‘Can I give her a special birthday present on the show?’” The host then obliged by pulling an instrument out from behind his desk.

“We’re here to make dreams come true,” Fallon said in granting Levitt’s wish to give a musical shout-out to wife Tasha McCauley. “This is a song by a singer-songwriter she really, really loves that you all might know,” Gordon-Levitt said, before adding, “Babe, you’re the most luminous soul I’ve ever met. I’m so grateful you were born and I’m coming home soon. Love you.”

Trending on Billboard

Levitt then performed a sweet unplugged cover of Taylor Swift‘s “Lover,” with Fallon joining in on the chorus and drumming on his desk as JGL strummed his heart out with a giant smile on his face. Gordon-Levitt and McCauley were married in December 2014 and have two sons.

Gordon-Levitt, 43, of course, also talked about what a joy it is to appear in the new reboot of one of his most beloved childhood franchises, telling Fallon he has long made playlists for each of his movie characters to get into their headspace. For his latest, though, the only song on that list was, of course, Harold Faltermeyer’s iconic 1984 instrumental theme, “Axel F,” which the Roots played as Gordon-Levitt’s entrance music and reprised later in the interview as the star jumped up to dance to the synth classic.

Watch Gordon-Levitt on the Tonight Show below.


https://youtube.com/watch?v=c8YPq9qh-_0&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

5 Things You Need to Know about Kendrick Lamar’s Juneteenth ‘Pop Out’ at Kia Forum in L.A.

In a show called “The Pop Out,” Kendrick Lamar did just that and Inglewood and the culture will forever be grateful.

Billboard caught all the action from the Kia Forum in Los Angeles, and breaks-out five of the highlights.

He’s What The “Culture Feelin’”

Though the crowd was not in its entirety a Black one, the spirit of Juneteenth was a big part of the evening considering the historical relevance of the holiday. From the excited vendors leading up to the venue, to the smiles on everyone’s faces once they entered the building, the feeling was unity. People of all ages and backgrounds fought off a lot of ticket resellers for the chance to experience this day together and you could feel that energy. The choice to have this show on this day was undeniable.

Mustard is One of L.A.’s Best Producers

The producer behind the Billboard Hot 100 No. 1 “Not Like Us” is no stranger to Hip-Hop, but when his billing said “and Friends” it meant just that. The California crowd got to see just how prolific his career has been to this point. Ty Dolla $ign, Tyler the Creator, Roddy Ricch, YG, and more joined him on hit after hit to warm the crowd up for his biggest hit yet.

Kendrick Reunited Black Hippy

Throughout the night, Kendrick brought up day ones and this moment was definitely for those people. He reunited his rap supergroup that formed in 2008 and consisted of ScHoolboy Q, Ab-Soul, & Jay Rock.

He Brought Out Dr. Dre

As if the show hadn’t packed enough punch the Kia Forum almost lost its top as Dr. Dre appeared next to Kendrick and the recognizable cords of “Still D.R.E.” grabbed the attention of the audience. The rap legend knew exactly what the people wanted and then went into “California Love”. But before he could leave the stage Kendrick asked him a favor. Dre whisper “psssss….I see dead people” and the room exploded.

He Performed “Not Like Us” Five Times

If there was any doubt that Kendrick would shy away from his extensive beef with Drake, that evaporated as soon as he rose from the stage and started the lyrics of “Euphoria”.

Now his set didn’t stray away from his hits like “DNA”, “King Kunta”, and “Humble.” And with the occasion being Juneteenth in many ways his performance of “Alright” hit the exact cultural note that people were waiting on “Not Like Us” to deliver.

But after also swinging into “6:16 in LA” the crowd went feral when “Mustard on the Beat” was heard on the speakers and “Not Like Us” began. The audience hung on every word and even extended his iconic “a-minor” line acapella. But nobody expected him to repeat the song 5 times. He continued to bring it back and the energy never dipped. The song even played as he excited the stage and the instrumental served as the soundtrack for fans exiting the venue.

Not sure anybody was questioning it at this point, but he does seem to really hate Drake. What was unexpected is that a song about who he refers to as a “colonizer” has turned into what is clearly the anthem of Juneteenth.

As he ended the show he stated: “It ain’t got nothing to do with no back and forth records. It’s got everything to do with this moment right here. That’s what this shit was about. To bring all of us together.”

Quavo Hosts Summit Against Gun Violence With VP Kamala Harris on Takeoff’s Birthday

Migos rapper Quavo’s quest to transform his nephew Takeoff’s tragic shooting into a force for change convened with a summit against gun violence on what would have been the late rapper’s 30th birthday.

Quavo held the inaugural Rocket Foundation Summit at the Carter Center in Atlanta on Tuesday (June 18) — the same day as Takeoff’s birthday. The music performer was joined by Vice President Kamala Harris in a fireside chat during the one-day summit, which included panel discussions about gun violence prevention and youth programs.

For Quavo, it’s been a rough road since Takeoff’s untimely death in 2022. But many of his family members — including his nephew’s mother — often encourage him to keep pushing forward.

Trending on Billboard

“It’s super hard every day. I’m still crying. I’m still grieving. I’m still mourning,” said Quavo, who along with his family launched the Rocket Foundation in honor of Takeoff and committed millions to invest into community violence intervention.

Last year, the Grammy-nominated rapper attended the Congressional Black Caucus legislative conference where he met with political figures including Harris and Greg Jackson, who is now the deputy director of the White House Office of Gun Violence Prevention after his stint with the Community Justice Action Fund.

“Just to look behind me and see that I got the VP and guys like Greg Jackson and other survivors that actually fell victim to the same thing, I know that I’m not alone,” Quavo continued. “This is my second calling. This is very personal to me. That’s what makes my drive and motivation to go even harder.”

Police say Takeoff was an innocent bystander who was shot outside a Houston bowling alley after a disagreement over a lucrative dice game. Takeoff’s death was among a string of fatal shootings in recent years that involved hip-hop stars such as Nipsey Hussle, Pop Smoke, PnB Rock and Young Dolph.

Quavo calls the foundation and summit a “certified movement.” Earlier this year, he and the foundation created the Sparks Grant program, which supports organizations working to minimize community violence.

The program will award $100,000 in grants to Atlanta-focused organizations.

“I feel like a lot of people just announce foundations and keep it moving for nonprofit purposes or even financial issues,” he said. “But I’m on the ground. I’m actually working. We’re getting things done. We’re getting results. We’re raising real money. We’re going down into the real communities where the problem has been an issue.”

Quavo’s discussion with Harris touched on the impact that community violence intervention can make and the importance of youth support systems in decreasing gun violence. A separate roundtable discussion connected families of victims with survivors.

“To translate that pain and grief into something that is about creating strength and empowerment in the community — including our young — is pretty extraordinary,” Harris said during the discussion while speaking to Quavo. “You have chosen to use your celebrity and the gifts you have as an artist to talk about and actually work on with action. It’s extraordinary. You are an incredible leader. A national leader on this.”

The summit featured panels with a focus on the gun violence crisis in the United States and how community violence intervention is a long-term solution for this issue. Another will discuss the importance of supporting youth in the fight against gun violence and visibility of youth resources.

Quavo hopes the summit can lead to more partnerships between the Rocket Foundation and the White House. He’s on a mission to ensure his voice is heard and honor his nephew’s legacy.

“It hits hard when it hits home,” he said. “We’re trying to avoid that. Just because it’s next door, you don’t close your door. You can open the door and help your neighborhood. It’s joining hands with the world and making sure this awareness is on a national billboard. That’s my platform.”

Lana Del Rey & Quavo Preview New Song ‘Tough’: Listen

Is Lana Del Rey and Quavo‘s “Tough” almost here? The pair unexpectedly teased the new track Wednesday night (June 19), leaving fans of both artists shaking in the comments on Instagram.

Quavo unveiled a clip of “Tough” that will be, well, tough to get out of your head once you’ve hit play. He tagged Lana on the post.

Together, they sing: “Tough like the scarf on a pair of old leather boots/ Like the blue-collar, red-dirt attitude/ Like a .38 made out of brass/ Tough like the stuff in my grandpa’s glass/ Life’s gonna do what it does/ Sure as the good lord’s up above/ Cut like a diamond shining in the rough, tough.”

A release date for “Tough” has not been announced. Billboard reached out to reps for comment.

Trending on Billboard

Though details at press time are scarce, fans appreciated the new song sneak Tuesday night.

“The way you can seamlessly mix genres and not make it seem like a gimmick is TALENT!! This sounds so goodddddddddddd,” one follower praised, while another complimented, “No, like this sounds insane.” Someone compared it to the kind of top-tier pairing you get “when the teacher picks for the group project.”

“oh my lust for life roots are SHAKING,” a Lana fan wrote, referencing the singer-songwriter’s 2017 album that had features with A$AP Rocky and Playboi Carti, among others.

Quavo uploaded a brief bit of “Tough” on Instagram last month, but Lana’s vocal hook on the track hadn’t been shared until now. In that first clip of the song, posted on May 9, the Migos star talks over a Western-guitar-and-trap-beat outro, with Lana in the background. He tells her, “I’ll show you around … Come take a ride with me. Whenever. Whenever you ready, call on me.”

“If u come from where u come then u were born….Tough!” he captioned the post, which pictured a Polaroid of the two hanging out on the front porch of a house.

Lana — who’s recently spoken of an upcoming country album, Lasso, the follow-up to 2023’s Did You Know That There’s a Tunnel Under Ocean Blvd, which reached No. 3 on the Billboard 200 — is scheduled to perform at Boston’s Fenway Park on Thursday (June 20). She’s been on the spring/summer festival circuit, having played this year’s Coachella, Hangout, I-Days and Primavera Sound, with Reading, Leeds and Rock en Seine to come; the one-night-only, sold-out show at Fenway will mark her first U.S. stadium headlining concert.

Listen to Lana Del Rey and Quavo’s latest preview of “Tough” below.

Taylor Swift Plays ‘I Hate It Here’ Live for the First Time, Paired With ‘The Lakes’

The Tortured Poets Department met Folklore, on which Taylor Swift sings wistfully of “the lakes, where all the poets went to die,” at the star’s Eras Tour stop in Cardiff, Wales, Tuesday night (June 18).

Swift’s surprise song set, the acoustic section of the show, at Principality Stadium featured the live debut of The Anthology edition of Tortured Poets‘ “I Hate It Here” paired in a melancholy piano mashup with Folklore bonus track “The Lakes.”

At her piano Tuesday night, Swift checked to make sure her mic was working and then playfully commented, “This is a song I’ve never played live before. Wish me luck!”

Trending on Billboard

“Quick, quick, tell me something awful/ Like you are a poet trapped inside the body of a finance guy,” she sang. “Tell me all your secrets, all you’ll ever be is/ My eternal consolation prize/ You see, I was a debutante in another life, but/ Now I seem to be scared to go outside/ If comfort is a construct, I don’t believe in good luck/ Now that I know what’s what.”

The “I Hate It Here” chorus followed: “I hate it here so I will go to secret gardens in my mind/ People need a key to get to, the only one is mine/ I read about it in a book when I was a precocious child/ No mid-sized city hopes and small-town fears/ I’m there most of the year ’cause I hate it here/ I hate it here.”

Instead of singing the song’s second verse, though, she switched over to “The Lakes”: “Is it romantic how all my elegies eulogize me?/ I’m not cut out for all these cynical clones/ These hunters with cell phones/ Take me to the lakes, where all the poets went to die/ I don’t belong, and my beloved, neither do you/ Those Windermere peaks look like a perfect place to cry/ I’m setting off, but not without my muse.”

Later in the performance, she again pleaded, “I hate it here, so take me to the lakes/ Take me to the lakes where all the poets went to die/ I don’t belong, and my beloved, neither do you.”

Like she’s done several times on the European leg of the tour, with general admission standing room only on the floor, Swift paused mid-performance to flag security for a fan in the crowd who needed help.

“I’m not gonna sing until they get help,” she said, “but you guys are so awesome and so on top of it.”

Before her piano number, Swift played an acoustic mashup of Lover‘s “I Forgot That You Existed” with Reputation‘s “This Is Why We Can’t Have Nice Things,” complete with audience-amplified laughter as she tried to sing, “And here’s to you, ’cause forgiveness is a nice thing to do” and topped it off with “I can’t even say it with a straight face.” (Fans pointed out the timing of Swift’s song choice falling on June 18, which happens to be Scooter Braun’s birthday.)

Watch Swift’s Cardiff acoustic set below. The clip to the left includes “I Forgot That You Existed” with “This Is Why We Can’t Have Nice Things,” while the video on the right has “I Hate It Here” with “The Lakes.”

James Chance, No Wave Icon & the Contortions Saxophonist, Dies at 71

James Chance, the singer-saxophonist of the Contortions and Teenage Jesus and the Jerks, who helped launch the No Wave scene in the late 1970s, has died. He was 71.

News of Chance’s passing was confirmed by his brother, David Siegfried, and shared through the late punk-funk artists’s Facebook page on Tuesday (June 18).

“His death was announced by his brother David Siegfried of Chicago, who did not specify a cause of death but noted that the musician’s health had been in decline for several years,” the lengthy post reads. “His final live performance is believed to have taken place in March 2019 in Utrecht, the Netherlands.”

Chance, who was known for blending jazz, punk and funk, died June 18 at Terence Cardinal Cooke Health Care Center in New York, according to the statement.

Trending on Billboard

Born James Alan Siegfried in Milwaukee, Chance began playing piano while attending a Catholic elementary school and later took up the alto saxophone in his late teenage years. During his education at Michigan State University and Milwaukee’s Wisconsin Conservatory of Music, he formed the jazz band James Siegfried Quintet and the Stooges-influenced Death.

In 1975, Chance moved to New York, where he officially began using his stage name, and a year later formed the influential group Teenage Jesus and the Jerks with singer Lydia Lunch. In 1977, after studying with saxophonist David Murray, he formed the first version of the Contortions. The group released its debut album, Buy, in 1979. Chance was known for his confrontational stage presence and known to start fights with members of the crowd.

The Contortions broke up in 1979 and Chance reunited with some members of the band in 2003 for a series of shows, including All Tomorrow’s Parties in Los Angeles. They later toured together in the following years. Chance also performed with the Chicago band Watchers.

He is survived by his mother, Jean Siegfried; brother, David Siegfried; and sisters, Jill Siegfried and Mary (Randy) Koehler.

Justin Timberlake’s Lawyer Speaks Out Following Singer’s DWI Arrest

Justin Timberlake‘s lawyer has shared a statement following the pop star’s arrest for driving while intoxicated.

On Wednesday (June 19), the office of attorney Edward Burke Jr. spoke out about the incident, saying that he will “vigorously” defend the 43-year-old singer and actor.

“[We] look forward to vigorously defending Mr. Timberlake against these allegations. He will have a lot to say at the appropriate time. He is currently awaiting full discovery from the DA’s office,” Burke said in the statement, shared with TMZ.

Timberlake was arrested on suspicion of driving while intoxicated in Sag Harbor, N.Y. on Monday night (June 17). He was arraigned on one count of “driving while intoxicated” the following day.

According to a statement released by the Sag Harbor Police Department, a traffic stop was initiated after the SexyBack” singer “was observed operating a 2025 BMW southbound on Madison Street, failing to stop at a duly posted stop sign and failing to maintain his lane of travel.”

Trending on Billboard

“It was ascertained that the defendant was operating said vehicle in an intoxicated condition in that his eyes were bloodshot and glassy, a strong odor of an alcoholic beverage was emanating from his breath, he was unable to divide attention, he had slowed speech, he was unsteady afoot, and he performed poorly on all standardized field sobriety tests,” according to the police report filed by officer Michael Arkinson.

“I had one martini and I followed my friends home,” Arkinson also quoted the 10-time Grammy winner as saying in his report.

Timberlake’s next court hearing is scheduled for July 26, the same day he is scheduled to perform at Tauron Arena Krakow in Poland. He is currently on his Forget Tomorrow world tour.

Alice Cooper Relaunches Satirical U.S. Presidential Campaign: ‘It’s the Same Joke Over and Over’

Alice Cooper‘s next presidential campaign has begun, and this time he’s… well, not entirely serious, but a bit more on point than he’s been previously.

Since releasing “Elected” on 1972’s Billion Dollar Babies album (a revision of the track “Reflected,” the first single from the band’s 1969 debut, Pretties For You), the largely apolitical Cooper has used the song as fodder for his act, staging mock rallies at the end of his shows, stumping for his Wild Party and branding himself “a troubled man for troubled times.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

It’s been part of the climax of his latest show, which debuted during April 2023, but now he’s adding verbiage that “I have absolutely no idea what to do — so I should fit right in.” He’s also launched the website aliceforpresident.com, which promises “ongoing virtual rallies and Q&A sessions,” and urges fans to “Stay informed. Join the Conversation. Be Part of the Movement.

Trending on Billboard

If elected he will not serve, of course, but Cooper seems more vested in being part of the discussion as the election season intensifies.

“It’s the same joke over and over. It was funny when I started doing it, now I’m really tired of it,” the Arizona resident tells Billboard from his current tour in Europe. “I just can’t’ believe these two (candidates) are the best we can do. Y’know what they really are? These two are the best that money can buy. What they should do is just pick up a phone book and put a finger on somebody; whoever it is, if it’s a guy who owns a gas station in Iowa, he should be president… It seems like anybody out there can be better than these two guys.”

Cooper adds that touring overseas has also given him additional perspective about the situation. “Everyone here’s terrified with what’s happening with our presidential race,” the artist says. “Everybody that I talk to in Europe goes, ‘Really? Is that the best you can do is these two guys?’ and I go, ‘I have no idea.’”

He’s been adding to the political commentary, too, by keeping the straitjacket that he wears during “Ballad of Dwight Fry” on when he mounts the tall, bunting-adorned podium to deliver “Elected.”

“That’s the funniest bit of it. Here’s this maniac in a straitjacket going, ‘You could do better! I’m your man!’ Alice in the straitjacket makes the point, y’know? ‘Let insanity reign!’”

Electoral satire aside, Cooper’s own campaign trail will be a busy one for the rest of the year. He and his band are in Europe through mid-July, returning to North America starting July 30 in Niagara Falls, Canada, and including another run of the Freaks On Parade Tour with Rob Zombie, Ministry and Filter during the late summer. Another European run, meanwhile, takes place in October.

Cooper has also finished work on “a surprise album” to follow last year’s Road. He isn’t offering any details, including a title or release date, other than “it turned out to be very unique.” He’s also enjoying new life on syndicated radio with Alice’s Attic, the successor to Nights With Alice Cooper. He’s expanded his presentation with the five-hour program, introducing a variety of characters and more aural theatricality.

“I actually am having more fun with it now, because I can go to different places with it,” Cooper says. “It’s basically the same kind of show except now I put it into a form where I can have characters, ’cause once you’re in Alice’s Attic there’s broken dolls, a butler, Madeline the Mannequin — things you would normally find in an attic are now characters in the show. I’ve gotten to make it a little creepier, a little funnier.”